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Evening star. [volume] (Washington, D.C.) 1854-1972, March 15, 1937, Image 40

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New Guild Tackles
Children’s Film Problem
Drama Department Prepares to Use Its Aid
in Keeping Junior on the Right Track
As to His Pictures.
BY JAY CARMODY.
HEN the telephone rings in the drama department on a Saturday
morning, any Saturday morning, the chances are that it is a
Washington mother on the other end of the line.
"Where,” she wants to know, “is there a picture today suitable
for children?”
It is the practice of the drama department at such times to pick up the
list of films currently showing In
Washington, turn on the full force
of memory and judgment, and try
conscientiously to select a picture it
can recommend. It is quite a re
sponsibility. It is a difficult job. In
fact, it is well nigh Impossible to
fulfill it when its varied aspects are
considered.
The task is one, indeed, for the
child psychologist working in co
operation with film producers. The
best the non-specialist can do is run
through the list of available pictures
and eliminate those which he thinks
children might well not see. It is a
pretty negative procedure and full of
pitfalls and possible errors. It may
spare the innocent child the pain ol
pictured murder, robbery, bloodshed
and the 54 other varieties of original
and acquired sin, but it is no guar
antee that he will be entertained.
In the course of several Saturdays
at pictures of this department’s
recommendation, he might develop
* pretty low opinion of its judgment.
He might be justified, too. It would
not be his fault, nor the department’s
but rather that of the system. The
pictures left on a list selected on the
basis of harmlessness not always are
the kind of fare the child has a right
to expect for his money, or his
father’s
* 5k * *
£*OMES now to the assistance of
the child and his parents—not
to mention the enormous relief of
at least one drama department—the
Junior Cinema Guild. Using the
Rialto Theater as a proving ground
the organization is running a test
to determine whether pictures espe
cially selected for children are really
desirable.
The first picture of the series of
four, “Timothy’s Quest,” was shown
last Saturday. Three others on sub
sequent Saturdays, with "Sequoia”
listed for this week, are on the pro
gram. If they prove sufficiently popu
lar, there will be a full season of
Junior Cinema Guild pictures next
Fall. They will start in October and
continue through March.
Three women prominent in the
entertainment field here are behind
the venture. They are Mrs. Louise
Noonan Miller, co-manager of the
Rialto; Miss Bess Davis Schreiner,
managing director of the American
Theater Society, and Miss Matilda
Young, local representative of the
Children’s Theater of New York.
It is not to be inferred from this
that film producers and exhibitors
generally are oblivious of the child’s
requirements for motion picture en
tertainment. As a group, they have
as much experience in parenthood as
any other. And, they are quite as
fond of children. Within the limits
of their business technique, they try
to reach the child audience on speci
fic occasions. They cannot specialize
too much, however, for reasons that
are obvious.
The whole problem is a diflicult
one. Every effort to solve it is of wide
spread interest. The latest one in
Washington is no exception to the
rule.
* * =k sk
J^EWSPAPER life and its supposed
glamour are becoming Hollywood
fixations. Pictures without at least
__ _
one newspaper man—a d^ar, mad fel
low usually—are becoming rare
enough to be museum pieces. The
presence of the newspaper man or
newspaper men, is neatly concealed
by the title sometimes. "Love on the
Run" was a case in point. You would
have thought it Was about love, but
once you got into the same theater
with the picture you found it full of
reporters and heiresses, as well as
sentimentality and comedy.
There was even a picture called
"Woman Wise,” which had to do
with the dumbness of a newspaper
man in love.
The one coining next to the Capitol
has a title that hides the presence
of two newspaper men who carry the
burden of its story. "Espionage" is
its name. It probably will increase
the public conviction that newsmen
are a mad lot.
* * * *
gO FAR it has not been revealed
that there are any reporters hid
ing behind Jessie Matthews in “Head
Over Heels in Love.” That word
“heels” in the title, of course, might
steer some persons away from betting
there were none, however. With Miss
Matthews to sing and dance, how
ever, the picture may prove a suc
cess without a character recruited
from journalism.
* * * *
J^ESEARCH workers who labored on
j v the picture, “Fire Over England,”
could not have had an easier time of
it had they found alive a dozen an
cient eye-witnesses to the sinking of
the Spanish Armada. The English
man’s interest in his country’s his
tory being what it is, the armada
incident was a story as thoroughly
told in libraries and museums as if
it happened but a few years ago.
