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: Lrentleman s Agreement” Has Its Brave Say at the Palace * By Harry MacArthur i u Gentleman’s Agreement” Is a distinguished motion picture. It is brave in having something to say about a problem of living today and it is outspoken in the saying of it. It has been directed with rare understanding by Elia Kazan. It is superbly acted by Dorothy McGuire, Gregory Peck, Celeste Holm, John Garfield, Anne Revere and the lessex mlflVArs Monv rtf Ur ___ :a considerable dramatic wallop, a Producer Darryl P. Zanuck should be prouder, however, of the fact that -he had the courage to make it than of the fact that it won the Academy Award as the best motion picture of 1947. It is not the best motion pic ture of 1947. The new Palace film .is, though, one of the finest steps in the right direction Hollywood has taken in many a year and if honors are distributed on that basis it de serves every one it receives. "Gentleman’s Agreement,” as you know if you read Laura Z. Hobson’s novel of the same name, deals with anti-Semitism and it minces no words in dealing with it It is brave -enough to protest the expressions "kike” and “dirty Jew" by admit ting that they do exist and letting •them get onto the sound track. It is a picture with a message, but it is not a preachment; the message 'is an Integral part of a sequence of •dramatic events. * * a * s Moss Hart’s screenplay for the 20th Century-Fox picture follows closely the story pattern of the book from which it was adapted. Its hero is an intense young writer, who is assigned to do a series of articles on anti-Semitism for a magazine. Seeking a new “angle,” he comes up with the decision to seek his in formation first hand, to pose as a .Jew himself to see what happens. What happens startles and shocks jhim. He meets anti-Semitism where ihe never knew it grew before. Im ! mediately, when he tells his girl friend of his plan, his romance is •thrown into a state of tension. “You’re not a Jew, are you?” is her first regftion. “Oh, it wouldn’t •make any difference, of course. But ’you’re not, really, are you?” The pounding horror of anti Semitism builds up as the writer fleams how it is to be a Jew. He meets anti-Semitism in his Jewish secretary, whose distaste is for “that other kind, the kikey ones.” He meets it in the protesting some-of my-best-friends-are-Jews types. He meets it when his son is tormented by bullies who “won’t stay and fight; they just yell and run away.” He meets it everywhere, in outright discrimination and in small, pain ful darts of insult. Everywhere, he adds information to the series of articles he has in the work. A learned scientist ex plains that, as a scientist he has no religion and, also as a scientist, he knows there is no such thing as a Jewish race, therefore he is a Jew only because people call him one. The writer’s childhood friend, a Jewish Army officer, returns from overseas and tells him he is a fool for deliberately seeking out the in dignities his masquerade is sure to bring on. * * * * “Gentleman’s Agreement” piles up an increasing dramatic impact as its hero discovers some of the more brutal facts of life. It becomes In creasingly ,fcense as he- learns about anti-Semitism on