Newspaper Page Text
TREATER PARKING 6 P.M. TO “» C„ 12 P.M. CAPITAL GARAGE aVUS Iffi LOANS 73 yeors of buying, selling and lending on diamonds, jewelry, etc. Liberal Loans at Lowest Possible Ratos. CASH FOR OLD GOLD (Government Lleenee) E. HEIDENHEIMER Ettablithed 1866 I&'N°FFJfE *515 H St. N.W. 505 Kins St., ALEXANDRIA. VA._" ASHING TON FIVE TIMES AS MANY USERS Betholine sales have increased nearly 500% in less than 5 years. Outstanding proof that benzol blended Betholine is different, better than any gasoline—that extra mileage makes its premium performance free. Next Time, try the NEW Betholine A Product of Sherwood Brothers Incorporated __AMUSEMENT^_ JCttte HOWARD •JWHILLER Violinist. In Recital: $1.10. $1.85. $2.20 ■ n. Dorsey's, 1300 G *t. (Droop's) NA. 7151 LAST 3 DAYS CLOSES SAT., NOV. 18th! Adm. 8,5c. $1.10, $1.65. $2.20. incl. tax Special Matinee Saturday, Nov. 18th. 65c, 85c, $1.10, $1.65, incl. tax. Riverside Stadium RE.h"jii50 26th & D N.W. REh">!')5o Now a Play-by-Play Account Of a Play on That Certain Set And a Report Indicating There May Be Sparring Between Miss West and Mr. Fields * By SHEILAH GRAHAM. HOLLYWOOD. “Mae West versus W. C. Fields.” . . . Mae West, as a buxom city gal named Florabelle, is run out of Chicago by every decency league in the place. She heads West (no pun intended). On the train she meets a dilapidated traveling salesman—W. C. Fields. She thinks his carpetbag is crammed with gold. So she marries him. I arrive on the set Just after they have registered as man and wife in a small Western town hotel. Both Bill and Map arp in t.hpir A-—- -- - ___^ tive corners, resting up for the next round. I say to Miss West—“I understand they are think ing of calling the picture ‘My Lit tle Chickadee.’ ” Mae emits a faint yell—“Over my dead body— there's too much of Fields in that title — he’s been using that ex pression for the past 50 years.” “Have you a better title in mind?” I ask soothingly. “Yes,’’ says Mae, SheiUh Graham. “ ‘The Farmer's Daughter and the Traveling Salesman.’ ” "But I thought you were a city girl,” I re mind her. “I am—but we can put in a line to take care of that,” says Mae. As I understand it, the impor tant thing is to give Miss West first billing—the rest—with Mae’s help— will take care of itself. Mae admits that she rewrote the entire story. "But,” she says—“I gave Mr. Fields a good part.” Bill— who is something of a diplomat and the best ad-libber in the business— accepted “the good part” with thanks, multiplies it 200 per cent when he’s in front of the camera, and is so funny that, after every new sequence. Director Edward Cline gig gles, “We'll keep that in.” It’s amusing to watch Mae watch Fields as he puts in an unexpected piece of business guaranteed to steal the spotlight. Her face has the look of a tigress defending her young, followed by a rather sickly smile, and a muttered moan—“He’s slowing up the story.” Something' tells me this is going to be a very interesting picture—to write about. * * * * “The Life of Dr. Ehrlich.” . . . ‘Where is Edward G. Robinson?” I ask. The studio executive with me looks around hesitatingly, then re plies—“I think that's he—or maybe that's his stand-in—I’m not sure.” He points to a stranger wearing thick eyeglasses and an even thicker beard that covers both sides of his face, his mouth and chin, “That’s not Robinson,” I state emphatically. We go over to investigate. The voice is faintly Robinson, but the face is not. “Who are you?” I demand. “Who do you think I am?” he counters. This goes on for some time, and I have just come to the conclusion that the bearded man is Robinson, when he throws me off again by saying in a different voice— “Tell