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ACADEMY FHtti st0UIj“d ** E Lawrence Phillips Theatre Beautiful Continuous From ft P.M JANET GAYNOR and FREDRIC MARCH In “A STAR IS BORN.” With ADOt FHE MENJOU. MAY ROBSON. ANDY DEVINE and LIONET. STANDER (In Technicolor' Also "CALLING ALL MARINES,” With DONALD BARRY and HELEN MACK * ATI AC 1331 H St N.E. Atl. 8300 A I LAO Matinee 1 PM. MICKEY ROONEY JUDY GARLAND In BABES IN ARMS Also Selected reaturettes____ _ CAROLINA uth * n. c. at.. «. ThI^AR,XndBR?,TO .’tURyTeCRETB : CIRCLE p,nn®' At®' 11 !l,t **• CLAIRE TREVOR and JOHN, WAYNE In ' ALLEGHENY UPRISINO Disney s Ctrtoon. Mareh of Time._. CONGRESS 2931 N,ch0“ A" S E TnoNDD« ass^a So; HAWK. " In Technicolor At ft IS. i 16. 9:16____ TMTMDADTAN 1343 Wisconsin Aye. MICKEY ROONEY and JUDY GARLAND in BABES IN ARMS Also Short Subjects._____ FAIRLAWN anact08tian dpark CHARLIE CHAN in "CITY IN DARK NESS" Artie Shaw Reel. _ 1 inn MU M 8t N.W. LILHJ Double Feature "HOLLYWOOD CAVALCADE and MUTINY ON THE BLACK HAWK V VTTV P 008 9th 81. N.W. LI 1 ILL Bet. F and fi. "DR. JEKYL & MR. HYDE. * CHARLIE CHAPLIN in "CARMEN" t vniC GAITHERSBURG. MD LYKIL Today-Tomorrow ANN SOT HERN "HOTEL FOR WOMEN _ DDIUCCCC 1119 H St. N.E. LL 2800. PRlNLLoO Matinee 1 PM FREDRIC MARCH. LIONEL BARRYMORE in "THE ROAD TO GLORY. Also nn a tht Same Proaram. THE OOLDWYN FOLLIES ’ m Technicolor._^_ I DCTlirCIYA *101 Wisconsin Are. WI. 23A0 or Brad 33«. Free Tarklnr. BROUGHT BACK BY POPULAR DEMAND: JOEL McCREA in “UNION PACIFIC.” At H 2n. 9. TOMOR“ ALLEGHENY UPRISING.” _ . HIPPODROME Double Feature l- WAYNE MORRIS tn "VALLEY OF 1/5 GIANTS" JACKIE COOPER in p "GANGSTER'S BOY." kJ /a i urn MT. RAINIER. MD. LAMbU Gr. 334ft. »s— At 3 20. S. 0:40. !Ta BOB HOPE in "CAT AND THE Z Tomor —‘Dead End' Kids 9 in “On Dress Parade.” r*s ---■ UV1TTCVIII C Baltimore Bird. faM nlAlljVILLb Hyattarille. Md a Phonea: GR. 0870-HYATT. 400 t The Theater Beautiful. fl DOtlOLAB FAIRBANKS. JR. In o “RULERS OF THE SEA.” S At 7. 9:20 U FREE FARKING LOT—S00 CARS. V --— Ur Mil A * ROCKVILLE. MD. •— lYllLU Roekr. 191. O At 7:30. 9.25. JOHN GARFIELD. "DUST BE MY DESTINY." Tomor.—“Mr. Smith Goes to Washington.”,_ MARLBORO “’""CrTr Md At «:55 9:20. JAMES STEWART In “MR. SMITH GOES TO WASHINGTON.” Tomor.—r'Dead End’ Kids in “On Dress Parade.” FALLSCHURCH.VA.Tch0,n5An CT Tr NO PARKING ICC M AI b WORRIES. Lbb MARLENE PIE- I In Technicolor. TRICH in "DESTRY ''SSH* .. RIDES AGAIN." I_FEATHERS,' ARLINGTON. VA. rFGtfSU. Q/II CAM Ph. Ox. 1720 Wilaon Bird. VrlUMJN 1480. Oor. Colonial Vlllare. LORETTA YOUNG. "ETERNALLY YOURS." 1CUTAU 31 Oft Wilaon Bird. A5H1UN Phone Ox. 1139. HENRY FONDA In "DRUMS ALONG THE MOHAWK ' BUCKINGHAM MSuDr v MERLE O B E R 0 N in "WUTHERING fflBOHTS." Matinee 2:46. ALEXANDRIA, VA. DCm FREE PARKING, KbbU Phone Alex. 3443 SONJA HENIE "EVERYTHING HAPPENS AT NIGHT "_ RICHMOND P&‘A.!x0UB2d26 «*0HNNY DOWNS In “LAUGH IT OFF." * A c/* 3 H < Ui X H c/i 0 ec X 3 1 * ■3 & gS a 2Q w © « ^ ft ui * st; ROB With HIS A' fi “< At 7 LE c/a * oc S s UJ ce _ Theaters Having Matings. AMBASSADOR IT Matinef 1 P.M. MARLENE DIETRICH and JAMES STEWART in DESTRY RIDES AGAIN." At 1, 3 05. 5.15. 7 20. 9 30 BEVERLY u. iSft Parkin* Spare Available to Patron*. JOAN EENNETT In "HOUSEKEEP ER'S DAUGHTER.' At 1:45. 3:40. 5:40. T:40. 9:40 Short Bublect fAH/CDT 9324 Wisconsin Ave. LALVLKI WO. 2345. Mat. 1 P.M. Parkin* Snare Available to Patron*. SONJA HENIE and RAY MIDLAND in EVERYTHING HAPPENS AT NIGHT." At 1:20. 3:20. 5:25. 7 30. 