Evening star. [volume], February 10, 1938, Page A-14, Image 14

About Evening star. [volume] (Washington, D.C.) 1854-1972

Image provided by: Library of Congress, Washington, DC

                
Miss Morgan Reveals Talents
For Being Interviewed
Songstress Tells All and Makes It
An Amusing Confession.
Hillbilly Shortage Felt.
By JAY CARMODY.
MISS HELEN MORGAN, looki»g very chic and acting very agile (she
can hop down from a piano top as pertly as a Kappa Kappa Gamma
freshman) took her first step toward entertaining Washington,
starting tomorrow at the Capitol, by entertaining Washington drama
scribes yesterday afternoon. In a mood seventeen leagues removed from that
In which she breaks hearts with songs, she led her interviewers through a
lauynnui ui uni using uuu&s aim tmu- -
nies of a career that has been one of
the most vivid in show business. With
the confidence of a woman whl> knows
she does not look her age, she named
names, dates and places with what
amounted to virtual abandon. What
ever the details of her agreement with
time, Miss Morgan got the best of the
deal, knows it and probably wouldn't
give a hang if this report never
stopped making her sound as old as
Lilith.
Of all the songs she has sung, in
case you are the one person in the
world who could not guess it, Miss
Morgan prefers "My Bill.” From the
minute she laid her vocal cords on it
she knew it was her song. The people
for whom she was working did not feel
the same way about it, but Miss
Morgan made them eat their eveiy
word of protest against her use of it.
The first audience went approximately
wild about it. thus setting a fashion
which audiences have followed with
gusto ever since. The song, which is
Identified in every ones mind with
"Show Boat,” was written 10 years
before.
Miss Morgan is a singer without a
shred of illusion as to her musician
ship. She does not belong to the
"mi mi mi” school of vocalists and
makes no pretense of doing so.
She did have aspirations to be
operatic, but she got over them very
young, with the assistance of a two
fingered trumpeter who spent a sum
mer teaching her that she could not
sing “Madame Butterfly." Instead of
being heartbroken she went on and
became even more famous than if she
had mastered the aria “One Fine
Day.” As she tells the story, those
lessons sound as if they were pretty
hard on the neighbors. It was summer
In Chicago at the time and the
trumpeter and Miss Morgan used to
go out and sit on the lawn while
searching her talent for the high C
they never found.
* * * *
A/f ISS MORGAN sang her first song
(torch, too) at the age of 6 in
church. It was something which we
forgot, but she has not forgotten,
about the world needing a little bit
of love.
“It was a duet," Miss Morgan re
calls. “My job w-as to sing the alto
part. And I sang the arto part as a
solo because the other little girl got
bo frightened, she never sang a note."
She shudders, but not very deeply,
to think what it must have sounded
like.
High light of her career, Miss Mor
gan can tell you, was the period
spent as a Ziegfeld star. Greatest
of her moments in that association
was the day the great Ziegfeld came
to ask her if she would make a pro
logue with sound to the silent film
version of “Show Boat.” “They will
pay you $7,000 for it." he said.
Miss Morgan virtually swooned try
ing to say she would make a whole
film, playing all the parts if neces
sary, for that much money. Ziegfeld
r
had to hold her to keep her from
making the offer direct to the movie
people gathered in an adjoining room.
When she had calmed down he went
back and talked them out of $3,000
more..
“Ten thousand dollars, and I did
it in three hours,” she says with a look
of rapture that Duse or Bernhardt
might well envy.
Miss Morgan is at her brightest best
when she tells you how she got start
ed in show business. With an I
can't-believe-it-either look in her
eyes, she lets you know that she did
it by winning a beauty contest. “That
was long ago,” she adds quickly.
Interviews usually are not half so
much fun. Or, more accurately, one
twenty-seventh so much fun!