itslargl scale and sees it wrench from him the girl who claims not to be anti-Semitic, but who accepts it in her friends with calm, who sees no harm in the “gentleman’s agreement” to re. strict home ownership in a fashion, able part of Connecticut. It is a motion picture with a strong emotional drive. It becomes something less than a perfect ex ample of cinematic art, however, when: it works toward a conclusion that seems all too contrived. In the latter moments of the story. Miss Hobson first and Mr. Hart after her have dropped the curtain of inevitability to let them selves be seen pulling strings. The message must be gotten across, so the writer’s mother reads it in an excerpt from one of his articles. His Jewish friend must find a house so he can bring his family East and take an offered job, so the writer’s girl friend finally consents to let him have her place in that “re stricted” section of Connecticut. This, of course, proves that she is taking up the fight, so the writer rushes to her arms. The complaint is not that anti Semitism is not likely to end that abruptly and happily, but rather that the whole climax seems a shade too pat. * * * * This does not mean that “Gentle “GENTLEMAN'S AGREEMENT.” * 20th Century Pox picture produced by Derry) F. Zanuck. directed by Elia Kazan, screen play by Most Hart, from the novel by Laura Z. Hobson. At the Palace. THE CAST. Phil Green-_j- Gregory Peck Kathy-Dorothy McGuire Dave -John Garfield Anne -Celeste Holm Mrs. Green-Anne Revere Miss Wales- June Havoc John Minify-Albert Dekker Jane- Jane Wyatt Tommy .-Dean Stockwell Dr. Cralgle-Nicholas Joy Professor Lieberman_ . Sam Jaffe Jordan — - -Harold Vermilyea Bill Payson—:_Ransom M. Sherman Mr. Calkins- Roy Roberts Mrs. Minify-Khthleen Lockhart Bert McAnny_ Curt Conway Bill- John Newland Weisman-Robert Warwick Miss Miller-Louise Lorlmer Tingler-Howard Negley Olsen-Victor Klllan garry-,_Frank Wilcox eceptlonlst_Marlyn Monk Maltre D-Wilton Grail Clerk_,_Morgan Farley man’s Agreement” is a picture you can afford to miss, however. It is, rather, a picture you must see. One reason for not passing it up is that you would miss one of the finest sets of acting performances gathered to- • gether in one picture in a long, long time. There is ample evidence of this in the fact that Miss Holm won an Academy award and Mr. Peck, Miss McGuire and Miss Revere were nominated. Mr. Peck, as the writer; Miss Mc Guire, as his opposite in the tor- ; mented romance; Mr. Garfield, as his close friend; Miss Revere, as the fashion editor who represents the non-Jew; who is not anti-Semitic, are excellent in the film’s every . phase. Each of them shows a sym pathetic understanding and there isn’t a stray false not in any of their performances. There isn’t a false note in any of the acting in “Gentleman's Agreement,” for that matter. Mr. Kazan’s direction is knowing and marked by human touches that help make the film well worth your while. Mr. Zanuck’s courage in marching the screen a dignified step forward also makes “Gentleman’s Agree ment" something you will want to see. Where and When Current Theater Attractions and Time of Showing Stage. National — "Spike Jones’ Musical Depreciation Revue”; 8:30 p.m. Screen. Ambassador—"Robin Hood”; 