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arink ... vichyssoise ... and a tempting meal table d'hote a la carte 1 Ccm**ctccMtA\*««u*£ at Que $&**£" Violin Program Given by Ritter at National Gallery By Elena de Sayn One of the best arranged violin programs of the season was given ■ in the National Gallery by Melvin | Ritter who played a return en gagement there last night. Since his Washington debut a year ago. the violinist appeared as recently as January in the Phillips Gallery where he scored a legitimate suc cess. He gains in accomplishment continually. This culminated yes terday in his remarkable delivery of Szymanowsky's second concerto and Bach's first unaccompanied i sbnata. His ease of performing in public1' has grown with every concert. It j was put to an unexpected test lasti night when a small girl in the first j row seated herself suddenly on the; step almost at Mr. Ritter’s feet and ; ; went through a long series of ; stretching and rolling exercises while he played the entire sonata. The violinist was unperturbed. What he got out of the number places him on considerable heights. The work can easily become a dull, meaningless jumble of notes, no matter how flawless the execution. It requires a touch of a master to make it alive and pleasurable. With one or< two exceptions the program consisted of numbers tax ing the capacity of a violinist in more than one way. Haydn's “Con l certo in G Major,” although not in | that category, was something of a : novelty. Within the knowledge of this reviewer, the selection nas nev er been performed here before. Built along simple lines, it is be lieved to be an early opus, the first essay of the master in that form. It does not exact the same amount of skill required by the other two Haydn concertos, yet. the edition used last night was made notable i by a singularly brilliant cadenza which lent the necessary flourish to I make it effective. I The interest of the recital cen tered around Szymanowsky s "Con certo No. 2, Op. 61" performed here for the first time. In one movement it is designed for a modern techni cian, full of passages which do not lie comfortably in the hand. Com ; positions by Paganini. Ernst. Baz zini, St. Lubin and other master violinist^ of the past, are child's play comparing to those by a Pro i kofiefl, Stravinsky, Bartok or a Szy manowsky. The modernists have advanced immeasurably technical I perfection. Without realizing it, i young violinists who play their : works undergo a rigorous training which enables them to do full ' justice to such monumental works as Bach's unaccompanied sonatas ! which never will grow old. ‘ Szymanowsky's. concerto is some thing of a fantasy. Its sensuous melodies soar high and occasionally work up to an anguished frenzy. The concluding part has a barbaric rhythm and swing. A tremendous cadenza, vital and rich, could put to shame any of the familiar ones by the demands it places upon the executant. Mr. Ritter gave a world's premiere to Edward Dewis' "Song for Muted Violin,” still in manuscript. It is a SatdTafc by KEEBLER Rich, sugary cookies flavored with real butter and spice • • pretty piece of no particular distinc tion. It constituted a group of short er pieces together with Paganini’s “Caprice No. 14,” unaccompanied, and Paganini-Fuchs’ "Caprice No. 9,” with the piano, played without a break. Harry Kondaks at the piano furnished as usual an excel lent accompaniment, although a bit \ heavy in Szymanowsky’s work. British Food Need Grave Britain is now second only to Germany among countries in direst [need of food, Paul C. French of the American Remittances to Europe Association told Londoners. I FLOOR SERVICE OLD AND NEW FLOORS SANDED AND FINISHED CLEANING—WAXING BRUCE FINISHES Flooring Contractors, Inc. 181? WU. Ave. N.W. NO. 2? 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