* * * *
VrOUNG men looking for a good,
enduring life work with the op
portunity for regular employment
might examine the hillbilly field. It
is recommended, and highly, by Ab
ner (Leon) Weaver, who has been
the most highly successful hillbilly
in the entertainment field for 25
years. There is a serious shortage of
hillbillies in the world, says Mr.
Weaver, whatever the Census Bureau
has to say about birth rates in the
mountains.
The hillbilly jobs which are un
filled, of course, are those of tending
to the caows and chickens, ’taters
and other things. The regular dyed
in-the-wooi members of the tribe are
too busy with their stage and radio
careers to bother working as farm
hands. Mouth-organ playing and yo
deling pay much better than farming,
so Mr. Weaver does not blame his
fellow mountain musicians for turn
ing traitor to the soil.
The other Weaver brother, Cicero,
and Elvtry constitute the piece de
resistance of “Swing Your Lady,”
which comes to the Earle tomorrow,
and which offprs further proof of the
potency of the hill people as enter
tainers. Warner Bros, made the film
as a kind of joke, a sort of cffhand
number, on which the production.
cost was low. It turned out to be one
of the big "sleeper” pictures in years,
a sleeper being a picture for which
there is a lot greater public demand
than its producer realized when he
gave the order to make it.
-a
Shorts Quartet
At Trans-Lux.
POUR shorts supplement the news
section of the Trans-Lux show
opening tomorrow. They include
“Feminine Fun," a novelty sport
picture; “Chile—Land of Charm.” a
travelogue in color: a “Stranger Than
Fiction” series and a “Mickey Mouse”
cartoon.
An aerial ropeway has been strung
across the River Orchy in the High
lands of Scotland.
mm
>#
ACADEMY °f p"£ht spr"0,*,
E. Lawrence Phillips' Theatre Beautiful
Continuous From 4:3(1 P.M.
JEAN ARTHUR and EDWARD ARNOLD In
“EASY LIVING,”
With RAY MILLAND.
•‘ON PROBATION '• with MONTE BLUE.
WILLIAM BAKEWELL and LUCILLE
_BROWN.__
CAROLINA Air-Conditioned I
RICHARD ARLEN in “SILENT BAR
RIERS' and “SPEED TO SPARE."
PIDP1 C Home of Mlrrophonie Sound
IIKLLL Penna Are at 'list St
Matinees Tues.. Thurs.. Sat.. Sun.
MYRNA LOY. FRANCHOT TONE in MAN
"ROOF." _ Short Subjects.
DUMBARTON 13*Air-Conditionert j
1. lb DUNNE. CARY GRANT in "THE
A,VFUI. TRUTH.';_News and_Comedy.
FAIRLAWN Air-Conditioned I
JE ANETTE MacDONALD. "THE FIREFLY.’’
‘ PAMPDCCC Nichols Ave. A
lUllltRUS Portland St. S.E.
JOAN BLONDELL in ' BACK IN CIRCU
LATION."
1 inn 3SS* M St. N.W
LIlIU .JEANETTE MacDONALD.
ALLAN JONES. WARREN WILLIAM
in "THE FIREFLY." Also "Crime Does
Not Pay." "Soak the Poor.”
I ITTI C «0* St. N.W
LI 1 1 LL Air-Conditioned
American Premiere of
“WHIRLPOOL.”
PDINPCCC 1119 H St. N.E
rlUntbJO Double Feature.
GLADYS GEORGE in "MADAME X.”
MIRIAM MARSH in "YOUTH ON
PAROLE.”___
CCrn *344 Georda Ave.
dLLU Silver Sprig* Md
Continuous From 0:nn F.M.
“IT’S ALL YOURS,”
MADELEINE CARROLL and
FRANCIS LEDERER Also . . .
“HIGH FLYERS,”
WHEELER and WOOLSEY.
CTANTAN 9th »nd C Sta. N.E.
SlAniUn Finest Sound Eoulument
Continuous From 5:30 P.M.