me, who do you think I am?” Luckily for me—or I’d still be there— the man grins. There is no mistak ing the Robinson mouth in action. The disguise is remarkable and I defy any one of you to find the actor behind it when you see the picture on the screen. Robinson, who has fallen heir to the hirsute roles beloved by Paul Muni, will be glad when this picture is in the "can.” “It takes me three hours in the morning to put every thing on, two hours to take it off,” he says. “And for an hour after that I have to be alone until the odor wears off.” At this point, Eddy is approached by ex-Debutante Wendy Iglehart, amusements! who is working for a smart fashion magazine and wants a picture of Picture Collector Robinson at home against the background of a gau guin. "Sure,” says Eddie—"but not in this beard—you’ll have to wait until Sunday.’' The new masters bought by Rob inson on his recent European trip are now on their way to this country. "They’re on a French boat—but I don’t know what boat and if or when they will reach here safely.” He is going back to France next summer. "The war,” he says opti mistically, “will be over then.” And echo answers—"We hope so.” (Released by the North American Newspaper Alliance, Inc.) Army Gets Its Wings In New Photoplay Taking its theme from the sky ways of America, “I Wanted Wings.” best selling saga of peacetime Army flying, has been purchased by Para mount and set for filming as one of the studio's epic productions for the coming season. Lt. Beime, jr„ United States Army Air Corps, author of the book, is en route to Hollywood from Langley Field, Va., to begin work on the screen play in collaboration with Lt. Comdr. Frank Wead, U. S. N„ re tired. Arthur Homblow, jr., will pro duce the picture following “The Ghost Breaker” and "Triumph Over Pain.” Homblow’s latest effort was the new Bob Hope-Paulette Goddard co-starrer, “The Cat and the Ca nary. Much of “I Wanted Wings” will be filmed against the background of Randolph Field, Tex., the Army's West Point of the air. Army war games also will be used for an im portant background in the picture. Melvyn Douglas has been signed to a new M-G-M contract. Court Clears Way For Girl's Marriage Opposed by Parents Dashing Broker Takes His Case to Judge, And Wins By the Associated Press. NEW YORK, Nov. 16—Dashing George Lowther, 3d, 30-year-old broker “Romeo,” has won the right to see his pretty “Juliet,” or even marry her if she wants him—and she says she does. Love triumphed over parental barriers yesterday in Manhattan’s unromantic State Supreme Court, where Mr. Lowther had petitioned for a writ of habeas corpus, alleging Mr. and Mrs. Walter R. Herrick had kept their daughter Eileen, 20, a "prisoner” to prevent her marriage to him. Justice Isidor Wasservogel, after questioning every' one concerned, told the parents, “She is past the age of consent. If she wants to marry this man, she has the right to do so. She ought to listen to her parents' advice, however, but she has civil rights, too, and if she makes a mistake it’s her mistake and her life.” The justice decided that Mr. Lowther must not attempt to see Eileen for the next 10 days while she remains in a hospital to re cuperate from a nervous condition. After that, said the judge in dis missing Mr. Lowther’s petition, the two may see each other as often as they like. Elopement Effort Fails. Mr. Lowther’s difficulties with the Herricks started when his plan to carry Eileen down a ladder and off to the parson failed to materialize. The Herricks refused him permis sion to see their daughter and Mr. Lowther, contending she wanted to see him, filed the petition. Supreme Court attaches said it was the first