1, 3:05, 5:15, 7:20 and 9:35 p.m. Capitol—“Three Daring Daugh ters”; 10:30 a.m., 1:25, 4:15, 7:05 and 10 p.m. Stage shows: 12:45, 3:35, 6:25 and 9:15 pm. Columbia—“Tarzan’s Secret Treas ure”; 11 a.m., 12:45, 2:35, 4:20, 6:10, 8 and 9:45 pm. Dupont—“The Roosevelt Story”; 11 am., 12:45, 2:35, 4:25, 6:15, 8:05 and 9:55 pm. Hippodrome—“That Hamilton Woman’*;' 2:15, 4:40, 7 ahd 9:30 pm. Keith’s—“The Senator Was Indis creet”; 11:50 a.m., 1:50, 3:50, 5:50, 7:50 and 9:50 pm. Little—“The Barber of Seville”; 11:15 am., 1:25, 3:25, 5:25] 7:30 and 9:35 pm. Metropolitan — “Bill and Coo”; 11:55 a.m., 2:10, 4:30, 6:45 and 9:05 p.m. Palace — “Gentleman's Agree ment”; 10:30 a.m„ 12:40, 2:55, 5:10, 7:25 and 9:40 p.m. Pix—“City Without Men”; 2, 4:50, 7:40 and 10:15 pm. Trans-Lux — News and shorts Continuous from 10:15 am. Warner—“Robin Hood”; 11 a.m., 1:10, 3:20, 5:30, 7:45 and 10 pm. British Competition Will Be Welcomed By Hollywood The film agreement with Great Britain sets the British film industry up as a competitor of Hollywood, Eric Johnston, president of the Motion Picture Association, told a press conference yesterday. Mr. Johnston, who is just back from ne gotiating the agreement, added, “and we think that is a good thing.” Both industries have the same ideals, he said, and will complete in acquainting the world with democ racy. J. Arthur Rank, British film pro ducer was Mr. Johnstons guest at the press conference. He said that his- company hopes to send 30 films to America this year as against 20 last year. He listed some of his new 1 products for export. They were "Hamlet,” “Oliver Twist,” "Little Red Shoes,” “Christopher Columbus” and “Scott of the Antarctic.” COMING HERE — Director Frank Capra will be in Wash ington early next month for a special press review of his “State of the Union,” screen version of the Russel Crouse Howard Lindsay play. The film will be shown to the press and Government officials the night of April 7 at the Capi tol Theater, the showing to be sponsored by the White House Correspondents’ Asso ciation. Spencer Tracy, Kath arine Hepburn and Van John son are starred in ‘‘State of the Union.” Hed Cross Aide to Speak Wilfred de St. Aubin, who has iust returned from service as rii •ector of the American Red Cross issistance program in Hungary, will iddress the Washington Building Congress at its luncheon meeting it 12:30 p.m. Monday in the May flower Hotel. The subject will be ‘Postwar Life in Central Europe.” Hollywood: Gable to Have Important Support By Sheilah Graham Robert Taylor will replace Van Johnson in “Monty Stratton,” if he okays the script he is now reading. Clark Gabie-s "Command De cision” will get top treatment in the way of a surrounding cast for Clark. It’s an all-male picture and among those penciled in for big roles are Walter Pidgeon, Van Johnson, Rob ert Walker and John Hodiak. The day when one star could carry a picture by himself seems to be over. Louis Jourdaln is the most likely candidate for the part of the bad boy painter in "No Minor Vices” with Dana Andrews and Lilli Pal mer. Dana plays a pediatrician, and Lilli is his wife. It’s Jourdain who will have no minor vices. 