According to United Artists, releas
ing the picture which opens at Keith’s
on Wednesday, finding a song of the
period was a great deal simpler than
getting one for a modern musical
show. Some one just went to the
museum files and dug out a ballad
written by Henry VIII. As ideally
iwiited to its purpose it was as an Irv
ing Berlin or Cole Porter melody to
day.
Wonder if the credits include a
line, “Songs by Henry VIII?” That
would be something.
* * * *
j ^ND: The Burlesque Critics Asso
j elation of American snarls and
bares its teeth at any one who puts
an apostrophe after the “s” in critics
. . . Variety Club’s “Cruise to Ire
land” party on Wednesday night is
beginning to sound like the greatest
show on earth. Even at this early
date St. Patrick can feel pretty well
satisfied with the work done by the
publicity department in behalf of his
anniversary . . . “Hitch Your Wag
on," a new comedy by Bernard C.
Schoenfield, is scheduled to premiere
at the Belasco on March 29. Mrs.
Charles D. Allen, 5812 Thirty-second
street, is sailing for Bermuda on Fri
day, and the reason for saying so on
a drama page is that she won the
trip as a prize in a contest conducted
j by Loew's Moviegoer. Mrs. Allen
| makes a specialty of winning prizes
| in movie contests of various kinds.
Three You’ll Meet on the Avenue
^Ml
Alice Faye, Dick Powell and Madeleine Carroll are the three top stars in the new musical,
"On the Avenue,” which has all those Irving Berlin hit tunes. It’s playing now at Loew’s Palace
Theater.
Kindler Leads Symphony
In 57th Sunday Concert
Cheers and “Bravos” Greet Presentation at
Constitution Hall—Conductor Recalled
Many Times.
THE National Symphony Orchestra, Dr. Hans Kindler, conductor, gave its
fifty-seventh Sunday concert yesterday afternoon in Constitution Hall
before a large and very enthusiastic audience. Not every orchestra or
musician who plays in the National Capital can so enthuse an audience
as to hear cheers and "bravos,” but following the orchestra’s opening number,
J. S. Bach's ’’Passacaglia and Fugue,” Dr. Kindler was recalled many times
ana witn tne orchestra standing re- •;
ceived much applause and not a few
cheers. The orchestra played well and
in this number there was tremendous
volume, the composition being par
ticularly rich in orchestration.
The soloists yesterday were Ethel
Bartlett and Rae Robertson, duo
pianist who in their former appear
ances here have made many friends
through their excellent playing to
gether. They chose two concertos
yesterday for two pianos and orches
tra, both listed on the program as
“first time in Washington.” The j
phrase is dangerous except with new
compositions. The first concerto was 1
that in E fiat, by C. P. E. Bach, in :
which the pianists had ample oppor
tunity to show their brilliant tech
nique. Mr. Robertson played with
much more precision than Miss Bart
lett, although there was much more
color and warmth in her tone. There
was lacking in their performance yes
terday the perfection of ensemble
which so distinguished their playing
before. In fact there were phrases
that were ragged, Miss Bartlett being
careless in striking chords with both
hands simultaneously.
The “Concerto in D Minor,” written
by the French modernist, Francis
Poulenc, was without doubt played in
Washington for the first time yester
day, and from its reception it probably
will not be the last. The composition
itself is delightful in its humor, and
is quite original in the treatment of
the brief themes. In the opening of
the first movement it is at times some
what reminiscent of the childish duet,
"Chop Sticks," and in the second
movement, "Larghetto,” the lovely
theme is tossed back and forth from
one piano to the other and the orches
tra. Following this number the pian
ists returned, after numerous recalls,
and played a "Chorale,” of J. S. Bach,
for two pianos, arranged by Mary
Howe of Washington, and were obliged
to play a second encore.
The orchestra completed the long
program with "Le Repos de la Sainte
Famille,” from Berlioz’ "L’Enfance du
Christ," and Liszt's famous "Mefisto"
waltz.
The size of the audience yesterday,
in spite of the bad weather, and the
enthusiasm expressed is encouraging
that the drive for a sustaining fund
for the National Symphony Orches
tra, which now is under way, will be
more than successful. The goal of the
Symphony Association is high, but
the work of the orchestra and the
place it has made for itself in the
National Capital warrants its success.
In the very few years—this is the
sixth season—the organization has
grown to a worthwhile orchestra, play
ing the best music with good tone, ex
cellent ensemble and authentic in
terpretations. And this Dr. Kindler
has accomplished with the help of
music lovers in Washington.—K. B.
