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Mothers Are Helpful In Musical Education Difference Between Success and Failure May Be Traced to Influence of Parent Whose Special Day Has Recognition. By Alice Ever smart. THE dedication of one day of the year to honoring the mothers of the Nation must appeal in special fashion to musicians. Were it not for the faith and encouragement of their mothers, many of the great geniuses of music would have found their hard road to success almost unbearable. But throughout the history of music, time and again we are conscious of the role that the mothers have played in guiding the talent of their children to a superlative devel-C opment. It is touching to note that many times it was but the memory of his mother that cast its influence over a composer's life, and the thought of her was the solace that sustained him through adversity. If we look into the history of the great musical personal ities, we will invariably find that in some way the mothers were the domi- i hating factors in keeping alive their Inspiration. In those early days there was no Nation-wide recognition of the uplift ing influence of the mothers of any great men. Today, with such recogni tion becoming a happy and sacred pleasure, there is also laid upon the mothers of the growing generation a duty and a standard not thought nec essary by those earlier women. In no respect is this duty so imperative as in the realm of music, where the growth and progress of an entire na tion depend on the attitude of mothers toward music. For without the help of the mothers, whose co-operation in laying the foundation of musical cul ture is absolutely imperative, the pres ent-day child has small chance of be coming the well-grounded musician that Is valuable to the cause of music. ■pOR a child to insist on studying * music, and to apply itself assid uously to assimulating every detail of Instruction, is indeed a rarity. But the experience of mothers, who, desir ing that their children know some thing of music, find the task of bring ing this desire to a happy climax en tirely too wearing, is an everyday af fair. The numerous plans for chil dren's activities, the many interesting outside diversions that a child finds today, operate strongly against the slow” study of music, no matter how hard parents may try to further it. Many mothers, while acknowledging that it would be pleasant to have their children able to play, feel that, after all, there are more important things In life than music. Right here, they are wrong, as many a child has lived to tell his parents. How often do we hear some one say: “If my mother had only insisted that I practice when I was a child, but now it is too late to begin.” The small tragedies of such reproaches nmst' often trouble a mother's heart. But j the truth of the whole situation lies in these words: “If mother had only insisted." There are several things that can be best done in childhood, and one of these is the acquiring of a technique on some musical instru ment that will allow the individual his personal satisfaction in the mak ing of music. It is not necessary to think of a child as a future virtuoso, but only as a person who will have an avocation in life of a cultural nature. It is a common occurrence to find physicians, lawyers, scientists and others in specialized walks in life who are musicians of real understanding. Their chief source of refreshment is in music, and grateful they must be now that some one in the family was firm enough in their childhood to see that they spent a certain time practicing. But the responsibility of parents does not end with this policing of practice time, but extends to the point of seeing that the study of music is made interesting and that no time Is lost in wasteful effort. A child's attention can be concentrated on the many alluring aspects of music so that the bitter dose of acquiring a reasonable amount of facility in per formance is not noticeable. PROGRESSIVE teachers have real ized that music can be made interesting for a child and have de vised means by which it takes on another play form. The children nearing adolescence are less fortunate, for by that time they are supposed to be ready to shoulder some of the responsibility of fitting themselves as musicians. But the dreariness and hardship of this can be overcome by the loving sharing of all work by the parent. By this time, with all that has been written, said and proven about the importance of some kind of musical knowledge in every per son's life, it is not necessary to point out the many advantages that will follow the sacrifice of time on the part of the parent. Recently the Washington Music Teachers’ Association had the privilege of