Evening star. [volume] (Washington, D.C.) 1854-1972, May 02, 1950, Image 19

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Evening star. [volume], May 02, 1950, Page A-19, Image 19
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume] (Washington, D.C.), 02 May 1950. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83045462/1950-05-02/ed-1/seq-19/>

Newspaper Page Text

I
Drama News and Reviews
'Lucky Day,' C. U. Musical,
Less Lucky Than It Says
By Jay Carmody
Spring and the annual musical are a traditional festival com*
Wnatlon at Catholic University. This year, however, neither is up
to standard.
As everyone outside of statuary hall knows, Spring has turned
out strictly third rate and the musical domedy, called "Lucky Day,"
is hardly more than a degree better.
This is not that the work of Leo Brady, a skillful writer, would
not be a good college show m
most places. It is rather that the
Catholic U. standard has been
pushed so high that anything less
than a lively Broadway prospect is
disappointing. "Lucky Day’’ is
less despite the usual high spir
ited performance given its songs
_ DANCING._
DON’T MISS...
GOOD TIMES
flin. popularity and good times etart
with good dancing. Though you are
a beginner or Just want to Improve
vour dancing, here is your opportunity
to learn at a lew cost. Don't put it
off any longer.
NOW! $Xs0
LOW AS X W-K
You can have private instruction In
Fog Trot. Walti. Rumba. Samba. Jit
terbug by Victor dance expert*.
VICTOR
Dance Studios
1730 CONN AVE. Ml. 4346
and dances by the college cast, an
errantly impressive production,
and a tune or two that lifts it
out of its innate doldrums.
* * * *
The unlucky thing about “Lucky
Day” is not its theme so much
as its treatment.
Author Brady chose gambling
as his subject in the musical for
which Edward Cashman wrote the
score. The choice is even rather
commendable as musical show
ideas go. It is not to be denied
that the speculative streak in
; human nature has Its ludicrously
funny aspects, as well as those
.which are serious enough for a
Senate investigation. The point
is that Brady has not made a
personal study of these horse
players and their girls and that
his academic handling of them
shows through “Lucky Day.”
This is like criticising a man
for taking sin for granted instead
of giving it a trial, but it is some
thing that can happen to anyone
who writes musical comedy. Like
gambling itself, it is not a field to
be entered with too much inno
cence.
* * * *
The area of life covered by the
words, music and dances of
"Lucky Day” would make a nice
gambling layout in' one of those
magazines which regards pictures
as the last word about everything.
It begins at a race track, retreats
to a nearby barber shop, twists
[around to a public park and a
barber’s picnic, invades a gambling
ship on which chance has been
eliminated from the games of
chance, and finally ends up on the
pouch of a country club.
Generally speaking, these are
promising scenes of action but
“Lucky Day” apparently was writ
DANCING.
'Mvcfiii"
Dance after dance after dance
you'll be dancing when you
tay "Make Mine Martini"
dance lessons—It's great to
be alive!!!
MY SPECIAL OFFER
"MAKE €£
MINE Wt ■
MARTINI"
LESSONS fU
* a*- -•
Don't put this off—Save 75%—Join a
"Make Mina Martini" dance club clati—
Have fur*—Make friend*—-Learn the new
step*—Come in today—Dan want* to *cc
you!
★ ★
litb at l > 13th at E
★ ★
I ENTIRE FLOORS 3 ENTIRE FLOORS
★ ★
EX. 4444 EX. 4444
Open Sundays 2-7 PM.—Air Conditioned
7= 4. C. Harding * Appliances • Radies + Television
«gi
WASHERS NEW
(EDICED PRICES;
Model N—$129.95 No More Wash Day Blues!
I REBUILT WASHERS |
One Hour Free Parking, Star Plaza, 10th and E
(JLC.HRRDinG \
EST 1917 • SERVING WASHINGTON FOR OVER 33 YEARS
-:-^
517 10th St. N.W'. 7008 W1S. AVE.
NA. 2160 OL. 2160
• BETHESDA STORE OPEN EVENINGS TILL 9 P.M.
r )
NO CRY-BABY—Joan Craw
ford, plays the leading fem
inine role in “The Damned
Don’t Cry," next attraction at
the Warner following “The
“Daughter of Rosie O’Grady"
ten so abruptly it had no time to
find anything new in any of these
locales.