time in their memory that a father had been compelled to produce his daughter under a writ of habeas corpus obtained by a suitor. The Herricks first appeared in court without their daughter, saying she was in a hospital for some “rest,” but the justice ordered that she be produced. When she entered the courtroom Mr. Lowther rushed toward her with outstretched arms. Mr. Herrick shouted, “Get away from her,” and shoved the broker. A detective separated them. During the proceedings Mr. Low ther's attorney asked Miss Herrick, “If you had your liberty would you marry Mr. Lowther?” "Yes, sir,” she replied. She said she had known Mr. Lowther a year, and that they had planned to be married. Friendly Relations Advised. Mrs. Herrick told the court she did : not have any objection to Mr. Low ther, but she did not approve of "some of the places George took Eileen." She mentioned several night clubs which she said were frequented by “kept women." After hearing the justice's stipula tion, Eileen asked, "Does this mean that after 10 days I can live an ordinary, normal life, get a job and see George whenever I want to?” "Yes, of course you can,” the jus tice said. He advised the Herricks to establish friendly relations with Mr. Lowther “because he may be come your son-in-law.” Ousting of 'Bossism' From City Rule Urged By the Associated Press. INDIANAPOLIS, Nov. 16—Mur ray Seasongood, who helped insti tute the city manager plan in Cin cinanti, urges that "bossism” be rooted out of municipal government to preserve democracy. Mr. Seasongood, former Cincin nati mayor, spoke to the National Municipal League in its three-day 45th annual conference on govern ment, begun here yesterday. “Democracy is under attack the world over,” he said, "and the way to preserve democracy is to cure its weaknesses. Bossism and machine rule are severe weaknesses. * • *" On the same program were Wil lard F. Day, manager of Henrico County, Va., and Leslie M. Gravlin, Minnesota commissioner of admin istration. Mr. Seasongood said women's or ganizations were among the best means to beat political machines. He said the Cincinnati charter movement, launched by only six persons, was carried forward by women. Day, one of a half dozen county managers in the United States, said the county manager plan replaced a costly, cumbersome setup with a simple, economical system. He told the conference that In his own county—including the city of Richmond—five departments now did the work formerly done by 25 officers. |_AMUSEMENTS. AMUSEMENTS. ACADEMY or p*rmh IPosT*9"7 E. Lawrence Phillips’ Theatre Beautiful Continuous From 5:30 P.M. GINGER ROGERS and DAVID NIVEN in “BACHELOR MOTHER.” Also MARY CARLISLE and BETTY GRABLE In “Sweetheart of Sigma Chi.” ATI AC 1331 H s.—N E—AtiTssoo A1 LAo Matinee at 1 P.M. Double Feature Program. JANE WYMAN, ALLEN JENKINS in "TORCHY PLAYS WITH DYNAMITE." Also on the same program. SIDNEY TOLER as "CHARLIE CHAN AT TREA8 URE ISLAND."_ CAROLINA ,lth * " c 8 E •NEWS IS MADE AT NIGHT” and “EXILE EXPRE88.”_ riPri F Penna. At*, at 21st St. IglALLLi Borne of (Vflrroohonie Sound JACKIE COOPER. BETTY FIELD. “WHAT A LIFE.” News. Cartoon. CONGRESS OT3' N,eh•,• *" 8 E • THE STAR MAKER.” with BING CROSBY. NED SPARKS._ DUMBARTON 1843 wl,eon,,n "THE WOMEN." with NORMA SHEARER and JOAN CRAWFORD." News. Time of shows. 0:30 and 8:50: doors open 0 FAIRLAWN ^acostia. ° ® ANGEI£ WASH THEIR FACES ” "DEAD END" KIDS and ANN SHERIDAN. rncriunri T Trtt Parking-Adults, 25c U1YEC.KDLL1 Air. Cond. Show., 7 * » Revival. BETTE DAVIS. LESLIE HOWARD. "OF HUMAN BONDAGE." I inn 3227 M St. N.W. LIIAJ Double Feature. "ROSE MARIE’ and ’’0,000 ENEMIES.” Ladies’ Gift Night. I ITTI P 603 Bth St. N.W. LI I I LT. Bet. F and G. LESLIE HOWARD in “PYGMALION.” I VDir GAITHERSBURG. Md. LI AIL Today. CARY GRANT. CAROLE LOMBARD In _"IN NAME ONLY." Betty Boop._ PPINrPCC HIV H St N.E t.L 2600 nunmj Matinee 1 P.M. SPENCER TRACY and VIRGINIA BRUCE in “THE MURDER MAN." Also on the same program, EDDIE CANTOR in "STRIKE ME PINK.”