1 Lilli Palmer, by the way, will star for J. Arthur Rank in "A Warning to Wantons,” which she describes as “sexy, thrilling, adventurous, and very amusing.” She’ll do it in Lon don this summer, while Husband Rex Harrison makes his movie for Korda. Now the question is will Rex get to England for the summer, with 20th Century-Pox wanting him to stay here to star in "Lady Wind mere’s Pan”? Helen Hayes is in Hollywood, but she will not do a movie of her stage hit, “Happy Birthday.” When I query her husband, Charles Mac i Arthur, on the subject, he moans, ;“Heaven forbid! Helen will never ; ; I II. _ I make another movie.” So this also knocks on the head the hope of Charlie Feldman that Miss Hayes will star for him in his film produc tion of “The Glass Menagerie.” * * * * James Mason, according to Jack Benny-, who should know, will be in Hollywood to appear on his radio show on either April 11 or April 25. "He’s been delayed by his suit with David Rose,” Jack tells me. Shirley Temple has refused the offer by Bernard Straus to take over June Lockhart's role on Broad way in “For Love or Money.” In the first place Shirley does not want to do a play. In the second, her boss, David Selznick, won’t let her. Joseph Cotton and Robert Mit chum can both relax. Each was panting to plav the lead in “The Harder They Fall,’' from the Bu Schulberg story. But now the pic ture has been shelved, at lea! temporarily. Diana Lynn is up for the bes role of her life—to play Mrs. Mik In the picturlzation of the best sells for Dick Powell and his independen company. I guess this means Did was unable to borrow his wife, Jun Allyson, from Metro. R«l«os«d by fa# North American Ntwspopr Alliona AMUSEMENTS EVENING PARKING 40* CAPITAL GARAGE 1U0 N. Y. At*. N.W. Betw**n 13th aad 14th ADVERTISEMENT. Overcome the Causes of Baldness—ACT NOW!] Washington, March 25, 1948. You don’t have to accept bald ness. Scientists agree that if your scalp is properly treated when the first signs of approaching baldness appear, you can save your hair. You will surely become bald, however, if you ignore increased hair fall, itching, dandruff, excessive dry ness or oiliness. These are the first symptoms that your hair needs attention and when you notice them you should visit the Hair and Scalp Clinic for a Free, Private Examination. They will tell you exactly what can be done for your hair, how long it will take and what the reasonable cost will be. If you are accepted for treatment, modern scientific methods, will eliminate the causes of hair loss, your hair will thicken, your scalp will feel healthy and alive. The appearance of your hair will improve, and you will learn how to care for your hair—how to keep it healthy and strong. Come in today for your free examination. The Hair & Scalp Clinic, Inc., office is located at 606-609 Bond Bldg., S.W. Cor. 14th St and New York Ave. N.W. Hours: 9:30 A.M. to 7:00 P.M. Saturdays • :30 to 4 P.M. Phone Executive 3832. < t t AMUSEMENTS Constitution Hill, Next Thu, Eva, March 30 Billiant Piano Virtnooo HOROWITZ Only Washinrton Appearance This Seaton In Ruital—Seats Now on Sala Hn. Dorsej’,,1108 G (Campbell',) NA.,181 <y U5T-2.MYS! *&ar6erofSevi/Ie FIGHT Tickets Now On Safe Rocky Graziano-Sonny Horne Uline Arena—Monday, April 5 Liberty A. C„ EX. 9178, ME. 8610 (19 9th St. N.W._ AMUSEMENTS I — p=r SlIPER SPORT SHOW 1—1 GRAND NATIONAL 1—1 STEEPLECHASE 50-to-l Shot Wins Him Happy U.S. Ticket Hold in 4 OREAT RIRB CLASSICS Th« Hozlti' Acutomr Awird Wlrnwo IN THE NEWSREELS—35 IMPORTANT VITAL EVENTS KIDDIES’ SHOW EVERY SAT., 10:15 WMAL N>w»f■ fits • Last Show 10:4S r&P Razor's Ed#*" | tjc I few Tyrm Pm-dn Tlernry | - I ^ rm. N rM . One mile from 14tH St. J into Arfinjrtor^^^d HffffffyfymyyfyyyfMT <z4kfcll.