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Musical Has Porter’s Tunes, If It Isn’t His Life Story By Joy Cormody Night, and day. under the hides of them, the Warner Brothers dreamed of a monumental musical built around the life and works of Cole Porter. That musical, called “Night and Day” opened today at the Earle. Its cast glitters with such names as Cary Grant, Mary Martin, Ginny Simms and Alexis Smith. Its technicolor has downright splendor. Its music, which is exclusively Porter, is varied and captivating. It is the life of the sophisticated music mater' that the studio saw fit to tamper with, a rewrite job which reduces him to a stock rags-to-riches film hero with a song in his heart. But this studio trick of being tougher on Porter than life itself ever was does not minimize the fact that the man wrote a library of fetching music, and here is a 10-foot shelf of it. Coinciding with the 20th anniver sary of sound. “Night and Day" is a picture which bespeaks perfectly the lavishness with which Warner’s feel the occasion should be qelebrated. Patently the company spent millions to make this a music festival worthy of its day. To demur that it let a few false notes get into Porter's life story is merely querlousness that will never enter the heads or the reactions of the multitudes who will enjoy it. ' The main concern of the produc tion is to dance audiences through one Porter tune after another and to make each look more dramatic than the one that went before. The eflect is a brilliantly animated album of Porter music, "Night and Day,’’ “Begin the Beguine,” “You’re the Tops.” “I’ve Got You Under My Skin,” “My Heart Belongs to Daddy,” and a bookful of others. When the last note dies, there is never any doubt that the poor little Indiana boy millionaire who wrote the folk music for the pent house and Riviera sets, had quite a gift for it. «Ir ^ U, To Cary Grant fell the assign went of impersonating Porter, a task i.i which he is successful in avoiding what proletarian writers cal! preciousness. With a few dis tortions from the script writer, he gives the impression of Porter as a vagabondish Yale lad whose dizzi ness was only an outward sign of the music inside of him. In selecting some of the high lights of Porter's experience with the intention of festooning them with his music for purposes of the picture, “Night and Day” merely makes stabs at a genuine Porter story. It tells of his courtship of beautiful Linda Lee (Miss Smith 1, of his risking a $3,000,000 disinherit-, a nee by refusing to become a law yer. of his early flops on his way to a permanent place in Broadway's wayward heart. But these apparently significant events in Porter’s life are treated no more significantly than appar ent afterthought on the part of the script writers which brings Monty Woolley into the story. Wool iey, a famous sheep-dog sort of clown in the movies, seems to have been a couple of classes ahead of] Porter at Yale, and a kind of man Friday throughout his subsequent career. The character he plays in the picture is one called Montey Woolley, which obviates any chance he has to blame the script writer for the roaring cutenesses whicn creep into the narrative. Grant, whose professional career g ■ — AMUSEMENTS Tonight Through Saturday CROSS ROADS THEATRE Bailey'a Cron Road!,. Va. "Separate Rooms'' Res Willard Ticket Agency. NA. 6575-H. Adm. Si .20 inc. tax Tickets at Theatre Box Office also A. B & W. Bus, 12th and Pa. Ave. N.W. Marked Bailey s Cross Roads. Va. Beginning Tuesday, Aug. 3 3 "Love From o Stronger." Straight out Georgia Are. extended NOW PLAYING “GOODBYE AGAIN” Tues. thru Sun. 8:45 P.M. Sunday Matinee 2:45 P.M. Bus leaves Ga. and Alaska Aves. nightly at 8:00; returns after show. Tickets Now Selling at Kitt’a 1330 G St. and at the theatre. 