entertaining the noted Frencn pianist and teacher, Nadia Boulanger. Mile. Boulanger, who devoted many hours of her short stay in this country to special classes at the Washington Coliege of Music, gave an interesting and informal talk for the teachers. In the many instructive things which she brought forward for their con sideration she went back time and again to stressing the importance of laying a solid foundation in music. Particularly interested in children, she reiterated the advisability of start ing children in the study of music at a very early age. While using 5 years as a medium period, she thinks that 4 is not too young, and that certainly 8 years is the limit. She admitted that most children find music study a tedious procedure between the years of 4 and 8, but held that "it is better that they should be bored than to have to start them at 20 or 25 to study elementary solfeggio." I S“ has one arresting question for older children which cannot help but arouse their thinking capacity: "What have you done that pleased you or displeased you?” According to the answer she can clear up and direct their understanding so as to form a guide for future use. She approaches all teaching problems with optimism and a sense of humor, which undoubt edly would appeal to a child. The viewpoint of this celebrated French musician, whose long success as both soloist and teacher has never lessened her desire for further growth, was stimulating to those who are active’m promoting the appreciation of music. Mile. Boulanger is another example of how helpful a mother can be in the matter of musical education. Although particularly fortunate in belonging to a family famous for generations in French musical life, her own problems were solved by the help of her mother, an artist of recognized attainments, and her noted sister Lili, W'ho in her short span of life was already famous as a composer. With their advice and encouragement, her work has assumed a wide influence on the development of many other renowned artists, notably Walter Piston, Aaron Copeland and Roy Harris, who were students of Mile. Boulanger. Perhaps, in some future Mother’s day celebration, special mention will be made of the mother of some great American composer or artists who by her loving sympathy had contributed to the musical growth of this country. JUNIOR CONTEST IN TWO SESSIONS pOR the Federation of Music Clubs’ junior contest, to be held at Bar ker Hall, Y. W. C. A., on Saturday, May IB, so many entries have been received that two sessions will be held. In the afternoon, beginning at 1:30 o'clock, the contests for violin, voice, piano ensemble and chamber music “Will be held. In the evening, be ginning at 7:30 o’clock, all piano solo contestants will be heard. Each con testant is to rece’ve a rating certifi cate, with an additional constructive criticism of the judges, and all re ceiving a superior rating of over 90 per cent will receive a national cer tificate from the National Federation of Music Clubs, undei whose sponsor ship the local junior contest is held. The junior counselors who thus far have announced entries of pupils for the junior contest are as follows: Mrs. George F. Williams, Ger trude Effenbach, Mrs. B. J. Hartlage, Elena Orivella, Thelma Callahan, Camill Allensworth, Rebecca Chand ler, Frances Gutelius Smith, Arsenio Ralon, Ruth Gardner, Virginia Bestor, Mrs. C. C. Burke, Mrs. Albert Jones, Carrie Sanders, Lucy Boyer, Esther Linkins. Florence Shelley Nielsen and Marie H. Martins. The public is cordially invited to attend the contest. -• Choirs to Hold Festival. 'J'HE fourth season of the Mountain Choir Festival, under the direc tion of Rev. Felix G. Robinson, is set for Sunday, July 18, in the large amphitheater at Mountain Lake Park, Md. The quota of choirs is already near completion. The outdoor procession at 7 o’clock In the evening will be followed imme diately by the Choral Eucharist. Dr. John Finley Williamson, great leader of choral music, will be present to conduct, the massed choirs. Harold Vinoent Milligan, organist and choir master of Riverside Church, New York City, will be the adjudicator at th'- contest and Dr. William Powell Twaddell of Durham, N. C.