COMICS FEATURE BILL
AT GAYETY THIS WEEK
“Reds" Marshall and “Hap’’ Hiatt
Provide Entertainment for
Lake's Customers.
yyiTH “Reds’’ Marshall and “Hap”
Hiatt as the funsters and with
Tom Bundy and Murray Leonard
rendering their usually flawless sup
port in the straight-man assignments,
Col. Jimmy Lake is assured of a
mirthful week. Although revelatory
technique comes in for its full share
of attention, it is the comics who fur
nish the largest measure of enter
tainment. Marshall, in particular,
affords the customers more than the
usual quota of laughs, presenting
new touches to old scenes.
The feminine specialty performers
are entirely satisfactory, however,
what with Edna Dee, Dolores Dawn
and Boo La Von to do the honors.
The titlan-tressed “toddler" is back
with her dependable bag of tricks,
and the Misses Dawn and La Von pro
vide secondary appearances which
merit the adjective, “eye-filling.”
Claire Stone sings acceptably, ren
ders capable assistance in the scenes
and acts as couturiere in a scene
which has the lovely lasses leaving
the stage in full and interesting dress.
There are two novelty acts which
merit particular attention, Glenn
Mason and Maurice and Maria. Mason
is a xylonphonist—something differ
ent on a burlesque house stage to
start. Furthermore, he is a hammer
wielder, capable of contending with
the best. Presenting a classical selec
tion, a medley of old favorites and a
present-day hit, Mason displays in
telligent playing throughout, and the
first-show audience liked him very
much—proof that a topnotch novelty
act can win a burlesque “house.” That
other item is an adagio team, with
the female member performing some
of the most intricate contortions seen
in quite a while. Maurice and Maria
constitute a superb dance combina
tion. They are best as an adagio
duo, but no fault can be found with
their ball room or tap efforts.
—C. A. M.
Garbo’s "Don’ts.”
^“JRETA GARBO is about to start her
twenty-second American picture,
"Madame Walewska,” with Charles
Boyer as Napoleon.
Much has been written about her
doings, but little about the things she
never does. A chat with fellow work
ers today reveals her "don’ts.”
She never meets her leading man
until the first day of work.
She refuses to see “rushes”—scenes
made and still unedited.
She doesn’t eat in the studio cafe,
but in her dressing room.
No automobile has she ever driven.
Nor does she eat ice cream cones. No
one has ever seen her in airplane,
street car or bus.
She doesn’t answer fan letters and
never gives autographs.
Never has she traveled with a maid
or a bodyguard.
Capital’s Drama Qroups
Civic Theater to Introduce Double Cast
ing—Cue and Curtain in “New Gossoon.”
BY HARRY MacARTHUR.
ANOTHER innovation is about to be made locally by the Washington
Civic Theater. This time it's double casting, a device practiced by
the Metropolitan Opera Co., the Moscow Art Theater and other
prominent organizations. Double casting is to be introduced here in
the Civic Theater's production of "Girls in Uniform,” with Mary Jo Day and
Virginia Phelan alternating in the central role of Manuela while the other
piaya f/ucigcuu, emuiaici ui me .yv/uiig <
students.
Constance Connor Brown found
both girls so well suited to the leading
role she couldn't choose between them,
so they have been alternating at re
hearsals and will continue to alter
nate w'hen the play reaches the public
March 31 at the Wardman Park
Theater.
Double casting can have a fine
effect on the other members of the
cast of a play and is highly recom
mended by many eminent theater
authorities, including Stanislawski
and Nemirovich-Danchenko of the
Moscow Art Theater. For one thing,
a fresh personality in a central part
on alternate nights keeps the rest
of the players on their toes and con
sequently gives the whole production
a lift.”
The Civic Theater’s director, Day
Tuttle, who has been taking a vaca
tion from the theater in Hollywood,
will return to assist Miss Brown in
the final week of rehearsal.
Friday and Saturday nights of this
week are the dates set for the Cue
and Curtain Club’s production of
George Shiel’s ‘The New Gossoon,”
at the Wardman Park Theater. The
comedy of Irish farm life is consid
ered one of the best of the author’s
many plays, marking the trend of
the Irish drama away from the plays
of the revolution to an attempt to
portray the rich color and native
humor of the country. It was done
in this country by the Abbey Theater
Players on their last tour here.
The cast includes Charles Mc
Vicker, Maxine Mitchell, Harold
Minor, Betty Griswold, Margaret
Young, Mimi Norton, Tom Dobson,
John Kendrick and E. Edgar Jama
gin, most of whom will be remem
bered from work in other plays by
the George Washington group.