41Last Three Dave" ‘CAPTAIN APPLEJACK’ Every night at 8:40 except Sunday. Tickets on sale Willard Ticket Agency. NA 66T5-6. Reservations Phone OL. ,3361. Evemngs, Box Office. BR. 9659. ( COMING / /The DRUNKARD' ' Start* Aug. 13th 1 oJLiO • • • • ITurier’s Featnrettel -The Hullet Ktissc tie Monte Carlo I WEEK Michael REDGRAVE "A GEM!” -CUMOOV. E.M.LOEWS MMm At,,, DRIVE OUT TONIGHT ENJOY THE EVENING IREEZES—SIT IN YOU! (AR -AND SEE ,, WALT DISNEY'S * 3CM4ll£R0S IN technicolor ROY ROGERS DALE EVANS "SUNSET IN EL DORADO" CARS-KIDS FREE Ho 12 P.M. EVERY DAY AT THE FORTE-ACRE (J lenechO W ^T'-TTlTTTTrTJi TT.T'AR W * THRILL RIDES, MANY OTHER AMUSEMENTS AND PERFECT SANITARY SWIM POOL WITH SAND BEACH FOR ■EALTHY RECREATION Pool Hours— 10 a.m. to 10:30 p.m. DANCING 9 to 13 Nightly Ex. Sundays JACK CORRT BAND AND KAT I.INTON VOCAI.A f "NIGHT AND DAY.” a Warner Bros. Picture with Cary Grant and Alexis Smith, produced by Arthur Schwarts, directed by Michael Curtir. oriRinal screen play by Charles Hoffman. Leo Townsend and Wil liam Bowers, adaptation by Jack Mofllt, music by Cole Porter, additional music by Max Steiner. At the Earle. The Cast. ----- Cary Grant Alexis Smith -Monty Woolley -Glnny Simms -Jane Wyman ST"j*»r ,.. - - Eve Arden Ward Blackburn Donald Woods Specialty Singer - . Carlos Ramirex Anatola Giron _ __-Victor Prancen Cole Porter Lina Lee Porter Himself Carole Hill Grade Harris _ Gabrie'le Leon Dowling Nancy_ . Bernie Kate Porter_ Omer Porter Bart McClelland Wllowsky Spc laity Dancer Specialty Dancer Alan Hale Dorothy Malone Tom D'Andrea Selena Royle Henry Stephenson Paul Cavanagh Sig Ruman Milada Mladova George Zoritch --wvvtitc Ziui iicii Specialty team Adam and Jayne Di Gatano Specialty dancer Caleb Petey O’Halloran Producer Director 1st Peaches -d Peaches Herself Estelle Sloan Clarence Muse John Alvin „ George Riley Howard Freeman Bobby Watson - John Pearson Herman Bing Mary Martin started in an acrobatic act, is re quired to add a new facet in the Earle's picture. That is the one involved in singing somewhat half heartedly some of the Porter music. He is in no way abashed by the obligation, and enters into it with gusto at such times as he has the assistance of a girl like Ginny Simms, or the backing of a huge chorus. Miss Simms, who does most of the singing of the Porter album, is quite a good choice for it. More AMU SEMENTS over, under the direction of Michael Curtiz, she brings off a couple of comedy passages with more effec tiveness than her previous pictures may have hinted. The real musical highlight of the picture is not Miss Simms’ work, however. It is the result of the inspiration which brought Mary ; Martin into the cast to sing the Porter-Martin triumph of some sea sons ago, "My Heart Belongs to I Daddy.” Miss Martin and Holl.v Iwood do not get along happily, as I no one needs to be reminded, but jthe fashion in which she sings her one song makes that clearly the more regrettable. Unlike most sing ers everywhere, especially in the movies, she realizes that a song is only as dramatic as the singer makes it. The word "terrific” might well have been saved for her brief, bright and beautiful sequence in "Night and Day.” * * * * Even down among the minor characters, so many of whom are played by major actors, "Night and Day” pays off on the lavish in vestment Warners made in casting it. This virtue, along with Porter's tunes, assure that it w'ill be a popu lar and profitable thing in spite of the rerigging of its story. Ginger Filibusters ly the Associated Press HOLLYWOOD. Ginger Rogers claims a record for a speech she delivers in "Magnifi cent Doll.” v The speech, in which Ginger as fabulous Dolly Madison pleads with a lynching mob for the life of Aaron AMUSEMENTS Open Tonite Endy Bros. Shows and Thrill Circus Circus Grounds Benninr Rd. and Oklahoma X.E. Children Admitted Free to Grounds Wednesday and Saturday, 1 to 6 P.M. last TIMES TODAY! THE NEW, GAY I-ll-TING BRITISH MUSICAL FILM with _ CAROL RAYE Uichard Tauber, Noted Tenor FRIDAY and SATURDAY 'FESTIVAL OF FUN" 120 Minutes of Grand Loughter! CMtllE tHiPUN rTHE GOLD m &ush”I % - Plus - THREE STOOGES in "Beer Barrel Polecofs" Edgar Kennedy Comedy "ki.tL.. i r>_■< J WALT DISNEY’S “PLUTO’ A 14th St. at H, M.W.—Opana Hi 18 AM., Sundays I P.M. ~~~EXTRA! SPEOAlT UNDERWATER (BIKINI) BOMB BLAST THE MOST AMAZING, POWERFUL SPECTACLE IN HISTORY This Attraction Celebrates Warner Bros.