—out standing musical leader of the South— Will again have a part in the festival. -« , - Joint Recital. Edith Hoffman Jones, soprano, and Howard Moore, baritone, will appear In joint recital on Tuesday evening at 8:30 o'clock at the Washington Club, accompanied by Evelyn Wells. Arias and duets from Mozart’s "Don Giovanni” and Verdi’s "La Traviata” and “II Trovatore" will be a feature of the program, in addition to which Mr. Moore will offer a group of Rus sian songs and Mrs. Jones will sing Arne’s "The Lass With the Delicate Air,” Ganz's "A Memory” and Rach maninoff's "The Cajpfleld.” ARTISTS ENGAGED FOR NEXT SEASON CONTI BERENGUER, co-spon sor last season of Beren-Brook Artists concert attractions, announces a series of monthly recitals to be held in the Wardman Park Theater start ing next November. The series brings three new artists to Washington and engages for a second appearance here the sensational Spanish dancers— Paco and Juanita Cansino—who scored a brilliant success in their Washington debut last November. Opening the season will be the Metropolitan String Ensemble, a quartet of distinguished musicians from the orchestra of the Metropoli tan Opera Company, assisted by Ame lia- Conti, solo harpist of the Metro politan Opera, and Sylvia Grazzini, operatic coloratura soprano. This en semble made a very successful debut at Carnegie Hall in April, under the management of A. Conti Berenguer. The second new attraction presents Margarita Salvi, Spanish coloratura soprano, and Federico Longas, pianist. Miss Salvi has appeared with great success in all the leading opera houses of Europe, and next season Is sched uled to sing several lyric operas in Chicago with the celebrated tenor— Tito Schipa. Mr. Longas is a prize pupil of Granados and well known as a composer. He has appeared many times as assisting artist with Tito Schipa, with whom he is now making a concert tour of the Far East. The third concert presents the well known radio artist—Robert Weede, baritone of the Radio City Music Hall. Mr. Weede makes his debut this month at the Metropolitan Opera, singing the role of Tonio in ‘'Pag liacci.” Further information about this series may be secured at Kitt’s, 1330 G street. “HORA NOVISSIMA” BY CHURCH CHOIR 'J'HE oratorio, “Hora Novisaima,” by Horatio Parker, will be sung by the quartet and choir of Hamline Methodist Church, Sixteenth and Al lison streets, on Sunday afternoon, May 23, at 4:30 o’clock, under the direction of John H. Marville. This composition, the only one by an American composer included among the standard oratories, has not been sung in Washington for 20 years. The public is invited. Slow—Danger! A recent study of 24,000 traffic vio lations in Massachusetts indicated one-fourth were “failing to slow down at intersections.” If drivers would make a practice of slowing down and having their cars under control at intersections, there would not be the need for so many "nuisance" STOP and OO signals. ry i Two Singers and Director Contributing to Local Events Federation Hears Local Orchestra — Kindler Appearance With Symphony Made Feature. JjELEGATES from 46 States to the biennial meeting of the National Federation of Music Clubs unquali fiedly indorsed the National Symphony Orchestra of Washington follow ing its appearance in three concerts last week in Indianapolis, Ind. These concerts, two of which were broad cast over coast-to-coast networks, placed Dr. Hans Kindler, conduc tor, and his orchestra in the lime light of a festival participated in by many leading personalities in the world of music and on which musi cians and music lovers of the entire Nation focused attention. Typical of the comment on the or chestra's programs is a review writ ten by James Thrasher of the India napolis Times, who saw in the Na tional Symphony from Washington an organization truly speaking for the musical culture of the Nation. “The National Symphony Orches tra is little known in this vicinity,’’ WTote Thrasher. "To be sure, we realized that Washington had a fairly young symphonic group, which already had accomplished much, and that it was headed by a man who had for saken a place among the world’s fore most cellists in favor of the baton. But the concert had not progressed far before the audience realized that here was a highly proficient group headed by a conductor of distinction. "Dr. Kindler is a thoroughly schooled, authoritative and dynamic director. His appearance is command ing. his beat incisive, his knowledge of the music complete.” “Spring Pastorale,", by Mary Howe, Washington composer, and excerpts from Moussorgsky's "Boris Godounov” were "admirably played.” according to the reviewer, and "conductor and or chestra repeatedly acknowledged a prolonged ovation.” Equally enthusiastic Corbin Patrick, music critic of the Indianapolis Star, declared: "Kindler presented what is undoubtedly the outstanding young orchestra in the United States today. The National Symphony not only is young as an institution—it was found ed in 1931—but its ranks are filled with young musicians w’ho have de veloped to a high degree of proficiency as orchestral players.” Describing the orchestra’s third concert, on Thursday night, April 29— the program which brought the con vention to a close—Walter Whitworth, music reviewer