Evening star. [volume] (Washington, D.C.) 1854-1972, January 02, 1942, Image 43

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Evening star. [volume], January 02, 1942, Page B-20, Image 43
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume] (Washington, D.C.), 02 Jan. 1942. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83045462/1942-01-02/ed-1/seq-43/>

Newspaper Page Text

Radio Stars Unite Skills
In Comedy at the Met
‘Look Who’s Laughing’ Is Light Affair
Involving Bergen, Fibber, Molly
And Several Others From Chains
By JAY CARMODY.
Radio actors whose competition is not calculated to give Maurice
Evans sleepless nights have an easy time in motion pictures. They are
called upon nearly always to play only themselves. That, in a way, makes
it impossible for them to give bad performances. They can give boresome
ones, of course. More often than not, they do, but not always.
These meditations are induced by “Look Who's Laughing,” the harm
Ison AoeaeiAnnllir Kfinht IHila AAm _ A —■ — — ■ - ■ " -— — .
edy which is current at the Metro
politan. Its top figures are Edgar
■RAriTAn ffliarlAA
McCarthy, Fib
ber McGee anc
his Molly. A1
are in there
playing them
selves, bettei
than anyone else
could do it, anc
the result will be
agreeable tc
those who follow
their favorites
from micro
phone to screen
with a fidelity
worthv of a bet
ter purpose. J»y cwmody.
That is to say, "Look Who’s Laugh
ing” is better than the average film
of its kind, even though It is not
designed to stun you with its bril
liance.
The story of "Look Who's Laugh
ing” is strictly drug store standard.
James V. Kern, who whipped up the
basic ingredients and then allowed
the gag teams who work for Bergen
and Fibber to add the icing, has
done a straight journeyman's job.
He just decided it would be pleas
ant to have Bergen play a kind of
Santa Claus, McCarthy an arrogant
imp, Fibber and Molly a couple of
honest small town people. Lucille
Ball a heart throb, and miscellane
ous others be mildly villainous or
viperish. That's all there is to it.
* * * *
Brightest comedy element of “Look
Who's Laughing" naturally would be
Charlie McCarthy. Director Alan
Dwan. who has turned out a com
pact piece of work, has seen to it
that Charlie is endowed with human
qualities. He carries the illusion
to the nice extreme of working the
"LOOK WHO'S LAUGHING," Alan
Dwan production starring Edga: Bergen
anl Charlie McCarthy, directed sy Dwan.
screen play by James V. Kern. At the
Metropolitan.
The Cast.
Edgar Bergen Edgar Bergen
Charlie McCarthy- Charlie McCarthy
Fibber McGee_ Jim Jordan
Molly Marian Jordan
Julie Patteraon_Lucille Ball
Jerry __ Lee Bonnell
Marge Dorothy Lorett
Gildersleeve _ Harold Peary
Mrs. Uppmgton_Isabel Randolph
Bill _Walter Baldwin
Hilary Hoglon_ Nell Hamilton
Cudahy _Charles Halton
Mr. Collins _ Marlow Wilcox
Motel Manager_Spencer Charters
Mayor- Jed ProuT.y
Kelsey-George Cleveland
Bergen alter ego without the pres
ence of the original in the scene. It
Is a neat, trick, though probably
not the neatest of the week. It Is
at its best in a love scene In which
Molly goes Into her baby talk routine
which properly outrages its object.
As an incidental member of ttie
cast, a funny position to find her
in. Miss Ball gives a slick imper
sonation of a romantic secretary to
Bergen’s Santa Claus. She is sec
onded in the heart-throb areas of
the story by Newcomer Dorothy
Lovett, a brunette beauty, who has
more promise as an actress than
some other brunette beauties.
It probably adds up to a pre
view of what television may be like
when the world gets back to think
ing about television.
. * * * *
Back now from fantasy con* Walt
Disney and his staff to do a very
literal and realistic job for Uncle
Sam. Beginning Immediately, he
will undertake the production of 30
single-reel films which will be used
In training Navy lookouts to recog
nize United States warships and
aircraft, as well as the air, and see
instruments of other nations.
The films, devised by the Navv
Bureau of Aeronautics, will utilize
three methods of photography—life
or actual, model and the animated
cartoon style. All three will be
used on the same film, the first time
it ever has been attempted In the
motion picture industry.