‘‘The New Gossoon” is being staged
by Marvin Beers.
Protest, an original musical
dramatization of a social issue, done
in the “living newspaper” manner,
will be the main event of the first
major production of the season by the
New Theater Group of Washington.
It will be presented Thursday, Friday
and Saturday nights at the Odd
Fellows’ Hall, Ninth and T streets,
as the feature of a group of three
one-act plays.
ff we were not aware of the libel
laws you could read here what the
publicity department of the Stella
Maris Club has to say about the cast
at “Stop Thief,” which it is present
‘ ing April 18, 19 and 20. If you”ll
promise to bring us cigarettes to the
gaol you can read it anyway. Here
; it is, a direct quote:
j “Mr. Robert Halstead (he's the
director) had little difficulty in secur
ing the services of an able crook to
play the part of Doogan in the play.
There are exactly four out of the
seven main male parts in the produc
tion filled by lawyers.”
End quote.
Julian Zler and Aubrey Becker have
been cast in the leading roles in the
Blackfriars’ Guild production of Lynn
Root’s “The Milky Way,” to be staged
at St. Paul’s Auditorium April 11, 12
and 13. Others in important parts
are Leo Brady, Peggy Meyers, Charles
Garrity, Henry Quirk, Bob Dillon,
Pearson Stanley and Richard Roberts.
Denis Connell is directing.
Other things: "The Pirates of Pen
zance’’ will be staged Thursday and
Saturday nights at McKinley High
School by the Tech Opera Club, with
Edwin Plowman, John Greenip, Wil
liam Downey, Stanley Theodore Vial,
Anna Galbraith and Elizabeth Bar
ringer in leading roles . . . Tech’s
symphony orchestra, directed by
Dore Walten, will provide the score
. . . Eastern High School’s Spring
play, Goldsmith's "She Stoops to
Conquer,” will be presented at the
school Thursday and Friday morn
ings at 10:15 a.m. . . . The impressive
Lenten play, "The Vision,” by Rev.
John Bums of Villanova College, will
be presented Tuesday, Thursday and
Friday nights at Hurney Hall by the
Immaculate Conception Parish . . .
The play is being staged by E. Francis
McDevitt . , . “Whatsoever Ye Sow,”
a Biblical drama by Mary S. Hitch
cock, will be staged Tuesday, Wednes
day and Thursday evenings by the
young people of the Washington City
Church of the Bethren at the church,
Fourth street and North Carolina ave
nue southeast . . . The St. Paul’s
Players are rehearsing Booth Tark
ington's “Clarence,” and will present
it in the near future . . . "Lysistrata”
will follow the Civic Theater's pro*
duction of "Girls in Uniform.”
WHERE TO DINE. “
TueeJay Dinner Special
Cafeteria Only mgp
Delicious
Roast Lamb cMe9
Cauliflower, Sweet Potatoes g
Hot Rolls Borerace f
LOTOS LANTERN
733 17t^gt. N.W.
New Job for Bill.
gILL ROBINSON, light-footed danc
ing mentor of Shirley Temple, is
back in Hollywood for an important
role in “Cafe Metropole,” now in
production at Twentieth Century-Pox
studios.
Loretta Young, Tyrone Power, Jean
Hersholt, Adolphe Menjou, Gregory
Ratoff and Helen Westley are in the
cast of “Cafe Metropole,” which is
based upon an original story by Ratoff.
-•
Record "Take.”
J ATEST entrant in the Hollywood
race for longest-scene honors is
Director A1 Santell. Recently, he meg
aphoned a scene with Barbara Stan
wyck and Stanley Ridges that ran
4 7-10 minutes and covered five pages
of script,
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_DANCING.
The Edward F. Miller Studio
81« 17th 8T. NATIONA1 8093
_11 It I« Danced. We Teach It
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PEGGY KELLY SCHOOL
OF THE DANCE
Studio, 1018 18th St. N.W.
Teioohooa Porting BOBO. Met. SOTS
Where and When
Current Theater Attractions
and Time of Showing.
National—“Boy Meets Girl,” at
8:30 p.m.
Belasco—“His Excellency,’” at 8:30
p.m.
Palace—“On the Avenue,” at 12:30,
2:30, 4:50, 7:10 and 9:30 p.m.
