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Vt (. Morrison Paper 4 JL 1009 Po. Ave. N.W. MATT WINDSOR Entertains 5 to 7, AMHADflllC 9 t0 closina MnnHPUlia nn re itn n nnu • DICKEN'S ROOM • “QUARTER HOUR" • Cocktail* 4E« 5 to 6 P.M... AUU • BURLINGTON HOTEL Vermont Are. >t Thomst Circle el f* DINING —DANCING [L /fog INTIRTAINMINT 1 SH0REHM1 [> 'ft?0m j^^CO^C^L^AT^CALVERT RUSSIA! $£ WROIKA DINNER $1-*® ** Continental Revue Twice Nirhtly—Incl. Sundays No Cover—Dancinf Til! 3 A.M. RESERVATIONS—NAt. Uil Repeated by Popular Demand Served from Noon to 8 p.m. TURKEY With Cranberry Sauce Choice of SOUP or COCKTAIL Two Garden-Fresh VEGETABLES CRISP SALAD Hot Rolls and Butter Choice of Hot Mince or Pumpkin Pie and Other Desserts Coffee, Tea or Milk Hlrhest quality—Lowest Price 2.240 Pounds to the Ton 1 BLUE RIDGE VA. HARD Special Stovo-$9.50 Special Furnace-$9.35 Egg_$10.00 Stova ..$10.25 Chestnut. $10.25 Pea-$8.75 Buckwhoat-$7.25 BITUMINOUS BLUE EGG Bard Structure. Llsht Smoke Egg Si**-$8.50 75%----$7.50 50%--- $7.00 BLUE RIDGE SMOKELESS No Smoke. Soot or Gat Egg_$9.75 80% .. $8.75 Nut..$9.00 Nut fir Slock $7.00 Stove (Oil Treated) — -.$9.50 POCAHONTAS OIL-TREATED Egg, $11.25; Stove, $11.00; Pea, $8.00 Delivered In bars to yoor bln. no extra charre. Due to some bars beinr smaller than others. yon will receive from 27 to 34 bars to the ton. Wo handle all tires of Penna. Anthra cite. Call ns for our low prices. WE DELIVER ti Ton and Up Orar 20.000 New Cuatomers In 8 years in Baltimore and Washlnrton. Money-Back Guarantee We Sell All Kinds of Wood World’s Larrest Retailers of Va. Anthracite BLUE RIDGE COAL CO. Miners of Virrlnlo Anthracite Bard Coal. Alexandria Bd. S®.. ME. 8545 _ JAck. 1900 Orders Taken Day and Nlrht_ A Lunacy Has a Field Day In Earle’s Program Joe Cook Mad on the Stage Bill While Laughton Makes Lusty Thing Of Insanity in Jamaica Inn* By JAY CARMODY. Two masterpieces of madness, for those who specialize In that sort of thing as this department frankly does, are on display at the Earle this week. One is the delightful, zany form which has made Joe Cook a laughing Jag for the Republic for two decades. The other is the broad, leering wickedness which Charles Laughton spreads across the screen in the role of a regency rake in "Jamaica Inn.” In respect to etnmr on/i efrannolv A*wsnnrVi in ontwa A phases of Alfred Hitchcock's direc tion, “Jamaica Inn” is nothing to inspire dancing in the street, but Laughton’s loose-lipped scoundrel is a man not to be missed. Of Cook, at whom many people start laughing when they see his name on the program, his act can be set down at once as up to the Cook standard. It Is a “Laugh Factory,” the billing says, which he sets up on the Earle stage, and the proprietor works overtime and with his old imttability practically to glut the market with merriment. He is raconteur, clown, cracked in ventor, juggler, vocalist, imitator, ukelele virtuoso, in fact everything but janitor around the plant. * * * * Daphne DuMaurier’s best seller of villainy on the villainous coast of Cornwall, produced by Mayflower Pictures, English branch of Para mount, is an ideal vehicle for Laugh ton whatever its defects as screen drama in other ways. As a country squire, moving diabolically toward the cherished insanity of his fore fathers, Laughton has one of the times of his professional life. It is quite natural that he should, what with a role that gives him an op portunity to combine the adminis tration of justice on one hand with the conduct of a snarling band of brutal pirates on the other. It is just the sort of grim, furiously paced theme which Hitchcock likes to show as full of comedy possibili ties. He usually accomplishes it with his own artfulness of direction, but either because inspiration