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Broadway Charms the Best Of Britain’s Acting Talent By Jay Carmody Casting department: Leading British players are quite as available to Broadway this season as they have been these many years to Holly wood where the pay is higher, the climate reputedly more attractive, and the work lighter. One new play—English, by the way—has just succeeded in corralling the services of two outstanding London favorites. 'T’U* if IIT-V_i. M_ m_A____ . ■. -■ ' uct ivt x nv Hands,” by Mary Hayley Bell, and the leading performers in it will be Joyce Redman and Francis L. Sul livan. Miss Redman left her mark, ever so pleasantly, upon thousands of theatergoers in New York with her tempestuous and roistering per formance as Doll Tearsheet in the old Vic’s production of "Henry IV.” Sullivan, conspicuous in a dozen of the top flight English pictures which have been shown in this country, last was seen here as the corpulent barrister in “Great Ex pectations.” Incidentally, while it was remembered by but few movie goers, he played the same role in the American version of the same Dickens’ story when it was produced in the early 30s with Richard ■ Barthelmess. The interpretation was quite dif ierent, nowever, ana tne ainerence was enormously in favor of the second picture under the direction of David Lean. With John Gielgud, who is re maining in this country to star in “Crime and Punishment,” they will give American drama lovers a good view of the best in English acting. Gielgud is presently busy directing Judith Anderson in "Medea,” a chore which he will follow by being just a leading actor in "Crime and Punishment.” + * * * Wardrobe department: Cecil Beaton’s gowns for the Victorian women in "Lady Windermere’s Fan” were one of the production's most sensational features all through last season. They will be -again during the current road tour of the comedy which opens a three week engagement at the National next Monday. Cornelia Otis Skinner, star of the * play and wearer of its most elab orate garb, is of the opinion, how ever, that the styles represented will go no farther than knocking the eyes out of the beholder. As for any real influence upon contem porary design, the cleaning bills alone would make the thing pro What with a frock requiring 20 Harris of fabric and the multitudi nous underskirts (seven or eight to the outfit), the upkeep of the production’s wardrobe is prodigious. Ask the Theater Guild which pays ' the cleaning and pressing bills! * * * * j Parenthood department: Actor fathers, it seems, are as capable as any other kind of making mis judgments as to the proper fu-' tures, or careers, for their sons. That was the case, at any rate, In the William Faversham family, of which second son Philip is vis ible on the local scene as Sergt. Bill Page in “The Voice of the Turtle.” Father Faversham. a singularly Illustrious actor, thought Philip should not go into the theater. Older son William, jr., but not Philip. The latter, he figured, was more the broker type, even though he might not realize it. That is how it was at first, William, jr., the actor and Philip the broker’s as- j distant in Boston. When the depression came Wil-1 11am, jr., decided that he would get j AMUSEMENTS out ot the theater into something more substantial. He became a broker. At the same time second ’ son Philip decided he would get put of brokerage into something