Earle—“Women of Glamour,” at
11:20 a.m., 1:40, 4:30, 7:20 and 9:55
p.m. Stage shows at 12 45, 3:40, 6:30
and 9 p.m.
Capitol—"Nancy Steele Is Missing,”
at 11 a.m., 1:40, 4:25, 7:15 and 10 p.m.
Stage shows at 12:30, 3:15, 6 and 8:45
p.m.
Columbia—"Lloyds of London,” at
11:45 a.m., 2:10, 4:30, 7:05 and 9:30
p.m.
R-K-O Keith’s—“The Soldier and
the Lady,” at 11:40 a.m., 1:40, 3:45,
5:45, 7:50 and 9:50 p.m.
Metropolitan—“Green Light.” at
11:35 a.m., 1:35, 3:35, 5:40, 7:45 and
9:40 p.m.
Rialto—“Cloistered,” at 11 am.,
12:50, 2:25, 4:20, 6:10, 8:10 and
10:10 p.m.
Little—“Dinner at Eight,” at 11:15
a m., 1T5, 3:15, 5:20, 7:20 and 9:25
p.m.
Ambassador—"Women of Glamour,”
at 6:15, 8:05 and 9:55 p.m.
Tivoli—“The Plainsman,” at 1 45,
3:40, 5:35, 7:30 and 9:25 p.m.
HAYDEN TO BE HONORED
ON 30TH ANNIVERSARY
C. HAYDEN will be paid tune
* ful and personal tribute by local
musicians tomorrow on the thirtieth
anniversary of his presidency of the
Musician’s Protective Union of the
A. F. of M
Leading dance orchestra leaders in
the city will take turns tomorrow
leading the orchestra especially re
cruited to play for the reception to
be held for Hayden In the west ball
room of the Shoreham Hotel from 6
to 8 p.m.
Sidney of the Mayflower, Meyer
Davis, Leon Brusiloff, Bamee of the
Shoreham, Meyer Goldman and
Johnny Slaughter will take turns
wielding the baton over the orchestra.
It Is expected that some 800 mu
sicians and other friends of Hayden
will be present. Arrangements for the
reception are being made by Maurice
Kafka and Ralph Fox.
Rains Build Up Beaches.
LOS ANGELES (^P).—Heavy rains
in Southern California win result in
better beaches this Summer, accord
ing to Dr. U. S. Grant, University of
California geologist. Grant’s studies
show that sand washed down by
streams, rather than erosion by waves,
is the chief source of beach sand.
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Ted Shawn
In “History
In Rhythm”
Male Dancers to Ap
pear Here To
night.
TED SHAWN and his men
dancers, now completing their
third successful season to
gether, appear here tonight at
Constitution Hall. The presentation
will include all the choreographic in
cidents devised by Shawn for his
dance drama, "O Libertad," which he
calls "the rhythmic biography of
America."
This is the first historic chronology
of the country ever attempted in the
dance medium. The complete pro
gram follows:
act i—the past.
Trieste de Moctezuma.
The Aztec Emperor srawii
The Bearer of Bad Tidings.
_ , Barton Mumaw
Father Olmedo Dennis Landers
Bodyguard of Princes Ensemble of six
"• Hermanns Penltentes.
Full Ensemble with Dennis Landers
as the Chosen One.
3. Peonage.
Frank Overlee. Wilbur McCormack.
. Frank Delmar. Barton Mumaw.
?• £J*cendado de California Shewn
5. The Forty-Niners—Rhythm In a Oold
rush Camp Full Ensemble
Intermission of 10 Minutes.
ACT II.—THE PRESENT.
1. Olympiad—A Suite of Sport Dances,
fat The Banner Bearer Barton Mumaw
<b) The Cheer Leaders. Frank Over
lees. Dennis Landers and Wil
bur McCormack,
(c> Decathlon Foster Pltz-Simons
(ai Fencing
Fred Hearn and Dennis Landers
Boxing Wilbur McCormack
If) Basketball. Messrs. Landers. Mu
maw. Hearn. McCormack and
„ Overlees.
2. War.
(a) Call to Arms—Spreading of Prop
... ,, aganda Shawn
<b) No Man's Land.
, _ Shawn and Full Ensemble
<c) Return of the Hero Shawn
The Jazz Decade Full Ensemble
(With Blues" Interlude solo by Barton
Mumaw.)
4. (a) Depression—' Modernism.”
... _ Shawn
(b) Recovery—Another Waltz In
Swing Time Shawn
5. March of the Veterans of Future
Wars Full Ensemble
ACT III.—THE FUTURE.
