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EX. 5524 -MANUFACTURERS AL5ED To itoro Jowor itorm »osh for wmmw — 4* to up per section of AlSCO Storm W»n ric<* irome ALUMINUM STORM WINDOWS AND DOORS cREt Oen'onS'ra"°n m \ V* « line nr T)roP COMbtNA UON STORM-SCRETN t>00« Sample Fares Oot i*A .n*^ - * t„ 1 n trip* *>"r 70 1 -5® Baltimore -- i j4 H'»» in 45 18.85 SSSSfr 11 »»i»» 45 35.05 ft iillllS"'' *o»H"«' ' I \ trip *•'•'» ... j 25 6*05 lChorlott*viH« *■» ft ii trip*<|a,,r 4 75 8.55 1 io trip* «*«*'» j 7o 6.70 7 25 13.05 ■gsirtJ-' i trip «*•*** 9 05 18.30 W,££i^'' ■ iSiTS* Lynchburg - X:H 10T trip* ^•’’r * 55 6.40 TRAILWAYS LOW FARES, DIRECT ROUTES, GET YOU THERE AND BACK AT BIG SAVINGS Thru Buses From Wathington to: CHARLOTTE 4 Trips Daily NEW YORK 11 Trips Daily LOS ANGELES (9km*rican Bus) 1 Trip Daily GREENSBORO 4 Trips Daily READING 4 Trips Daily $745 on*way.. ■ round trip $13.45 $050 on* way .. V round trip .$6.30 *43'« on* way round trip $77.60 SC65 on* way . . W round trip $10.20 $016 on* way . . V round trip .$5.70 PIUS TAX All Butt* Leave 5ft Shenandoah Hational Park via The Shyitno Drive. Special Trail way Daily Bat Service. Coil for reservation!. TRAILWAYS BUS TERMINAL 12th St. and Naw York Av#. N.W, Phone District 4200 All tchedulet operate Eartern Standard Time TRAICWAyS Pianists Perform at Galleries; 'Carmen’ Heard at Water Gate By Alice Eversman Piano recitals were the order of 1 the day in the' two galleries yester- j day and at the Water Gate, the Chicago Opera Company was fa vored finally by the weather so that its performance of “Carmen” could be given. As it happened, this all summed up to a good musical fare, for the in-between season. In the Phillips Gallery, Carol Finch played a conservative program with fine ’ spirit in the afternoon, and at night Vivian Harvey confirmed the im-; pression she made last year in a second appearance in the National Gallerv of Art. Miss Harvey, for all her youth, has rare musical maturity. She has reached the stage already where a composition has a personal meaning for her and in this manner she pre sents her entire program. Beetho ven’s "Sonata in A flat major, op. 110" was given an exceptional read ing not only from a thorough mas tery of its technical difficulties but by a keenly sympathetic grasp of fits emotional content. It is playing of this kind, where the mechanics of its exposition are secondary to a voicing of deeper things that is something of a rarity today. Tonal coloring, balance, and ex pert phrasing were employed with an aim in view and that Miss Har vey has sought this path so soon in her public career is noteworthy. There was the same reflection in Bach's “Partita in D major,” each section well defined in its particular idea. Here again, the subordination of a technique that could be used for dashing effects alone achieved expressive ends. Miss Harvey, who introduced Arthur Shepherd’s “Son ata No. 2” on her program last year, gave a first local performance to his "Digue Fantasque" as companion to David Diamond's "Sonatine” also heard here for the first time. Her playing received the warm appreci ation from the audience that it de served. Miss Finch had a comparable suc cess in the Phillips Gallery for her brilliant performance of works by Beethoven, Chopin, Rachmaninoff. Ravel and Grilles. Bringing both an excellent schooling and exper ience in public performance to her playing, she showed a technique se cure and of virtuoso sparkle and a musicianly approach in interpreta tion. These qualities, however, were too uniformly applied to each work without the difference in inflection necessary to distinguish the styles of the composers. The most notable of her numbers in completeness of presentation was the Beethoven “Thirty-two Varia tions." In each of these short bits, the theme was always clear even in the more complicated inversions. She found more than ingenuity of creation in them and was able to infuse them with beauty and senti ment. Liquid runs, clean-cut stac catos, varying degrees of power and sharply defined dynamics embel lished her reading of this work. Because she has so nne a com mand of technical requirements, she allowed it to dominate her delivery of Chopin’s “Ballade in G minor" and “Scherzo in G flat minor” and also In Grilles’ “The Night Winds” and “The Lake at Evening” with out coloring it to conform to dif ferences in style. She has both power and brilliance and while these are directed with musical feel ing. the pattern of her playing is much the same. She came closer to a divergence from it in Rach maninoff's "Preludes in E flat ma jor and G minor.” Her listeners rec ognized the polish and elan of her lerformance and applauded with nthusiasm. Martha Lipton Gives Good Performance. The Chicago Opera Company has lot taken the public into its con Idence as to what it would do when ;he rainstorms of the past two lights made postponements neces sary. It is doubtful if every one mew which opera would be given ast night when a clear sky and a full moon guaranteed a pleasant svening at the Water Gate. "Car men” was chosen with "Madama Butterfly” scheduled for tonight. This was an opportunity to near Martha Lipton in the title role with Vasso Argyris appearing as Don Jose. Miss Lipton was vocally >ne of the most pleasing singers to take the part for her voice is sweet, strong and even. It has not the 5ensuousness that it ordinarily associated with the gypsy girl but she can do many expert things with it and it is fresh and vital in quality. Certain as she was in her Ideas of characterization. Miss Lip ton is not capable dramatically of adding anything new or interesting to her interpretation. 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The other roles of importance were' capably filled by William Wilderman as Zuniga, Adrien IJa Chance as Morales and Remedada. Margery Hamill as Frasquita and Lorraine Lorre as Mercedes. The chorus is inept and badly trained STOP CORNS INSTANT RELIEF! NEVER wait! Protect sore too* from tight shoes with Dr. Scholl’s Zino-pads TX)DA Y and you’ll atop corns from de veloping TOMORROWl But—if you have corns—Zino-pads will end painful shoe friction and lift pressure at ones! Quickly Rems vs Csrns You’ll marvel, too, how Zino-pads quickly re move corns when used with the separate Medi cations included. and the scenery just fufllled the re quirements. It was not a very spirited performance although Carlo Moresco, directing the orchestra, tried to speed it up; yet the sing ing on the whole was above the! average. Paul Hume was again the narrator. 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