that might keep a man busier. He took up acting and has been : at it ever since, with the exception of the war years, when he was in the Army, but as a first lieutenant instead of the sergeant he is play ing at the National this week. * * * * Type-casting department: There i will be no relief for Joan Crawford —even if she wanted it, which she does not. She will go right on play ing those tortured women with whom she has achieved such popu larity in “Mildred Pierce” and “Po.v sessed.” The next one will be the heroine of “Until Proven Guilty,” a woman who has every reason in the world to develop a dramatic neu rosis * * * * Tourist information department: Go to Hollywood if you will but don't expect to crash a movie studio unless you are a traveling potentate, ambassador or a close blood relative of the men who run the film fac tories, As part of the new economy efficiency program of the producing studios, the bars against visitors will be raised higher than ever. The tendency to limit studio visit ing has been gaining momentum for the past several years, but there were loopholes. The new ban applies even to thosfe guided tours through which bus loads of visitors were zipped through the major movie lots to look at a lot of dull sound stage exteriors and, perhaps, just perhaps, catch a glimpse of a star. Finian Signed Albert Sharpe, who scored one of the biggest hits of the recent Broadway season with his portrayal of Finian in “Finian's Rainbow,” has been signed by RKO Radio to a long-term contract and cast in one rvf the tj-in mips nf "The Rnv With Green Hair.” __r -—- . - ~ AMUSEMENTS 1 III .Toel McCrea and Sonny ■ 1 W 1 WnUinX lufts in 'THE VIR- ■ \ li l||W?il5/GINIAN” in technicolor B I H I Sherlock Holmes thril- B \\ IHWler “Dressed to Kill”^H ONROUTgff UBt ^gS4M8jBL 3 /*i-*° of alii. I 5 MORE TIMES EDWARD EVERETT HORTON in “SPRINGTIME FOR HENRY” Tuesday Through Sunday, 8:45 Tickets: Ballard'*, 1300 G St. N.W. ME. 7516 Adm.: *1.80, *2.40. *3 DANGEROUS—Anne Jeffreys plays the leading feminine role in the cinema melodrama “Riff-Raff,” which comes to the Metropolitan screen tomor row). -: Where and When Current Theater Attractions and Time of Showing Stage. National—“The Voice of the Turtle”; 2:30 and 8:30 p.m. Screen. Ambassador — ' uarnegie nau , 1:20, 3:55, 6:30 and 9:15 p.m. Capitol—“Kiss of Death”; 11 a.m., 1:45, 4:30, 7:15 and 10 p.m. Stage shows: 1:50, 3:50, 6:35 and 9.20 p.m. C o 1 u m b i a— Gone With the Wind”; 9:45 a.m., 1:35, 5:25 and: 9:15 p.m. Earle—“Carnegie Hall”; 11:05 a.m., 1:40, 4:15, 6:50 and 9:30 p.m. Hippodrome—“The Happy Breed”; 2:05, 4:05, 6:05, 8 and 10 p.m. Keith's—“The Bachelor and the Bobby-Soxer”; 11:35 a.m., 1:35, 3:35, 5:35, 7:35 and 9:35 p.m. Little—'‘Fantasia”; 11:05 a.m., 1:05, 3:10. 5:15, 7:20 and 9:30 pm. Metropolitan—“Welcome Strang er”; 11:10 a.m., 1:15, 3:20, 5:25, 7.35, and 9:45 pm. Palace—“Mother Wore Tights”; 10:45 a.m., 12:55, 3:05, 5:15, 7:25, j and 9:35 p.m. Pix—“The Overlanders”; 2:35, 4:25, 6:15, 8:05 and 10 pm. Trans-Lux—News and shorts. Continuous from 10:15 a.m.j AMUSEMENTS I . HISER-BETHESDA li I eaBLtB T4i< Wiseensm »«t. Last Time Today ( CONTINUOUS PERFORMANCES \ DOORS OPEN 10:30 A.M. J + \ WARNER BROS. &A pMimt SfoAmce&cu/Z I I J,Esther r / § < l i Preview Engagement PRICES THIS ENGAGEMENT ONLY Mu& 90c Omni* NIP.