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Image provided by: University of Illinois at Urbana-Champaign Library, Urbana, IL
Newspaper Page Text
RED ROSES By Mary Parrish - (Copyright, 1917, W. G. Chapman.) Undoubtedly Ruth was too sensi tive. She could never get away from the fact that she was the "poor rela tion." No one in the family seemed to make this apparent; they were all kind and considerate; but to some natures the position of being depen dent is especially galling, and some times embittering. Ruth lived in a small country, town, and wishing to study design ing at an institute in the city, her Un cle Vane had offered her a home with his family while she attended the school, as her parents could not af ford the expense of keeping her there. Margie Vane, the only daughter, ivas a year or two older than Ruth, and had been "presented" in society :he year before Ruth's coming. There were parties, dinners and luncheons in plenty for Miss Vane to attend, but Ruth felt she must make the best of her time with her studies so seldom mixed in the gaities; be sides she had not the wardrobe to ap pear at these functions. Of course when people were invited to the house for dinner or evenings she was always present. On one of these occasions she met Glenn Beecham. He was a good-looking type of the young American and was rapidly be coming a successful architect. Ruth noticed that he was much attracted to her cousin Margie and proceeded to efface herself as far as possible. But there was something going on in the region of her heart which she did not find quite so easy to efface. The mysterious attraction which draws us to some individual soul has never yet been very satisfactorily ex plained by scientists. Ruth Bassett was not the sort of young woman to be fascinated by the first good-looking man who came along, she was xather too serious-minded for that. and she had been brought in contact with quite a good many in the Vane society; but Glenn Beecham seemed to her "different." The one we really love is always "different." One evening she happened to be in the reception room when he called. She was bending over a vase of red roses, enjoying their fragrance, and She Was Bending Over a Vase of Red Roses. caressing arranging the stems as he entered. "You love flowers?" he said. "Oh, yes, but espeeially re'd roses. They are so splendid, royal, full of life." Their conversation drifted an to their work, architecture and design ing. The two arts had, something in common, a kindred interest and they became engrossed in the topic.