for the Indianapolis News, said, “The orchestra played superbly. It played a good bit of American music, too, and most of it was excellent. * • * The convention closed excitingly.” On tne nnai concert or. jtmuin conducted an orchestral program in which were several American works. One of these was “Circles of Wash ington,” the orchestral suite by B. Deane Shure of Washington. Mary Howe, another Washington composer, was also represented on the program. Mr. Shure attended the convention and was presented to the audience by Dr. Kindler following the performance of his work. Hundreds of Washing tonians followed the orchestra’s per formances in Indianapolis by tuning their radio sets in on the broadcast portion of both night concerts. On its way back to Washington the orchestra received an enthusiastic re ception at the University of West Vir ginia, in Morgantown, where Dr. Kind ler and the players stopped for a con cert April 30. Back in the Capital the National Symphony faces one more engage ment before disbanding for the season. Friday night, May 14, it will meet in Constitution Hall to take the place on the air of the Philadelphia Orchestra in a Nation-wide broadcast. Dr. Kindler will conduct a 30-minute con cert that begins at 9 p.m. The program, Dr. Kindler an nounced, will include two sixteenth century Dutch tunes, arranged by Dr. Kindler; the “Love Music” from Mous sorgsky’s “Boris Godounov”; “Dance of the Blessed Spirits” and “Musette,” by Gluck-Mottl, and the waltz, “Voices of Spring,” by Strauss. The concert is one of a series for which the Philadelphia Orchestra has been engaged, but that orchestra found It impossible to present a broadcast this week. Goldfish Profit Poor Farm. LOS ANGELES OP).—Thirty-six goldfish in 1930 were placed in a >ond on the lawn of the Rancho Los Amigos, the county poor farm. The fish, well fed. Increased to 436, too many for the pond. <o t» .urpny W> aaU. Margarita Salvi. at left. Spanish coloratura soprano, tvill be presented in concert next season with Federico Longas, pianist, on the series sponsored by A. Conti Berenguer. Right: Dorothy Seegar, soprano, who will give an unusual program at Wardman Park Theater on Monday, May 17, and below, Dr. Robert Howe Harmon, director of the George Washington University Glee Club, which will give its annual Spring concert at the Willard Hotel on Thursday evening. Marjory League, soprano, will be the soloist. G. W. GLEE CLUB SPRING CONCERT 'J'HE annual Spring concert of the George Washington University Glee Club will take place on Thursday evening at 8:45, at the Willard Hotel. With Dr. Robert Howe Harmon, di rector of the Glee Club, conducting, and Paul De Long Gable accompany ing, it will present five groups of the works of the great composers. Margery League, soprano, will appear with the club as assisting soloist. The concert will open with the “Prayer of Thanksgiving,” sung by the men's section of the club. The men's section will give two groups in the course of the program; the wom en's section, one group; the soloist, one group, and the massed men's and women’s choruses will present the final group. The program will close, as is traditional, with the singing of the brilliant "Kamenoi Os!row” of Rubinstein,, in which the club will be accompanied by the BrusilofT Concert Orchestra. I he George Washington University Glee Club Is known to Washington through its annual Spring concerts, its frequent programs at large local gatherings, as well as over the radio, and its appearances with the National Symphony Orchestra. Next season, for the third consecutive year, the club will appear in concert with the symphony, having been chosen to sing the choral part in the Beethoven "Ninth Symphony." This past Winter it was heard with the symphony in the Beethoven "Choral Fantasia.” The complete program for Thursday night follows: "Prayer of Thanksgiving”_Traditional "The Jolly Roger" _Roberison "Marching Men'_ Protheroe "Old Man Noah"--Bartholomew The Men's Club. "Emitte Spirltum"_ Schuetky "Venetian Love Song"___Nevin "Lullaby" from "Jocelyn"_Godard "List!" The Cherubic Host"_Gaul The Women's Club. "Dich Theure Halle-Tannhauser"__WTagner "Cry of Rachel”_Salter Margery League, soprano. "Lamp In the West"_ Parker "The Lotus Flower"_Schumann "Dear Land of Home”_Sibelius "Dearest Farewell"_Traditional The Mens Club. National hymn _Warren "Lo! A Voice to Heaven Sounding.” Bortnianskl "The Pilgrims Chorus" _Watner "Sextette-Lucia dl Lammermoor." Doniietti "Kamenoi Ostrow”__Rubinstein Combined clubs. Accompaniment by the Bruslloff Concert Orchestra. -• Audition for Members. 