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THE M SECTION SEVEN. THE PA] VACATION reading is one of I those questions which, in the I woras 01 a iormer cmiei je.xecuthe, confronts us with "a condition and not a theory." That is the simple explanation of the bewildering and often absurd paradoxes Offered by the annual output of advice on summer books when surveyed en masse. The prevailing belief, amounting almost to a superstition, is that with the advent of sport clothes and fluffy parasols, of camping outfits and fishing tackle, there comes also a certain distinctive type of summertime fiction, characterized chiefly by the slightness of its tax upon the human brain; a mere souffle of words and thoughts, to trick the mental palate into forgetfulness of breezcless air and baking heat. '"Hammock Novel" was the term coined a decade or two ago to designate this special type, inspired perhaps by the familiar doggerel of an earlier generation: Shady tree, "Rahhlint* brook. Girl In hammock Reading book. A diametrically opposite theoryholds that vacation time offers opportunity for filling in the gaps in that broad and general course of reading which educated men .and women are assumed to have covered?and which so very, very few of them really have. "Paradise Lost" slips easily into a pocket, and with diligence can be absorbed even during a two weeks vacation. t ai l} IV a 11 cuci ivn uic Great" is equally solid but somewhat Jess portable. And a recent earnest article vigorously urged certain works of religious dogma as ideal summer companions, naively arguing that most people would never re ail them at home. From a different angle it is suggested that summer reading is, like reading for any and all seasons, a matter of the personal equation?and this is by far the sanest view, coming nearest to actual experience. Approximately everybody reads more than one type of book, tor more than one purpose. We read the technical works bearing on our own business or profession; we read a modicum of serious books so as to talk intelligently on topics of the day, and gTeatly to be pitied are the few narrow souls who have never learned the tonic value of desultory reading with no definite purpose beyond that of killing time. In the words of an English reviewer (who unfortunately chose to remain anonymous!, "it is for pleasure and pleasure simply that so many hard workers take to desultory reading, until with a few of them it becomes a stimulant hardly to be foregone. They read as a drinker swallows, and we do not see wnerc uic uujctuuu iu ouv-n icaulng comes.'* It is this sort of reading matter that most of us by instinct take with us to the country, according to our individual tastes. If at home we And our best antidote for a tired brain in Gaboriau or Sherlock Holmes, then by all means let us take along the newest of the season's detective stories. But if our minds call for the frothy cleverness of the "Dolly Dialogues," then the "Girl in Hammock" type is our first best guess. And those of us who happen to b3 honestly "high brow" in the better sense had better slip into our suit case that new volume of verse or those essays we have all winter Jong been meaning to read, or perhaps that most recent simplification of the theory of relativeity-but then we need not be told to do so, for we will do it anyway. Summer reading, it should be repeated, is a condition and not a theory. Theoretically summer is a season of great activity in the book world. Yet current statistics show that book sales for Juno amount to only one-twelfth of the year's bu?i Summer ; NEW AGAZI Copyrigh NEAY YO RADOXE By noss, while in July and August, despite the activities of train boys and of watering place newsstands, the business drop3 to a bare 6 per cent. It is true that the spring and summer publication lists contain a large pioportion of light fiction, but so also does the list of fall and winter, only public attention is not so directly drawn to it. It is quite true that g: eat numbers of people traveling by boat or rail or idling at summer recr?rts i^Avnur an innrdinntp nnnntitv of reading of the lighter type; but no one knows better than the publishers that if these same readers could be followed to their various home3 during the rest of the year their summer tastes would be found not to differ materially from their T A B 1 The Paradoxes of Summer Rea< By Frederic Tabe Summer Reading: The Publishe: Intimate Views of the Pope. By Sanfor The City That Tried to Be Ron By Hel The Austrian Mother of the E; By Finr Transatlantic Captains of Form By Seabury : Is the Indian Misrepresented i By Jose Literary Pilgrimages. X. 1 Vosges of Hugo ai Trancnlanted Italv Has Colonic: Where Are the Cabs of Yester; Ape's Teeth Like Man's Chronicle and Comment. By Artnur Bartlett Authors' Works and Their Way The World of Letters as Others Reading YORK N E and t, 1922, by the 8u n-H erali Corp RK, SUNDAY, JUNE S OF SU1 FREDERIC TABER COOPEF winter tastes. A practical prcM* < of this is found in the interesting 1 fact that in the case of two or three t prolific writers of the "best seller" j class who for several years have < averaged two novels annually of a 1 fairly uniform quality, the records f show that the volumes published in I the fall have been much more profit- t able than those issued in the spring. < Far from being surprising, this is i precisely what one would expect if, t instead of theorizing, one looked the e facts in the face. There is no place j I on earth where one sees so many 1' volumes lying with closed covers on j 1 tables or in laps as on a summer hotel I piazza?unless It be on the deck of I an ocean steamer. The mental j ] "bracer" of a stirring tale, so wel- 11 , E OF CONT I r?