Evening star. [volume] (Washington, D.C.) 1854-1972, August 14, 1955, Image 86

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Evening star. [volume], August 14, 1955, Page E-3, Image 86
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume] (Washington, D.C.), 14 Aug. 1955. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83045462/1955-08-14/ed-1/seq-86/>

Newspaper Page Text

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THE UN-ACTRESSY ACTRESS Betty Grable,
whose beauty is also durable, is the movie star who
behaves least like one. She currently is to be seen
in “How to Be Very, Very Popular,” at the Capitol
Theater.
Betty, Tops at the Box Office,
A Most Un-Actressy Actress
By JAMES BACON
HOLLYWOOD, Aug. 14 I/P).
—A reader asks, “ Who Is Hol
lywood's most level - headed,
most down-to-earth. In short,
most un-actressy actress?”
This is the kind of question*
that puts a Hollywood writer
out on a limb. Since there are
no nicer limbs than Betty
Grable’s, she is our choice for
that title.
“I don’t know how I've
lasted this long, I’m so dull,”
Betty once told me in a clas
sic understatement. She was
referring to her lack of sen
sational front-page headlines a
la Monroe or Hayworth.
Betty’s daily life could be
summed up as a race at break
fast with hubby Harry James
over who gets to read the
sports section; a lot of time
spent with her family and her
stable of horses; plus a pas
sion for Harry James records.
Few Movie Friends
The James’ social life is
about as un-Hollywood as can
be. Their friends are mostly
of the turf set.
’’lt’s amaaing how few movie
stars we know,” she said.
’ For instance, the closest I
pver came to knowing Clark
Gable was when we both had
the same dentist.
‘‘One day I was in the chair
with my mouth wide open and
Clark stopped by. The dentist
said, ’Clark, want to see some
beautiful teeth.’ And there I
sat while Gable and the den
tist looked at my mouth. I
never saw him in person before
or since.”
Betty could well afford to be
a conceited actress because she
is one of the greatest box-offic*
stars in the industry's history.
In fact, after Darryl Zanuck
had an artistic success but
box-office flop with ’•Wilson,”
he commented:
“I'll never make another
historical picture unless it has
Betty Grable in it.”
Shied at Drama
Always co-operative. Betty
took every musical role 20th
Century-Fox handed her, but
she went on suspension rather
than to play a heavy dramatic
role in "Pickup on South
Street.”
"I just told them I'm no
dramatic actress,” she ex
plained. “I know what I can
do best—singing and dancing.” |
Actually the best thing Betty
does is look beautiful. In "How
to Be Very, Very Popular,” j
she and Sheree North play a
couple of burlesque queens.
Betty was a big star when
Sheree was going to the kids’
matinee on Saturday after
noons, but in the picture, they
look the same age. And, what's
more, on the street, they still
look the same age.
That’s no reflection on
Sheree—it's just that Betty’s
RONSON^
Lighters Repaired
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[ face and figure seem ageless.
Like all stars who started
when they were youngsters,
she gets that inevitable greet
ing from the junior matron
set. It usually goes like this:
high school every time one of
your pictures came to town.”
Most of them still can’t fig
, ure out how Betty can still
: look so good. Actually, it is
easily explained. Betty still has
a few years to go before she
hits 40. And when she first
became a grownup star, it was
at an age when she could have
been playing hookey from
school herself.
JUJU
BußlfSK®
CALENDAR
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Margaret I William
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1 I LAST 10 PAYS!
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They Always Call
Old Mercy for
Rugged Roles
HOLLYWOOD. Mercedes
McCambridge, who hasn't had
one In too long a time, gets
what %he believes is her very
best screen characterization as
a Panhandle Texas spinster in
George Steven's “Giant.”
"It’s another one of those
rugged ones,” she laughed. "It
seems when they have a role
for a woman in man’s clothing
they always think of old
Mercy."
Just about to go into a melo
dramatic scene with Elizabeth
Taylor and Rock Hudson, she
was rigged out in weather
beaten shirt, muddy levls and
cowboy boots.