* $1.2$ Children 50c MTmm CJJ STARRING I ELIZABETH TAYLOR EDMUND 6WENN • ZASU PITTS Original play by HOWARD LINDSAY and RUSSEL CROUSE Screen play by Donald Ogden Stewart—from Oscar Serlin’s Stage Production • Music by Max Steiner Directed by MICHAEL CURTIZ H beginning with this engagement the 1 EARLE THEATRE WILL BE KNOWN AS I "UfARN R THEATR H TV 1 tth $1. K.W., Ntir F k Hollywood: ‘Menagerie’ Cast Gets Fonda, Maybe Ethel By Sheiloh Graham Henry Fonda is the boy in Charlie Feldman’s movie version of "The Glass Menagerie.” Jeanne Crain is definitely set as the girl. And with Helen Hayes out as the mother— Helen just isn’t in the mood to make a movie—you can expect Ethel Barrymore to take over the role made famous on Broadway by the late Laurette Taylor. Now I learn that Hedy Lamarr plans to plav three roles in “The Tales of Hoffman” when she makes it into a movie. Hedy will run the gamut of hair dyeing—she’ll be a biona, a reaneaa ana ner own nat ural brunette! Van Johnson came back from his personal-appearance tour loaded to the teeth with baby clothes- Ador ing fans showered him with every thing. Mickey Rooney moaning all over town, "I want a home for my two babies!” The two children are living with Mickey’s mother in the Valley, until he ccrtnes up with something large enough in the way of a house. Mickey sold his house when he sep arated from his wife. Jackie Coogan found a way of tak ing his personal-appearance tam ings out of England. The agency which sent him there paid him here in dollars on his return. Jackie had a tremendous triumph in England, where they still think of him as “The Kid.” * * * * John Payne and wife Gloria De Haven returned from their big Bear vacation showing no evidence of having marriage trouble, as reported. Leo McCarey has a tough religious problem in his current picture, “Good Sam.” There’s a Protestant minister in it. Protestant church authorities want him to be very serious. But the role is on the AMUSEMENTS | TRUMAN IN RIO —1 BETS 8BEAT BREETINB NATIONAL AIR SHOW Sensational Speed, Stunts AMERICA WINS DAVIS CUP Schroeder Victor in Finals N. Y. GIANTS CRUSH COLLEGE ALL-STARS WHAL Newscast • Lut Show 10:46 ■ humorous side and Leo doesn't | want to change it. “So," he tells me on the set, “I think I'll switch j and make him a Catholic.” If he | does, Frank McHugh will get the I part instead of Singer John Charles Thomas. Gary Cooper in the same movie looks like a bolied beetroot. He has a case of sunburn—all over his body, he says. And it hurts when he hs to bend down and carry Ann Sheciaan. It would hurt more if he carried me (wishful thinking!). I’m heavier than Ann, who is still taking three eggnogs a day to gain weight. George Brent on the set of “Luxury Liner” describes how he is going to Tahiti next month, And it does not include a luxury liner, “I’m taking a Dutch freighter,” says George. The fare money is $250 one way. Ana ne is traveling ngnt— a couple of pairs of shorts, and a sports suit.’’ He will not be taking Janet Michaels with him. “I’m not getting married—ever,” says George, with finality. Barbara Stanwyck has cut off most of her hair, and Robert Taylor is delighted. He's been trying to get Barbara to snip her long bob for years. Now she has to do it for the flapper period scenes in ”B. F.'s Daughter.” * * * * This is certainly Lana Turner’s year. Now I hear she is down for the fascinating role of Grushenka in “The Brothers Karamazov” at AMUSEMENTS | ST Ha RYAN tm t---1 “ tw _ 4> JO I I SEATS ...... rr ' "IRRESISTIBLE!” muit-mni, * "A TRIUMPH!" «Miininu« l l.