Kinetic Molpal Shawn and Full Ensemble
1. Strife.
2. Oppositions.
3. Solvent.
4. Dynamic Contrasts.
5. Resilience,
ft. Successions.
7. Unfolding and Folding
3. Dirge
ft. Limbo,
in. Surge.
11. Apotheosis
Sya/fot Cooked
Royster
h STEW
crnupimeticuj&ihiqkt
L" ■■ I "1
"Butcher,
landlord, doctor
Pacific Mutual
checks are
paying them all"
' Will’s salary stopped right
after he was hurt, and we had
very little saved up. But fortu
nately he had a Pacific Mutual
Accident Policy, and the week
ly checks have paid all our run
ning expenses, as well as hos
pital and donor’s bill. I just
don t know what we would
have done without them.”...
Accident insurance costs little;
you really can’t afford to be
without it. Write for free folder
Pacific Mutual matls each month
to poltcyholdert and beneficiaries,
approximately 4,700 checks total
ing more than 11,000,000.00.
General Agency,
1422 F Street N.W.
Metropolitan 3322
Music for Odets.
J^URT WEILL, who composed the
music for “Johnny Johnson” and
“The Eternal Road,” has been signed
by Walter Wanger to supply the
musical background for the new
Clifford Odets screen play, “The Loves
of Jeanne Ney,” which Lewis Milestone
will direct, with Madeleine Carroll in
the starring role.
NOW JHOWHG 'vl
mm mm \
DOUGLAS BRUCE \
In Columbia's Comedy Drama I
nm of gulsoot
- On Stage - I
m MVJUtK & 0*Oi /
GEORGES 1 ULNA /A
fL 'fan r Ban" ta Mu to injj
^ Tito*. ( Tmwtn, It Tto Misutor
■ *»«
METROPOLITAN
Third and Final Week
ERROL ANITA
FLYNN * LOUISE
A W*ner Bios. CoimopoAtjfl PidiM
"GREEN LIGHT'
Be un>m-imn>SS~
IS Vi .•wpu»mw
STOJOWSKI
Famous Pupil of Paderewski
Tomorrow Night, 8:30
Willard Hotel Ballroom
$1.10, $1.65, $2.20—Mrs. Dorsey's Con
cert Bureau at Droops and at
Willard Hotel
Constitution Halt. Nail Sim. Aft'a., 4 P. M.
IN PERSON—LAWRENCE
TIBBETT
■arttoM, Mat. taara Aaa’a., la Raettal
Star or Opera. Concert, Raaie ana Screen
Seat*. $1.65. $2.26. Mr*. Dorsey *. 1560 6.
IN PERSON—RICHARD
HALLIBURTON
Monday, March 15, 8:15 P.M.
Masonic Temple, 13th Sc N. Y. A*e.
Tickets at Brentano's and Hillard Hotel
Seats $1.10 and 55c—Including Tax
fiitorfurtB* «M Imm tar
ANTON WALBROOK
SOLDIER S LADY”
from Jule* Vrm’i Strogoff*
s i •»rrn
MAI COT ORARAMI • KLOAIETH ALLAH
I1JC WORE • ADM T A MU OFF • FAT lADTHB
| Cmm| •
ALEXANDER KORDA'S fiMlMl pictvr*
|j ' FIRES OVER KNGLAHD'
.IN ■■■■">■
l HEADLINE NEWS THRU FILM
I Also, A Trip to the Yel
I lowstone and Other Col
I orful Showings of Sport,
l Fashion and Comedy
\ Continuous II a.m.-i 1:30 p.M.
I Program Changes Friday
\ Admiooioa (Ail Hours) 25c
BELASCO w*. 0149
ALL THIS WEEK 53IMy
Georje Rnahar and John Tnerk offer
^.orlie Reado'o
Nov Play
an®
A Smart Comedy Satlra on Diplomacy j
With a Splendid Cast
Eyes. 8:30 Thors.."' Sat. Mat., 2:50
55c to $2.75(Me to >1.66
National T;?‘r„
Iveio $2.20, $l.«5, $1.10, 55e.