"I’m wearing a mighty high
class wardrobe,” she chuckled.
"This shirt has Robert Taylor’s
name stamped inside, the boots
have a Gary Cooper label and
the pants are some worn by
Jane Wyman in ‘Johnny Be
linda.’ With an assortment
like that I can't possibly miss!”
(RdHwd by thy NANA)
THZ JO* .
MUNTZ FACTORY BtBBLg
Authorised Company
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TV ENGINEERS INC.
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1117 Cmneetieut Ava.
Op.estte Dupont Theater
a Open daily 'HI 9; Sal. 'tH i
11
Chinook, the Ham,
Is Jealous of His
Acting Mistress
HOLLYWOOD UP) Even
dog actors are hams.
Actress Dorothy Crider, now
working as a disciple of Moses,
in "The Ten Commandments,”
is also the owner of Chinook,
famous movie dog.
She claims—with a straight
face—that the German white
shepherd gives her a dis
gusted look and goes into a
HARVEY’S TV
ALL MAKES GUARANTEED
100-Day Guarantee on
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Never a
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JO. 2-9316
CALL 9 A.M. TO 9 P.M.
DAILY AND SUNDAY
NEIGHBORHOOD
Stanley Warmer Theaters WINELAND THEATERS DRIVE-IN THEATERS
Tim. Givrn In Ad. li Starling Tim. Alr-C.ndlti.nrd aar tIBYOT nt TOPI.PH
All Stanley Warner Theaters Art Jiflv UIL'vL'IN .a 7 okas See Mstinv
Air CondHloD.d. | open 7 P.M Kiddle. Fr«. Ctrl i
~ ------- r-nT TiniTima 1 »<- »45 "DADDY LONG LEG 6," t. M. LOCW’S
AMBASSADOR * c»i. ■*. n.w. s 1 S * m -Guna*• * r n»u^iT,r n 1 c c l ::r. *t MT. VERNON OPEH AIR
“MISTER ROBERTS” 1 : ‘- >?< Wanhintton’s first Drive-In So. es
(Cinemascope* Henry Fonda, James Always Best rood. Chicken, Steak. Elchmend
Cagney. Jack Lemmon, William Pow- Shrimp, Hoi Dogs. Milk Shakes.
ell. J Mill, 3:05. 6:15. 7:"6. »:35 Ice Cream. Pork Chop*. Ham- Tnnifht InH JSS --in
AVAL ON H 0 "The lei j Etc I '"' B * rbK “ e ' Bhnmß Rol “- ClnemUicoce Color, ‘fee C.uiht' In
ATlthlHlchu.." John W»yne, L,. “THF PfIRWFR"
Lmn» Turner -Mill. 4 45, U 10. AMACOVTI'A 141 J G«>d Hop. »d. RICHARD WIDMARK H4O Plu.
Rrvntl Y ll » :<:<•>« Hrr P.it- MAIUSIIA s c tu ~7 070 S c |is aS ' 8 p
■uiuibl In, ■D.ddy Lon* Le*i" Cinemascope. With Stereophonic “T? ATT C! TISITG T ATJAIUfTtr”
(Cinemascope'. Fred Astaire. '2:00. Sound and Technicolor. LESLIE XVAALjo liil Xt_r iuAfvAlVLi£.
5 4;., a HU "Outlaw's Dauahter." Bill CARON, FRED ASTAIRE In "DADDY JOHN PAYNE. 10:55. Color Cartoon.
Williams. 4:15. 8:00. j IA)NG LEOB,” at 1:25, 4. «:30, Ktddiea Free! Freel Miracle Pairy
f<ai UFDT WO. «-*B4B. Free Park- i tLA-V —— !*9SL
lALTUItii,, "Daddy lain* Leas" - HGSLAMD 2533 hnl * *" s t SDNSET DRIVT.IN *■••♦•»«'« A
(Cinemascopei. Fred Astaire. *:00. IU 4-7311 ÜBITL-UI «, 7
0-05. 0:50; "Adventures ol Roblnaon j Cinemascope. DORIS DAY. JAMES At Balleye Crossroad.