* * * * •
Edmund Plohn normally is man
ager of the National. On New Year
eve, however, he turned producer
long enough to produce a celebra
tion of the occasion by the cast of
"Pal Joey.” Patriotism was the
motif of the party, its two major
elements the sounding of taps as
the old year died, the singing of
“The Star Spangled Banner” by the
entire company as the new one was’
ticked off on the clock.
+ w w
Today's social business will be a
luncheon at Variety Club honoring
Edward Arnold, president of the
’Screen Actors’ Guild and promi
nent in arrangements for enter
tainment of service men.
Where and When
Current Theater Attractions
and Time of Showing
Stage.
National—“Pal Joey." musical bi
ography of a night club heel; 8:30
D.m.
Screen.
Capitol—“Skylark." domestic frolic
with Claudette Colbert and Ray Mil
land: 11 a.m., 1:40, 4:25 , 7:05 and
9:50 p.m. Stage shows: 12:55, 3:35,
6:20 and 9 p.m.
Columbia—“Two-Faced Woman,”
both faces being Greta Garbo's:
11:40 a.m., 1:40, 3:40, 5:40, 7:40 and
9:40 p.m.
Earle—“The Man Who Came to
Dinner.” Monty Woolley escorting
Bette Davis to a larkish fete: 1:40,
4:25, 7:05 and 9:50 p.m. Stage shows:
1, 3:45, 6:30 and 9:15 p.m.
Keith's—“Ball of Fire,” Barbara
Stanwyck knocks the dignity out of
Gary Cooper: 11:15 a.m., 1:20, 3:25,
5:30. 7:35 and 9:40 p.m.
Little — "Lost Horizon,” Frank
Capra discovers Shangri-La: 11 a.m„
1:05. 3:10, 5:15, 7:20 and 9:40 p.m.
Metropolitan—"Look Who's Laugh
ing,” with C. McCarthy and Edgar
Bergen: 11:40 a.m., 1:40, 3:40, 5:40,
7:40 and 9:40 p.m.
Palace—“Babes on Broadway,”
with Mickey Rooney: 11 a.m., 1:40,
4:20, 7 and 9:40 p.m.
Pix—"A Girl Must Live”: 11:50
a.m., 1:55, 4, 6, 8:05 and 10:15 p.m.
CINDERELLA FROM TEXAS—Laura Lee, 19-year-old newcomer
to films from the College of Mines at El Paso, admits she frankly
set out for a movie career when she was a little girl named
Donivee Purkey back home. Discovered by talent scouts while
in a college show, she was tested immediately and is expected to
start her cinema career in “The Fleet’s In,” at Paramount.
ft l
iO vcbib ui age, vi
whether he or she happens to be
a glamorous movie star or Just plain
Joe or Mary. In fact, being a
glamorus movie star Is actually a
handicap, for it means a lot of work
and very little play during school
hours, a minimum of social activity
and a maximum of high marks.
Fortunately, according to the
studio records, moet children in the
movies have extremely high I. Q-*
which makes it easy for them to
assimilate knowledge. Shirley Tem
ple, for instance, has an intelligence
rating of 150, which puts her in the
genius class, and her amazing
faculty to memorize lines Is a chal
lenge to adult players. Unless a
youngster can make rapid adjust
ments, such as the ability to con
centrate, illustrates it is not likely
he will succeed in so fantastic and
yet factual a medium as pictures.
He must have a quick mind which
will grasp situations readily, be able
to memorize lines and possess a
lively imagination.
* * * *
All children of school age In pic
tures are allowed on the set eight
hours a day, but may work only four
of them. In addition, their three
hours in school must be served be
fore 4 o'clock in the afternoon, and
they must have their lunch hour at
the proper time. All of which means
that, as a rule, a picture with a
youngster playing an important part
revolves around him or her.
In the case of Shirley Temple’s
latest production. "Kathleen,” it did
just that, according to Harold
Bucquet, the director. He had to
have his scenes set up, his lights
prepared and his cameras ready to
tum, the instant Shirley was re
leased from class in order to pro
ceed with his story. Others in the
cast also had to wait upon Shirley,
or rather, upon the Board of Edu
cation’s dictum.
Tlie Los Angeles Bqard of Educa
tion conducts examinations for
studio teachers; the studios pay
their salaries. For each 10 children
—or less—there must be a teacher.
Some busy young stars get their
Those Movie Moppets
Are No Dull Scholars
j •
The Youngster in Films Must Have
High I. Q. Rating to Meet Double
Chore of Work and Study
HOLLYWOOD.