9 40. "Information Pleasr" No, 3 CENTRAL Opens 10 A M. FRANK MORGAN in "HENRY GOES TO ARIZONA At 10. 12:35. 3:15. 5 50 fi.40. I.ESLIE HOWARD In INTERMEZZO." At 11. I 40. 4:20. 7. 9:45 Also Short. VTNNrnV Kennedy. Near 4 th N.W. IVE.IinE.UI ra. sonn Mat. i p.m. Parkin* Space Available to Patron*. LESLIE HOWARD in "INTER MEZZO " At 1:20. 3. 4 40. 11:25. 8. 9:50 nrkJKI «50 Pa. Avenue-S E “Llin LI. 2170 Mai 1 P.M LEW AYRES LIONEL BARRYMORE in "SECRET OF DR KILDARE" At 1 35. 3 40. 5:40. 7 45 9 45. "In form at ion_Please"_Nn;_3._ CUCDITVAN O*. Ave. & Sheridan OnbKIUAll RA. 2400 M»i I P.M. LORETTA YOUNO. DAVID NIVEN In "ETERNALLY YOURS " At 1. 3:10. 5 20. 7:30. 9 40. Short.__ CII VCD Oa. Ave. * Coleavllle Pike JII.YE.K SHeo. 5500 Mai I P.M Parkin* Space Available to Patron*. JOAN BENNETT in "HOUSEKEEP ER S DAUGHTER" At 1:45. 3:45. 5:40 7:40. 9:40 Al*n Short. Tivhil I 14th St. A Park RH N.W. 1IVULI Col 1900 Mat. I P.M. GRETA GARBO. MELVYN DOUGLAS in "NINPTCHKA." At 1. 3:10 5:15. 7:25 (1:40. 'Information Please. No. jL _ __ UPTOWN SJV^AtlTSSt Parkin* 8p*re Available to Patron*. LORETTA YOUNG DAVID NIVEN In "ETERNALLY YOURS.” At 1:30. 3 30. 5 35. 7:35, 9:40. Short. Theatera Havln* Eve. Performance*. APOLLO S375N E' LESLIE HOWARD in 'INTER MEZZO" At, A 30. 9 10. 9:50 Comedy._ AVALON B8,a cw"on2^f N W LESLIE HOWARD in "INTER MEZZO." At 6:26. 8. 9:50 Also _Information Pleaec." No. 1- Comedy. AVE. GRAND “u 4&.8E OARY COOPER. ANDREA LEEDS in "THE REAL GLORY." At 6. 7.45, 9:35. Short Subject _ COLONY 4B3B4‘ PAUL MUNI in "WE ARE NOT ALONE" At 7. 9 35. Cartoon. HOME 18,a°tc«Ve OARY COOPER BRIAN DONLEVY in "BEAU OEaTE." At 6:50. 9 20. SAVOY NW RICHARD DIX. GAIL PATRICK in "RENO." At 0:15. 8:05. 9:55._ CCrrt 8244 Ga. Arc Silver Snrln*. JLtU Md. Shep. 2540. Park. Space JAMES CAGNEY. PRISCILLA LANE In "THE ROARING TWENTIES." At 5:45. 8:35. 9:40.__ T A PAM A * tli and Butternut Sts. lAMJlTlA f,e. 4312. Parkin* Space WEAVER BROTHERS and ELVIRY in "JEEPERS CREEPERS" At 5:35. 8 35. "SUBMARINE D-l " At. 6:50. 9:50. Also Newareel._ VADIT Ga. Are. & Quebec PL N.W. IUKIS. RA. 4100. MARX BROS in "AT THE CIRCUS." At 6:15. 8. 9 45. Also_Short_ Ait AN «th and C Sta. N.E. lliIUli Finest Sound Eouinment. Continuous From 5:30 P.M. BRT CUMMINGS NAN GREY and GLORIA JEAN In “THE UNDER-PUP.” Also “U-BOAT 29,” CONRAD VEIDT. . VALERIE HOBSON. ER-BETHESDA Betheada. Md. and 8:40 P.M —"DEAD END" KIDS. :all a messenger.” and 9,50 P.M.—ROBERT TAYLOR. W AYRES and OREER GARSON in “REMEMBER.” NEWTON ,athstm,ndN^ton “JAMAICA INN,” CHARLES LAUGHTON and MAUREEN O'HARA. Mat, at 1 P.M. JESSE THEATER ,8& * n^0* “INTERMEZZO, A LOVE STORY,” LESLIE HOWARD and EDNA BEST. SYLVAN ut MV* L Double Feature ‘All Women Have Secrets,’ JEAN CAONEY and VIRGINIA DAL* “Those High Grey Walls,” WALTER CONNOLLY and _IRIS MEREDITH PALM THEATER DEtv£*Y Double Feature. "HAWAIIAN NIGHTS." JOHNNY DOWNS and CONSTANCE MOORE "CITY IN DARKNESS " snth 6ID NEY TOLER. LYNN BARI. », r Mme. Flagstad, Shunning Vocal Dramatics, Charms Warm and Lovely Voice Devoted to Tender Melodies; Edwin McArthur Shares Spotlight as Accompanist By ALICE EVERSMAN. Greeted by the type of applause that bespeaks the affection and deep admiration of an audience, Kirsten Flagstad appeared last evening at Constitution Hall for her annual song recital. Perhaps it would be truer to say a team of artists appeared, for Edwin McArthur, the superb accompanist of Mme. Flagstad, can hardly be given second place. What ever the great singer plans to do by way of