Crusoe " Dan O Herllhv. 415. 8:20. ; CAONEY In “LOVE ME OR LEAVE Open 7:45. Starts 8:20. "HELL
u . a MU Technicolor, at 1:25. 3:55, AND HIGH WATER" (Cinemascope.
CENTRAL (!? For Technicolor), RICHARD WIDMARK,
V*.ni(*«l*si„, Soldier of For- ATI RUTTP N.chol. Ava al Allonlic BELA DARVI. 8:35; "THE BARACEN
tune' (Cinemascope*. Clark Oable, ATLANTIC s. SF * S 14000 BLADE" (Tech i. RICARDO MQN
-2:1(0. 11:00. »::iu. Smoke Slanal.* noai; TALBAN, 10:20. Color Cartoon.
Dana Andrews l UO, 4:'.5. 7:55. ClnemaScopt DORIR DAY, JAMES Kiddie*. Free
Kennedy * a -- ---- -
“oor 0 : L D.*y T • A »4 QUEENS CHAPEL
5:45. W:,"I5; ‘ Outlaw a Daukhler. 1 CONGRESS o ioV? “ **_. * —, .
ULllML‘7|"^ 4 n '-n' n —' p kln r- VIRGINIA MAYO. DBNNIB MORGAN Dnvg-Ia Th&atre
PrHN 11 .-5 .•(*«. Free Parkin* ln "PEARL of THE SOUTH PA- WA. 7--t»0«. A*er Road and Haia
riiifn "Love Me or Leave Me ' CIFIC. ' Technicolor, at 1:00 3 55. llton street. Heat Hyatt.,llle Mil
(Cinemascope:. Dona Day, Jamee d:SO 0 45; Al»o BILL WILLIAMS ln The World'a Laree.t ClnemaSceoe
Casnev. I On. & 00, * 25; "Along "OUTLAW S DAUGHTER.” Color, at Screen. In-Car Stereophonic Sound
Came Jones." Garv Cooper. 3:45. 7:55. X;4tl, 5 35. 8:30. With 3 Speakers to Every Car.
Kh VIIV i Q CORAL 4703 Marlboro Pika. Md. Ua,f Vj?**
aAfUT John Paynt. ‘2:05. 5:10. VUnllla |Q f . a i s | Parking First SnOWing in
8 10; "Violent Saturday.” Victor Ala- | Cinemascope. With •tereophonic Washington Area
ture. 3:30. tt:UO, H:3». Sound and Technicolor LESLIE HOWARD HUOHEjv
SHERIDAN & t 6 £T(cS - loS8 n ra? W®!. “SON OF SINBAD”
Scope). Fred Astaire, Leslie Caron. —. , A 1 *.>o, 11.25.
2 -0. 6 40. o :m: • Aion* came LAUREL laur * Md Dale Robertson, Sally
Jones." Gary Cooper. 4:15. 8:00. Forkwov 5-2113 r- rr .. t T :i:
•d m - Jl'. h aaoo | Cinemascope- MARILYN MONROE. r OrIPSL, 1-.111 bl. CyT
SILVER Free Parkins TOM EWELL In "THE SEVEN YEAR GieatiUc cartoon Carnival at
**T rtlltf tn? ryw TWAVV \rtr” Technicolor, at 2:00, 3:50. h:4O. 11:30
LUVili Mr* LJK Lh AVt MIL Continuous Prom Dusk. Open 7 30.
Doris Day. James Cagney, ‘2 15 5 50. fiRBITAI Cositol Haiahti Md Kiddies Under I*2 AJwaya Frtt.
R "ft: - The Outlaw s Daughter." Jim LAriIUL p l
Cinemascope CLARK OABLE. SUSAN AIRPORT ARLINGTON
TARAMA Free Park- HAYWARD In "SOLDIER OP POR- AIBTUSI 01 «.gtoo
Atinunn in* "The Sea Chaae" TUNE,” Technicolor, at 3:00. «:io, "END OF THE AFFAIR" DEBORAH
iClnemaßcopei, John Wayne. Lana ® : 20; Al«o ROD CAMERON In DA- KERR VAN JOHNSON at 10:15:
Turner. 2:0(1, A 35. »;15; 'Bmoke KOTA LIL, at 4:40, , 66. Plu s FIVE AGAINST THE HOUSE."