-w.iiW siwffll <0 5 I IZ1 SEATS ' ■ M i -)TH STARTS SATURDAY MM M M AT MARCH 27 r, 'DOORS OPEN 9:45 A. M. KEITH’S GREAT... o$ o story, * ’ * • book, • ftoje httl Now More Wonderful on the Screen! •ncyc nUNr co-starring * BARBARA BEL GEODES , OSCAR HOMOLKA- PHILIP DORN with SIR CEDRIC HARDWICKE* EDGAR BERGEN* RUDY VALLEE* BARBARA O’NEIL 20 YEARS OF ACADEMY jl AWARD WINNERS! igsEE ALL THE STARS. INCLUDING THIS YEAR’S “WINNERS yW\F WILLIAM POWELL ^ p ^ 1 "THE SENATOR WAS INDISCREET” ' TMnEZZZIESMi i Starts TODAY Open 10:45 I Tarzams ► Secret TREASURE'! XV. * AMUSEMENTS NATIONAL,!^ r,5, TONIGHT, SAT. MAT. and NIGHT SPIKE JONES and hit “MUSICAL DERRECIATIOR REVUE” Ft«firing THE CITY SLICKS! 14 VandarlUa Acta and DOODLES WEAVES aa "Profeaaor Feltlcbanm” 2’/i Hours of Musicil Madness I mil FLYNN LlflA DeHAVILLAND *WieJldventures cf ROBIN HOOD' ' l I w $ CARSON 1 ann »mJ SOTHERNTi ROBERT ALM*S.ISAKMLp] ft m 41 ~ '■ **-■ ■■ T i,n .. ii ;-r-:♦• f:: Starts TODAY # A I ffl/nO/iA IllN FERSON^MARSHALL THOMPSONlI || TODAY ONLY * 2 Performano>t—12>45 t 3i35 E.M,' 1 r‘ „s mlABWeSlv Dlf«B®® I vicftey-Diru MAUREEN CANNON Singing Star of "Up in Central Park" THE DEBONAIRS Aristocrats of Dance FREDARRY’S TRIO J Fun on Wheels 1 COLEY WORTH & MARCIA SAM JACK KAUFMAN A Capitol Orehostra Present l EASTER FESTIVAL NVERTljRE featuring KAY DEWlTTjF * < Grand Reopening Easter Sunday! All new and beaa tifnl. Alan Ladd and Gail Rnieell in "CALCUTTA.1' “LITTLE MISS BROADWAY.” '_ TODAY'S NEIGHBORHOOD MOVIES CAROLINA n,h \1; CU7*TSE "MASQUERADE IN MEXICO." DOROTHY LAMOUR: Plus "DILLINGER," LAWRENCE TIERNEY. CIRCLE 2105 Po- Av*- NW- RE-0184 JOE E. BROWN. RICHARD LYON In "THE TENDER YEARS.” at 6:20. S. 9:45. DUMBARTON 1349 Wis. Ava., Ml. 1134 Two Main Hits, Doors Open 5:15. EDDIE CANTOR AND GOLDWYN GIRLS In "STRIKE ME PINK"; Plus "ALIAS MR. TWILIGHT.” FAIRFAX TREATER Routes 50, 20, 211—Free Parkins "INTRIGUE," GEORGE RAFT, JUNE HAVOC. GREENBELT Greenbelt, Md. GR. 2222 GRjIER GARSON. ROBERT MITCHUM In "DESIRE ME." at 7, 9, LIDO 3227 M s,< N W- Ml-3890 Double Feature Program. "THROW A SADDLE ON A STAR"; Plus ‘THE PIL GRIM LADY." LITTLE 9th St. Above F j “BARBER OF SEVILLE.” DM M 2402 Mt. Vern. Av.„ Del Ray, Alex, riusn ov 3J60 Cont From 6;30 CHARLIE CHAN In “THE CHINESE RING." Plus “IMPERFECT LADY," Two Big Fea tures for the Whole Family, Plus Shorts. SYLVIA THEATER FrAT.exonia,10Va (At Ward’s Service) Free Parliinf “ESCAPE ME NEVER.” ERROL FLYNN, IDA LUP1NO, ELEANOR PARKER, at 7, U. XTflTF "hone Fall* Church 1333 ainili Shows 7 and 9 P.M. •'THUNDER IN THE VALLEY," PEGGY ANN GARNER, LON McGAL LISTER 1 PP A Treat for the Entire Family “““ Shows 7 and 9 P.M. “MY WILD IRISH ROSE." DENNIS MORGAN. ANDREA KING_ ARLINGTON "INTRIGUE." GEORGE RAPT. JUNE HAVOC. Hill CAU 1729 Wilson Blvd. TTlLSUn phon> ox 1480 "THUNDER IN THE VALLEY." PEGGY ANN