failed him this time or because he had an actor of Laughton proportions, he allowed the latter to do most of the work. Laughton, of course, is a horse for that sort of thing, even to look ing like one when he feels that It creates the effect he is seeking. Incidental to the development of the squire's madness, a great deal happens on the dark, stormy stage of which eerie Jamaica Inn, the pirates hangout, is the centerpiece. Ship wrecks are arranged, the squire acting as mastermind of the opera tions, the innocent are slaughtered with a carefree gaity, remance is bom, love demonstrates that it can thrive on brutality, the law is frus trated, manners are mocked and decency is bashed with maniacal fury every time it rears Its pretty head. Through all these happenings, lumbers the mad squire, discoursing philosophically upon the beauty of life even as his cunning, diseased brain broods upon bigger and better brigandage and more sanguinary slaughter. Next to Laughton’s performance, the best thing about “Jamaica Inn" is the contrast between its lofty dialogue and the lowness of its moral tone. It is a contrast that is retained to the very end when the finally cornered, completely insane sqhire jumps to his death with the admonition to onlookers that they tell "your children you saw the end of the great age.” It gives the pic ture an entertaining flavor that it lacks in some long, tedious exposi tory passages, and in some in which dramatic effects are spoiled by the obvious trickery of the photography. A sterling cast, headed by freshly pretty Maureen O’Hara and includ ing Emlyn Williams, Leslie Banks, Robert Newton, Wylie Watson and others gives Laughton competent assistance in bringing "Jamaica Inn” to the screen. * * * * Cook’s "Laugh Factory,” domi nated so completely by the old maestro himself, is not so exclusively a funny affair that it is altogether lacking in beauty. The 20 Chester Hale girls who are in charge of the beauty department do a highly com petent job, most especially in a fan dance (well, in a manner of speak ing) which is downright brilliant in form and coloring. The ultimately wacky note in the Cook ceremonies is reached in a Rube Goldberg-like arrangement of a recording band in which an elab orate mechanism involving a trip hammer, a seltzer bottle, a cream pie, a huge press and the personnel to operate them combine to produce two faint, discordant notes. On the way to that climax, Cook has not bothered to create entirely new ma terial, and well he might have avoided that in view of the happy reception of the old familiar rou tines. Stooge Charlie Senna, danc ers Sager and Sherman, the Juggling Deweys, and several others partici pate in the lunacy of it all. Colbert and Fonda Bring Best Seller to Palace ‘Drums Along the Mohawk’ at Best In Its Comedy and Pictorial Beauty of Its Setting Colonial history gives the screen another turbulent pageant in the Mohawk,” which opened yesterday at Loews Palace with Claudette Colbert and Henry Fonda in the starring roles. Under 2® °ir“t‘°nuof John Ford. who never is happier than when awakening M\™ter ?• Edmonds’ recent best seller translates into technicolor Wulih f ihe beauty his Mohawk Valley scene possesses. It is not invari ably to the picture’s advantage that <• tne vaueys vaunted sleepiness oc casionally intrudes upon the story which otherwise has many finei; realized dramatic moments, some o: violence and taut suspense, other of tenderness, and still others o: sturdy bucolic comedy. In granting Mr. Ford the righ of eminent domain over this mar velously photogenic area of Amer ica, 20th Century-Fox manifested its usual bounty. It permitted him al the sweep he thought his camera: should have, and that, every Fore fan knows, is a great deal of sweep It enables