SUnal." Dana Andrew*. 3:55. 7:35 OUY MADISON. KIM NOVAK, at
TIVAII CO. A-1800. "Love Me or f , ' ' h Located In Arlin«ton
TIVOLI Le.v. Me" (Cinemascope.. g? Brld.e KM ’Fr« * v “ th * 14,h
Dorl.. Day. Jamea Cagney. 4:40. # 26; ROTH S THEATRES
JUr » JOh ° W ‘ ,D ‘ Air Candßleaed SUPER CHIEF DRIVE-IN
nOTAWH WO. *-*4*9. Near Park- i PLAZA IMS New fork Ava. N.W. LO - T-»T0«. H*OI lndlanhead Swy.
UrTOWn in*. "Love Me or Leave Slerlina 3-4777 DORIS DAY*and in
Me" (Cinemascope. Doth Day Jamea Winner of S International Awarda. : VTrT?™ tS Y »
Cagney, 2:00. 4 30. B:st. 8 25. j GREEN MAOIC. In Flaming Color. J-iOVe MC Os L(?&Ve Me
, ... ■ I ITTI P **h S*-, let. f and O In Cinemascope and Color, at 10.45
—— - dal A I AeE, ME S-1324 Aiso GEORGE MONTGOMERY ln
■ - Screaming From Today 5, Headline*.
K'B THEATERS uie Terrorist! ot Kenya i°n BBANCH DRIVE-IH
Alr t andltlaaed. Colon _ Al.o "DEVIL OIRL FROM Av ,. , EMd „ 4 6V , M T,“
NacARTHUB ..tr SILVEB SPRING K 42 °° *’* Tonight and ll M*nn AncMjJfr Anni-
The International Cinema r,.. aTv. . a X" s * r \. Unveiling Our
1 1 ptt a XTpTT W/VTrT? r PTMr« ’* ,M Parking at Rear *f Thfatrr Brand-Nf« Giant CinfmaScope
LriAJNL'IL MJtLILIIINU Matinee Today Doors Open l .'iupM Brreen So Wide It puts You ln the
J Arthur Ran* » New Thriller, With ABTAIRE - LESLIE CARON in ? lct , ur * With Jane Russell. Come
ODILF. VERSO IS at 2:“0, 4;lo. ti.lHi, D^9. D . Y LONG LEGS ' Cinemascope Giant Cartoon
T'ftft and D .’»ti P M Bhort Subjects Color at iS’HO, 4 ftp, 7.'*U, 18:50. Carnival at S:"ft JANE RUSSELL
at, ‘J uft 3 sft 5 ;»0, 1 4n 0:30 PM F X er Coffee Served in Our Lounge. and RICHARD EGAN in 'UNDER
, ; I PARK savonnah 51 «t l3th 51 5.k. FO?m 8 "f,' r& T«y ’i.™:
I Coffee. With Our Compliments, ini sHHA o ff Ala Ava IO 2-2233 Cano ■ . AM hK K ir
I the Piccadilly Lounge. 7to 1(1 P.M. | Matinee Today. All-Technicolor Shov. Wlth° BiaVa.h pt.je, tSS.V, N, * h *
* ~HARRIS. JAMES DEAN, RAY-
rni ANY Gaorg.o Ava. or>d Nirrogut r 3? U LESLIE Remember. Lot, of Valuable Prite,
CuLuRT St . N W RA 3-2200 CARON. MICHAEL WILDING. "OLAsI AuSsat*°Atlßlvera*r? l * h Anrt “ Wh2f
Th, Cantlnental Cinema SUPPER " 1:06. 4:40. 8:20 -A”-?- h,t
GINA LOLLOBRIGIDA j STANTON iiTc-sTSi: o.y aiJSSSA vircSua
In Her Neweet Hit, "THE WAYWARD i *”” tl. 4 4588 PVUTFIC " P F?LB»? P
F V.Mr t p.M- (, ’(te.Uah^Duk/u“? T«hnl«lor“8how M *Ljßu'E P CARo'N Bi^'^^erJ l^,, ’pere"?