GARNER, LON McCAL LISTER._ ACHTftll 3166 Wilson Blvd. naniun Phon, oxford 1139 "PHANTOM SHIP." BUCKINGHAM "INTRIGUE.” GEORGE RAFT, JUNE | HAVOC. nv rnr 2130 no. Gut>« Rd. ULLOIj Fre* Parking. OXford 4266 Hemrinr Aid*. "CASS TIMBERLANE." LANA TUR NER. SPENCER TRACY. RVnn 104 S- Wayne St. D«nu Arlington, Va. OX. 17SJ "PERSONAL COLUMN." GEORGE SANDERS. LUCILLE BALL.j HFFD >//'} *M19 iT-~AL*x- 3440 nCiCaW Parking Space. WALLACE BEERY, TOM DRAKE In ALIAS A GENTLEMAN.” VIRGINIA M—il!.B^i3*31,,st ROBERT TAYLOR. AUDREY TOT TER in “HIGH WALL.”_ RICHMOND8,9 kZsUl- 9226, GENE AUTRY. JEAN HEATHER In •THE LAST ROUNDUP/'_ CENTRE Fairlington, Va. YE. 1000 ‘ABIES IRISH ROSE.” JOANNE DREW, RICHARD NORTH._ SHIRLINGTON SS2T*. ■'ALBUQUERQUE.” RANDOLPH SCOTT. BARBARA BRITTON_ —SIDNEY LUST THEATERS—1 nnrvr III On Balto. Pike, 5 Min. . iinivL-in Po„ b of Md TO Jg00 j _Rfojem Friday, April g. 6:30 P.M. * HIPPODROME^ U *6-^ I “THAT HAMILTON WOMAN." I BnHESDAWi‘AwT^«r Free Parkin*—Open 6. f Today. Tomorrow. Saturday. “ALBU- .1 QUERQUE." RANDOLPH SCOTT, BAR BARA BRITTON, at 7:10. 9:25. I MILO Md. Rockville 2434 Today. Tomorrow. "RIDE THE PINK HORSE.' ROBERT MONTGOMERY. WANDA HENDRIX, at 7:25. 9:40, | YAVUfAflM Eastern Ave. Bet. R. I. IWt I Y¥ UUV & M|eh Av#, WA gg99 Free Parkin*—Hearing Aids. I Today. Tomorrow, THE TENDER YEARS." JOE E. BROWN, at 6:10. 7:58, 9:45, | PA Mr ft Mt. Rainier, Md. IrfinCiU WA 9746 Two Hits Today. Tomorrow. “TO EACH HIS fl OWN." OLIVIA DE HAVILLAND; Also 1 “NEWS HOUNDS." Last Complete I 8hcw 8:29._I HYATTSVILLE ! Hyatts. 0552—Free Parkin*. Todav, Tomorrow, “NIGHT SONG,” DANA ANDREWS. MERLE OBERON, at 7, 9:30. CHEVERLY °r,*n“ Hi9Ph,waiL, v • at Landover Rd., Md. ^ UN. 01—Free Parkin*. Today. Tomorrow, "I N T R I G U E.M GEORGE RAFT, JUNE HAVOC, at 6:15, MARLBORO Upp"r,Mo^jro' Md‘ Today. Tomorrow. "RIDE THE PINK HORSE.’ ROBERT MONTGOMERY, WANDA HENDRIX.” at 7:20. 9:20. 1 -- - - ---- i ! M ■ • M B dfv earn & mats. av*. re tt : WO. 4400 Cont. 1-11 P.M. LARRY PARKS in THE SWORDS MAN” (in Technicolor), at 1:40, 3:40, 5:40, 7:40. 8:40.I 1*1 1* 1331 H St. N.E. AT. 8300 #11 lilU Double Feotura, Cont. 1-11 ROBERT CUMMINGS. SUSAN HAY WARD In "THE LOST MOMENT1; Plus ROBERT YOUNG. ROBERT MIT CHUM In •'CROSSFIRE." •ni ■ TAD Minn At*, ol fanning •UVAIUn ltd. N.E. T8. 2400 Free Parkinr. C-8 Bns t« Deer DANA ANDREWS, ETHEL BARRY MORE. HOAGY CARMICHAEL in • NIGHT SONG.” at 1:20, 3:25, 5:30, 7:35 9:40. NAYLOR M,h * Av,b°^ooAv*'s e Free Parkinr—C-2 Bun to Door. LARRY PARK8 In “THE SWORDS MAN’’ <in Technicolor;, at 6:30 S:10. HISER-BETKESDA 74U™:JT LARRY PARKS. ELLEN DREW In “THE SWORDSMAN." Technicolor. At 6, 7:50, 8:45 P M. / WARNER BROS/THEATERS For Additional Information. Phone Theaters Direct or Call REyublic 0800 __Theater! Having Matinceg. AMBASSADOR,.";-^ Jack Carson, Ann Sothern in "April Showers," st 1, 3:10, 5:20, 7:25. 0:40. BEVERLY 15,h 4 F n.e. dc.vc.iili u 3300 Mot , PM Michael Redgrave in "The Smuggler!," at 1:10. 3:15. 5:20. 7:25. 9:35. CALVERT *»'»■ V Dana Andrews. Merle Oberon in “Night Song, at 1:05. 3:10. 6:16. 7:20, 9:30. CENTRAL Eddie Dean in "Shadow Valley." at 11, 1:25. 3:55. 6:25. 8:50. Laurel and Hardy in "Swiss Miss,” at 11:50, 2:25. 4:55, 7:20. 9:50 _ KENNEDY .-"S Barbara Stanwyck. "The Other Love.:1 at 1:10, 3:15. 