him to treat Edmonds fine piece of historical Action witl high fidelity. The picture has the incident* quality of representing Miss Col bert’s first venture into technicolor a tardy union some may think ii view of the fact that they obviousl; were made for each other. * * * * In his treatment of Edmonds story, Mr. Ford shows his aware ness that the material is not new that one piece of Colonial life es' sentially is like another. He ha; tried, therefore, to find the fulles dramatic meaning in the variou lives, individual and community with which his script deals. “Drum: Along the Mohawk,” thus acquire some brilliant passages, best whei they are tinctured with comedy, a is the scene in the village churcl when Providence’s attention i called specifically to the needs o the community. Arthur Shields once of the Abbey players, and Mi Ford collaborate to make that se quence a humorously illuminatini revelation of frontier directness an< simplicity. It is a case of Heavei getting a talking to, yet it neve takes on the color of irreverence. Many similar bits of lusty come dy find their way into the patten of the picture, but its main theme i; that life was a challenging, melo dramatic affair for those who tool such valleys as the Mohawk fron the wilderness, the Indians and th( Tories, none of which liked the in dependent spirit of the white set' tiers. In its serious moments, however the film sometimes misses the ex' cellence of its lighter ones. Th< return of the farmer army fron its desperate victorious struggle witl the Tory-inspired Indians, for ex ample, misses some of the luster 1 'should have. The story of the victory is told primarily in Fonda’: account to his wife (Miss Colbert as she dresses his wounds, but st much time is consumed in the tellinf that its drama thins out almost t< the vanishing point. It is an interesting revelation o the film in its more somber an< violent phases that the Mohawl farmers were not bothered mucl by the basic considerations of th Revolution. They were land lover and they did not want to b bothered by anyone, Indian, Britisl or even the Continental Congress They were fighting, indeed, to kee] their independence for themselves alone. * * * * The romance between Fonda and Miss Colbert, she a wealthy, carefully reared city girl, he a high powered pioneer, is treated as a personal affair, but not to the exclusion of an inference that it was generally representative of young love’s cruel difficulties in the wilderness. It is effectively developed for both values, with Miss Colbert and Fonda being highly convincing in their respec tive roles. Mr. Ford's flair for battle scenes, expressed in two expansive se quences, enhances the value of 1 “Drums Along the Mohawk” consid erably. It lets the audience down ■ upon only one occasion, that near | the end when Fonda stages a cross country race with some Indians which makes a somewhat incredible prelude to the climactic battle , which is to come. In addition to the principals, other performers who stand out ’ among the pictorial beauty of the ; picture are Edna May Oliver as ! a frontier widow, Eddie Collins as : a frontier buffoon, John Carradine ’ as a villain, and Roger Imhof as a ; stalwart old farmer-general.