Even the people are generally
commonplace, except for the usual
uncommon resemblance to college
students imitating their moral in
feriors
The hero, played by Meredith
Schoonover, is a juvenile type who
believes he can wreck a bookie
syndicate by lugging around his
father’s old shaving mug as a
lucky piece. There are two wom
en in his life, a moll played by
Virginia Bradley who knows all
the angles, and a dumb blond
(Rickie Rudel) who knows abso
lutely nothing.
Beyond these, lie an assortment
of others including a faithful bar
ber pal of the hero, the tough
syndicate boss, his body guard
quartet and several who are so
loosely defined as to be more orna
mental than meaningful. Even in
a musical this absence of mean
ing can be overdone and it is one
of the faults of “Lucky Day.’’
* * * *
Father Gilbert V. Hartke, who
directed the university musical,
has had no trouble imbuing his
youngsters with a lively sense of
movement. If their approach to
the book and the jests of "Lucky
Day” is not exactly fervent, they
make up for it in the spirit with
which they attack the show’s
dances and songs. This group
spirit makes sprightly intervals of
Composer Cashman’s songs and
of the choreography by Barbara
Cole who not only designed the
dances but is the star performer
in the best of them. She is excel
lent in both functions.
Best solo performance in the
large cast is that of Miss Bradley,
as the hard-boiled moll, a youth
ful Mae West type keeps her ro
mantic commitments general
enough for any emergency. Miss
Bradley gets the best of the
show’s score with a tune, "It Takes
a Lot of Trouble to Be Bad,” and
a reasonable runner-up in a cyni
cal ditty, "Sing Me No Love
Songs.”
Miss Rudel as the friend Irma
blond is a considerably busier girl
and rather apt at everything she
is called upon to do, most notably
the ballad, "What a Break,” which
should outlive the rest of the pro
duction. With better comedy ma
terial and a less stereotyped col
league than the character played
by Louis Camuti, she would be
even more of a standout.
Of the others, Schoonover, Wil
liam Flaherty. Jill Leahy, Bill
Kearns and June McCormick are
up to the requirements of their
assignments.
James Waring has turned in his
usual mqre than competent job
of providing the sets and lighting
and Cynthia Ketterer’s costumes
are downright impressive in a pro
duction as traditionally elaborate
as those at Catholic U.
Nonetheless, "Lucky Day” is
not as lucky as its title.
In instances where a television
signal is strong enough, the re
ceiving antenna may be installed
in the attic of a house rather
; than on the roof.
r-n
{ /no/rey 5(7K//t^
i time is... |
■ t
J for famous
I HAMBURGERS J
o/j/y 10c I
i Tasty lunch only 30e
... try and boat it!
For a Tasty Bite... J
i! Dev or Nito . . . Stoo at a*
\
Hollywood Diary.
London to See Mary Martin in 'South Pacific'
-By Sheilah Graham
HOLLYWOOD.
Mary Martin's contract for
“South Pacific" expires June 1.
1951. “Then," Mary tells me when
I visit her backstage after my
second annual visit to the show,
| “I’ll go to London to do ‘South
Pacific’ there.’’ Last time Mary
starred in London was in Noel
Coward's “Pacific 1850.” “That
Pacific was a huge flop,” says
Mary. She won’t have any prob
lems with “South Pacific.”
Ezio Pinza is singing when I
see the show this time Last year
it was Dick Eastman. Pinza's per
formance, of course, knocked me
for a loop although he seemed to
be saving his voice. But I really
did fall on my face when he told
me “I w&nt to do a movie in Hol
lywood when I don't have to sing,”
He was serious!
Paulette Goddard is clinging to
John Ringling North’s arm at the
“Peter Pan” New York opening.
“When are you coming home?”
I ask her. “I’m home now.” re
plies Paulette with a languishing
glance at Mr. North.
I’m glad I lost my bet that Jean
Arthur would not show as Peter
Pan. I should have known better.
-I
Where
Current Theater Attractions
and Time of Showing
STAGE.
Catholic University Theater—
“Lucky Day”; 8:30 p.m.