-r rilHt NOEL COWARD’S THIS HAPpy SPEED* in ijer/ttitcc/ct Cefu Robert Job« Sljnlfy JOHNSON NEWTON MILLS HOLLOWAY THIRD WEEK! AIR CONDITIONED AT O’BRIEN WALTER SLEZAK j ANNE JEFFREYS * WWf JL J'Tj^fTVTTTryiTlllil 8 i i 1 *11 k\" J " I y k HEB mmmm*mm^^LASTTMEWODAY Bins CROSBY • Barry FITZ6EBAUI- 'Welcome Stranger’ ; * y S Metro. Bob Taylor, by the way. would be Ideal for the leading man's role. And Michael Chekov will probably snag the part of the sleazy old father. Carmen Miranda will not be in the line-up when Monte Proser opens his new Copacabana in De cember on the site of the old Troca dero. Originally they were having a special room called the Miranda Room. Now they are cutting ex nenses—hut. riot, the dresses of the NATIONAL (Air-Conditioned) | ! THRU HEn SUNDAY MAT. AND NI6HT Eve*. 8:30 Mat*. «Ved.. Sat.. San. 9:30 HAILA STODDARD in 3S0! Ere*. 81.90, 81.80, 89.40 Oreh. 83.00 Mats._81.90._81.80. 89.40 (Tar Incl.) 3 Weeks Beg.'Next Monday at 8:30 Matinee* Wednesday* and Saturday* l»t Play Theatre Guild-ATS Season CORNELIA OTIS SKINNER fcVoSCA* WIIOC . (wC ^ with ‘if / •AVID MANNERS • IRAMWEll EllJCHIt Jj V JUDITH FELLOWS • REX EVANS ESrtllE WINWOOD T, ky CECIL IEUO*—Oi'.iltS ky J*C( MI*ST1* Eves.: $1.90. $1.80. $9.40. $3.00. $3.60 Mats.: $1.90, $1.80, $9.40. $3.00 Seat Sale Thursday MUiriillnjf.lirJ. wfT0WER 8800 TWO BIG HITS! OPEN 7:30 STARTS 8:00 TONIGHT AND TOMORROW AT 9:45 WILLIAM BENDIX DENNIS O’KEEFE "ABROAD WITH TWO YANKS" 2ND BIG HIT! I At 7:55 and 10:55 "GLASS ALIBI" ’ showgirls, which will put Mr. Proser back $40,000. There's a new about-to-be Amer j AMUSEMENTS ican citizen — Phillip Friend — brought here by David Selznick a (See GRAHAM, Page B-15.) ‘ AMUSEMENTS ” a (B!i)6HBB» \ Paramount's "arm-in-arm' behind ihe scenes tour with Hollywood's :V'^7 ¥ BURT LANCASTER 1 i RING CROSBY GA,L RUSSELL 21S? unDt' DIANA LYNN rSov^rnnDPP STERLING HAYDEN ™ ROBERT PRESTON SIIn ADD VERONICA LAKE SIIX.A cT.yuivmr LUND SimmlSmm W,LUAM BEND,X V SSD BARRY FITZGERALD : « , ?°UR CASS DALEY ;■ SONNY TUFTS HOWARD DA SILVA I sssrsm ■—«« LIZABETH SCOTT i MARY HATCHER CTMP9L1 ■ ICrtoJ ///nco m -TV0/IV , I “CONE WITH THE WIND” I J <d kea/it-Atfrq fob mty imtum wAokat lm<C II ... fti ev&u/mm wk& km At/uu/&d! 41 The heart-story of a man who was loved by two women! His melodies-which are sung by all sweethearts-kindled a billion kisses! We bring back one of the finest, most excit ing musicals Hollywood ever produced. It's as new today as the day it was made. If you didn't see it before, a fine treat awaits you. If you did, you'll want to re-live its thrills! C. JOHANN STRAUSS II i^onqrs... YOU'LL IOVE TO HEAR/ ■ THE BLUE DANUBE" "TALES OF THE VIENNA WOODS" "ONE DAY WHEN WE WERE YOUNG" I M IN LOVE WITH VIENNA" AND OTHER MELODIES MGM’s MUSICAL MASTERPIECE gloriously re-presented I RAINER GRAVET ^ I Ml LIZA KORJUS ' (WORLD'S FINEST COLORATURA (OICE) 1 ■ mi HUGH HERBERT • LIONEL JtTWILl || Mr Screen Play by Samuel Hoffenstein and Walter Reisch Directed by Julien Duvivier_ P f CZrut (Pk '66e V\ The Most Baffling Magic Show of All Time w IN PERSON World Famous Magician & Hypnotist II JOHN CALVERT I The Screen’s New “FALCON” |V and his MAGIC and MODELS Show I Starts TOMORROW rnrU Tnrtau Victor Nature • Brian Donlevy • “The Kiss of Death* lIIuj lUlldy On Stage . . . Bob Evans • Andre, flndree & Bonnie JIW r~ * • . T " 111,1 mu 'Tiwr.,, i ■■■n ■., I... TiniW. ‘ ’ A ^ »