—J. C. ; Dog’s Life Is the One J Director Leads ! Because Smitty doesn't like Raney, and vice versa, and Duke is jealous ’ of both, Director Archie Mayo is ' coping with three distinct types of ' artistic temperament on the set of j Walter Wanger’s “House Across the Bay,” George Raft-Joan Bennett . starring picture. Smitty, a 160-pound Great Dane, , evidently can see no excuse for , Raney, a Chihuahua that weighs 4 , pounds soaking wet. On the other , hand, Raney has Smitty figured as . a conceited, dull ignoramus, and [ would like nothing better than Jo , tear off his head. Duke is Miss Bennett's cocker . spaniel. He doesn't understand that motion pictures are only make be , lieve and resents the fact that his . mistress must fondle and pet two i strange dogs. i It'S Director Mayo’s task to keep i the three dogs apart. So far he has . done pretty well, but he’s keeping his ; fingers crossed. ' Copy Gats Cause I Slight Impasse | Tendency of Hollywood extra girls to copy coiffures of stars , caused a temporary impasse on ; Paramount’s “Road to Singapore" . company. ' When Director Victor Schert ‘ zinger arrived to fll mscenes aboard ! a yacht with Bing Crosby, Bob Hope , and Judith Barrett he found 14 [ Judiths on the set. A dozen extra girls had been ordered for atmosphere. Then in walked Judith and hei : stand-in. Schertzinger looked at the collec tion. Every one was a blond and each had her hair just like Misi Barrett's. The director ordered the hair i dresses ot the extras changed. THEATER PARKING 6 P.M. TO 1 C„ 12 P.M. ^3° CAPITAL GARAGE ISTiSAK it SEEMS TO BE ANGRY—Basil Rathbone is the chap flinging himself at John Sutton’s throat and the scene is from “Tower of London,” which opened today at R-K-0 Keith’s Theater. This is the film in which Boris Karloff is chief head-chopper-offer. Romance Brought to Life In Capitol’s 'Intermezzo’ Ingrid Bergman and Leslie Howard In a Film With Few Faults; Larry Adler on Stage By HARRY MacARTHUR. Maybe it would be best for you to see just the first seven-eighths of ‘Intermezzo, a Love Story,” and let it go at that. For up to a point about 10 minutes before its end “Intermezzo” (which probably bears the com plete title it does so vou can distinguish it from a musical comedy with no story at all) is a compelling, tender, heart-warming screen drama. Leslie Howard, in a role his London tailor couldn't have fitted better to his OAiuuiuvi O) awu A1151 tu A-iV A gWIUll, nu exciting newcomer from Sweden, breathe life into the unwanted, un expected, but inevitable romance which intrudes upon a home. They breathe life into it; it is an intelligently woven and sensitively developed story of a love which flamed an intermezzo—an interlude —to be thrust aside but to be never forgotten. They breathe life into it and then along comes Hollywood to breathe melodrama into a trumped up ending and you feel cheated. The picture (which is the new attraction at Loews Capitol) deals with a concert violinist approach ing middle age comfortably, pleas antly, with a wife, children and a home to which he always returns zestfully from his tours, and with the young pianist he can’t resist loving. Conventional triangle stuff, you may say. But it is not treated conventionally; it becomes a tender and literate inspection of the pas sions and problems involved, under the ministrations of some talented players and the director, Gregory Ratoff. Mr. Ratoff has made the most of every scene (still speaking of only the first seven-eighths of “Inter mezzo”). One suspects, to be sure, the romantic touch of Mr. Howard, who also was the film's associate j producer, in some of the more tender 1 moments—the moment of love's dawning between the two, for in stance, and the final farewell, when the violinist goes happily off to a mountain picnic, unaware that the young pianist has meant it when she has said “good-by” in answer to his “au revoir.” This is where “Intermezzo” stops being an extraordinary photoplay and becomes just another strip of celluloid which has been exposed to a script writer caught, in a quan dary and reaching for the easiest way out. The violinist has loved, against -his will at first; has left his home, has had his intermezzo. The girl has loved, against her will at first; has had her intermezzo, has come to know she never can