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V\feJ, M) WIPE TONfcHT !tewDREFTdoes both i • *• * and dishes SMUME (No Wash ( J'loMPe'Ton,W/ (Self-Washing Dreft \ V N?, r ■ ,./ \ Means No Work Left 1 \M> Wipe, Tonight! / No Wash, No Wipe ) - -^V . Tonight! ) .All YOU do is RINSE I Even pots and pans glisten! You don't wash . . . Instead of washing dishes just let them soak in warm Dreft suds for 2 minutes. Dreft floats grease and food particles away. Your hands don’t even touch the dish water. All you have to do is rinse the dishes, giving a swish of the cloth where needed, and presto! They’re done! You don't wipe . . . New Self Washing Dreft leaves no dishwater film. It washes dishes and glasses so clean, they shine—even without wiping. You don’t scour... Even pots and pans soak clean. Dreft's amazing “floataway” action gets under grease . . . lifts it off. Then grease rinses away ... without scouring. nr BEAUTY TIPI New Dreft is so mild, and your hands are in water so little it leaves hands .beautifully white and soft! magic % ENTERTAINMENT | (See Front Cover) by Walter Terry Critic and Author of “Invitation to Dance” If Maria Tailchiers Osage great-grandfather could see her now, he’d yell “How?” Color Photo by- John Rusitrll is is probably impossible to ance,” said the ballet master during a rehearsal. “Maria,” he called to a dark young ballerina, “you do it!” And Maria did. In London, New York and U.S. cities from coast to coast, audiences have come to know that Maria Tallchief accomplishes the im possible with incredible ease. She is recognized as the most exciting of Amer ica’s young home-grown ballerinas. When the curtain went up over a year ago on a new version of an old ballet, “Firebird,” no one was prepared for the electrifying effect Maria Tall chief generated from the Stravinsky music. As the bird, she was truly a flam ing figure — she soared through the air in effortless flight, she preened, she shimmered, she gloried in speed and airy freedom. Then, captured by the prince, she wrestled to regain that free dom by soft and feminine wiles. When the curtain descended to storms of applause, Maria was no longer merely the New York City Ballet’s prize package but the equal of such top U.S. dancers as Nora Kaye and Rosella Hightower. With them, she proves that an American ballerina is a match for any in the world. In Maria one sees not just the results of exhaustive schooling in technique and tradition of the ballet. She has movements as broad and free as the land which gave her birth; an athletic prowess that is the heritage of almost every American girl or boy and a proud bearing which is perhaps a bequest from her noble Indian forebears. For Maria, dark-haired and deli cately bronzed, was born on an Osage reservation in Oklahoma, daughter of an Indian father and a Scottish mother, HOME-GROWN ballerina: Maria Tallchief specializes in the impossible granddaughter of Eliza Tall Chief, great - granddaughter of Chief Big Heart. Drums and tribal dancing are dim memories. She recalls more vividly that at five she wore toe slippers and, holding a flag aloft, spun endlessly to "The Stars and Stripes Forever.” Maria’s sister, Marjorie, is a balle rina also and a potential rival. Neither takes the rivalry seriously. They have inherited a sense of humor from their father, who once told them, spoofing the myth that all Osages are oil-rich: “My daughters, I am proud of you. You are the first Osages in generations to work for a living.” The End 1 WITH Nicholas Magallanes ... 2 MARIA starts a comedy step ... 3 SURPRISING him with a kick ... HY PBSK1N PHOTOS 4 WHICH breaks up the number .i. H- 1 “"d v‘<^ °'*d'V CSS-^ VigestiMe... and nutritious, too