W*0. Mat.: $U0, OSc, 55c.
| $*♦■ Mat.! $1.65, $1.10, 55c
ESKsaoTAiaoiT
staoi moouacM
am a w
StMUfi wwmc#
IS
■ • AM MCKSAN1
I tAJUAGF OF
LSI
N. Y. and London Cast
Wert Week leg. Men., Msr. St
THU THEATRE GUILD. Inc., Frcsentu
Helen Jerome’s Dramatization of
Chkriotie Bronte's Norel
"JANE EYRE”
With
KATHARINE HEPBURN
<IN PERSON)
Eve,.: *2.75. *2.20. *1.65. *1.10, S5e
M»t«. Wed.. Sat. *2.20,*1.65.*1.10, »5c.
Inc. tax.
MAIL ORDERS NOW. SEATS THLRS.
^ NOW
TENSE, thrilling Mama
‘NANCY STEELE IS MISSING’
WITH
VICTOR McLAGLIN—JUNE LANG
PETER LORRE—WALTIR CONNOLLY
Stog* - • all-star VARIETIES
RED SKELTON
ond 7 SMASH HITS _
NEXT FRIDAY i
Madre Evans, Edmund Low* fj
in “ESPIONAGE/*
J! Win! Shaw—on staff*_3
Everything that's GRAND
."'ZVONTHCAVCNUr
Pick POWEU—Manama CARROLL
Looney RITZ BROS—AKce FAYE
dcP Weatfcer Forecast Oq®
^^^^^^"MAYTIME" ft on its %^oy^
LLOYDS ©^LONDON I
FREDDIE IARTHOLOMEW
MADELEINE CARROLL
— TYRONE POWER I
I CURB SERVICE AT LOEW’S
Leave your car with the "Red Ca»”
attendants—Poole’s Auto Service.
NATIONAL,
SYMPHONY'
HANS KINDLLR Conducttr
Constitution Hall
Wed.. Mar. 17, 8:30 P M.
PAUL WHITEMAN
AND HIS ORCHESTRA
Combined With the Entire
National Symphony Orchestra
In a program of modern American
music, and DEEMS TAYLOR. Oral
Program Annotator.
Tickets: 75c to $3. now on sale at box
office. Julius Garflncke! Co. Store.
NA. 7730. C. C. Cappel Manager.
REVEALED!
LAST THREE DAYS
25c—30c—40c
RIALTO ■h^STT
T
ACADEMY °' Per&‘
E Lawrence Phillips' Theatre Beautiful
Continuous From 4:.'W P.M.
GENE AUTRY in "THE OLD CORRAL."
JANE WITHERS in "CAN THIS BE
DIXIE?"_
ACUTAN CLARENDON, VA.
Aon I Un JACK BENNY BURNS AND
ALLEN in "COLLEGE HOLIDAY."_
PAROIINA 11th * N. C. Are. 8.E.
lAHUUIlA "A WOMAN REBELS"
and "MUMMY'S BOYS." _
riDPI C 210.5 Penna. Are. N.W.
U1IVCLX Pree Parkin*. 2000 K St.
BOBBY BREEN. BENTTA HUME and
MAY ROBSON. "RAINBOW ON THE
RIVER."_Cartoon and News.
DUMBARTON 1343 Lwi&Wrnd
GENE RAYMOND in "THAT OIRL
FROM PARIS." News and Comedy.
CAIR? AWN anacostia. d c
rAIALAITil SHIRLEY TEMPLE in
"STOWAWAY." Matinee. 3 P.M.
I inn 3227 M St. N.W.
L,|L/Vf O W ArTrTroTTc:
JOAN CRAWFORD “ and CLARK GABLE
in "LOVE ON THE RUN." Also "JOIN
THE MARINES "_
PI ACTFRPDC union hall
[LAOlCnCKd 1024 N. J. Ave. N.W.
First Showlnu in Washlnaton
'YOUTH OF MAXIM." Continuous 3-11
P.M. Admission, 35c. _
PRINPFCC 11,n h st. n.e.
rixInLLiV Double Feature
BING CROSBY in "PENNIES FROM
HEAVEN." CLAIRE TREVOR in "15
MAIDEN LANE."__
CFrn 3244 Georria Are.
Silver Sorinr Md
Continuous From fi:0l> P.M.
“BORN TO DANCE.”
ELEANOR POWELL and JAMES STEWART.
QTANTHN 3th and C Sts. N.E
* Mil 1 UIl Finest Sound Eanioment
Continuous From 5:30 P.M.
PINKY TOMLIN and TOBY WING in
“WITH LOVE AND KISSES.” “WIN
TERSET” with BURGESS MEREDITH
and MARGO._
STATE-BETHESDA Bethesda Md.
ROBERT TAYLOR
GRETA GARBO,
“CAMILLE.”