>B^ ling. New Fiction in V x Cooper.... J Flaming Jewels. . . Refirn of Alfr rs Advise.... a Mortal Coils?' All the Way by d Griffith.... 3 Betty Varian.. le. My Own Chinese en Augur.... 4 aglet. Fanner Boy's Drc linDredd.... 5 ? . * ... .. Mountain Cumbir Lawrence.... 6 Mordkin Salutes ] n Literature? The Search for tl ph Gould.... 7 gats Given a Pla, rhe Place des B; id Balzac 9 For Women Reac 5 of Her Own. 10 Qne More Don P /ear? 10 A Revi< 11 A Fresh View of A Re\ ; Maurice.... 12 The World of Fc s 12 Books of the We 1 See It 13 The Book Factorj Number . HER, BO O K oration. 25, 1922. TV MMER R L :eme after the workaday routine, oses it3 zest when the woods and he fields and the skies call out together, "Throw aside your book and !?me and play!" Marguerite Wilkinson recently wrote that when we to to the country we should be sure :o take three things with us, "soliude, imagination and books." Ac:epting her definition of solitude as i frame of mind, this is an excellent ;rio to take with you if your idea of l real vacation is a rest'cure rather iV AVv Cft O w LEV I Lhan an adventure?or a romance, rhe trouble with most advice on bcoks and rending is that it comes rrom confirmed book lovers, people to whom the absorption of the printed page is an ingrained habit and who forget that to the average ENTS 1 i Page aried Forms. ?Peter?The Heretic?The ed?Claim Number One? i ne (juannea Adventurer? Water?The Vanishing of ??. l* Romance. By the American Wife.... 16 :am of Palace Comes True. 17 ig Then and Now 18 Metropolitan. By Margaret Case.... 19 ic Perfect Foot 19 ce to Roost. y William T. Hornaday.... ao lers in Current Magazines, ai 'assos Soldier. :w by Harold Callender.... 22 Vergil. dew by H. L. Pangborn.... aa treign Books 33 ek 23 r. By Edward Anthony...24 . - - : #& \LD LS / ?' ' ? iSI VENTY-FOUR PAGES. EADING [ normal man or girl living a story la infinitely more thrilling than reading one. VAl'APtHolacc Vi rt enmmA* Ktstlr habit has come to stay. The vacationist will continue to slip a book or two Into trunk or suitcase and the stay at home will still bestow rectangular parcels upon departing friends. There is Just one golden rule, whether buying for yourself or another: buy the sort of book that you are sure you or he would erjoy at home?then your effort has not been wasted, for the book will be read after the vacation is over, if not sooner, and with all the mors pleasure because of its chance connection with pleasant memories. There are, of course, certain classes of books which are so ob? viously vacation books that it seems almost superfluous to mention them. Few places are so out of the beaten track as not to have their share of readable travel books that are almost fiction or novels that are guide books in disguise. To take a hackneyed example, a visit to Florence is not quite complete without a copy of "Romola"; in Constantinople one naturally reads "Paul Patoflf." and in Bermuda "Marv Pacet" is the nm ubiquitous novel. Every generation has its own best sellers of this class; back in the 70s a man would as soon h<ve thought of going to the Adirondacks without his rod and favorite (lies as without a volume of "Adirondack" Murray's inimitable fishing yarns. But when people speak of summer reading they don't mean travel books of this sort any more than they mean Baedekers or timetables. Without being quite aware of It, what they really have in mind is certain volumes that have lingered in the memory, inseparably associated with fields and flowers and country lanes. They were read perhaps years ago, and still are vividly recalled by the scent of lilacs, tbs flash of a bird's wing, the suddeu leap of a trout. Often there is no logic in these memories; it just happened that the book in question was read one midsummer day and held you in its spell, despite the call of open ioad or lapping waves. But one thing is certain: such books all have at least two points in common ?they are full of osone, and they have the zest and tingle of buoyant youth. It is worth while, now and then, to see how many old time favorites one can recall. Such a list is always largely personal and the making of it rather amusing?the irnnbtU' ltufvine u'hpn vmi t rv (f) reread those masterful pieces of a day. William Black, Oulda, the Duchess arc lust a few of the names that come surging back from remote days. No one seems to read them any nore They are mere dim traditions Yet Black, in his mild mid-Victorian f'shlon. was for a time a veritable prince of summer novelists. In "The Strange Adventures of a Phaeton" hi was the painter par excellence of the English ' landscape: in "The Princess of Thule," in "Madcap Violet." In "White Heather." he embodied the quintessence of epic battles with reel and line: in a score of volumes of blended humor and hope ana nennacne ne caugiii ana inurored back a nostalgia for the far northern coast and isles of Scotland so lasting that the very words "peat" and "heather" recall them with the old vividness. Ouidfi. too, though she chose to write pretentiously of titled harradens and pritoely ofres, who talked in a linguistic mr lange unknown to Oliendorf, and * -eated unhappy maidens with a <? *Uelty borrowed from Grimm's "FAlry Tales.' Is best remembered <n her simpler vein, when she pictu/ed the sunny vineyards of France or of Italy, and in "Trlcotrin" or "Pascarel" oK [ Continued <0 Followtma Pop*, /