“The Big Broadcast of 1938,”
Btarrinv W. C. FIELDS with MARTHA
RAYE and DOROTHY LAMOUR.
•‘BULLDOG DRUMMOND AT BAY. " with
JOHN LODGE. DOROTHY MACKAILL
and VICTOR JORY.
T A If ft M A 4th and Butternut Sts.
lAAV/lVlA No Parkin* Troubles
JOAN BLONDELL in
“STAND-IN.”
Select Short Subjects.
HIPPODROME Double Feature I
Rochelle Hudson. "Woman Wise."
John Boles. "She Married an
_Artist.” _
TAMPfl mt rainier, md.
LAIY1E.U Today-Tomor.
PAT O’BRIEN in
M “SUBMARINE D-l.”
3 ARCADE HYATTRVn.tE MD. I
t NELSON EDDY and
S ELEANOR POWELL in
§ _ “ROSALIE.”
B RICHMOND ** V* I
Am Sheridan. "Patient In Room 18."
pern ALEXANDRIA. VA.
ItCU/ Today-Tomor.-Sat.
° WALTER WINCHELL
g and BEN BERNIE in
•XI “LOVE AND HISSES.”
_Free ParklnaSnace—800 Cars._
2. Mil h ROCK VILLE. MD
• B UllleVI Today-Tomor.
fi Ray Milland and Frances
Farmer in “EBB TIDE.”
MARLBORO
Today-Tomor.
WALLACE BEERY in
“Bad Man of Brimstone.”
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AMBASSADOR S* &MB.
ELEANOR POWELL and NELSON
EDDY in ■■ROSALIE." News.
APOim «2I H S*. N.E
fMnV.W' Phone Une. 3378
MYRNA LOY. FRANCHOT TONE In
"MAN-PROOF." Also Flovd Gibbons
in "■■laying With Danger."
AVAI ON A"12 Conn Are. N.W
. Cleveland 2800
-^AtIN CIRCULATION." with
PAT O BRIEN. JOAN BLONDELL
_ and MARGARET LINDSAY. Short.
AVENUE GRAND
BRIAN AHERNE. OLIVIA DF HAVIL
_LAND in "GREAT GARRICK."_
fAlVFPT 2321 Wisconsin Ave
vALYEIVl Cleveland 2318
_ _ Matmec 2:<W P.M.
FRED ASTAIRE. JOAN FONTAINE
• i "DAMSEL IN DISTRESS." _
fFNTRAI i‘!3nth st. n.w.
IE.I11 HAL Phone Met 2811
„ , Or«ns 11:00 A.M.
"SH! THE OCTOPUS." with HUGH
HERBERT. Also Walt Disney's
_Academy Award Revue Short.
COLONY 4™«& &S«W
FRANCES FARMER. RAY MILLAND
in "EBB TIDE." Also Popeye. _
HOME ,33Xt,c*VE
IA1I HUNTER. PAT PATTERSON In
_"FIFTY-SECOND STREET."_
PFNN 880 Penn. Avenne 8.E.
rmin Lincoln 2179
Matinee 2:00 P.M.
FRED ASTAIRE. JOAN FONTAINE
in "DAMSEL IN DISTRES8."_
CAVAV 3030 11th St N.W
3AVUI Phone Col. 4088
M'Y-.NA LOY WILLIAM POWELL in
"DOUBLE WEDDING.” Also
'is-c'l of Time.
SHFRIHAN Ga. Ave. * Sheridan
SJlEinlVAn St N.W.. Ran. 2100
_ Matinee 1:00 P.M.
CLAUDETTE COLBERT. CHARLES
BOYER In "TOVAR1CH." Short.
TlVni I *<th St. a Park Rd N.W
11 VlfLl Phone Cel. 1800
Matinee 2:00 P.M.
FRED ASTAIRE JOAN FONTAINE.
