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OUTDOOR BALLET innrrhTrr » J CLAUDE THOMPSON ’ 1 Jr. ', J AND CARMEN DeLAV ALLADE ,y ft <J 'GERSHWIN YEARS' FOR HARRIED By BERNIE HARRISON F Leland Hayward, veteran producer of “The Gersh- I win Years" for CBS Sun- day night, spent the holidays tearing out his remaining locks, it’s under standable. Maybe he should have hired Johnny Midnight before he undertook the assignment. Who, for example, erased the tape of the Catfish Row sequence from the brilliant "Porgy and Bess” ballet? “It was a stunning piece of tape,” Hayward said, "but what hurt was that it was shot outdoors on Jamaica Bay and couldn’t be reshot there be cause of the snow.” A producer, of course, thrives on problems—or so he jollies himself into thinking. “I like to believe we’ll have a good show on account of them,” he said. The tape erasure, unfortunately, wasn’t the only setback. First, host Moss Hart had to with draw because of his health. Richard Rodgers stepped in. Then, soprano Eileen Farrell, who recently made her Metropolitan debut, withdrew in a billing difference. The Catfish Row sequence had to be reshot—naturally. Hayward sent his crew and dancers to the nearest, sunniest beach. One of the interesting aspects of this number is that dancer Claude Thompson, as the crippled Porgy, never gets off his knees. Carmen DeLavallade is Bess; Alvin Ailey is Crown, and Harold Pierson dances Sportin’ Life. After the tape snafu, Hayward