"Aw, gee. I wish I was a movie star like Shirley Temple or Mickey
Rooney and didn't have to go to school," is a plaint frequently heard by
harassed parents whose children attend the motion pictures. Nothing could
be further from the truth, however, for the youngsters who work in
pictures today are zealously guarded by strict laws prescribing their edu
cation.
All boys and girls in the State of California must attend school until
entire education on the lot. while
others turn up for sessions only
during the days they work, finding
the same books and schedule in the
studio classrooms that they do when
they return to public school.
* * * *
Sometimes school is held in a
regular building on the studio's lot.
such as Warner Bros.' Little Red
Schoolhouse; at others in portable
classrooms, such as M-G-M has.
which consist of rooms on wheels
that can be moved from one set to
another.
Contrary to Juvenile opinion
sometimes expressed, school on the
movie set is not nearly so much fun
as regular school, say the children
who act in pictures. Miss Temple,
for instance, candidly admits that,
while she adores acting, she much
prefers her schooling off the lot.
She is a freshman at the Westlake
School for Girls when she isn't
making pictures, and here she can
be herself—an average high school
freshman, free to take part in class
AMUSEMENTS.
e" - ' N
i F. D. R. Praised
CHURCHILL IN CANADA
Battle af Libra Critit
KALTENBOKN—SWING—MeCBAKT
Bawl Garnet: Dltner Carteon
ADMISSION tte TAX Se
Carol Reed
Still Master
In Pix Film
‘A Girl Must Irive’
Not Sensational,
But Agreeable
«<* nn»t. un*T T.TV1" Universal re- I
least of a Gainsborough picture stsrrlng
Margaret Lockwood, directed br Carol Reed,
•creenplar br Frank ^aunder. At the Fit.
Lealie James__^jTargaret Lockwood
Olorla Lind _Renee Houston
Clrtie Devine --Twill Falmtr
Horace Blount _George Robtv
Bari at Pangborourh_Hugh Sinclair
Huso Smyth* Farklnaoo_Maunton Warns
Joe Gold _David Burns
Mrs. WallM_ Marr Clare
Fentlope _Kathleen Harrison
Mr. Bretherton-Hrthe .Moore Marriott
Mil* Folklnghorn _ Drusllla Wllle
By HARRY MacARTHl’R.
Before long the legend It going to
get around that Carol Reed just
can’t miss. This hardly will be true,
the problems of a film director be
ing what they are, but there seems
to be plenty of support for the con
tention. Mr. Reed may not turn
out a “Stars Look Down" or a “Night
Train" every time he runs over to
the studio, but he can do more than
many you can name with the thin
nest sort of script.
Take the latest Reed Item to show
up in town, a slight affair called “A
Oirl Must Live,” which you will find
at the Fix. Calling this a twice-told
tale would be an understatement
not even one of Mr. Reed's British
characters could equal. But It turns
out to be an engaging little comedy,
Mr. Reed’s direction, Frank Laun
der’s script and the playing of
Margaret Lockwood and the others
combining to josh the daylights out
of the persons portrayed.
Just where "A Oirl Must Live”
fits Into the succession of Reed pic
tures we don’t know, but it must
have been fairly recent, for there’s
a crack about rationing in the
script. It came at a time, however,
1 affairs and school sports. At the
■ studio she receives her education In
solitary splendor—never interrupted
by pranks of classmates.
So, while Joe or Mary may not
be paid the tributes Miss Temple
and other young movie stars win
for their screen services, they have
compensations, nevertheless. They
can play football or basketball, lead
the school band or glee club, head
the debating team or school paper,
even with occasional low grades.
Besides, they can go to the movies
of an evening, which a movie star
is seldom privileged to do, being
too busy learning lines for the next
day’s scenes or much too sleepy to
stay awake after the previous day’s
, exertions.
AMUSEMENTS.
when the director wu concerned
with neither chasing Nasi spies nor
with social significance. Mr. Reed’s
subject here Is the ancient and
honorable profession of gold digging
as practiced by the minor league
chorus girl, a subject with which a
man can have a lot of fun in the
abstract.