BURNS and ALLEN in "DAMSEL
_IN DISTRESS." Also Newsreel.
lIPTflWN Conn A ve and
UriUWW Newark St. N.W.
Cleveland 5400
Matlne* 2:00 P.M.
M/RNA LOY. PRANCHOT TONE in
"MAN-PROOF." Newsreel.
YORK Ga. Ave. and Qnebee
««* n w- c®'- *«««
.Bought Back By Popular Demand.
IRENE DUNNE and CARY GRANT in
_ THE AWFUL TRUTH." Short.
NEWTON ,2tV.nV'Eew,<,D
“ROSALIE,”
ELEANOR POWELL. NELSON EDDY.
JESSE THEATER ’“‘suVe.1”*
“SUBMARINE D-l,
PAT O'BRIEN. GEORGE BRENT.
SYLVAN ** Avel^N.W L
“STAGE DOOR,”
KATHARINE HEPBURN and
_ GINGER ROGERS._
PALM THEATER de\a*at*
“ROSALIE,”
ELEANOR POWELL. NELSON EDDY.
ARLINGTON, VA.
I QnN 1720 Wilson Bird
Ujun Onp. Colonial Vlllate
wr D G. ROBINSON and JAMES
■EWART in THE LAST GANGSTER.'1
KTON Clarendon. Va.
lllUll JEANETTE MacDONALD
"FIREFLY."
FALLS CHURCH, VA.
iTC NO PARKING I PC
kit WORRIES LfcL
•ED ASTAIRE, j ROBERT YOUNG,
NS and ALLEN JAMES STEWART In
diDs^"1N 1 NAVYoo^ ^
JE-BETHESDA M A?
CLAIRE TREVOR in
“BIG TOWN GIRL.”
WILLIAM GARGAN,
'BEHIND THE MIKE.”
Don’t Turn ’Im Loose, Puh-lease
■ 9m
Nat Pendleton is the wrestler who here seems bent on committing some sort of mayhem, and
Frank McHugh is the chap holding him back. It’s a scene from the comedy, “Swing Your Lady,"
which comes to the Earle tomorrow with Louise Fazenda in the leading feminine role.
Pan-America Caught
By Holmes’ Cameras.
\yiTH a final whirr of the camera
reel and click of the lantern slide,
that loyal correspondent of travelogue,
Burton Holmes, left Roosevelt High
auditorium an apparently happier
place last night, judging by the after
effects of "Down to Rio. Through Mex
ico, and Over the Andes" on another
capacity audience. Capacity is the
word, too, and has been throughout
the entire series.
The South American scenic splurge
of last evening was no exception to
the Holmes rule of "give 'em what
they like most," and. with the change
of continent from east to west for
subject matter, completely rounded the
reason's travelogue cycle. Of course,
there still remained the old towns,
the modem improvements, landscapes,
peasantry and the like, but the flas-or
was different and the films were fresh.
Driven to the air for a change by
the absence of sufficient roadways, Mr.
Holmes clips from Broadway to Ha
vana to Yucatan with the greatest of
ease and the most fruitful of air views.
In the Mexican state we behold mys
tery galore manifested by ancient
Mayan cities buried by a tenacious
jungle and above all the renowned
sacrificial well, where young people of
yore were wont to dive in, heavily
weighted, for the benefit of the sun
god. Contrasting were Mexico Citys
man-made skyscrapers, of course. Near
the heights of Chapultepee the lens
registered some real live Caballeros and
cabellerettas cavorting about, as well
as ancient churches of Spanish origin.
And then there were the peaks of
Iztaccihuati and Popocatepetl of the
grandiose heights and pronunciation.
More flying, over the Panama Canal
to Peru, land of the rugged Andes
and the Incan culture, followed.
Rio de Janeiro makes a glorious ter
mination point. Especially after Mr.