interpretation or creation of mood is followed or anticinated bv«fr—— Mr. McArthur, who long ago dis pensed with the disturbance of hav ing the music before him when play ing. What the combined artistry of these two fine musicians accom plishes, holds th°ir listeners with a magic rarely encountered among the great before the public today. Not only was there no vacant seat in the vast hall, but hundreds of extra chairs had been placed on the stage and even these seemed hardly enough to accommodate the crowd that surged toward the hall. Rapt attention and quick undersanding applause followed every number. This was in a way remarkable, for Mme. Flagstad included no showy numbers in her program, or even many that disclosed the full power or range of her superb voice. It is very significant when a singer can present a program wherein nearly every number finishes on a quiet or suspended note. Might it be that we have outgrown the liking for a stirring finale on a high note that gathers the full powers of an artist together for its delivery? Flagstad proved last evening the subtle puissance of lovely, tender ; melodies, beautifully sung, and not ■ once did a polite note ol acceptance creep into the warm applause. It is true that only a magnificent singer such as Flagstad, blessed with a lovely, warm voice, could have sung such a program with undimir.ished effect. It seemed that her voice was more beautiful than ever last evening in her easy match less use of it. It floated limpidly, its expressive quality richly domi nating from smallest tone to full volume. Whatever the text of the song, it became immediately appro priate with a rightness that every one was only too glad to recognize. There were many gems in Mme. Flagstad's selection of songs for there was not one aria included. From a personal viewpoint It was worth a trip in the inclement weather to hear Beethovens "wonne der Wehmuth" alone. Why this exquisite song has remained so overlooked is a mystery but then, there is only one Flagstad who could sing it with that heart stir ring simplicity. All of the first group of classics were superb, including two perfect songs by Bach, “Willst du dein Herz mir schenken" and "Mein glaeubiges Herz." The following group was given over to the two great lieder com posers, Hugo Wolf and Brahms. Of the former were contrasting num bers of rare beauty, "Ueber Nacht" and "Anakreon’s Grab." From the less often heard of Brahms were his "An ein Veilchen' and "Wie froh und frisch” together with the more dramatic "Liebestreu.” The concert public is indebted to Mme. Flagstad for a better acquaint ance with the fine song literature of her own and the other Scandinavian countries If it were possible for her voice to take on more compel ling feeling, it was to be found in this group. Here one felt a climax of sympathy that surged from the depths of her nature In purest vocal tone and expressiveness. The charm ing •'Skogsduvors toner" or “The Woodpigeon’s Call," by Merikanto, and Hannlkainen's “Manen hanger i appeltrat” (Moon-boy’s story),sung In Swedish, exquisitely delicate and evanescent as Mme. Flagstad sang them, were offset by Sindlng’s “The Cry of the Bird’ and Jordan's “Og> se, hun kom,” sung in Norwegian, and another of his works, given in German. “Es Naht der Herbst.” The program concluded with Wag ner's “Traeme" and “Schmerzen," a priceless song by Joseph Marx, “Waldseligkeit," and his more fa miliar “Hat dich die Liebe Beruehrt..’’ All of these songs required the ut most delicacy and understanding for their interpretation, and Mme. Flag stad proved that, however great she is in the broad line of her operatic successes, she is greater still as a singer of songs. For the audience of Constitution Hall, accustomed to spectacular presentations, it was a unique experience to be held en thralled by this reposeful artist, by the refinement, delicacy and sim plicity of this, the finest voice in the world today. There was only one flaw in the evening's enjoyment. Mme. Flag stad had forgotten to include a sin gle English song among her selec tions, although, for encore, she gave one by Mr. McArthur. As for en cores, there were many of them, not a dozen people leaving the hill at the end of the printed list anri the ; singer in a mood to oblige them. ; The concert was the second of Mrs. ! Dorsey’s evening series. Fredric March Is Tempted By Hollywood Again There for ‘Susan and God,’ Offers Of Other Roles Gome Thick and Fast; Jeffrey Lynn in Davis Film i By SHEII.AH GRAHAM. nuuij i vvuuu, Jeffrey Lynn marries Bette Davis in "All This and Heaven Too,' which is quite a rise from the present chore of making love to Ann Sheridan in “It. All Came True.' ' In the Davis epic. Helen Hates has thumbed down the role of duchess to Charles Boyer's duke, and Mary Astor and Barbara O'Neill are currently trying for the part. The story ! will be told in flash-backs, starting with Bette as the bride of a New England narson (Lvnnt and theni*---- . ! jumping to her past life in France i as the governess in a ducal family. Unfortunately the duchess is bumped off, Bette is ac cused of the most guillotined for it. She re turns to America to forget. 8nd finds Mr. Lynn. Fredric March, here for "Susan and God,” will find it very hard to get back to the Broadway stage. Movie of iers are fallinq ■; on him thick s®^^w"B®8®fts<888r and fast. The sheii»h i;r>h«m. latest is the lead in Paramount's "Country Lawyer." from the Bel lamy Partridge best-selling novel about his lawyer father. Brenda Marshall plays the part in "The Sea Hawk" for which Olivia de Havilland was at one time defi nitely set. then Anita Louise. Brenda is praying for an early start on the Errol Flynn starrer—before some one else is definitely set . . . Pat O'Brien s next at the Warner em porium is “The Spirit of Notre Dame." He portrays Knute Rockne. Difficulties of money and approba tion of the script have now been ironed out . . Samuel Goldwyn wires from New York that he has outbid his rivals for the Lillian Heilman play success. "The Little Foxes," in which Tallulah Bankhead is starred. ■ She will not play in the movie version. Reported price for the deal—$100,000. * * * * Frank Borzage gets the director assignment for "The Mortal Storm," j starring Jimmy Stewart and Mar garet Sullavan. After this, Jimmy makes "Wings on His Back." Sounds like a sequel! . . . According to the local trade papers, Mrs. Jock Whit ney is still trying to get into pic tures. She is reported angling for a spot in a Gene Autry Western . . . The all-important, problem of who gets the girl in "Northwest Mount-1 ed Police" has been solved Gary Cooper does! The roles of Gary Cooper and Joel McCrea are equally long and equally important, and there was supposed to be some doubt as to who would win the fair Made leine Carroll. Don't tell Para mount's publicity department, but I always had a hunch Gary would get her. * * * * That trio of movie toughies— James Cagney, George Raft and Humphrey