'T'HE Washington Choral Society, conducted by Louis A. Potter, is receiving many requests from choir singers and others interested in choral music for auditions preliminary to becoming members of this outstanding group. All such singers are invited to attend the Tuesday evening audi tions which are held each week at 7:30 p.m. in Central High School. The regular rehearsal period follows at 8 p.m. This week, on Tuesday night, the society will begin work on Bach's ‘‘St. Matthews’ Passion," which they will rehearse throughout the next few weeks in preparation for its presen tation next Autumn. Due to the tremendous interest caused by the recent Spring Festival concert, it is now planned by the Executive Committee, headed by Myron W. Whitney and Mr. Potter, to increase the number of singers in this chorus from 100 to 250. Weekly rehearsals are held in Central High School through the co-operation and auspices of the community center department. Bachelor, 83, to Wed. PORTLAND, Oreg. (£>>.—Eighty three years of single blessedness were enough for John Montag, so he will wed Mrs. Lena Moser, 62, Wednesday. "Mrs. Moser did such good work nursing me through my illness last Summer I fell in love with her. I feel I cannot get along without her as a companion," the former United States marshal said as he obtained a “ONE WOMAN” SHOW OFFERED "ONE WOMAN SHOW” will be presented by Dorothy Seegar, chanteuse. on Monday evening, May 17, at 8:45 o'clock at Wardman Park Theater. Departing from the traditional con cert program of the singer. Miss See gar combines the mediums of sound, movement and costume. She portrays 11 different characters, proceeding from the grand court lady of the time of Louis XIV to the radical woman of today. She delves into that most ancient means of expression, the language of the hands, when she per forms the ritual of a Balinese priestess. In her songs of the "Elegant Eighties” and “Gay Nineties” she brings back the lugubrious balladry of the time. Many Washington people will re member Miss Seegar here in the title role of ‘ Hose Marie.” She has con certized extensively, having made ap pearances in this country and France and England. Miss Seegar will be accompanied by Frederick Bristol, who needs no in troduction to Washington audiences, as he appeared here on many occasions with Miss Lucretia Bori. Tickets are available at Dorothy Dorsey’s Concert Bureau, in Droop's, 1300 G street northwest. Concert Schedule Tomorrow. Mother's day program, boys, Powell Junior High School, Thelma Tawney, director, YWCA, 5 p.m. Marine Band, Mother's day service, Arlington Cemetery, 2:15 p.m. Monday. Benefit concert. Opportunity House. Alexander Sklarevski, pia nist, Pro Musica Quartet, 2001 Twenty-fourth street, 8:30 p.m. Edwin Hughes, lecture, “Tech nique of Interpretation at the Piano,” Washington College of Music. Navy Band, Sail Loft, Navy Yard, 11:30 am. Marine Band, 6 p.m. Army Band, 5 p.m. Tuesday. Department of Agriculture Chorus, Robert Frederick Freund, director, department auditorium, 8:30 p.m. Helen Williams Brodie, piano recital, Pierce Hall, 3 p.m. “Punchinello,” Opera Players’ Club, Immaculate Conception Church, Hurley Hall, 8 pm. Edith Hoffman Jones, soprano; Howard Moore, baritone; joint recital, Washington Club, 8:30 p.m. Army Band, 6:30 p.m. Wednesday. “Punchinello,” Opera Players' Club, Immaculate Conception Church, Hurley Hall, 8 p.m. Navy Band, 11:30 a.m. Marine Band Symphony Or chestra, Marine Barracks, 8 p.m. Thursday. George Washington University Glee Clubs, Dr. Harmon, director, Willard Hotel, 8:45 p.m. Army Band, 3:30 p.m. Friday. “Punchinello,” Opera Players* Club, Immaculate Conception Church, Hurley Hall, 8 p.m. Navy Band, Sail Loft, Navy Yard, 11:30 a.m. Marine Band, Marine Barracks, 11 a.m. Saturday. National Junior contest, D. C. Federation of Music Clubs, piano ensemble, violin, voice, 1:30 p.m.; piano solo, 7:30 p.m. Marine Band, May day fete, Barney Neighborhood House, 4 p.m. Army Band, 10:30 am. and 13:30 p.m. Opera Guild Of Salzburg To Be Heard Group of 75 Artists Engaged Here for Next Season. pOR the first time in many seasons, one of Europe's outstanding opera companies will make a transconti nental tour of the United States next season. Starting early in October, the Salzburg Opera Guild, a group of 75 artists imported intact with com plete European casts, scenery and cos tumes, will start their first American tour, and Washington will see and hear this notable troupe in mid-No vember, when they come to Constitu tion Hall as one of the five evening musical attractions already announced for next season by Dorothy Hodgkin Dorsey. mis celebrated opera company, wnn a repertoire that includes Mozart's ‘Cosi Fan Tutti” and "The Goose of Cairo," Milhaud's "The Poor Sailor,” Ibert's "Angelique.” Rossini's "The Matrimonial Market,” and Mon teverdi's "The Coronation of Popea,” has achieved