Holmes escorts the lcokers-on about
the dazzling mosaic sidewalks, along
shore line boulevards, up the tower
ing Sugar Loaf via a painfully petit
cable car, and finally up the towering
Corcovado Mountain in a cog rail
train to the summit, where stands an
immense figure of Christ surveying the
city. J. s.
--•-- ■
Choral Program
At Agriculture.
rJ'HE Agriculture Chorus, whose Gay
Nineties program played repeat
edly to full houses last fall, will pre
sent a program of favorite grand opera
arias and choruses Saturday evening
at 8:30 in the Agriculture auditorium.
Among those to be heard will be
the Habanera, from “Carmen”; Mis
erere cene, from "II Trovatore”; Sex
tet. from "Lucia”; Soldiers' Chorus,
from "Faust”; Toreador Song, from
"Carmen,” and Anvil Chorus, from
“II Trovatore.” Robert Frederick
Freund will direct and Victor Neal will
be at the piano. The concert is open
to the public.
Tryouts Set.
rpRYOUTS for a “Living Newspaper
on Spain,” to be produced at the
end of the month by the New Theater,
will be held tonight and Friday at 8
o’clock at 810 F street N.W., Miss
Sylvia Mllrod, director, announced
today.
Script for the production—the first
of its kind to be given In Washington
—has been written collectively by
the Washington League of American
Writers, who are co-sponsors.
The "Living Newspaper” technique
has been successfully used by the
Federal Theater in New York City,
where the currently popular "Living
New-spare” is “• * • one-third of a
nation.”
Where and When
Current Theater Attraction*
and Time of Showing.
National—"Save Me the Walt*,'* a
new comedy by Katherine Dayton:
2:30 and 8:30 p.m.
Earle—"You’re Only Young Once,”
spirited young actors In a story of first
love: 10:15 a.m., 12:35, 2:55, 5:15, 7:40
an-1 10 p.m. Stage shows: 11:40 a.m„
2, 4:25, 6:45 and 9:05 p.m.
Capitol—"Everybody Sing,” a song
fest with Judy Garland and Allan
Jones: 11 a.m., 1:45, 4:30, 7:15 and
10 p.m. Stage shows at 2:55, 3:40,
6:25 and 9:10 p.m.
Metropolitan — "Penitentiary,” an
other "big house” drama: 11:40 a.m.,
1:40, 3:40, 5:40, 7:40 and 9:40 p.m.
Columbia—“Love and Hisses," a fa
mous feud comes to the screen: 11:50
a.m., 1:50, 3:50, 5:50, 7:50 and 9:50
p.m.
Palace—“The Buccaneer,” Fredric
March stars In the story of a pirate
who helped to save the Nation: 11:15
a.m., 1:50, 4:25, 7 and 9:35 p.m.
Keith’s—“Radio City Revels,” a host
of air favorites in a screen vaudeville
show: 11:46 a.m., 1:46, 3:46, 5:46,
7.46 and 9:46 p.m.
Trans-Lux—News and shorts. Con
tinuous from 10 a.m. to midnight.
Little—“Whirlpool,” adult study of
a problem marriage: 11 a.m., 12:45,
2:30, 4:20, 6:05, 7:55 and 9:40 p.m.
Ambassador — “Rosalie,” mammoth
musical with Eleanor Powell: 5, 7:05
and 9:20 p.m.
Penn—“A Damsel in Distress,” Mr.
-• —. ——■——I
Astaire dances, as do Burns and Allen:
2, 3:50, 5:45, 7:40 and 0:30 p.m.
Calvert—“A Damsel In Distress”: 2,
3:55, 5:50, 7:45 and 0:45 p.m.
Tivoli—“A Damsel in Distress”: 2:36,
4:56, 7:10 and 0:30 p.m.
Uptown—‘'Man-Proof,” Miss Loy
discovers that she Is not: 2, 3:55, 5:50,
7:50 and 0:50 p.m.
Sheridan—"Tovarich,” brilliant
screen version of the stage success: 1,
3:05, 5:10, 7:20 and 9:25 p.m.