Bogart, get together again for an epic titled “Thieves Fall Out.” Sounds good. . . . Mickey Roo ney's stand-in. Richard Paxton, gets a bit part in "Edison, the Man.” Rita Johnson snags the only femi nine role in this picture. . . . Janet Gaynor refused to sell her rights in the Mildred Cram story, "For ever," unless she was signed with it—but with motherhood on Miss Gaynor s horizon, she sold the story to Metro, who gave it to Norma Shearer. . . . This latter studio has finally signed the deal to produce "Philadelphia Story” with Kath arine Hepburn repeating her stage role—the only way Katie would let the studio have it. Which gives her the last laugh on Hollywood 'Twas only last year that Miss Hepburn was described as “box office poison.” * * * * "Arizona.” which was abandoned by Columbia last September In view of the European war and because the picture was In the #1,500,000 class, is now back on the production schedule and goes again before the cameras in the spring with Jean Arthur in the lead. . . . Peggy Shan non, remember her? gets a new part in the newest "Our Gang” comedy, "All About Hash.” , . . William Holden gets the leading young man role in "Our Town.” 1 think Holden iF going places, don’t you? I liked him very much in “Invisible Stripes.” . . . Paramount wants Charles Boyer for “Victory" from the Conrad novel. And Universal would like him for "Lafayette.” Looks like a busy year for Charles. **-»»*^ (Released by the Nor!* jAmerlcan Newspaper Milan# Inc.) Cromwell Signs For the screen version of Augusta Tucker’s best-selling novel, "Miss Susie Slagle’s," Paramount has signed John Cromwell, ace director, to make the picture. Cromwell, who recently completed “Abe Lin coln in Illinois," will begin prepara tions for the production within a few weeks. “Miss Susie Slagle's” was pur chased by Paramount months prior to its publication in book form. Human and dramatic, the story tells of Miss Slagle, kindly Balti more spinster, who for years op erates a boarding house patronized by Johns Hopkins medical students and as a result is revered by doctors the world over. To abolish first-class travel on most trains French railways merely painted a ”2” instead of a “1” on car doors. Loretta and Milland New Film Team ‘ Latest In the parade of headline personalities to be signed for Co lumbia pictures are Loretta Young and Ray Milland, who are under contract to appear as co-stars in "The Doctor Takes a Wife,” under the direction of Alexander Hall. Adapted from an original story by Aleen Wetstein, the screenplay is described as a romantic comedy hinging upon the trials and tribula tions of a medico and his bride. "The Doctor Takes a Wife," in which Miss Young and Milland are to be provided with a strong sup porting cast, will be under the supervision of Producer William Perlberg. Also slated for an early appear ance at Columbia Studios is Irene Dunne, recently signed to star in “The First Woman Doctor," based upon the career of Elizabeth Black well, whose amazing life spanned the 89 years from 1821 to 1910. Currently at work In "Too Many Husbands," comedy which is Pro ducer-Director Wesley Ruggles’ first picture under a new Columbia con tract, Is another trio of popular stars—Jean Arthur, Fred Mac Murray and Melvyn Douglas—who share stellar ranking. gBglU RESORTS^ ATLANTIC CITY, N. J. Dale Carnegie Course Tonight’ Hotel 2400—2400 16th St. N.W. | Dinner Session 6 P.M. i Instruction Session 8 P.M. 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