So there Is a deal of fun here,
not an overwhelmingly riotous
amount but enough. A pair of
pretty £irls named Lilli Palmer and
Renee Houston fight like the cats
they are over the Earl of Something*
or-Other, only to lose him, naturally,
to Miss Lockwood. That Naunton
Wayne (one of the famed “Kight
Train” comic pair; keeps popping
in and out, too, this time as, of all
things, a blackmailer, who gets
drunk at a crucial moment in his
career and can’t find the room in
which his partner is supposed to
have planted herself with their
victim.
AMUSEMENTS.
SUNDAY. 4 F. M.
Conitltutton Hill
T ha I neamparabla Violiniat
SZIGETI
Soloitt with
NATIONAL SYMPHONY
HANS KINDLES, CssAssttr
•mu He. He. *1.10. tl.tt. U M.
At Symphony Box Office. Kitt’s.
1330 G Si. NA. 7133.
AMUSEMENTS.
Onrir Akbatt'a Mtaical Cuili Hit
VIVIIBit tmUAIOMI TAMt
Star* s Braatwar Tralalaat % Glrla
★ Bank hr JOHN O’HABA X
BODGEBS A BABT Sand "
Nichta: Sl.lt. SI U, *110. Il ls. S* Hi.
Mato.. Tatar, Sat.. Si lt. S1.S6. It.lt
2 WEEKS BEB. MON.
At fwmktt Show oa brill
OUUBJOHHSOM mmmm»
BILLY HOUSI • DDK BAM
■SWSAtHMt.HilhniSHllOni ■
Etm.. Sl.lt. Sl.U, St.SO, *M». SS.M
Matiaaa*. II.Id. Sl.Ct St.lt (Tax Ud.)
SEATS NOW—t WEEBS
■ DIARIES —*
Rplendid ansortment for hone,
office or personal use. For free
delivery, phone Natl. 3945.
E. Morrison Paper Co.
1009 Penn. Ave. N.W. -
1 SERVING WASHINGTONIANS FOR
NEARLY 40 YEARS
CANDIES, 60c & 80c
1304 F Street
Lunch With Ut Today
PIANOS for RENT
Choose from new
and used spinels,
grands, consoles
and uprights of
good makes Rea
eonable rates
TELEPHONE REPUBLIC 6212
IFITT'C 1 330 G STREET
Jll A I |J /Middle ol the Block)
Fact the New Year With
Good EYESIGHT
your Biggest
Personal and
Business Asset
Enjoy in
creased effi
c i e n c y free
from headaches, eye
strain and other nervous
disorders brought about
by weak eyes. Consult our
i registered optometrist.
M. A. LEESE
Optical Company
614 9TH ST. N.W.
GOAL
High Quality—Law Pripa
•’.IMO Pounds to the Ton
BLUE RIDGE VA. HARD
Special Stove ._$10.00
Special Furnace- $9.85
Egg_$10 50 Stove -$10.75
Chestnut $10.75 Pea— $9.25
Buckwheat-- $7.60
BITUMINOUS BLUE EGG
Bard Structure. Lifht Smoke
Egg Size $9.00
75% -.-$8.25 50% -- $7.75
BLUE RIDGE SMOKELESS
Egg __ $10.25 80%.-- $9.25
Stove (Oil Treated)-$10.25
POCAHONTAS OIL-TREATED
Egg .--$11.75 Stave--$11.50
Pea $8.45
Delivered in beet te vonr bin. no extra
eharse.
Seasoned Oak or Pine Fireplace Wood
$14 Cord—7.50 >/2 Cord-4.50 V* Cord
We sell all sixes of Penns. Anthracite.
Call us for our low prices.
WE DELIVER Ton and Dp
Located so that our trucks can
reach the farthest point in the city
within thirty minutes.
Moner-Baek Guarantee.
World's Larxest Retailers of Va.
Anthracite.
BLUE RIDGE COAL CO., Inc.
Now Dnder the Manasensent
of W. J. Sharpie?
Miners of Virginia Anthracite Hard
Coal. Alexandria Rd.» So. Wash.. Va.
MI. 1ML Me k 1MO
Orders Taken Per and NlthL
HONOR IS AVENGED—But the approach of Anton Dolln and
Yura Skibine to the ancient custom of duelling is the satiric
one in "Bluebeardone of the comic dance dramas on the pro
gram of the Ballet Theater, which appears at Constitution Hall
the evenings of January 14 and 15.
AMUSEMENTS.