New Gayety—“Two Blind Mice”;
2:30 and 8:30 p.m.
SCREEN.
Ambassador—"The Daughter of
Rosie O’Grady”; 1:20, 3:20, 5:20,
7:20 and 9:30 p.m.
Capitol—“The Reformer and
the Redhead”; 11 a.m., 1:45, 4:30,
7:15 and 10 p.m. Stage shows: 1,
3:45, 6:30 and 9:15 p.m.
Columbia—“Cheaper by the
Dozen”; 10:45 a.m., 12:35, 2:30,
4:20, 6:15, 8:10 and 10 p.m.
Dupont—“The Titan”; 11 a.m.,
12:50, 2:40, 4:30, 6:25, 8:20 and
10:15 p.m.
Keith’s—“Francis”; 11:15 a.m.,
1:20, 3:25, 5:30, 7:40 and 9:45 p.m.
Little—“Tight Little Island”;
SIA GRILL
1207 E ST. N.W.
1221 E ST. N.W.
Tang O' the Seafood
HOT
SEAFOOD
PLATTER
Wednesday Special
Fish, chowder, filet of sole,
crab cake, scallop, Fr. fried
Jean has some of her own dollars
invested in Barrie s play. I liked
the scenes where she flies through
the air with very’ great ease the
best. Jean was so choked up at
the end that Boris Karloff had to
make her thank you speech.
Robert Taylor at the Stork Club
before taking off for Italy and
“Quo Vadis” looks gloomy. “I'm
not sad,” says Robert — “just
thinking of what lies ahead—six
months in Rome. Keep your fin
gers crossed for me.”
Montgomery Clift is not the
most popular actor in New York
with the 20th Century-Fox crowd.
He won’t move a Anger to help
exploit his pictures. He wouldn't
even appear at the big charity
premiere of his “Big Lift” picture
although the money collected went
to the Youth Fund sponsored by
the Daily Mirror.
* * * *
Faye Emerson is all over Man
| hattan with Jeff Jones, late of the
I State Department. Faye is proof
that gentlemen now prefer plump
ladies. It’s hard to remember that
she was almost finished in her
’ Hollywood period.
North Am*ricon Newspaper Alliance
11 a.m.. 12:50, 2:40, 4:30, 8:20,
8:15 and 10:10 p.m.
Metropolitan—“Cargo to Cape
town”: 11:15 a.m„ 12:55, 2:40,
4:30, 6:20, 8:05 and 9:55 p.m.
National—“Key to the City:”
11:35 a.m., 1:50, 3:45, 5:40, 7:40
and 9:35 p.m.
Palace—“Champagne for Cae
sar”: '11 a.m., 1:10, 3:20, 5:30,
7:40 and 9:50 p.m.
Playhouse—“The Third Man”:
11:15 a.m., 1:25, 3:25, 5:25, 7:35
and 9:40 p.m.
Pix—“Incorrigible;” 2, 4:40,
7:25 and 10:05 p.m.
Trans-Lux—“The Red Shoes”;
11:30 a. m., 2, 4:35, 7:10 and 9:40
p.m.
Warner —“The Daughter of
Rosie O’Grady”; 11:25 a.m., 1:25,
13:30, 5:30, 7:35 and 9:45 p.m.
AMUSEMENTS
1
'A TRIUMPH'— Carmody, fr.. Star
OISON WtUtS
;
thiPLAYHOUSI
a IStk « H tTIHTt * ita»
Doors Opon 10:45 A.M.MBMMI
NEW BAYETY sFET
LAST T TIMES! SS. ft &S
Harold Bromley and Enalee Healey
present
IN PERSON
MELVYN DOUGLAS
A New Cawed/ by SMI SKWW
"A ROBUST LAUGH RIOT!"
—Robt. Coleman, N. Y. Mirror.
Eros, at *1.**, |l-*0, *2.40, *8, *3.60.
Bargain Matinees Weds, and tats., 80c,
$1.90 **.40 (Tax Inel.)