_ QTANTnN 6th and C Sta. N.E. JlnniUlI Finest Sound Eaulpment Continuous From 5:30 P.M. WALLACE REERV and JACKIE COOPER In “THE CHAMP.” Also “Wanted by Scotland Yard,” With JAMES STEPHENSON. BETTY LYNNE. LESLIE PERRINS. IBETHESDA ‘ 10BeSesda!* Md*”' Double Feature. ALLAN LANE In "CONSPIRACY." MISCHA AUER In "THE MONSTER WALKS." Latest Newsreel. hippodromeT Double Feature H TYRONE POWER. "JESSE JAMES" WAYNE MORRIS In "MEN ARE C/5 SUCH FOOLS.”_ 3 CAMEO ™ At 6:40. 9:10. SPENCER TRACY In “Stanley & Livingstone.” Z ARCADE- HYATTSynXE^ MD. Q At 0:05. 7:40. 0:30. M GINGER ROGERS in e/a ‘FIFTH AVENUE GIRL.’ >*! MU A bockville: wff O 1THIAJ Rocky. 191 At 7:10. 0:25. s BETTE DAVIS in .© _“THE OLD^MAID.” | MARLBORO r~SMl?rb?r ON OUR STAGE: a POLLY JENKINS AND HER PLOWBOYS. Featured in Gene Autry pictures, and formerly with National Barn Dance in Chicago Act features 20 musical in struments. „ At 7:15. 0:25. On Screen. BOB BURNS in _Our Leading Citizen.” ARLINGTON. VA. n'oFnSk WILSON 1480 *Opp! 7Coh5al*°Vlllare.' ASHTON JV&T5rflSf "FOR LOVE OR MONK" and' "ESCAPE » BUCKINGHAM &.pS&Dr TYRONE POWER in “JESSE JAMES" FALLS CHURCH. VA. r.^s QTATF NO parking I rr 31 Alt WORRIES Ltt ZORINA I CARY GRANT In ,n SJL_Y,ODR I "IN NAME TOES."_I ONLY." ALEXANDRIA. VA. nrrn free parking. IvttI/ Phone Alex. 3445. MYRNA LOT. TYRONE POWER. GEORGE BRENT in "THE RAINS CAME." RICHMOND r4£%2“4s. ,0"$i^ooBaCtouctoov^^ **** ta Theaters Having Matinees._ AMBASSADOR kT sc‘„,.4,SSk Mat. I P.M. BETTE DAVIS. ERROL FLYNN In "THE PRIVATE LIVES OF ELIZA BETH AND ESSEX." At 1:10, 3:15, 5:20. 7:25. 9:85._ RFVFRI V 15th Sc E N.E. pE.VE.nL.I U. 3300. Mat. 1 P.M. Parking Space Available to Patrons. RICHARD GREENE. RICHARD DIX In "HERE I AM A STRANGER." At 1:45. 3:40, 5:35. 7:35, 9:35. fAIVFRT MM Wisconsin Ave. UALYE.nl WO. 8345 Mat. 1 P.M. Parking Space Available to Patrons LEW AYRES SLIM SUMMERVILLE In “ALL QUIET ON THE WESTERN FRONT." At 1:25. 3:30. 5:35. 7:40. 9:45. Cartoon. News_ o CENTRAL £ , Opens 10 A M. Sg &ANA TURNER in "DANCING CO «g EDU At 10:25. 1:40. 4:55. 8:10. JOEL McCREA BRENDA MARSHALL 5 „ in "ESPIONAGE AGENT " At ll:5u. £ = 3, 6:20. 9:35. Short Subject._ o 2 YFNNFnV Kennedy. Nemr 4th N.W 6 g ntnilLUI RA 6600 Mat. I P.M. 2 k Parking Space Available to Patrons. E _ LANA TURNER in "DANCING CO ED" At 1. 2:45. 4:30. 6:16. 8, 9:45. “ o Also Short Subject._ * PFNN 650 Pa. Avenne S.E. rtnn ll 2179. Mat. t p.m. LEW AYRES. SLIM SUMMERVILLE in "ALL QUIET ON THE WESTERN FRONT." At 1. 3:10. 6:20, 7:30, 9:35. Short Subjects. fij SHERIDAN RA. 2400. Ma6h*rpdMn V , MacMURRAY. MADELEINE CARROLL in "HONEYMOON IN ^ BALI." At 1. 3:10, 5:20. 7:30. 9:40. S CII VFR At* * Colesvllle Pika 25 SHep. 5500. Mat. 1 P.M. *1* Parking Space Available to Patrons. S*“ aiNOER ROGERS In "FIFTH AVE I* NUE GIRL." At 1:50. 3:45. 6:40, 7:40. 9:36. Also Short Subject. tA Tivni I ,i“’ 8‘- * E»rk Kd. N.W. SS 1IVUL1 Col 1800 Mat I PM O LEW AYRES. SLIM SUMMERVILLE in "ALL QUIET ON THE WESTERN ® FRONT." At 1:06. 3:16. 6:20. 7:30. CO 9:40. Short Subject._ . UPTOWN C?nn *'«■ * Newark. CC ■* * V W H Wo 5400. Mat. 1 P.M. rr? Peking Space Available to Patrons. 25 FRED MacMURRAY. MADELEINE Z CARROLL in "HONEYMOON IN 13 BALI." At 1. 3:10. 5:20, 7:25. 9:35. ^ Theaters Having Eve. Performances 5 APOLLO -VS*?* ^ LANA TURNER In "DANCINO CO ED.” At 6:16 8. 