AFiB 48,3 M »»-*« w O *•*“ WCHAKI, WIUJING. -THE GLASS Screen Show. Re.uUr
DORIS DAY JAMBS CAONEY ln ' "-Th? I vt?t,“ A .T E^ V . ■
"lOVE ME OR LEAVE ME." Cinama- I at 1. 4 30. 8. i A*- ' l a a.
Scope, at 2:26. 4 45. 7:05, 8:26 P.M. ~* , n|L nvm «»a# aaa aaaa
LANGLEY N H Av *- Univ Lon * f - ——— LEE HWT.-ARL. BLVD.
DORIS DAY JAMES t CA^N > EY In i Neighborhood Thoatru Drivo-Ia Theater
•TGVE ME OR leEAVE ME." Cinema- ARLINGTON-FA I. 1.8 CHURCB ?A. J*. 3-ft6o« « Mile. VP eat *f FalU
7.J5 and JA. 7-4 CM Charch. Amerlca’e Moat Beaatlfal
“ BVDn FTIRPIIt S Drlve*ln. Located Between 7 Car-
FI OWILB F,ow#r Av * 4 * ,p ** Br Rd tUIErIA 2',? T 6 F £j r i M f 1 " I .* vU 6 e, i h V
a lew If Cell cn ju4 m1 im „, , . ’*1733 Arlington Bird, (taming at Gal-
I PM Pont 5 FRED ASTAIHI !IS To l c L,i’“ n Feteri, "A MAN lowa Rd I or Let Hwv Warld'e
I.iT M CArSn r ,n ED -DfDDY'LSfd Cln "’ 1 ‘ 8l °"' Large.. Screen _
legs. " cinemascope, at Deo. 4:20. jL-T M — "White Witch Doctor”
STATE ,0 "‘ i a Ch rf«. v '
NAVI AR JB,h * A,a - Av » J -*- Bi.v. o . I* *-•«* Color, at 8:62.
DORM DAY jAMffl c-Sv t„ J" "Mississippi Gambler”
lOVE ME OR LEAVE ME." Cinema- 1 Tyrone_Po»er. t olor._ai io .>B^
Scope, at 2:20. 4:40. 7:00. 9 3(1 PM WILSON IZ3O Wllaon *lvd Tuesday From Here to Eternity.”
ROCKVILLE DRIVE IN Clark- Gable. Susan Hayward. "SOL- I Continuous From Dusk. Open 7:00.
V. s. Route '{4o. Rockville, Md. rlw .r° R1 i U os. Cinemascope. Kiddies Under 12 Always Free.
Oates Open at 7PM Color Matinee IPM _ _ _
Firsi Washington Showing RfirKINRUAM 231 N. Glaba ltd nil MFD <>dar 3-1111 Geo
“SON OF SINBAD” nUtaUIUIIAn M 7 0444 PALMER p„ m , r „ WT . V i. n,.
Super Scope. Technicolor. W.lh DAI K THE COR WE B ‘CI n e’m is,'®r " 83 *l. .VrP’a «fl«
ffr^CY™ 0 *! A 4O Y and >R n E ?s ' p l ** l Btereophonic_ Sound MaUnee‘ j C R M! Jud'd*".' 1 "!" e*''
Extra. Cartoon Carnival, 42 Mins, of GLEBE 2130 N Glaba ltd.
Fun. at in is pm bi<u>c. IA ,. 4264 ‘ DADDY LONG LEGS
r. " ; *—r SFCRn LIFE of In Cinemascope and Color, at (t on
fu?. r .Y P ls s 'fl OU 2i! , D * WALTER MITTY." Technicolor. Matl- Also BILL WILLIAMS ln "THE OUT-
Luxe Bn«ck Bar. Pizza. Shrimp nee 1 PM i.AW’R DAUGHTER” (Colon gl
Roll«, Frank*. Hamburger*. French ■■wa-iaaii — llT7 i 1 -o (coior .