—BEATS STILL AVAILABLE—
SEATS ON SALE TODAY
2 Weeks Beg. Mon., May 8
JOHN C WILSON raw
TALLULAH
<
i
PHeee: Eves. *4.20, *3.80, *3.00, *2.40,
*1.80, *1.20. Sat. Mats. *3.80. *3.00,
*2.40. *1.80. *1.30, 8fte. Wed. Mata.
*3, *2 40, *1M, *1.20, 85e (tax ineL)
Horton to Do
'On Approval'
At Shirlington
Edward Everett Horton will re
turn to the Shirlington Theater
on Monday. May 15. to remain a
week in his new production of
Frederick Lonsdale's comedy. “On
Approval.” He recently brought
the legitimate theater to the
Shirlington with three perform
ances of his perennial vehicle,
"Springtime for Henry.”
There will be performances of
“On Approval” each evening at
8:30, except Thursday, when Mr
Horton will be busy with his tele
vision show. “Holiday Hotel"
Matinees are scheduled for Sat
urday and Sunday at 2:30.
The comedian's supporting cast
in “On Approval ' will include Mat
thew Smith. Paula Houston and
Margaret Maginnis.
Seats now are on sale at the
Shirlington Theater box office.
AMt'SEMENTg
UNCENSORED
I C~-nolete and Original Version
Washiifto A Premiere
STARTSf FRIBAT
|
Lost 3 Doyi: “THE RED SHOES"
JUNE GORDON
HAVER * MACRAE
In Warner Bros. Song-Dance Romance
“The DAUGHTER
of ROSE O’GRADr
Cota b) TECHNICOLOR_
Mta at AMBASSADOR
Q MODEM* ELL*
^.CRAWFORD# DREW
Hd. WZ-jI? jonn
IRELAND
“CARGO to CAPETOWN"
JfflHfl
_fc H »■
Now . . . Open 10:45
»t Mtm« * “KIh «i nm $i|»r
JUNE DICK
ALLYSON POWELL
‘The REFORMER Z REDHEAD”
r~" 1 i
PAT HENNING
>USAN A FRED BARRY
——jt— . |u ev—
RUT ATTRACTION
JOHRCARFIEU MICHEURE FRIU.E
“UNDER MY SKIT
i —.. On Stag* - I
•IU FIRREU Rmrdlat siarZ
H«WI»a A Ilf INw W
.[
Now . . . Open 10:45
1 if»<N Canady Tata! al IN Cautery!
Ill RONALD
! 4| COLMAN
fl MCrnm?11
II CIUSTE HOUR
VI VINCENT PRICE
ART UNKIETTIR
Barbara' BRinow
f-NEXT ATTRACTION I
k BETTY CITABLE
I "WABASH AVENUE"
M\ wtmmtim a mu Mtaaii j
mL. ««*»» t» TICHWICOLOP |P
\
.
They seit kia ti the pen
when he ms 14. Fifteen years
later they tinted hia
It a wtiU tf ttb tipi!
fttd nys...
nl mly mmyl
Jj Co-tlarring
I— RICHARD BASEHART - MARIIYH MAXWELL I—I
SICNE HASSO - DOROTHY HART I
ScrMnpl«y by CRANE WILBUR • Dirttftd by CRANE WILBUR • TtoivttA by AARON ROSENBERO
tomorrow. ! RKO. KEITH’S 7
NOW . , , Last Pay—FR A W CIS—-Tht Talking Mule
' >
Rubber Pictures Find Market amtsemexts
; LOS ANQEI.ES (£*).—A method
of reproducing color photographs
on rubber had been announced by
the Lee-Tex Rubber Products
Corp. here. The firm says the
process already has been used on
balloons and on full-color rubber - -- ---
childrens' books which can be toner j
.fijiTlf/HN'
1 “SIS MimUNGc"
roto »r fttoftic MAKH
dupontlZ~2!i
unu'5tT»*
STARTS TOMORROW
Announcing a Major Event for
' Discriminating Moviegoers
A Great BOOK-OF-THE-MONTH
Becomes the FILM-OF-THE-YEAR!
i J Arthur Rank p?***'!
Salt to
$AM WANAMAKER
LEA PODOVANM
Washington Premier#
boon Optn fan ftntur*
i •* 9i30 m.tn. t( lli30p-">.‘
TODAY'S NEIGHBORHOOD MOVIES
Fairlawa Inaral Co.