international fame as one of the most fascinating musical features of the Salzburg festival and the productions given in this country will be exactly as given at Salzburg, Vienna and other musical centers. The Salzburg Opera Guild is a group of singers that includes a num ber of the finest artists on the con tinent, who have worked together with such perfect co-ordination and artistry as to have accomplished the well-nigh impossible—the opera performance with great voices and a superlative ensemble. A symphonic orchestra will be a feature of the performance in Washington. While most of the singers of the guild are personalities new to the United States, two of the principal soloists, Hertha Glatz and John Heinz, were recently brought from Vienna to Los Angeles by Otto Klem perer as soloists under his baton with the Los Angeles Orchestra and both scored outstanding hits. The Salzburg Opera Guild is one of five attractions Mrs. Dorsey is pre senting on five Tuesday evenings at Constitution Hall during the coming 1937-38 season. The other four attrac tions are: Rachmaninoff, pianist; Kreisler, violinist; Gina Cigna, so prano, and Kirsten Flagstad, soprano, the latter two being members of the Metropolitan Opera Association. ORGANIST GUILD NAMES OFFICERS AT ITS annual meeting, held last Monday night in the choir room of the Church of the Epiphany, the District of Columbia Chapter of the American Guild of Organists elected the following officers for the ensuing ,’ear, commencing with September: Dean, Walter H. Nash, P. A. G. O. (chairman); subdean, Arthur W. Howes, jr., P. A. G. O.; secretary, Es ther Hull Barrett (re-elected); treas urer, Henry Bruning; registrar, Mrs. John Milton Sylvester (re-elected); Executive Committee, Charlotte Klein, P. A. G. O., and Mrs. Frank Akers Frost and John B. Wilson, A A. G. O.; auditors, Mrs. George E. Warfield and Percy T. Bumess, A. A. G. O. Mr. Nash served the chapter as dean for two years ihortly after the close of the World War. He is organ ist and choirmaster of St. Alban’s Church, where he has been located for the last several years. The Diapason of Chicago, HI., under date of May 1, last, lists Mr. Nash’s name as one of three successful candidates taking the guild's choirmaster certificate exam ination. The newly-elected subdean, Arthur W. Howes, jr., F. A. G. O., is organist and choirmaster of St. John’s Episco pal Church, Lafayette Square. He is comparatively a newcomer to Wash ington, having previously been engaged along musical lines in Philadelphia, Pa. He held the office of subdean of the Pennsylvania Chapter of the American Guild of Organists, while living in the latter city. Mrs. John Milton Sylvester, well known locally for a long time through her own organization known as the Madrigal Singers, has served the Dis trict of Columbia Chapter as its regis trar for more than twenty years. The present dean, Charlotte Klein, F. A. G. O., will continue in that capacity until August 31. -• Boy Saves Pet Lamb. Russell Liddington, 7 years old, of Lydney, England, wearing a harness, was lowered into a shaft to savr his pet lamb. Bad air forced him to re turn to the surface, but later he went down again, and after 20 minutes ocmpleted tha rescue. . T In Local Music Circles ROBERT RUCKMAN Is pre senting three groups of stu dents in piano programs at his studio next week. On Tuesday evening Irma Norwood and Charles Forrest Ruppert will give a joint recital, assisted by Shirley Annette Ruppert, soprano. Wednes day evening the program w^l be given by some of the younger pupils, David B. Tate, Barbara Nelson, Robert O. Mead, Ruth Nave, Travis Butler and Alma Douglas Jerome. A more ad vanced group will be presented Thurs day evening, those participating in cluding Elizabeth Applegate, Dorothy Goebel, Ira Pcarlman. Mary Ellen Huie, Margaret Copeland, Michael Agriesti, Ethel Minot Lehman and Ruth Hartzell. Helen Williams Brodie of Montreal, Canada, will give a program of piano music for the Women's Alliance of All Souls’ Unitarian Church, Sixteenth and Harvard streets, on Tuesday afternoon at 3 o’clock. The program will include Beethoven’s “Moonlight Sonata” and several Chopin numbers. Mrs. Brodie was formerly a pupil of Percy Grainger, later studying in New York for several years. The Department of Agriculture Chorus, under the direction of Rob ert Frederick Freund, because of popular demand, is repeating its Gav Nineties program, which was such a success last Fall. The per formance will be given Tuesday eve ning at 8:30 in the department au ditorium. The chorus and soloists number 50 voices. Victor Neal will be at the piano. Edwin Hughes, pianist, of New York, will give the concluding lecture in his this season's series at the Washington College of