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_ CONTENTS :♦» Week of November 17-November 23, 1957 I■■ T M Cover Story iGuy Williomt)— I This Week'* Movie* 35 WASHINGTON DC ■ IIU iHI TeleVut Mailbag - 6 Thi« Week in Public Affair* __ 36 WASHINGTON, d. C. mdmtd* Thi* Week', Programs S3l Thi. Week'* Color Show* 36 Index of SHow* and Stars 32*33 This Week for Children 36 Trademark Registered U. S. Patent Office Baltimore Programs .... 34 Thi* Week in Sport* 36 Published by THE EVENING STAB NEWSPAPER CO., Wothington 4, D. C., Telephone—Sterling 3-5000 Cover Story Zorro Is Guy s Big Break By BERNIE HARRISON The latest member of that “lucky” Uni versal-International class of ’53 (which included Hugh O’Brian and Anita Ekberg, to name a few) to make good is a handsome, 28-year-old actor who just sat around last year and col lected his salary. In fact, Guy Williams’ most momentous experience at U-I—shortly before winding up his “work” there—was a fall off a. horse. He bears a scar on his left shoulder as a remem brance. It’s wasn’t his horsemanship, obviously, that won him the role of Zorro In the popular new ABC-TV adventure series. But Williams had one hobby that made him a standout over the other aspirants for the role—his fencing prowess. It was this, he suspects, that clinched it. “Os course,” he told me, “I had to un learn everything I had been taught about fencing for Zorro. My experience was in com petition-fencing, and picture-fencing is com pletely different.” Guy credits famed Fred Cavens, who also taught the two previous Zorros, Doug Fair banks, sr. (in the silents) and Tyrone Power <l6 years ago) with bringing him up to date on the flashy technique necessary for the TV series. Guy had quite a time his first ride on Tornado, the all-black, 7-year-old quarter horse who is “starred” in the series. “I didn’t know It, but he’s a top cutting horse and I’d never ridden one. We were going at a full gallop when I shifted my weight slightly and he cut. I nearly went the other way." Guy is somewhat sensitive about "com parisons”—not only with previous Zorros, but with other actors. “People always think of you as a young someone-else,” he complained. The fact that he was a “leading man” type contributed to his inactivity at U-I. “You’re in tough shape if they regard you as that type. The role always goes to some one better known. And you’re never considered for character parts—even if you could do them.” i im cfrj|l| l y ik I fr A if -/% ' I i| ; ' Jam HU ■ MBr*” fir 11 ■ft |9 I BI m 1 ■ I ■MB ■ fl TABLES TURNED —Ouy Williams, who spends considerable time in the saddle playing Zorro (Thursday, 8 p.m., WMAL—7), learns how the other half lives when it’s playtime at home. Then son Steve, aged 5, becomes the dashing horseman, pop his trusty steed. He hasn’t seen the original “Zorro" (Doug, sr.) and thinks he’d better leave it at that. “I might get discouraged if I did.” The fact that amazes him is that the re doubtable Doug played the role at the age of 30 or 40. “Shooting this series,” he said, “is like Continued on Next Peg*