Friea. Etc. JEFFERSON Arlington Blvd. 4 11
I— • Annondola >d ti--.a si . ... ■ - J ixr—
j£ 2-8040 I
p—pn ,;]] K|n9 Kl. f 1115! Os'l'EWE Ml."Clne?naScop?'Com?. SIDNEY LUST THEATERS
a HEED Forking Spore Stereophonic Sound Matinee 1P M Free Parkin* »le Caodltlaaed
* Air ( ondltlaned Free Parking ARLINGTON Columbia Fika 4 UTT I Vinr MnVr.IN
0 Cinemascope and Color "INTER- *»■“*•««* W*» 5. Woltei Daad Dr BlLLalilt Util TI, lit
.a RUPTED MELODY." OI.BNN FORD JA 7-2V99 «>,H) Marlboro Pike JO. S-7»7».
ai«e ELEANOR PARKER. Mat. 1:30 P M Danny Kave, "THE SECRET LIFE OF Open 7:30.
a'i ViaCnna'AamoeioKlvd.glotSt WALmUrm-. Technicolor. Mali- | DORIS DAV. JAMES CAGNEY
%• • VlMUima K | ~4 , M nee i pm “Love Me or Leave Me"
Air ('onditloued. Fraa Parking. ...j-u-.-i- m 4 r , in#»t«»«irnne Color at S-.'hV Plu*
ySjBRNEHT BORGPGNE. BETSY AVP CRANTI 645 Pa. Ava. S.E. DAN cOMMANDO"
C=i BLAIR. ”MARTY”_Mat 1:30 PM. AYL. lIIIAIIII tl . 7 3222 Air Cond. a. 10 D 4ft Children Under l” FTee.
rniTDr foirlinaton, V« Today and Mon. CARY ORANT and Big. Free Playground Now Open
Oi tXJUIIL it 6 1000 AI . R P. AN^ B ;. Jr 'V-._ ai JNGA . BCf TCUfI I V VRSVVP VII
CL Air Conditioned. Free Parking. 1:00, 4 7:45. BURT LAN- BELTSVILLE DRIYL-IH
-re Cinemascope aud Color ‘ WICHI- £ A ® 3 \n A PACHE
£A.;; VERA MILES. DORIS DAY. JAMES * CAGNEY.
gs- iFAIRFAF feir * a \^ 0 “ 9 12999 “Love Me or Leave Me"
a-;- amiUdUlblllN OV S-MCj 'ABBOTT AND COS TELIA) MEET THE Cinemascope. Color, at 8 4(1. Plus
• * Air (andltloned Frea Parking MUMMY." Also 'THE YELLOW MOUN- PAULETTE OODDARD. "CHARGE
* C)'rm.S?'p:.nd ' j OF THE LANCERS- Color, at I I
2 THE PHARAOHS " JACK HAWK- fipFl f 2*05 so. Ava. N.W ~
3 INS JOAN COU.INB. Matinee lellllelia ga. 7 .0i*4 AIR-CONDITIONED Wednesday On Stage "ASYLUM
1 :3h P M CLARK OABLE. SUSAN HAYWARD. ! OF HORRORS,' Sensational Spook
MICHAEL RENNIF in "SOLDIER Ol* show: Plus Horror Film.
I unic RaraliainAv'a Tkaalaag FORTUNE* (T'echnlcolor. Cinemaßcopai, _
LOUS oernneuner s nouns at 1:26. :t 3&, 5:40. 7:46, H:5». Children Under 12 Free. Big. Fra*
rotva Dm I irr DU. 7 *3(18. CRrrWIIFI T Graanbait, Md. P .L»7AL ou Pi n
THE VILLAGE hmiKBiLT G , 3M 22 f ;.. au m ji. •-*»«.