HIGHLAND "““-Jot **•
WILLIAM HOLDEN, JOAN CAULFIELD
In "DEAR WIFE," 6:15. 8. 9:45.
ATLANTIC Nkhoj, ATo
OLARK Q ABLE, LORETTA YOUNG,
MARILYN MAXWELL In "KEY TO
THE CITY," 7. 9:30.
FAIHLAWN,34aoEd'£L5d‘l
Double Feature—ROSALIND RUSSEIL
in - MOURNING BECOMES ELECTRA "
at 6:20, 9:25. “CLAY PIOEON." S:3».
CONGRESS J93,JS£&5v-‘-t
TYRONE POWER, WANDA HENDRIX
In "PRINCE OF FOXES" 6:55. 9:25
ANACDSTIA J37
ROBERT CUMMINGS AND LIZABETH
SCOTT In "PAID IN FULL," I. 3. 5:05.
7:10, 9:15._____
PM1I Marlboro Pika at Diet, llna
VUHAIt Hl 5151. Fro* Parkin*.
ROBERT CUMMINGS AND LIZABETH
SCOTT In "PAID IN FULL." 7. 9:30.
LA0BEL =j£ m
Double Feature—"PALOMINO" In tech
. nlcolor plus WILLIAM HOLDEN In
"FATHER IS A BACHELOR "
CAPITOL Cop"0h,h*™ Md‘
Double Feature — H G. WELLS
"THINGS TO COME" at 6 30. 9:40 .
Plus "MAN WHO RECLAIMED HIS
HEAD" at 8:00.
—SAM BOTH THEBTEBS
CBBOLIHB,,’ho"dNi.^M
DAVID BRIAN In “INTRUDER IN THE
DUST”; GLENN FORD In MR. SOFT
TOUCH "__
STBHTOH It ‘ Nl
ROBERT MITCHUM in HOLIDAY
AFFAIR”; ROBERT TAYLOR In
“JOHNNY EAGER."
r- SIDNEY LUST THEATERS—o
DRIVE-IN ,ik*-s min p*"
U. el Md—TOw.r 3100
Open 7 P.M. Today-Tomor WILLIAM
HOLDEN. JOAN CAULFIELD EDWARD
ARNOLD In "DEAR WIFE at 7:45.
0:45.
■m-11 Wit. Ave. A t.W Hwy
• *-^|( 2968-9636
Free Parkin*. Today’ Thru Friday
at 6:16. 7:55. 6:45.
MILO *«kvHI«- Md. Rockville J4J4~
_ * Free Parkin*
Today-Tomor.. BARBARA STANWYCK,
WENDELL COREY In "THELMA JOR
DON." at 7:20, 0:20.
UYWOOD y
Free Parkin*. Today-Tomor WILLIAM
HOLDEN, JOANCAULFIELD EDWARD
ARNOLD in "DEAR wfFE." at 6 15.
o)Oii Pi50.
CAMEO Mt. RoMlor, Md.
"nn“" WA. 9746. Two Hltal
Today-Tomor, OLIVIA DE HAVIL
DAND in Her Academy Award Per
formance! Wtth MONTGOMERY CLIFT
>“ V.™* HEIRESS"; Plu« "ARSON
INC." Laat Double Feature 7:46,
rrs. s1
r^Jl^onir ^bkkt pcuM«inoa.
^^“XP-S^PTT DIANA LYNN In
PAID IN FULL, at 6:55, 9:20._
llllt'tft'Hl.T Dofon*# H igh woy
Iwndovor Rd . Md.
morTYkoNrEre^nVANTSdA%-,TN°:
8^b^°N.tW6E^”p.An5 ,,«««
MARLBORO UPP*r Mortboro, Md.
■ ■■■■waiVMv Mori. 9873
72Sf^X?J2or ' dick POWELL EVE
LYN KEYES In "MRS MIKE at f ;o,
THE TILLAGE 1307 *• ’ **.