Music on Mon day evening. He will present a resume of the entire series, which has been on "The Technique of In terpretation at the Piano," and will deal specifically with the style* of Mozart and Chopin. The Mothers' day program for the music hour tomorrow at 5 o'clock, at the Y. W. C. A , Seventeenth and K streets, will be presented by a group of boys from Powell Junior High School, under the direction of Thelma Tawnej,. The public is cor dially Invited to attend. "Ruth and Naomi,” a cantata ar ranged by Lewis Atwater from Jew ish and Russian music, will be pre sented Friday evening at the 8 o'clock service of the Washington Hebrew Congregation, Eighth street between H and I streets northwest. The quartet, under the direction of Mr. Atwater, organist, consisting of Flor ence Sindell, soprano; Mabel Flehr, contralto; George Myers, tenor, and John Marville, bass, will be assisted by Selma Klein, soprano. The pub lic is cordially Invited. | There will be a special program in celebration of Mother's Sunday at Friendship House, 324 Virginia ave nue southeast, at 5 o’clock tomorrow. Genevieve Rymer, pianist, and Charles Mitchell, cometist, will present part of the program. The glee clubs of Friendship House, under the direc tion of Jessie M. Olin, will sing Spring songs and solos will be sung by Norma White, Clare O'Brien and Nettie Trent. Readings will be given t by children from Leah Cannon’s expression class. All those interested in the work of Friendship House are cordially Invited. The Washington Opera Guild will present Irene Kandzie and Ida Wood at the second of its twilight musicales, to be given tomorrow at the home of the director, Mme. Gurle Luise Correa. Mrs. Charles Imlay will be the pianist of the afternoon. Agnes Simmons gave a Jenny Lind costume recital for the board and ladies of the Aged Women's Home on Tuesday evening. The recital was ac companied by a short explanatory talk on the life of Jenny Lind. Edith B. Athey recently presented Helen Klopfer in a piano recital, as sisted by Christine Church, soprano, and Barbara Boa], violinist, with Jane Boal accompanying. The Potomac Electric Power Co. Glee Club entertained the Petworth Citizens’ Association at their third annual ban quet at the Petworth Public School, Shepherd street between Eighth and Ninth streets northwest, on April 29. The club is directed by Harry E. Yeide and Cornelia Long Kinsella is ac companist. The Columbia Light Opera Co , Ethel Manning, direqtor, will present Victor Herbert's opera "Sweethearts" in June. Rehearsals are being held Monday evenings at 8 o'clock in the music room at Central High School. The < company, which now numbers 75, will be increased to include more altos and tenors. FOR OPPORTUNITY HOUSE ACTIVITIES AT THE benefit concert for Oppor tunity House to be given at the ] home of Mrs. Edwin B. Parker, 2001 1 Twenty-fourth street, Monday at 8:30 o'clock, Alexander Sklarevski, well- ! known pianist of Baltimore, and the i Pro Musica Quartet will give the fol lowing program: Scherzo from String Quartet in E Fla*. Luigi Cherubini fAdapted and pdi'.ed by Alfred Pochon.) Finale from "The Riders' Quartet." Joseph Haydn Pro Musica Quartet. Andante in F Major L. von Beethoven Capriccio in B Minor David-Liszt Impromptu in F Sharp Major F. Chopm Waltz in E Flat Major. Scherzo in B Minor. Intermission. Caprices from the ballet. "Alceste.” Gluck-Salm Sams. Three Preludes A. Scriabine "Isle of Joy" Cl. Debussy Alexander Sklarevski. Quartet No. 1 in D Major A. Borodin Pro Musica Quartet. The benefit is being arranged by j Joseph S. Loughran, minister of Cleve land Park Community Church. SEVITZKY ENGAGED | FOR INDIANAPOLIS pABIEN SEVITZKY has been en gaged as conductor and musical director of the Indianapolis Symphony Orchestra for the next three years, according to an announcement made by William H. Ball, president of the Indiana State Symphony Society. Mr. Sevitzky, who has won inter national recognition as conductor of the Philadelphia Chamber Spring Sim fonietta and the People's Symphony Orchestra of Boston, and as guest conductor of leading orchestras in Europe, will at once proceed to the task of creating an Indianapolis Sym phony Orchestra to rank among the foremost of the country. The Indianapolis Symphony orcnes tra, founded in 1929 by Ferdinand Schaefer, has progressed in the course of these eight years to become an integral part of the life of Indianapolis. In the 1935-1936 season the society inaugurated the policy of engaging renowned artists to appear with the orchestra. Last season Mr. Sevitzky made his first appearance directing the orches tra, and so great was his success that negotiations were immediately begun to have him return as permanent con ductor. It was Mr. Schaefer