DORIS DAY and JAMEB CAONEY »n Show* Cont 1 P M TONY CURTIS. f .. Br>N
“LOVEME OR LEAVE ME" .«>*« r & k "V b^ ,eb ba t r° “DADDY LONG LEGS”
;!. n 6 MICKEY°ROONXY 2 l*i FOOT.’’ 0 " CAPTAW UOHT -’
,"TH * ATOMIC KID." at 1:00, 4 :3(1. 8:04 "i- ~ BRITTON. J ° ® BQUAD*
NEWTON w * 4,M DISTRICT THEATERS
FRED ABTAIRE and LESLIE CARON 1n Coll NO. 7-3000. Air Conditional DE. 1 liUUH
“DADDYLONGLEGS" LINCOLN 'JTrtTwsi nw ~ .«*» foci”
In Cinemascope and Color, at 1.06. 3:48. l*llvl»UleH 000 ,, Open 12:30 FM DADDY LONG LEGS
8:30. 0:16. I In Super Scope. "SON OF SINBAD.” ! Cinemascope, Color, at 1:4(1. 4:15.
vnninil Kl - ■-t4*4. RirHARD FORREST.III ,I ST._CYR _ PUPtIFDI V UN. 4-0100
VUInUII WIDMARK, LAUREN BA- agP||Bl If <343 You St N.W CHEVEHLY
CALL In lUrrVOllltr Ooor. Opec 12:30 F M DORIS DAY. JAMF.S CAGNEY.
~THE 4 00 j^fs M s A i N Ew r A “Love Me or Leave Me"
In Cinemascope and Color, at I.IS. l 00. ARTHUR KENNEDY Cinemascope. Color, at 1:30. 4.
6:40, B: * u ’ j miijm t" «3*‘w*i■ mw■
IP«r LA. (1-31 12. KATHRYN GRAY- OWUAtBI Joor . On.P 13 30 F M HYATTSVILLE '
JtrMh aoN and HOWARD KEEL In; Held Over In Cinemascope "SEVEN "
“KISS ME KATE” SB MARIIYN ' -DADDY LONG LEGS’’
ERICK ‘cRAWFORD In* YORK LANGSTON Tsth A Bann Rd N.g I I CMnemaSrope, Cdlor. at 1:30. 4. I
CONFIDENTIAL", at IMHI,
crnnrrTnwN >3j<wi.7av* A A N L ? Ye oN h jamm BTEWART ' KAVWOOD
GEORGETOWN A0 4. l)0 o JVNE ALLYeoN doris day, jamh caonby.
Laat t Daye. Adapted to the Screen by -mui-tun— , . ■■' | “Love Me Or Leave Me"
No,M ‘‘ “xhe w big sl'mif’ 1 HBER-BETHESDA 74 0\ -«>•
HUMPHREY BOGART “^EME^RLeTvEME" I TIERS MILL w "' "• 7 -*'
T ATTDTTRT SAPATI I:(lft 3:10, 4:16. T:80. *:4O. DORM DAY. JAMES CAONEY
LAUREN BACALL . ■- - "T jivf Me nr I ,aqvs Me"
Baaed on the Beat-Selling Novel by Ray- I Mop.. P” 1 ?. _> “'.'Tj" 6 r„le, lso « ,
s|rvsr- 1 - , °- 4> (
gllkeNoo s, 1336 Wlaeotula Av*. M f ■ ——
comer to sulk, now that she’s |
working and he Isn’t.
“I keep my makeup box
alongside Chinook's studio kit,”
the young setress explained. !
“When he wakes up each day, !
Chinook goes and looks at his
kit. If it's open, it means he’s
going to the set and he be
comes very frisky. But if it’s j
shut, he gives me that look.” j
nSSTiWASHINGTON^W^^
J*BL 1 HUGHES
I
f M V-7 S,NBAD 1
i % / OALE ROBERTSON-SALLY FORREST I
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E-3

Evening star. [volume], August 14, 1955, Page E-3, Image 86
About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], August 14, 1955, Page E-3, Image 86 About Evening star. [volume] (Washington, D.C.) 1854-1972

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Evening star. [volume], August 14, 1955, Page E-3, Image 86
About Evening star. [volume] (Washington, D.C.) 1854-1972