mean what home can mean to the man she loves. You know full well the musician will find his way back to his wife some way, some time, and you don't need the ordinary melodramatics of screeching brakes and an injured little girl to tell you how and when. But for this, which certainly would not seem so out of place if the rest of the film were not so expertly done, there could hardly be a complaint against “Intermezzo.” And it can boast a new person ality as thrilling as any introduced by the screen in a long time, this Ingrid Bergman. She is far from being a pretty girl, by the usual Hollywood standards, which, of course, is something to be thank ful for if we have another Thanks giving this year. But then some times she is beautiful, and if that doesn't make sense blame it on the Bergman personality. She is a sensitive actress, this young lady, and she can wrap an audience up in a mood: when she is joyous, so too are you and when she has a problem it is your problem. She can play the daylights out of a pi ano, too. You know already what Mr. How ard can do in a role which just suits him. This one suits him and he creates a sensitive portrait of a not-too-young man bewildered by sudden pangs in his heart. Edna Best, as his wife, and John Halli day are others who help round things out. * * * * The Capitol’s stage show is no table principally because of the pres ence in it of Larry Adler, the fel low who makes the harmonica a musical instrument. His “Second Hungarian Rhapsody” and medley of American folk airs are very fine. The rest of the bill is devoted to the doings of Frank Paris with some tricky marionettes, the songs of Ruth Craven, the comedy at tempts of Carter and Holmes, the dances of Robinson and Martin and several moments with the Rhythm Rockets, the brightest being a ball room number, the most amazing be ing the "Redskin Romp.” There also is another of those special Sam Jack Kaufman overtures. i i IN RECITAL—Erika Thimey, modern dancer, will be pre sented tomorrow night in a concert with Hans Wiener, at the Wardman Park Theater. 1 where and when Current Theater Attractions and Time of Showing National—"Kiss the Boys Good bye,” Lucia Lull in the Clare Boothe hit comedy: 2:30 and 8:30 p.m. Earle—“Jamaica Inn,” melodrama In the Hitchcock-Laughton manner: 11 a.m„ 1:40, 4:25, 7:15 and 9:55 p.m. Stage shows: 12:50, 3:30, 6:20 and 9:05 p.m. Palace—"Drums Along the Mo hawk,” excitement in pre-Revolution history: 12:05, 2:25, 4:50, 7:10 and 9:35 p.m. Capitol—“Intermezzo,” a new per sonality, Ingrid Bergman, and an ill-starred love: 11 a.m., 1:45, 4:30, 7:20 and 10 p.m. Stage shows: 12:45, 3:30, 6:20 and 9 p.m. Keith’s—“Tower of London,” hor ror out of history: 11:40 a.m., 1:40, 3:40, 5:40, 7:40 and 9:40 p.m. Metropolitan—"The Private Lives of Elizabeth and Essex,” with Bette Davis as the queen: 11 a.m„ 1:05, 3:10, 5:15, 7:20 and 9:40 p.m. Columbia—“At the Circus," more Marx madness: 11 a.m., 1:10, 3:20, 5:30, 7:40 and 9:50 p.m. Little—“The Informer,” back again and welcome: 11:20 a.m., 1:45, 3:50, 5:50, 7:50 and 9:55 p.m. In Play Tonight The Montgomery Players of Chevy Chase and Bethesda will stage Philip Barry’s “The Joyous Season” tonight at 8:30 o’clock in the auditorium of Leland Junior High School. The play is under direction of Jane Plummer Rice. ' AMUSEMENTS. _ trans-lux GERMAN AIR DEFENSE: MUNICH I BOMBING: OPERA OPENS: INDIA: f u OUR GANG: DISNEY CART. ■Hicrie SHORTSUBJECTSjwsjl ^ Cenatltatlen Hall Next Taea. Ere. Ikreisler ill The werld'a neat beleaei rlMInlat H In fall recital. Scat*: SI.in. St.78, Nn. Oeraer's. 1800 G St. (Dreea’a). 9 Cenatltatlen Ball. Saa. Aft.. Dee. 10 1 ° PfWAPK *sk*“ I n uuoonun f§§ 10th Anneal Waahlnaton Ceaeert H Scat* SI 10 SI.08. St.IO tnel. lax. J Mr*. Peraty’a. 1S00 G. NA. 111K_ Before the Theater. Dine at MONTMARTRE NOCTAMBtllE French atmoaphere Eat. niehta orUy. Bones. Group alntlne. SH<Jea. Sklta. 