VARIETY AND NEWS
TAVHMA 4th and Bntternnt 8ta
lANUlflA Ne Parklnr Trouble*
JACK BENNY in
“COLLEGE HOLIDAY.”
Selected Short Subjects.
FALLS CHURCH. VA.
CTATC no parking I rr
WORRIES Let
UAitY uuurfitt.
JEAN ARTHUR
in
“THE PLAINSMAN"
un stage.
RADIO JAMBOREE.
On Screen.
GENERAL SPANKY.
WIl VflN UPD Colonial Villa**
ffILuvin Arlington Va.
“STOLEN HOLIDAY,”
With KAY FRANCIS and IAN HUNTER.
JESSE THEATER * irf,a‘
CHAMPAGNE WALTZ,
GLADYS 8WARTHOUT and FRED
MacMORRAY.
SYLVAN l*t and R 1 N.W
SING ME A LOVE SONG
JAMES MELTON PATRICIA ELLIS
PALM THEATER deVarae
“MAN OF AFFAIRS,”
With GEORGE ARLI8S.
AMBASSADOR
MELVYN DOUGLAS and VIRGINIA
BRUCE In "WOMEN OF GLAM
OUR."___
APOI f n 624 H St N7E
AaLLVA Phnne Line. 337A
DEANNA DURBIN In "THREE
SMART GIRLS " J. EDGAR
HOOVERS "YOU CAN'T GET
AWAY WITH IT.' ’_
AVAI ON ®fl12 Conn- *»•. n.w7
Cleveland 2600
SHIRLEY TEMPLE In "STOWA
WAY.” Also Pooeye technicolor
_shorL__
AVENUE GRAND
JOAN BENNETT and CARY GRANT
In "WEDDING PRESENT." Car
toon. __
f'FHTSAI 4,2? »th~st n.w”
4.611 I An! Phene Met. ?84i
"RACING LADY” and "THEY
WANTED TO MARRY." Cartoon.
f 01 ONY 4®3« Ga Ave. N.W.
LA/L.UH I Geo 6,'VOO
GLADYS SWARTHOUT and FRED
MacMURRAY in "CHAMPAIGN
WALTZ. Pooeye technicolor
short._
HOMR 1230 C St. N.E.
nVJlfJE Phene Line 10298
JACK BENNY and MARTHA RAYE
In "COLLEGE HOLIDAY." Also
News._
PPIUKl 6A0 Penn. Avenue 8.E.
I Lilli I.lnroln 2179
Matinee. ! PM.
GARY COOPER and JEAN ARTHUR
In "THE PLAINSMAN." Also
News._
SAVOY 3030 14th st. nTw.
Phone Cel. 4!>68
CLAIRE TREVOR In "CAREER
WOMAN." News and BERT
LAHR_comedy._
CUrpinAN Ga. Ave. * Sheridan
SnEKlUAn St. N.W Ran 2400
Matinee 2 PM.
DEANNA DURBIN In "THREE
SMART GIRIB." J. EDGAR
HOOVER'S "YOU CAN'T GET
AWAY WITH IT."
Tivm I l4th s«. A Park U. N.W
II YULI Phone Col. 1800
Matinee 1:45
GARY COOPER and JEAN ARTHUR
In "THE PLAINSMAN." Also
News._
UPTOWN Newark Vt* NW
Phone Cleveland 5400
Matinee ‘2 P M.
DEANNA DURBIN in “THREE
SMART GIRLS” J. EDGAR
HOOVER’S ’YOU CAN’T GET
I AWAY WITH IT.”___
YfIDIf Ave. and Qnebet
IUIXIV Placf N.W. Col. 4616
SHIRLEY TEMPLE in ’ STOWA
_WAY.”_
HIPPODROME KL«TrD?ih
CHARLES LAUGHTON in “REM
BRANDT.”
Special—Tomorrow and Wednesday
—Double show.
EDMUND LOWE In “MAD HOLI
DAY1’ and ANN SOTHERN in
“SMARTE8T GIRL IN TOWN.”_
CAMEO M Todav-TnmMD'
JAMES CAGNEY in
“GREAT GUY.”
_ MARCH OF TIME
ARCADE HTATZ.TO*- MD
MERLE OBERON In "BELOVED
ENEMY."_' _
RICHMOND AI" Toda?-^Tom. ^
ERROL FLYNN in
“GREEN LIGHT.”
Mil A ROCKVILLE. MD.
ffllLU Last Day .
JAMES CAGNEY in "GREAT OUT.

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