who in sisted upon the engagement of Mr. Sevitzky as the conductor best quali fied. Mr. Schaefer will act as con ductor emeritus of the orchestra. Mr. Sevitzky has appeared as guest conductor of the Los Angeles Phil harmonic, the Washington Summer Concerts Orchestra and the Paris. Berlin, Vienna and Warsaw Symphony Orchestras. He began his career in America as double bass player in the Philadelphia Orchestra in 1923. Two years later he organized the Philadelphia Cham ber String Simfonietta. In addition to his other activities, Mr. Sevitzky has conducted a series of operas for the Philadelphia Grand Opera Co. with enormous success. In discussing his programs ior next season, Mr. Sevitzky announced he would adhere to his time-tested pro cedure, so successful in Boston, of in cluding a composition by an American composer in each of his programs. In concerts presented by Mr. Sevitzky in Boston during the last three years, 35 American composers have been repre sented on programs, and 20 works have been played for the first time. --- Opera by Local Club. 'T'HE Opera Players’ Club of Immacu late Conception Church will pre sent the juvenile operetta, “Punchi nello," by Harry Wheaton Howard, on Tuesday, Wednesday and Friday eve nings at 8 p.rn. in Humey Hall. The club will be assisted by the girls of the Immaculate Conception Academy and the boys and girls of the school, the proceeds of the entertainment to go for the Washington Catholic Radio Hour. Those taking part in the operetta are Rita Koontz. Bernadette McHugh, Catherine Murphy, Rose Ashlev Helen Marx, Harry Maier, Charles Kelly, Jean Esterbrook and Calvert Ma gruder. A program of musical num bers from musical comedies by Mr. Howard will follow. CONTEST OFFERED FOR SONG SETTING 'y'HE Chicago Council of Teacher* of Singing announces its first annual competition for the best setting for solo voice of the poem "Evening - Song.” The poem is as follows: Look off, dear love, across the sallow sands, And mark yon meeting of the *un and sea. How long they kiss in sight of all the lands. Ah, longer, longer, we. Now in the sea’s red vintage melts the sun, As Egypt's pearl dissolved in rosy wine, ' ^nd Cleopatra night drinks all. T;s done, Love, lay thy hand in mine. Come forth, sweet stars, and comfort heaven's heart; Glimmer, ye waves, round else un lighted sands, O night, divorce our un and sky apart, Never our lips and hands. SIDNEY LANIER. The W. W. Kimball Co., which has^ always shown a deep Interest In the development of American music, has endowed the Chicago Council of Teachers of Singing with an annual prize of $100, to be given to the suc cessful competitor. The conditions of competition are: 1. The composer must be a resident . of the United States of America. 2. The setting must be for solo voice, with piano accompaniment. 3. It should be remembered first of all that the song must lie well for the human voice. Also that the longevity of a song depends largely upon its melody. The setting should be or.e that lends itself to publication for both high and low voice. It should be kept within a reasonable compass. 4. Each composition must bear a fictitious name and the composer must inclose with his manuscript a sealed envelope bearing upon this outside the fictitious name and having inside his* real name and address. Loose stamps should be inclosed for the return of the manuscript. 5. Each composition must be send to D. A. Clippinger, chairman of the Contest Committee. 617 Kimball Hal!, Chicago, 111., and must be in his hands not later than July 1 The aw-ard will be made about July 15. -6. The composition receiving the prize becomes the property of the Chicago Council of Teachers of Sine ing. All others will be returned to their authors w-ithin 30 day*. 7. In the event of no worthy com position being submitted, the Chicag* Council of Teachers of Singing re serves the right to withhold the award. 8. The award will be made by a jury composed of the following mem bers of the council: Mr. Shirley, M. K. . Gandell, Arthur Burton and Richard De Young. No member cf the council shall enter the competition. • 9. Address all communications to D. A. Clippinger. 617 Kimball Hall, 306 Wabash avenue, Chicago, 111. Wins Ski Championship. G. Drakeford of Paisley won thfl skliing championship of Scotland by covering the Ben Ghlas course oi three-quarters of a mile in 66 sec onds. Warren F. Johnson, Organist Church of the Pilgrims , Sunday Evening Choral Fantaaie and Double t jcue from Suite "Plea Dae"_Lohmann PIANO TUNING EXPERT WORK 37 YEARS EXPERIENCE SCHAEFFER 1428 IRVING ST. N.E. POt. 0989 ■ ■ ■ — J Armando Jannuzzi Grand Opera Dramatic Tenor Voice Specialist Italian Method School of bcl cants Adam 3687-J 1519 Oak St. N.W. (Cor. 16th)^ «