1106 MS. Are. 8.W. (the Ererxrecn) Dinner 6-10. See. 10-1S. ME. 7884 Fellan Oarala. french concert pianist • 1 Dancers in Recital Tomorrow Night Erika Thimey and Hans Wiener noted modem dancers, will tx presented in a recital tomorrow night at 8:30 o’clock at the Ward man Park Theater by the King Smith Studio School. Miss Thimey is a talented young artist who has appeared in both Europe and America. Her manner ii marked by humor, expert techniqui and rhythm and a unique style. Shi has had a European background but her work is noted for a dls' tlnct Individualism. Mr. Wiener was bom in Vienni and became well known in thi principal cities of Europe befon coming to America to dance. Fo: the last eight years he and his danci group have appeared with the Bos ton Symphony Orchestra. Ruth Culbertson of Boston wil accompany the dancers at thi piano and percussion Instrument will be played by Adele Hooper also of Boston. Armies Hold Drills On Trans-Lux Screer Pictures from Finland not beim in yet there is not much change thi: week in the newsreel situation There are new shots aplenty on thi new Trans-Lux bill, to be sure, bu the same old things go on in thi same old way. The United State: Army has war maneuvers down a Fort Benning, Ga., and the Germai Army maneuvers in its West Wal fortifications, the intent in each casi being about the same. The picture: from Germany show just an air-raii drill so the boys will be preparec when action comes. From anothei sector, though, comes a reminde: that this is in earnest, a reminde: via smoking wreckage of a pair o German planes. Other items include the addres: by Queen Elizabeth thanking Britisl women for their fortitude, Mr Churchill’s talk in which he call: Mr. Hitler some names, the launch lng of an Italian battleship, a Brit ish convoy sneaking through thi mine barrage, a Japanese bombini fleet dropping death on that fron which has been crowded out of top billing and sundry other affairs. Football games are the battles be tween Missouri and Kansas, Prince ton and Rutgers, Southern Califor nia and Notre Dame, Yale and Harvard and Cornell and Pennsyl vania. There’s quite a variety among the short subjects on the week’s pro gram at the Trans-Lux. One of them, titled “Millions of Fish," goes out with the fishing fleet and re turns to tell you of all the amazing uses to which sardine oil can be put, from making lipstick stay on to washing dishes to painting a house. Another is that daft Disney master piece, “Mother Goose Goes Holly wood”; the travelogue visits his toric cities in India and there's an Our Gang comedy. H. M. AMUSEMENTS. LAST TWO TIMES Mat. at »:SO. Nlrht 8:3* BROCK PEMBERTON firtunh cjftt AlbAmrienn Corned/ Hit KISSBOYS GOODBYE <1y CLARA BOOTHE 9irtendtf ANTOINETTE PERRY Pm. I Evbb. ISA $1.10, SI.M Price* I Kiti. M*i Mt, $1.10 - - c BCG. NEXT MON. CVL KT m *M BOWUM* paanH W SI Drama entity Awarnptat bad 9. V. tonh aaiaaWy M»» 1 ^ J wltli WMttord K«m Iraa., 85«—8*.75. Mata.. 8Sc—8* *0 -BEAT BALE NOW *-m Mum ywrrowi Sb\=i T 5* \ cook } ^ f JrauBh, i l$ * r&ctory j' HiRlilliiimiJk NOW 3d WEEK DOWXTOWkN. BETTE DAVIS EWKH. FLYNN \ "IWPrtaittUwtif^'SE^fct i ELIZABETH & E$SEX"7 \ •.MM It HUM y «A'i> NOW ^ f| Darlingly dramatic! ^4 I “INTERMEZZO I j a ttory of STOLEN levt" % m LESLIE HOWARD 1 *<? and the new icreen find ^ ; Ingrid Bergman ; -O” Staff I LARRY ADLER i MYDM RICKETS Sam Jack Kaufman j | *0* COLBERT FONDA I » 10* oinw-ici WCTUW I Tha MARX Brathara *'* "AT THE CIRCUS" AMUSEMENTS. —RKO J TODAY.. .X^^-KTmise ; ssggj&tf ^^^pF|T i 1 I t js t k v * y^i i^^," J i * *11 ^■m?' univmsalvl JV^ +JL Jt^^0*mBmmUmtFnHnPK^^r{lHm>^^m' ncTuM NgjjU^, ^gjMMmw' •irf* if^usually does- Qqhum* JAMES STEWART [!