5:15, 7:20, 9:25. PFNN p°- Av<- «' 7,h S.E. ruin FR. 5200. Mat. 1 P.M. Dana Andrews. Merle Oberon In "Night Song." at 1, 3:05. 5:10, 7:10. 9:20. SHERIDAN ^;^*m“m. Douglas Fairbanks. Jr., in “The Exile,” at 1:15. 3:20, 6:20. 7:25, 9:25. CII VPB Go. Av*. & Colssvill* Pik* OILY Lit SH> 5300 Mot , pM Douglas Fairbanks. Jr., In “The Exile.** at 1:15. 3:20, 5:20. 7:25, 9:35. TTVOI f 14th and Park Rd. ti.W. ’ AAVVAlA Cq 1800. Maf , pM Dana Andrews. Merle Oberon in "Night Song," at 1:05. 3:10, 5:15, 7:20, 9:30. UPTOWN Conn. Av*. and Newark wa ivnn WQ 34Q0 Mof , pM Loretta Young. "Lady From Cheyenne," at 1:25. 3:25. 5:25. 7:30, 9:30. Theater! Having Evening Performaneaa. APOLLO 624 M s* N c nr will, w FR. 5300 Joan Bennett., "Secret Beyond the Door." at 6. 7i50, 9:35. AVAI AN 5412 Conn. Av*. N W.~ HVHLUn wo 2400 Douglas Fairbanks. Jr.. "The Exile.' at 6. 7:45. 9:35 AVE. WAND 643 *•,&«■SE Edward G Rcbinson in "81tght. Case of Murder," at fi lo. 8:95, 9 50. COLONY go. a^-kw— Robert Mltchum. Jane Greer in “Out of the Past.” at 6, 7;50. 9 45 HOME 1230 C St. N.E., TR. 8188 Gary Cooper In "The Plainsman." 6. 9:15. Kim Hunter. 1 Betrayed," at, 8:05 MacARTHUR4339 Blvd' Dana Andrews. Merle Oberon in "Night Song," at 7:05. 9:30. SAVOY omTlO, 9:50Maln StrMt Kid" Pt SECfl 8244 Ga. Av*., Silv*r Spring SH. 2540. Parking Spac* Joan Fontaine in ‘ Ivy/’ at 6:30 9 40 •Rose of Rio Grande.” at K:lf>. TAKOMA st5 GE. 4312. Parking Spac* Wiliam Elliott. "The Fabulous Texan." e:40. 9:55. Jean Porter in "Two Blondes and a Redhead." wr 8:15. YORK Go' Av*- and Quebec PI. N.W. RA. 4400 Walter Pidgeon. Deborah Kerr In "If Winter Comes," at 6, 7:55, 9 50 1 ■4 m n 3 3 ■I THE VILLAGE !307 Phone MI. 9227*' PARKsfjELIJW DDREW * LARRY NEWTON ,2,hs*NNTn Wi,h Hearinf Aid Phone*. MBRLEOUM& DANA ANDREWS. JESSE THEATER 8* l'T* oli. N.C. Phone DU. «8«l. Double Feature. “PIRATES OF MONTEREY" MARIA MONTEZ. ROD CAMERON “B E TR A Y E D. ' KIM HUNTER, DEAN JAOGER SYLVAN ■' s*- * *. i a^TnTw: Phone NOrth 9689 Double Feature, “DOWN TO EARTH '; I'oSnrX^-ARKS RITA HAYWORTH, tissgxLitsr “*• efw VERNON One Block From Presidential Gardena. Phone ALex. 2424. „JEZABEL, ' BETTE DAVIS, GEORGE BRENT. ACADEMY 333 •* St- * E nvnaeiu* * 1 LI. 9614 Dnuble Feature. “SCARLET PIM fERNEL. 'LESLIE HOWARD; “JIOGS AND MAGGIE IN SOCIETY," JOE YULE. RENIE RIANO. Mat 1 Sf STANTON 3'3 <rs3^7N E P°“*>1« Feature, “THEY' WON'T BE LIEVE ME.' ROBERT YOUNG Jp-lSA-*',, HAYWARD, “GHOST GOES PA#Kro ROBERT DONAT. JEAN -1---—■ ■ ~-rg Fairlawn Amuse. Co. Theaters HIGHLAND 2333 £nnVr 11 LARRY PARKS. ELLEN DRFW in i" ATLANTIC N.. t,,a"'ic s’ »' Nichols Ave. LU 7662 DANA ANDREWS. MERLE OBERDN song.” .^^ichael ^ OBNErG°„NT CONGRESS 2931 NiehoU_A».~S.I ““ TR. 8700 RANDOLPH SCOTT In "ALBUQUER QUE'' Ha Color), at 5:15, 7:55. 9:40 FAIRLAWN1342 ki:s.£. Double Peature. BING CROSBY. BOB HOPE. DOROTHY LAMOUR )n 4 ROAD TO UTOPIA.” at, 6:35. 9 45; GAIL RUSSELL in “OUR HEARTS WERE GROWING UP.” at 8 LAUREL Laurel, Md. Laurel 113 INGRID BERGMAN in a Reissue #1 ‘ INTERMEZZO—A LOVE 8TQRY ." MAC8ITIA Motine* Daily MICHAEL REDGRAVE In ‘THE SMUG GLERS ' tin Technicolor), at 1.20. 3:25, 5:25. 7:30. 9 30._ CAPITOL Copi,„°; •J3F*- ^ SPENCER TRACY. LANA TURNER -CASS TIMBERLANE,” at « 45. 9:15. /r