9:50. Short. - AVALON 86,2 wob265S: n w S „ LANA TURNER in "DANCING CO 'S o ED." At 6. 7:45. 9:35. Short._ II AVE. GRAND 648 B^“ e y. WALLACE BEERY. CHESTER MOR £ RIS hi "THUNDER AFLOAT.” At 6. *2 M Q'in Urn OV.net ifi COLONY 4938 r.E. mm.nw = « JOEL McCREA. BRENDA MARSHALL 5 c In "ESPIONAGE AGENT." At 6:15, w^ 7:55. 9.40. Also Short._ HOME ,234°TC6T88NE JUDY GARLAND. FRANK MORGAN in "WIZARD OF OZ.” At 6. 8, 9:60. SAVOY 303ncir<oVw WALTER CONNOLLY in "THOSE HIGH GREY WALLS.” At 6:15, 8:05, 9:55. Short Subject._ CrOA 8344 Ga. Ate.. Sllter Sprint, utLU Md. Shep. 3540. Park. Space OLIVER HARDY. HARRY LANGDON in “ZENOBIA.” At 5:45. 8:30. BORIS KARLOFF in "MYSTERY OF MR. WONG," At 7:15. 10:05._ TAITHMA 4tb »od Butternut Sis. 1 nMJluft Ge 4313 Parkint Space JOEL McCREA. BRENDA MAR8HALL iB "ESPIONAGE AGENT." At 6:15, S. 0:50. Short Subject._ YORK Ga. Are.^A Quebec PL N.W BASIL RATHBONE in “ADVEN TURES of SHERLOCK HOLMES." At 6:15, 8. 9:50. Short, _ NEWTON ,2th8?.ndNN«'wt<m ‘FIFTH AVENUE GIRL,’ GINGER ROGERS. JAMES ELLISON. _Matinee at 1 P.M. ^ JESSE THEATER1 *‘st **xlnl Double Feature, 06 “The Witness Vanishes,” CxJ EDMUND LOWE WEND IE BARRIE. «g ‘‘MUTINY ON THE 3 BLACKHAWK,” S RICHARD ARLEN, ANDY DEVINE. S SYLVAN ’-SU-nV l g “IN NAME ONLY,” S CAROLE LOMBARD. CARY ORANT. PALM THEATER oeVarai Double Feature. “These Glamour Girls,” LEW AYRE8. LANA TURNER. “Grand Jury Secrets,” _ JOHN HOWARD. GAIL PATRICK. HISER-BETHESDA *Betheadal Md* “Bethesda’s Newest and Most Beautiful Playhouse." Air Conditioned. BARBARA STANWYCK. ADOLPH MENJOD. “GOLDEN BOY,” With Wb. Holden. At 6:50 and 8:30 P-in. * “Elizabeth & Essex" Can Also Be Seen Today at Ambassador 1 | / ^—^HELD OVER I/ Critics and Patrons Hail It \ 7 “THE YEAR’S MOST \ IMPORTANT PICTURE” \ BETTE ERROL \ DAVIS FLYNN \ in Warner Bros Y:-. \ 'The Private Lives of \ \ ELIZABETH i \ ESSEX’ 1 oft stage I i \ INTERNATIONAL ^__ / I iJ!mm COMING THURSDAY-ThanKsgiving Day PAUL MUNI in "WE ARE NOT ALONE” 5th & Final Week! FRANK CAPRA’S ^'k /“MR. SMITH GOES TO WASHINGTON”) % A Columbia Picture Co-Starring m \ Jean Janies / V^ARTHUR STEWART^Y COMING THURSDAY- JAMES CAGNEY & PRISCILLA LANE in “ROARING TWENTIES* t- - _-_xwwnT—rp—■— i i xuiuv.—re. ale KtuiNS in hekkick FAMILY—Comely Eileen Herrick (center), whose suitor resorted to law to establish his right to court her, is shown with her parents, Mr. and Mrs. Walter R. Herrick, as they left Supreme Court last night. A compromise was arranged whereby Miss Herrick is to remain in a hospital for 10 days, and thereafter her suitor, George Lowther, will be free to see her when he chooses. —A. P. Wirephoto. Five-Day Week In Printing Industry Is Voted by I. T. U. New Contracts With Publishers to Be Placed by 1942 By the Associated Pres*. INDIANAPOLIS. Nov. 16— Mem bers of the International Typo graphical Union voted by 2 to 1 to set up a flve-day week in the print ing industry by January 1, 1942, Woodruff Randolph. secretary treasurer of the union, announced today. Wherever the six-day week of 6 hours and 40 minutes a day still prevails, it would be supplanted by five-day week contracts with the various publishers by 1942, accord ing to the authority vested in union officials by a referendum conducted among the members by mail ballot'. The vote was 33.204 to 15,664. The union members adopted two other amendments to the organiza tion's by-laws and turned down two proposals. By an overwhelming vote of 44.648 to 5.794, the union exempted members in active military and naval service from all local and in ternational dues and assessments and authorized, 25,294 to 24.094. offi cers and members employed by the union to use airplane transportation in emergencies. The union voted down, 27,441 to 23.434, a