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Sophia Loren Look what's happening to Italy’s sultriest siren I She’s turning into a slim, wise-cracking cowgirl I Hollywood Sophia Loren was intently watching a television Western when I went to visit her recently. She was sit ting in front of the TV set wearing blue jeans and an open-neck man’s style shirt. Her bare feet were propped on an ottoman and there were glasses and plates on the table in front of her. Carlo Ponti, her husband, was asleep in his chair. They were the per fect picture of an American couple taking their ease on a Saturday night though the glasses held wine and on the plates was a pizza pie. Obviously, Sophia, who three years ago was Italy's biggest star, has now become almost as American as Marilyn Monroe. I say “almost" because of the pizza and wine in place of popcorn and beer. A Long Way From Italy Since “The Pride And The Passion,” which was her first American film, Sophia Loren has starred in seven more American pictures, receiving an average of 5300.000 each for those already finished and a total of two million for her last three. Today she’s a far cry from the girl I first met in 1953 in Madrid, filming “The Pride And The Passion." In those days she was Continued on page 12 10 nU— By JOE HYAMS The Americanization •I J ni Lvl B R yi * ■ Bl \ sjn pKr \KfIPSf )J jii/il ’ Awl lit 4 1 a 3f! Wm. JUHB - Mi 1 fill k 'V>v |W/ t-# Ii 1 M \ 1 I \ V lid | oAmEEfa \ | A - ijf ’ A Uljjjßf Bjb tj3is mS 19E* a ßßkld^ JQ 1 * % ■ ■ mmm nK Jin ■■ jSH iJjjgjßiS lip ’ Dick Miller ON STAGE: 7a “ Houseboat ” Sophia plays American-born Italian girl. Off stage (above), she eats banana-split THIS WEEK Mogotino Ndvombor 9, 1950