FnIb* 11001:40-4:25-7:05 050
V IAVIS • SHERMAN'
f x faty WOOLLEY
E m Waraai Br» Happwt Hit
■ “THE MAI WHO
■ CAME TO INMEI”
m Xth Richard TRAVIS Billie BURKE
■ plus M PERSON on stage
Hj Three Swifts - - Roy Dews
Lime Trio--- Roxyettes
“MXXMiti—’W»X<«XXw
nfflk] OoonteN 1030 m Fb(»iB
Wy 11401:40-3:40 5:40-7:46-040 |g|
met McGEE mi MOLLY ■
Edfar -ft Chart* ■
bergen * * McCarthy gj
“LOOK WHO’S LAUGHiG" I
^wttiLUailiWLLJB
Caaatllatlaa Wall, llth * O
Saa. AM- Jaa. II
« P M. ^
Irlaa Daaaa
gaaraaa. Mai. Oaara
Ta Pall Baaital—fl-M. K«a. **.M .
Mia. Daraar’aim G (Draaa i) NA. iiai
GAYETY^iijN|
CONT.uxTtta MKinTMamyH
^tsilouiye/teurrtIv^
1
'T00*^.LAUDETTE COLBERT
/ tom KAY MILLAND
. ... tut qo*t tathnq 1vitk~
/ BRIAN AHERNE
« J rwOHitaqi M/TZI MAjfAIK 'CnKIYINI
* W ~ k \ I | / y . _
MICKEY x |— ' ' 1 ^Fyv'f
!20Ntyfi'[*Zab?i
S b885 o»/
|L——vjiP^AV* §
GARBO »
AtfiVW VOUGLArT*
rw/^'i A
4*a F.ST.weeK'\is
OPtHIIP.M.) _
i
■
I
A A
i
ACADEMY •'
K. Lawrence Phillipe* Theatre Beaatifal.
Cont. Prom 6 P M.
JACK BENNY Starr mi in
“CHARLEY’S AUNT,”
With KAY FRANCIS. JAMES ELLISON
Also
“MYSTERY SHIP,”
With PAUL KELLY and LOLA LANE._
aprw esth * Mass. Are. NW.
Ml>* WO. 4690.
Shaw Place ef the Nation's Capital.
Free Parkinc far 509 Cara la Bear.
“THEY DIED WITH THEIR
BOOTS ON,”
ERROL FLYNN. OLIVIA DE HAVILLAND
Extra: "War Clouda Over the Pacific " and
Cartoon. Friday Doora Open at 13:30
PM Feature at 1. 3:49. «:3S. 9:25.
Saturday. Doors Open at 12:30 PM
__Peallire at 1. 3:57. 6:46. 9:35.
ATLAS 133111 **■ NX AT‘ *3M'
ON SCREEN,
| “A YANK IN THE R. A. F.”
With TYRONE POWER. BETTY OR ABLE
Also on Sftme Program—
“ZIS BOOM BAH,”
With PETER LIND HAYES. GRACE HAYES
ON STAGE,
_PI' Fashion Amateur Kite._
CAROLINA ““ * N c *" • E
"MARRIED BACHELOR " with ROBERT
YOUNG RUTH HU88EY TIGHT
SHOES." with JOHN HOWARD. Plus
i _March of Time.__
riDPI r Penna. Aye. at Slst St.
UEbbL Phene RE. flat
ALICE PAYE. JOHN PAYNE. CARMEN
MIRANDA in "WEEKEND IN HAVANA
Feature et 1, 2:40, 4:30, 6:15. 7 55.
9:46._
concuss -Nrar* “■
EDWARD O ROBINSON. LARA INI DAY
KDW ARNOLD. "UNHOLY PARTNERS "
DUMBARTON ““ Wta—^ A”
"SUN VALLEY SERENADE.'' with BONJA
I HENIEl DON PAYNE._
FAIRLAWN 1343 cTx9,ik».m‘ 31
IDA LUPINO and LOUIS HAYWARD In
"LADIES IN RETIREMENT''_
GREENBELT A*m,u ,5t fr" r*rkin*
: R. HAYWORTH. P. ASTAIRE in "YOU’LL
NEVER GET RICH " 7. 9.__
i WIPB1 im <533 Penna. Are. I t
t
o
s
M
BQ
S
s
<
*
SPECIAL HOLIDAY MATINEES
IN ALL WARNER THEATERS
TODAY, FRIDAY. JAN t. AT
1 P.M. EXCEPT CENTRAL
_(OPENS »:«8 A.M.)_
IMBASSADOBIS^.^
_ Matinee i P.M.