* 20th Anniversary of Talking Pictures! IN TWENTY YEARS NO SUCH TREAT FOR YOUR EYES AND EARS! The Greatest Musical of All! 30 Sensational Cole Porter Songs! Scores of Stars! Cary GRANT Alexis SMITH ( in Warner Bros. "NIGHT AND I W l>AY" u 7Swci&&t// WITH 5 MONTY WOOLLEY GINNY SIMMS JANE WYMAN EVE ARDEN CARLOS RAMIREZ DONALD WOODS AND MARY MARTIN w \ * f « PHILADELPHIA STORY— Jeanne Crain plays a leading role in “Centennial Summer,” musical set in the Philadel phia of 1876, noio at Loew s Columbia. Burr (David Niven) runs l!i minutes and took Director Frank Borzage three days to film. Where and When i Current Theater Attractions ! and Time of Showing sure. National—"Dear Ruth": 8:30 p.m. i Screen. Capitol—“O S. S.”: 10:30. 1:25. 4:20, 7:10 and 10:05 p.m. Stage shows: 12:45, 3:35, 6:30 and 9:25 pm. Columbia—"Centennial Summer”: 11, 1:10, 3:15, 5:23, 7:35 and 9:45 p.m.j Earle—"Night and Dav": 10 am.,1 12:15, 2:35, 4:50, 7:10 and 9:35 p.m. Hippodrome—"The Man in Grey": 2, 4, 5:55, 7:55 and 9:55 pm. Keith’s—"Make Mine Music": 12, 2, 4, 6, 8, 10 pm. Little—“Johnny in the Clouds": 11:25 am., 1:20, 3:30, 5:30, 7:35 and 9:40 p.m. Metropolitan—"A Stolen Life": 11:40 a.m., 2:10, 4:40, 7:10 and 9:40 pm. Falace—“Anna and the King of Siam”: 11:10 am., 1:45, 4:25, 7 and 9:35 p.m. Pis—"I Married a Witch"; 2:10, 4:50, 7:35 and 10:05 p.m. Trans-Lux — News and shorts. Continuous from 10:15 a.m. AMUSEMENTS AMUSEMENTS In&Man JAMES MASON STEWART 6RANSER MARGARET LOCKWOOD PHYLLIS CALVERT inG**? IA1R CONDITIONED I n?HIPP0DR0ME WHOO makes you laugh and cry with her great performance in M'&'M's THREE WISE FOOLS'?. Plus great Stars LIONEL BARRYMORE EDWARD ARNOLD • THOMAS MITCHELL LEWIS STONE WMknitr! JUNE CRAIN CHIEL WILDE LINDA DARNELL WILLIAM EYIHE WALLED BRENNAN CONSTANCE BENNETT DOROTHY GISH Prndvcnd and Directed by OTTO PREMINGER EXTRA! Spectacular Film* 2nd Bikini Atom Explosion Fat 12th NOW LOEW’S COLUMBIA DOORS OPEN 10:41 Great Help, Peter •y th# Atiociatad frM> HOLLYWOOD. The fountain, with its gushing spout, was ideal in the scene, but it drowned out the dialogue in "The Chase” between ‘Robert Cummings and Michele Morgan. Director Authur Ripley had the AMUSFMENTS NATIONAL, New Air CsoMl ■Em. *:30 Mat*. 2:3* HILARIOUS COMEDY HIT •OIL 3&RK0 KEITH’S <W»?* Om-U.S Trt»luryO»'5tkS' OPEN 10.45 A. M • SUNDAY. 11 P M Pr*M«4>it« riw tmlerti ♦f JNf OOAONHA • AMOY OIMMU 1M KINO'S MIN • ITSOUNO HOUOWAY iMMnwni EXTRA — P.AYHE NEWS. BIKINI ATOM BOMB INOERWATER TEST SHOTS. • NEXT—DANA ANDREWS. BRIAN DONUtVY. SUSAN HAYWARD IN CANYON PASSAOE ' IN TECHNICOLOR PIX SUriwjTHWfrto] c#wr. j »it to »*»K «P«X I*////#! The TRUTH About Baby Farms, Adoption Rings, Fake Doctors! t*riuh> w» ; I,AST DAY FOR "I MARRIED A WITCH" * “TAKR IT BIfl” faucet turned lower and lower j finally to a mere drtp, but. the sounc technician groaned, "It's still toe I loud.” Villlan Peter Lorre, in quiet tones, broke up the conference when he gently inquired, "Why don't we try isoft water?" SmiTt L M. ct iimtSEMCNTS IZZr jSYlUMof HORRORS • o» st.p Friday midnight L//YC •0NE PERFORMANCE ONLY SHRUKS THRILLS\ ON BELA LUGOSI »»EEX “THE ARE MAN” stk^ Lhw’ rcC(ir u**'* CAPITOL , Tlekih Haw On Salt EXTRA! SPECTACULAR FILMS, 2ND BIKINI ATOM EXPLOSION He’s deer«dM|er... deeper ie tare... m the Tep Thrill Shew •f the Yeti PATRIC KNOWLES JOHN HOYT m mi ***** W WCIMI MAIKAQM ky ItVIM PICUL A Paramount Picture II n*AH New S7N6B SHOW BOB EVANS-KAY BALLARD JOE, LOU & MARILYN CAITES COLEMAN CLARK DOORS OPEN 10:45 f •» 14»h COOL CAPITOL LoewTsalutes Warner Bros. on the t 20th Anniversary of Talking Pictures SO muon *«wW) I SO MUCH „d *«..» SO MUCH ™ CWttR! * ^0^ DXirryl S/'. Canuck presents IRENE REX LINDA DUNNE HARRISON DARNELL ANNA and the K8NG with LEE J.COBB • GALE SONDERGAARD • MIKHAIL RASUMNY DENNIS HOEY • TITO RENALDO • RICHARD LYON »«.d>JOHN CROMWELL^,LOUIS D.LIGHTON 9am Play tw Talbot Jennings and Sally Benson Based Upon the Biography by Margaret Landon EXTRA! SPECTACULAR FILMS 2nd BIKINI ATOM EXPLOSION f at 13th Loews PALACE Now DOORS OPEN 10:30