BARBARA .8TANWYCKN''WENDED
g°7:65. “on™4** JORDANV'
lEWtOM 1Wl 4 N«wfwi StA. N l
" I A A. 41U
5§i?L
JESSE THEATER ’**,* ftp
„„„„„ fk»M DC. mi
OREER OARSOJL WALTER PID
§§??.'■ '.n« ™ ™e
THE
TERHOH^^^
1 Sleek Fret Pre.14,,.7.1 oTrk...
CLAUDrrrE-CQLSERT^PATOICK
k^'^^/'three came home*
Acarar-^;;*^,^
S^AUp* RAINS In "THE INVISIBLE
*«& .•* ,Zi12- 9;49: BORIS EAR?
LOPP in BLACK FRIDAY." etfl.
APEX 4,13 M«»- kwrsrw;
WO. 4600
WALl En HOUSTON 8 Finett Picture
■i,.,.?D?MER.houdAT' ' »n Tech
,.?u**r,e O'Nellr* "AH
yiLHECNESSI- At 1:30. 3:30. 6:36.
AIUU INI H k N.t. AT. NOO
5lKt„22Tth**,t Showing. WILLIAM
OLOEN JOAN CAULFIELD In
"OlAR WIFE." «t 1. 3:10. 4:20.
®i4r0- Al«o TEX WILLIAMS In
"RUSTLERS RANSOM "__
FLO WEB 7U. 7-7017. Pinay Stanch
td. and Flowar Ava.
SSSTJi Opan «:30—ROBERT CUM
MIN OS LIZABETH SCOTT. PAID
IN FULL." at 7:28. B:«0._
SENATOR Minn. Ava. at tanning
u, m.I. IU. 4-2800
ROBT.^MIONOS^^ID^N FUU?'
«s»._10:14. Plu* ROBT
safeho#??. fflT«:,uou
NAYLOB Hth A Alabama Ava. S.|.
7:30. 0:40.
I
SUNSET DRIVE-IN tJLU
The Area's Newest Drlee-ln.
Bel. Columbia Plhe »nd Shirley Hllhetr.
Open ‘y-Hour Before Dusk Today-Tomor.,
SUSAN HAYWARD. ROBERT PRESTON in
TULSA In Technicolor. Plus THE BOW
ERY BOYS In "ANGELS IN DI8UUJBS."
$1.IM> Pins Tax » Carfull_
GEORGETOWN
“THE HEIRESS OLIVIA DE HAVILLAND,
MONTGOMERY CLIFT Latest News. Fea
turette Cartoon Feature A AO. SNA
^Thursday and Friday. Bernard Shaw'a
“PYGMALION.__
Minn Do mo* cut, Md.
Phone 2171
“MALAYA.** SPENCER TRACY. JAMS*
STEWART ** at ?. P:1 V_
HISER BETHESDA UUW?'JS''‘
TYRONE POWER. ORSON WELLEB
“Prince of Foxes”
At 5:45. 7:40 and 9:40 PM.
FAIRFAX THEATER
Walt Disney's “CINDERELLA.'' In Technl
color.
CIRCLE 2103 Pa. Ave. N.W. M. 01S4
Today Only, Double Feature. WILLIAM
LUNDIQAN. DOROTHY PATRICKS^in
''FOLLOW ME QUIETLY." at #1:20. S:S]T
PEDRO ARMEDARIZ In "THE PEARL?*
at 7 IS. 0:55
r. M. LOEWS MT. VERNON
OPEN AIR DRIVE-IN
Rt. I, 3 Ml. South of AlaxanSrla. Va.
TYRONE POWER In "PRINCE OF TOXEE."
BRODERICK CRAWFORD in "TIOOT
?HOE6." In-Car Speakers. Free Klddl,
layland Open One Hour Before Sunset.
Adults 60c. Children Free! Come Early
With the Whole Family! Always Bom*
thing Dolnx! For Info, Dial AL. 7050.
GREEN BELT Graenbult, Mi .OIL 2221
Opera Film Festival Synopses of "CAR
MEN. " "MARRIAOE OF FIGARO." WIL
LIAM TELL " Tltto Oobbl Italo T0J0
liiai- ■ T ----5S5PMX—
WARNER BROS. THEATERS
For Additional Information, Jtf. MO#
AMBASSADOR 2une °®r
niAwiwimvvH don Macrae la
"Daughter ot Rosie O’Orady," at 1:20.