BETTE DAVIS. ANN SHHIIDAN and
MONTY WOOLLEY in THE MAN
WHO CAME TO DINNDl." At l:OU.
IQS, 6:15. 7:20. »:30._Car toon
IPfll I.B H W. N.E.
ItTUlUlll rt .3300 Mat. I P.M.
BILE IHOPALONG CASSIDY) BOYD
in “SECRET OP THE WASTELANDS ’
At 1:0U, 3:3.3 6:16, 8:55 ALICE
PAYE. CARMEN MIRANDA. JOHN
PAYNE. CESAR ROMERO In WEEK
END IN HAVANA “ At 2:00, « 40.
L21). 111:00 Plane? Cartoon._.
lull AM fl«12 Cenn. Art. N.W.
UlUiUEwO 2000 Mat. 1 P.M.
BOB HOPE. PAULETTE OODDARD in
NOTHING BUT THE TRUTH “ At
1:30 3:30, 6:30, 7:25. 9:30. Diane?
Jartoon._
IVE CBAJfD M6IrI* ,^ •*
Matinee 1 PM
JAMES GLEA80N ELYSE KNOX in
TANKS A MILLION At 1:00.
1:40. 0:20. 93i5 MARIA MONTEZ.
BRODERICK CRAWFORD. BRIAN
DONLEVY in ‘ SOUTH OF TAfilTT ”
U 1:50. 4 30. 7 10. 9.65_Cirtoon.
irVTVV f 15th * E N.E.
Blif UlliE LI. 3300. Mat. 1 P.M.
Parkin* Space Available to Patrons.
VICTOR MATURE. BETTY GRABLE
in "I WAKE UP SCREAMING ’ <For
merly Presented a* "Hot Spot At
1:20. 3:25, 5 26, 7:50. 9:36. Disney
Cartoon.
riv yrnT ***-4 wu. av*. n.w.
UIUi¥ Xilll WO. 1315. Mat. 1 P.M.
Parkin* Space Available t« Patron*.
WILLIAM POWELL. MYRNA LOT in
SHADOW OF THE THIN MAN At
1:05. 3:15. 5:25. 7:35, 9:45. Disney
Cartoon._
rrVTWAV 425 Oth St. N.W.
UfiBiillUUa MEt. 2841.
Opens 9:45 A.M.
JAMES GLEASON ELYSE KNOX 1n
TANKS A MILLION." At 10 on.
32:20. 2:40. 5:00. 7:35. 10 00. BILL
< HOP ALONG CASSIDY» BOYD In
OUTLAWS OF THE DESERT ’ At
11:15. 1 36, 3 55. 6:30, 9:00. Disney
mi nuv 493% g». a*«. n.w
LULU1VI GE. UM Mat. 1 P.M.
TYRONE POWER. BETTY ORABLE
In A YANK IN THE R A F" At
1:55. 3:30. 6:35. 7:40. 9:45. Dimer
Cartoon__
DAMP 19M C St. N.E.
BUIU AT. 8188. Mat. 1 P.M.
DOROTHY I .AMOUR. JON HAW. IB
ALOMA OP THE SOUTH SEAB^ At
1 25 4 :10 8 55. 0:40 CHARLES
S'i'ARRETT CUFF EDWARDS In
PRAIRIE STRANGER' At 3:45.
5:30, 8:15.__
mivrnv E»ae4>. Nr. 4th N.W.
KLIIIIUIT RA tkioO. Met. 1 P.M.
Parkinr Spare Arailable t« Patrana.
BOB HOPE. PAULETTE QODDARD in
• NOTHING BUT THE TRUTH " At
1:30, 3:35. 5:35, 7:35. 9:40. Dimey
Carioon_
nrrMM Pa. Aye. at 7th >.E.
rUIB PR. 5700. Mat. 1 P.M.
Parkinr Spare Available t« Patrana.
WILLIAM POWELL MYRNA LOY in
SHADOW Or THE THIN MAN " At
1:25. 3:30. 5:30, 7:35, 9:36. Disney
Cartoon ___
Civnv .3030 14th St. N.W.
5AYUI COI. 4008. Mat. 1 PM.
DON RED BARRY. LYNN MER
RICK in KANSAS CYCLONE." At
1 40 3:20 5:00. 8:35. 8:16. 9:55.
Kina of the Texas Rangers.” Ho. 12.