proposal to reduce tem porarily the pension and mortuary assessment from 2 per cent to l>/2 per cent, followed by an increase to 2 per cent as soon as the pension fund balance dropped to $1,500,000. A decided vote was cast against the proposal to set up an executive council of six members instead of the present five members. This amendment would have placed the union president, first, second and third vice presidents and the secre tary-treasurer, all printer members, and the president of the Mailers’ Union on the council. The vote was 31,363 against and 18,452 for. Cutch State, in India, has or dered that its 400 motor vehicles be registered. Spalding Scores Triumph Ip Brahms Violin Concerto National Symphony Orchestra Shares Acclaim in Thrillingly Beautiful Rendition by Artist By ALICE EVERSMAN. Those who attended the concert of the National Symphony Orchestra last evening at Constitution Hall carried away with them the unforget table Impression of an inspired performance by Albert Spalding of the great Brahms violin concerto. It was a performance not often given one to‘ hear, technically masterful and noble in sentiment. Each movement was followed by instantaneous applause, while at the conclusion there was such an ovation sriven the soloist*-—— from audience and orchestra that it seemed not enough honor could be paid the artist by his enthused listeners. It was a triumph in every sense of the word, shared by the orchestra under Dr. Kindler’s direc tion. There is a very individual note in Mr. Spalding’s beautiful tone that lends Itself to the highest poetic expression. Whenever a pas sage called for its use, such as the cantabile measures following the cadenza, it stood out like a ray of light on a jewel in a setting of pre cious stones. At these moments the artist abandoned himself to the op portunity given him and the result was poignantly beautiful. Several times in the first movement and throughout the second the thrilling sweetness of the combination of lovely tone and the inner realization of what it would express held the audience spellbound. Prom a technical standpoint, in this concerto, the ne plus ultra ol the violin literature, Mr. Spalding was superb. His fleet runs, perfect trill and purely intoned double stops were executed with a dash and brilliancy springing from a virile temperament. Not for an in stant did the lovely singing tone sufler nor a harshness of delivery mar his work. For the customary Joachim cadenza, Mr. Spalding sub stituted one written by himself and effectively patterned on the themes preceding it. Still feeling the thrill of such an exceptional performance, the audi ence returned after the intermission to hear the high light of the or chestra's program, the Sibelius "Symphony No. 2 In D Major.” By some authorities, this sym phony of the great Finnish com poser has been called his "Pastoral," but listening to yesterday’s perform ance, first played by the National Symphony three years ago almost to the day, the name is hardly cor rectly descriptive. Pastoral mo ments there are, serene and simple, yet always underneath is a rum bling unrest that at time* breaks forth into powerful and harshly voiced expression. Finland's strug gle for independence from the Rus sion yoke was uppermost in every one's mind when the symphony was written and there it stands, not hushed by the folklike melodies, but permeating every measure with its mighty tone. There are few moments of peace ful contemplation in anything that Sibelius writes for elemental forces are at work yet their utterance is always heroic, direct and exultant. It is not a speech of mortals but of gods. Sibelius has a great leaning toward the