Howard—“Charlie Chan at Monte
Carlo,” the Oriental sleuth solves an
other: 12:30, 3:30, 5:55, 8:20 and
10:30 p.m. Stage shows: 2, 4:40, 7:05
and 9:30 p.m.
Donald Crisp is planning a trip to
the South Seas on his yacht, the Pa
cific Wanderer this spring. He Is go
ing to look for an island to buy as a
first step in starting a “getting away
from It all” colony.
Prim • T# 1 pm-25c *1 pm to 5:30.35c •£*».-40c-06c-77e
SWING ON DOWN TO
Screen
They're Cbmio RoumcI
The M.our>£am*"
The Hill Billy Comedy That Wilt Crack Yort
Funny-Boni
"SW/NG
YOUR LADY"
Warnar Brea. Mountain Comeiyuntfc
HUMPHREY BOGART PENNY SINGLETON
As Slick As A Zither Singing Songs Her
FRANK McHUGH Mo,hK Nevef T"**’ Her
ALLEN JENKINS M
Who Think A Feud Is WEAVER BROS.
Something To Eat fc ELVIRY
&SfSS
Blacksmith Belle Of
The O/arks
NATPENOLETON
Hasslin' Romeo From
(loo Yank
TOMORROW
—On Stoft—
START STEPPING
a KM __
Headed By The
Screen-Radio Star
PINKY
TOMLIN
.. From Eddu Cantor*
"Trxaco Town" Author
Of Obj«t 0/ My Af
fection" etc .
IRENE VERMILION l Cl
mm ROYAL
WONDERETTES
DICK, DON & DINAH
LEE
DIXON
Dancinf Star cf
"Vanity Show", tic.
UST MT » "TOM'IE ONLY TODWfi OHCE" * TIP WEEMS 1 OUCH.
IT1— I
Gvz&& D ^fneJ.
LOMBARD M MacMURRAY
In the Paramount Pictur* unth
"CONFESSION"
TRUE ADVENTURES PWB| will 111 1 I L J M 11
"HUH VOLTACE” HH a a I J I . 111 LI II 11 fa V I
VitaphonsSHORT
UtTMY- mi IHI» WALTER count j^fiwlMftnr
mja i 7 i ^m ▼ *J *nl
J k 1 ^ A I T-JI
The glorious adventurs VA
thrilhng all Washington! . . . M
FREDRIC MARCH
in CECIL B. DcMILLE’S flaming romance
i-gs BUCCANEER
\ . i yank franciska gaal
IAmMRD' and a cast of
lat OXrOKw THOUSANDS
FRIDAY 1
We guarantee you'll m
tay it's her best pic- *
lure in years . . .
crSford g
tRACY 1
■It M-G-M’i
MANNEQUIN
with
ALAN CURTIS
FRANK MORGAN
—
V J
CutW«lt«r WINCHELL Ben BERNIE
*■ djM- in "LOVE AND HISSES" '
czT7 • . . i
THEATER PARKING
6 P.M. TO
1 A.M. 55*
CAPITAL GARAGE AMh*,\7h
Latest Styles
Complete
Arruwirln
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■ m NEXT MAT., SAT. AT S:30
MAX CORDON
SAM H. HARRIS
'Save me .
THE WARE
A new eemedr by Katherine Darien.
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ST. LOUIS I -Play, Fiddla, P1ar“
DANCING.
Praf. Ml Mrs. L. Acker. Private leseeni
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CULTURED, TALENTED TEACHER!
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Don Martini Conducts This Branch
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A picture
you'll never
forget I
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SM0W WHITE
AND THE SEVEN DWARFS
A full length feature In multiplane teehnieelor
Walt Disney creates a modem miracle .. in
laughter, suspense and fantasy, in exquisite
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feature is the most inspired, the most human,
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Dlttnbvfd by »*0 t»OiO HC»U»H <
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