«*?&«^Examiner MARLENE DIETRICH In "DESTRY RIDES AGAIN** ———^—————— '■ ■—■! ■ ! ■■■■ I ^ ACADEMY of Mr.8,0"' sPhFot"p,ay E. Lawrence Phillips’ Theatre Beautiful i Continuous From 1:00 p.M. THF .TONES FAMILY in . “SAFETY IN NUMBERS.” With JED PROUTY. SHIRLEY DEANE Also CHARLES STARRETT in “NORTH OF THE YUKON,” _With_ LINDA WINTERS _ ATI AC 1331 H St. N.E. Atl. S.'MMl AI LAj Cont. From 11 A M. Double Feature Program ALLAN LANE. LINDA HAYE3 in CON SPIRACY" Also on the Same Program JOHN HOWARD in "GRAND JURY SECRRTS."_ CAROLINA mh * N c A" S E • RED RIVER RANGE ‘ and “NAVY BLUE _and GOLD."__ pinri P Penn a. Ave. at 21st St. LIIaLLEi Home of Mirrophonic Sound i BOB BURNS. SUSAN HAYWARD in OUR LEADING CITIZEN “_News^ JJports. CONGRESS 2331 Nifha,v Av, S E I EDITH FELLOWS in FIVE LITTLE PEP ! PERS AND HOW THEY GROW " DUMBARTON 1343 w“~n,,B BORIS KARLOFF. GLORIA STEW7 ART lr OLD DARK HOUSE " Also DENNII MORGAN GLORIA DICKSON in "NC PLACE TO GO Chapter No. 1 "MANDRAKE THE MAGACIAN " Comedy FAIRLAWN ANAC°STIA> D r ANNA MAY WONG in ‘ ISLAND OF LOST MEN.’’ Also ANDY CLYDE /'DrCMDEV T Cond. Shows. 7 & 9 UIxLLNDLL 1 Free Parkins. Adults. *>."»< ANN SHERIDAN DEAD END KIDS ir "ANGELS _WASH THEIR FACES _ I inn 3227 M St. N.W. LIl/VS Double Feature "BROTHERS OF THE WEST.’’ ‘TORCH\ _ PLAYS WITH DYNAMITE ^__ I ITT I r <>08 Oth st. N.W. LI 1 I LL Bet. F and G VICTOR McLAGLEN m _“THE INFORMER.”_ I VOIP GAITHERSBURG. MD. I. IIV1U. Double Feature J. WITHERS in "CHICKEN WAGON FAM ILY." "MILLION DOLLAR LEGS” DOINrCCC 111" H St. N.E. LI. 2BtK rKlliLUi) Cont. From 11 A M. Double Feature Program “THE GIRL AND THE GAMBLER" wit! LEO CARRILLO. TIM HOLT. STEFFI DUNA. Also on the Same Program "COWBOY QUARTERBACK with BER1 WHEELER. MARIE WILSON. GLORIA _DICKSON._ CTANTON «th »"<• C Sts. NE uIAllIvFIs Finest Sound Equipment Continuous From 1:0() P.M. PETER LORRE in ‘MYSTERIOUS MR. MOTO.' Also CHARLFS STARRETT in WrES,rERNCARAVANS” 1 DCTUCCm *101 Wisconsin Ave BC.lnE.dlM Bethesda. Md WI. 26.>0 or Brad. 33K. Free Famine BIG TIME VAUDEVILLE ON STAGE. At 3:40 6:30. 9:40. PINKY LEE, Comedy Star of Iodent Program. THE LA VERNES, t European Sensational Dancers KAMIS BROS., Comedy Jugglers. Plus Big Double Feature. f- ROY ROGERS in “SAGA 5G OF DEATH VALLEY.” j ROBT. KENT, “CALLING ^ ALL MARINES.” _ w HIPPODROME Double Feature Z ^HAS. RUGGLES In "NIGHT WORK " Q WALLACE BEERY In "STAND UF 1 AND FIGHT?’_ _ _ _ c/3 S'A Mr A Mt. Rainier. Md. LAIutU GR. 2316 Double Feature. e GENE AUTRY in "COLORADO SUN SEC NANCY DREW AND HID g DEN STAIRCASE." _____ .2 ARCADE HYATTSVILLE._ MD *8 Double Feature, y ROY ROGERS in "ARIZONA KID " ANNA MAY WONG in ISLAND OF ,*J LOST MEN."___ Q HYATTSV1LLE HyattsrilI|e0OMoi GR. 0876 JANE WITHERS. RITZ BROS, in "PACK UP YOUR TROUBLES" Corn. 1-11, FREE PARKING—500 CARS. MU A ROCKVILLE. Md. IH1LU Rockyille 101. Double Feature. ROY ROGERS In "ARIZONA KID" CHESTER MORRIS in "FIVE CAME BACK/;__ MARLBORO v””ES£7r1u Double Feature. TIM McCOY in “TWO-GUN JUS TICE" LEE TRACY In "I HE SPELLBINDER"__ ALEXANDRIA, VA. DCm FREE PARKING. KLLU Phone Alex. 3445. GARY COOPER in "BEAU GESTE “ DirUMniin Perfect Sound. KlLnflflUnU Phone Alex. 226. "THE WIZARD OF OZ."_ ARLINGTON. VA. p£n,<srtl0,n3» WII CAM pb. Ox. 1720 Wilson Btvd. VTlLOUn 1180 Odd. Colonial Villaxr RANDOLPH SCOTT in "20.000 MEN A YEAR " ACUTAN 3166 Wilson Blvd. Aon I UII Phone Ox. 1139 "ADVENTURES OP SHERLOCK HOLMES.” RIiriMMrU AM Glebe Rd. di Perth. Dr. DULMnUtlAm Phono Ox. 0144. TYRONEJ>OWER in “THE RAIN8 CAME." FALLS CHURCH. VA. r.W*. STATE N WORRIES0 LEE JAMES CAGNEY to I "OVERLAND "ROARING I MAIL" TWENTIES." | “HIDDEN POWER.’ * AMBASSADOR iff* &,.*«!& Matine** 1 P.M. CHARLES LAUGHTON in ' JAMAICA INN." At I._3:10. 5:20. 7:25. 