strong, glaring tones of the brasses and the deeper toned strings. The effectiveness of their intermingling in the second sym phony, the primeval song of the woodwinds and the tremendous leap from soft, monotonous murmuring to wild, full-throated sonority is overwhelmingly magnificent. Dr. Kindler’s reading of the sym phony yesterday was a stirring one in every point, the orchestra second ing his indications with a release of its full powers. The tremendous volume of sound nevertheless held an artistic restraint while the extra ordinary vitality and changing hues of the score were admirably repro duced. The program opened with Pur cell's “Introduction and Passacag lia” from “Dido and Aeneas.” al ready a popular number of the or chestra's repertoire, followed by Mondonville’s "Arlecchinata,” ar ranged by Gustave Strube from Mondonville’s ballet. “Le Carnaval de Pamasse.” It has the charm and • grace of a period when elegance was cultivated but, succeeding the more genuine musical feeling of Purcell's work, its superficiality was the more evident. The orchestra’s interpreta tion of both numbers was finely de signed and received the same appre ciative response from the audience that was accorded the more gigantic Sibelius work. Man, 70, Gets 20-Year Term in Slaying By the Associated Press. CYNTHIANA, Ky„ Nov. 16 Charles Allen, 70-year-old retired farmer, was convicted yesterday of shooting Police Chief George M.' Dickey to death last July 29 and a Circuit Court jury fixed his sentence at 20 years and a day. Allen was tried for murder. Chief Dickey was shot when he went to Allen’s home to investigate a report the elderly man had taken a 15-year-old girl into his bam. Allen testified he fired when Chief Dickey stepped from his automo bile armed and that he had threat ened him on a previous occasion. The farmer barricaded himself in his home after the shooting and stood off an hours-long siege by police and townspeople before escaping. He later surrendered. The girl testified she had been in the bam prior to the shooting. This Allen denied. Superstitious Once again Jeanette MacDonald clings to her superstition about playing characters whose names be gin with M. She favors Mary or a form of that name ever since she starred in “Naughty Marietta.” Re member she was the title character in “Rose-Marie" and played Mary in “San Francisco.” “Girl of the Golden West” and “Broadway Sere nade.” U. S. Films Hold Lead Motion pictures produced in the United States easily hold the lead in Argentina. During the first, nine months of 1939, according to official figures in Buenos Aires, of the 347 pictures exhibited in the country, 232 were made in the United States, j Next in popularity were Argentine i films, trailing far behind with a total , of 43. i-rfm DINING—DANCING M [L /fog entertainment II ISHOREHflmi CALVERT SPECIAL— FOR HOGATFS 1 | BECAUSE... We aerve only the freshest and choicest of the daily catch . . Then, there's the added HOGATE touch that makes the difference between Sea Food and Hocate's Sea Food. Try us today! Luncheons from 50c Dinners from 85c Wines, Beverages Mixed Drinks HAND IT TO IVORY SNOW irs eor toTH/izzj&izm Here’s a good way to scare away dishwash ing blues! Do your dishes with that new sensation in soap, Ivory Snow. It’s so fast —suds pop up in 1-2-3! It’s so rich—those suds help you whisk right through dish washing. And here’s the best news of all! Those creamy, rich suds you get with Ivory Snow are Ivory—they’re pure. A Regular "beauty suds” to help hands keep the soft touch of romance. Ask your dealer for the new Ivory Snow today. It’s dishwashing economy—costs only about Iff a day. I V I ' : - - - - I- .... - - - I.