CrPfl 8244 Ga. Ave.. Sliver Spring.
oLltV SH. 7540. Parkin* Space.
Matinee I P M.
JOHNNY DOWNS. JANE rRAZXP
MISCHA AUER in "SING ANOTHER
CHORUS." At 1010. .3:30. 5:56
8 ■35 GENE AUTRY In 'SIERRA
SUE” At 2:70. 4 55. 7:20. 9:55.
"Riders of Death Valley." No. 13
rDPDTn k M Ga. Ave. A Sheridan.
SHEHIUAA RV 7400. Mat. 1 P M
VICTOR MATURE. BETTY ORABLE
in "I WAKE UP SCREAMING" (For
merly Presented as "Hot Spot ). At
1:00. 2:45 4:30. 8:15. 8:00. 9:50.
Disney Cartoon._
CTT WPD Ga. Ave. A Cnleaville Pike.
dllaTLlk SH. 5500. Mat. 1 P.M.
Parkin* Snare Available to l^Jr*"*
ERROL FLYNN OLIVIA Djt KAVIL
I.AND in THEY DIED WITH THETR
BOOTS ON" At 1:20, 4:00, 6:4<1.
0:2(1._Cartoon._ -
nimm 4 lb A Butternut Sta.
TAflUnAGE. 4312. Parkin* Bnaea.
Matinee 1 P.M.
GENE AUTRY In TOE SINODIG
HILLS " At 1:10. 4 26.. 4 6. HUM -
HENRY FONDA and BARBARA STAN
WYCK in “YOU BELONO TO ME At
| 6:35. 7 35. f*;35. Also March of Times
_• Bailors With JWings.“_
LIDO 8tt? M St N W> WH,TE ONLY.
• GOUCHER OF KL DORADO “ with BOB
8TEELE. TOM TYLER. Also Melody
_f or Three."_
LITTLE
_“LOST HORIZON.”_
PRINCESS m# ■ "■ N1 LI
“HOLD THAT GHOST.”
With BUD ABBOTT »nd LOU COSTELLO
THE ANDREWS SISTERS. TED LEWIS
Also on the Same Program—
“MARRIED BACHELOR”
With ROBERT YOUNO. RUTH HUSSEY.
_FELIX BREBSART, LEE BOWMAN_
CT1MTAM Sth and C Sti. N.E.
MV lUlf Finest Sonnd Fqaipmeat.
Cont. From 5:30 P.M
“HOLD THAT GHOST ”
With BUD ABBOTT and LOU COSTELLO
Also
“DOWN IN SAN DIEGO ”
Wtih BONITA GRANVILLE. RAY McDON
ALD. DAN DAILEY. Jr., and LED
QORCKY.__
p- SYDNEY LUST THEATERS —
BETHESDA 71 Betheidal'Md
WI. 38SS »r Bbl. M1W. Free Farklni
RONALD REAGAN and
JAMES STEPHENSON in
“International Squadron.”
At 2:15. 4:05. 6. 7:50. # 45.
Tomor.—Double Feature—Mat. 1 P M.
ROY ROGERS in RED RIVER VAL
LEY. ’ JAMES LYDON in HENRY
ALDRICH FOR PRESIDENT
FREE CANDY TO
KIDDIES AT MATINEE.
Chapter No. 1. “Jungle Girl.”
HIPPODROME
Double Feature.
ROSALIND RUSSELL DON A MIC HE In
■FEMININE TOUCH." SONJA HE NIX
end JOHN PAYNE In "SUN VALLEY
SERENADE"__
CAMEO “■&t“.-i7A 974*
RONALD REAGAN. "INTERNATIONAL
SQUADRON" IRENE DUNNE and
ROBERT MONTGOMERY in "UN
FINISHED BUSINESS."
Tomor.—Double Feature—Mat. 1 P.M.
HOPALONG CASSIDY In "SECRETS
OF THE WASTELAND " . LLOYD
um a V iTIDMUri k m ITTt T. ’»
khhex KUU/vn i mnni
"THE MALTESE FALCON. " At 2 35.
5:50 8:15___ ..
vvvni V 14 th A Park M. N.W.
TIYOLl COI 1800_Mat. 1 PM.
WILLIAM POWELL. MYRNA UTY m
SHADOW’ OP THE THIN MAN. At
1 :*’6, :t:30. 5:35. 7:40, 8:45. Dlcncy
Cartoon ___ .