0 35. APOLLO ZORINA in “ON YOUR TOES " At 1:35. 4:55. *15 ROBERT BAR RAT in BAD LANDS At 3:05. 0:30. 0 50. Also Cartoon AVALON ZgJSSVT-i pm: RICHARD GREENE RICHARD DIX in - HERF I AM A STRANGER." At 1:45. 3 50 O. 7:45. 0:35. AVE. GRAND Sifi,8* Matinee 1 P.M. OLIVER H'VRDY. HARRY LANGDOTf in "ZFNOBIA " At J. 4. 7. 10. MARJORIE WEAVER in -HONEY MOON IS OVER. At 2:50. 5:50. *50.___ BEVERLY,.,. S.m.Ui'Vm. Parkin* Space Available to Patrnna ^ JAMES STEWART JEAN ARTHUR in MR. SMITH GOES TO WASH INGTON" At 1 30 4 10. 6 50* 9:35. Kennedy Comedy._ _ PAIVFRT Avp n w. LALY £111 wo 2315. Mat 1 P.M. Parkin* Snare Available to Patron* JOE E BROWN MARTHA RAYE in ' *1.000 A TOUCHDOWN ' At 1 35. 3 4<». 5:50. 7 45. 9 45. CENTRAL ^ o ANN SOTIT^RN. FRANCHOT TONE 5 in FAST AND FURIOUS A' 10. 12:55. 3:5o. H:4‘* 9:45. JANE i WITHERS. RITZ BROS in “PACK UP YOUR TROUBLES" At 11.40. 2:35 5:30. 8:30. Newsreel. £ COLONY '£**&:* tjJ BOB BURNS in ' OUR LE4DING CIT ! TZEN. ' At I't.Y 3:55. 6. 7,15. ^ lt:4o Also_Cartootr___ u HOME «.',|?sTcmSV. TV*. X' NO PLACE TO GO." with DENNIS H MORGAN. GLORIA DICKSON. FRED STONE At 1. 3:40 0:15. 8:55. BOBBY BREEN in “WAY DOW* . SOUTH." At 1 :55. 4 35. 7:15. 0:5m $2 irrWMrnVKcnnedv. Near 1th N.W. O MLniitUI ra. oooo Mat. i p.m. ^ Parkin* Snare Available to Patrons JS ANDREA LEEDS. JOEL McCREA In QQ “THEY SHALL HAVE MUSIC. At 1. 3:10. 5:20. 7:35. 9 50. 06 prXIN «S0 Pa. Av.nup S.E. til rtllil I.I. '>179. Mat. 1 P.M. 2 JOE E BROWN. MARTHA RAYE in "SI.000 A TOUCHDOWN/' At 1:20. 3:35 5:50. 7:50. 9:45. CAVriV 3030 11th St. N.W ^ jAVUI COi 1908 Mat. 1 PM. S WALLACE BEERY. CHESTER MOR RIS in THUNDER AFLOAT." At 1:25. 3:30. 5:35. 7:35. 9:30._ - crrn #-«* r.a. Ave . silver Snrinf. c c. OEv^v/ Md. Sh. 2510 Park. Space Matinee, II A M. ROY ROGFRS in "ROUGH RIDERS* ^ ROUNDUP." At 11. 1 40. 4 30. 7:10. 10. OTTO KRUGER in £•5 SCANDAL SHEET.** At 12:15, 3. cq a 5:45. 8:30. Short Subject. QUPDin\N Ga. Avp. & Shrridan c£C OnCKll/Anl Ka ?im> Mat. I P.M. JUK E. BROWN. MARTHA RAYE in £■= •Sl.Ol'O A TOUCHDOWN. At 1.45, ^ L) 3:50 5:55, 7:50. 0:45. Q1I VCD Ga. Ave. A Colesville Pike e JILVlIV SHep. 5300. Mat. I P.M. Parkintr Snare Available to Patrons I JOE FENNER in 'THE DAY THE BOOKIES WEPT." At 1. 3. 4:55. 0:30. h:10. 0:55. Cartoon. Comedy. Ti PnMA 1th and Butternut Sts. 1 AIYUlVl/\ Ge. 151?. Park. Spare Matinee. | P.M. KANE RICHMOND in THE ES CAPE" At 1:10. 5:50. 6:4o. 0:10. LINDA WARE in EVERYTHING S ON ICE' At 2:20. 6. 7:50. 10. Short Subject._ Tivni I 11th & Park Rd. K.W, | 11 YULI COI. moo. Mat. I P.M. FRANCHOT TONE ANN SOTHERN in FAST AND FURIOUS " At 1:30, 5:50. 5:55. K. 0:45. SPECIAL COM EDY AND CARTOON SHOW. 10:30 A M. ONE SHOW ONLY. UPTOWN »,r-M7tsrr*$: Tarkinr Snare Available to Patrons GARY COOPER. RAY MILLAND In BEAU GESTF " At 1, 3:10. 5:15. 7526. 0:35. Also Short. VADY Ga. Ave. & Quebec PI. N.W. IURN RA. IIOO. Mat. i P.M. RICHARD ARLEN in "MUTINY ON { THE BLACK HAWK" At 1 :?5. j _ 3 3n. 5 35. 7 :4<>. 9:60. _ Also 8hort. NEWTON ^thSu"dN^wton Double Feature. ! "HERE I AM A STRANGER." with 1 RICHARD GREENE. RICHARD DIX. S! TORCHY PLAYS WITH DYNA MITE." with JANE WYMAN. ALLEN JENKINS. Matinee at 1 P.M. c/3 JESSE THEATER l8su*.vEnI Double Feature. 06 "Hawaiian nights ■ with jo&nny DOWNS MARY CARLISLE "THE S ESCAPE," with KANE RICHMOND. Matinee at 1 P.M. u3 SYLVAN 1*tA8r‘;*SdwR- '• rU, Double Feature S "ZENOBIA," with OLIVER HARDY. ^ HARRY LANGDON. "STOP. LOOK Og AND LOVE JEAN ROGERS. POBT. jjj KELLARD Matinee at 1 P.M. eo PALM THEATER m,VARAY; Double Feature “ADVENTURES OF “SHERLOCK HOLMES,” BASIL RATHBONE. IDA LUPINO “WHAT A LIFE,” JACKIE COOPER. BETTY FIELD. Matinee 1 P.M. HISER-BETHESDA "SM.*: rfr 2 Features! 1 P.M. Continuous. RANDOLPH SCOTT. FRANCES DEE In “COAST GUARD.” BASIL RATHBONE. IDA LUPINO In I “Adv. of Sherlock Holmes.” 4