3:20, 6’Stt. 7:25, 9 3<i
lUai AM Barbara Stanwyek. Wen
HTHleUIl dell Corey In "Thelma
Jordan.” at 6:45, 7:40. 0:35.
mtrr ramin Double Feature
Ait. Ian An U Greer aaraon. Wal
ter Pidgeon in “Blossoms In the Dust,"
at fl:2o. 9:20. Robert Alda In Holly.
wood Varieties," at 8:20.
Drural U Susan Hayward. Dan*
DAVAnAI Andrews. "My Foolub
Heart, at >. a:06. 5:10, 7:10, 0:30.
CALVERT In*r,d ■•rim an In
unsiibiii "StrombOll.” at 1. 2:4*.
4:30. 5 06. 7'50. 0:40.
rrUTUAI Double Feature John
I*An 1 IIAle Ireland. "Open Secret."
at 1110, 2:16. 5:20 8:20 Humphrey
Bogart In "Chain Lightning." at 12:20.
3:26. 8:30. 9:30.
COLONY Humphrey Bogart. "Chain
vvaeygia Llghtning,- g, 7:60. q:«q.
nnur Double Feature: "Howard
HUP1A Duff in “Woman In Hiding.*
at 0:36. 9:35: John Wayne In “Ad
venture s End." at 8:10.
irroarnu Broderick Crawford In
AAnnAUI "All the King* Man.”
at 1. 3 05, 5:10, 7:15, 9:20.
Bic»nTHDR “"J.m'S.’SSP
WfpU S» <¥SSSt *tS
Kef to the City," at 1:26. 3:25. 6:26.
7 ■>“,_
SAVOY-SECO Vtn Johnson in
a" 9:30 "Battleground.” nt
SHERIDAN Dorothy M r O u 1 re.
■iniillUIMn William Lundlgan In
' Mother Didn’t Tell Me." at 2 3:60
•V4O, 7 .'15. f*;TjO_
SILVER C'ark o a b 1 e . Loretta
■e-ess. .. Yount in "JLr.y to tht
City, at 1:30. 3:26, 6:36. 7:30, »:3V
TAKOMA 9i.''la d* Hsyiiiand in
„..... _ _ .The Heiress" gt * 16.
9 .to. Dan Dailey In "Clive Out Bis
at 812ft.
UPTOWN A'*™:, c,r a 1 n. Unda
.... , Darnell. *'L4»tt«r to Thr#t
Wives.” 1. 3;Oft, sVJO, 7:20.
YORK Errol Flynn in "Montana.” I
• t fl;3ft. 9:50.
—
STATE HORN " KIRK DOUO
IA8 LAUREN BACALL
LEE "TOREION CORRESPOND.
“ JOEL MCRAE
ARLINGTON
WILSON ayovhHhua\"1VI
DOUGLAS. LAUREN BACALL *
ASMTOM J§S!fiK„t™gA;
Ruse ELI. JEFFREY LYNN.
BUCKINGHAM
BRODERICK CRAWFORD. JOANNE
UEBE B8{?TJii«J«£
tlon.
BYRD CAULFIELD1” WILLIAM
HOLDEN.
JEFFERSON h^rt.^SS
HAYV.'ARD DANA ANDREW i.
NEED 1733 Kln« * mi
l,,UI Fwkmj Mm
OORDON McRAE. VlftOINIA MAYO.
BACKFIRE '
VfBCIMVR Mamerlol BW AMR
TABU in An AM*. Ain
B&TOgYH COLPN ORAY »
RICHMOND ,’"£t‘,DX "“
JOHN CARROL. SUSAN HAYWOOD,
"CHANGE OF HEART"
CENTRE MrtinaMA, Va. TL IMS
•FATHER IS A BACHELOR." WID
UAM HOLDEN. COLRENOAaT
SHIRLIHGTOH
PERFECT 8TRANOERS ' OINOHA
ROGERS. DENNIS UPROAR.

Evening star. [volume], May 02, 1950, Page A-19, Image 19
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], May 02, 1950, Page A-19, Image 19 About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], May 02, 1950, Page A-19, Image 19
About Evening star. [volume] (Washington, D.C.) 1854-1972