IIBaMfll Cana. An. * Nawarfc.
UPTOWH wo. MOO. Mat. 1 P.M.
Partial Saaee Aratlahle ta Pakone.
DEANNA DURBIN and CHAMJg
LAUOHTON in IT NTARTED WITH
EVE." At 1:40. 8:40. 6:40. 7:40. 0 40
Disney Cartoon._
•ABB Ga. A»*. A Qaekee PI. N.W
TUHa |«. 4180. Mat. I P.M.
ALICE PAYE. CARMEN MIRANDA
JOHN PAYNE CESAR ROMERO In
"WEEK END IN HAVANA " At 1 :«*'
2-407 4:20. 6:06. 7:50. »:S6. Dleney
Cartoon._____
THE TILLAGE VE n.e
Phene Mick. WJ1.
‘BIRTH OF THE BLUES,
BINO CROSBY. MART MARTIN._
HEWTOH
Phaaa Mich. 1SS0.
“It Started With Eve,”
DRANNA DURBIN, CHARLES
LAUOHTON. _^
JESSE THEATER fe
Phaaa DUa. MSI.
Double Feature. _
"UNHOLY PARTNERS,”
EDW O. ROUNBON. LARAINE DAY.
“British Intelligence,”
BORIS KARLOPT, MAROARBT
LINDSAY^__
STLTAI
-ayanJcinthF^. A. F."
TYRONE POWER, BETTI OEABLE.
VS Yainw H”.5ur’sr
Oaa Bleak Fra as Preelt eattal GarOaac.
Phaaa Alaa. MM.
Free Parktaa la Bear at Theater.
“It Started With Eve,”
DEANNA DURBIN, CHARLES
LAUOHTON. _
Dll If ML Varaaa A»«..
Alex.. Va. ALaa. 0767
‘A YANK IN THE R. A. F.’
TYRONE FOWL BMTTT QRABLE.
HTATTSYILLE I Irattarllle. Hi
WA. 97 7« er Hyatt*. 9222.
Jack Oakie, Linda Darnell
in “RISE AND SHINE.”
At 7:10. 9:40.
On State In Perron—at 6:40, 9:10.
Happy Johnny and His
Radio Gang From WBAL.
Matinee Tomorrow, 1 ' P M.
DON AMECHI. JOAN BENNETT 1B
■ CONFIRM OR DENY." _
ARCADE »..*“•
BOB*HOPE In "ROaSTto^ZaSzSb*AR."
BOB^CTiOSBY In ROOKIES ON
Wf* A Reek Till*. Mi. Reek. 191.
fUlaV Free Parkier.
Jack Oakie, Linda Darnell
in “RISE AND SHINE.”
At 7:25. 9:40.
Torn or—Double Feature—Mat. S F.M,
TEX RITTER in ‘RIDING THE
CHEROKEE TRAIL RICHARD AR
LEN and JEAN PARKER In ‘‘FLYING
BUND.''
41 STATE
►" %£§?“£ 5S
■ |T A Treat for the Entire PaaaBy
& I laUa Shew* 7 and 9._
El “JESSE JAMBS AT BAY.’’ “BURMA
gg CONVOY.’’_
8= ULDKTM SUj£’&%S
31 LAUREL*AND HARDY In "OREA1
GUNS." __
<0 wnfAH 1799 WUaea BM
S. WIIamWA Phene OX. 1499
1W? 04 Jg%Al&*” 11
8.AHTM
S3 iPSPS. 3*55 ™
|1 DDCKHC1AN gSS^SMS
91 ^aATP^r«,mi m
HBEB-BETIESDA ZSJS: ir
WVa iftlH AIM
JACX OAUZ; WALT» BRRNNAN, LINDA
DARNELL and MILTON BIBLE In
“RISE AND SHINE.”
Bttta! Held Oeer! 2nd Week!
“THE WARNING,”
MW Air Raid Delenee Him. ' What T*
Dote An Air Rag"
ALEZAIBHIA, TA.
■mi nn parsing.
UH Phene Alee. 344A.
BOB HOPE PAOLJnTT GODOARP la
“NOTHING BUT THE TRUTH
ficnioiD pcpwra.
♦ i

Evening star. [volume], January 02, 1942, Page B-20, Image 43
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], January 02, 1942, Page B-20, Image 43 About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], January 02, 1942, Page B-20, Image 43
About Evening star. [volume] (Washington, D.C.) 1854-1972