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SPEECH OF THE PEOPLE Influences Tlhat Aire ModeFniziimg English By BRANOER MATTHEWS Professor of Dramatic Literature in Columbia UnivrnilXt New-YorK "The Engl UK Language 1 Alive and Crowingi It la Ever Flexible-. Yielding. Resourceful" IT lj.-iiijK.-mil that a numK-r of an iutj.ort.int elec trical jajf r came into the hands f a j.rofeMr m the Knglish dcjartment of one of the leading Anient an universities nut long ago; ami me of the j.romuictit advcrtiM-mcnts caught his eye at once 'I he advertwr vaunted the merits of his "scj.iralclv rxilliil 2 Meters " The jrofcss..r lowered the Jsijfr for a moment ami wondered vaguely what manner of thing a "sejiaratclv excited lio.rstcr" might If. First of all. what was a l-ter? Sv :i'llv. why si:-.ill. 1 it gel excited? Ami finally. whv r.iil it If cxitil scj-aratclv ? He was moved to ask a colleague in the electrical dejmrtnient. who easily elaineI the meaning of the juhng vur.! am! assurn! him that thee wot:M If under stood at nil. e by all the exj-crts engaged in jrai lual t-lectni.il work, however obMttie they might if even to a jirofcsM-d student ot the language, ignorant of the latest devclojirsicnts in this sjfcial art. Within a few- days thereafter the professor chained to hear other jhraM-s ibun from the rajndlv in. rcasing vocabulary of the ele tricians. He was told by a war corresjondcnt who hal re cently Ifctt t the front with the Russian army, that vodka ,i a "live wire." He was informed that on a certain iv.Na a woman of uncertain tcnjfr .t ' her trolley" He listened to an indignant frien.l dolanng that an objn tionalIo je.il hal I ecu m annoying that the sjfaker was reailv " to throw him down on the thiril rail " Ami then he recalled the stimiig stanza of the lard : the Krittsh Kmj.ire. in which Mr. Kij.lmg dul irn! the readiness ot the "Native Hum" o:t the shores of the seven seas to lrink To the hearth of our jfnjJt'" r-e"e T her ill-j.a;hcl w:a.!v mm. To the hush .; .ur .Jri-a-! high-altar fit re the Al.'-ev mlr u We: To the cnt of the si. -ground aje. To the gain that : v-ars .ni.l mint To the itank of the tjin rc.!it. To the ' u-f-i.t of the lane! Ami when he ha.l assembled these things in his Vf 'v the j-roie-.r of Knglish xnv their sig i an. e at last. Here under 1::- hand a new - l-l.n. e of the growth of the language, of its eon s' tilt e;.anMin. of its vitahtv ami of its health. .aammmmV mmLLmmW imflmmi mmV ammmV LmHmra5afcai H. r,- , j.rijf aiMtn ilut the ll:m!ih lannae v , al-'imlantlv alive, am! th.it however ttnnly r ! it i-.tsht If in the jiat it w a forever tretih i' j :' :reh !ra:iihfN lor the future. lt- work w i- :i '' i -lie am! it wa kccj.inj: itM'lf fit for t!le I !'. .I'.i'it that l.'ir.e.l K:..!e it. Heini; alive , ' n t .le.t.l. it na in u.n.i:i! change. a.ljiKin- -.' ?. The varvini: -trititnt inie. contmn-illv. .'r.j; j'f rea.lv to meet the neie-it:e of the- . . r ' . 5'le t!i.it jfnk ! ; i.nii-u langu-iKf i :i-t at vie- it ; a-:naKin r It i : tim-ho! aA r:n;lite. like Latin: Ti i- it .lea.!, like Latin It is alive am! irmwrn.;. .ml tlu-retore it is mt vet :io! am! !eter:niniI: i l- i-wr :!eil'le. yiriiitnc resourt eful. a it h.i a'w i Kvti vlmi- it earliest lw.nin.: It i n.w t'u .ite t.ni;tie that the great K::u; Alfrti! ;ke. am! t it i not the same, for it has outgrown its v. i.!.Ihn-lothes am! attair.ei! to the stature of a r c' :nan. It a in the infancy o: llncltsh th it Wret! achievii! the tnarvelou iiteriiry feat ? .Tea'mtf a jirise stvie. a feat which. I'reileric Ha"is,.n asM-rt. cm If evj.laincii n!v "hv re-tne-rler:ni: that the lancuae which Alfred sjoke ami wrote av.-is not exactlv -:iriy Kntsh. nor middle Lni'lidi. H':h U-ss the hwhly on jiite am! ti--se'Ia'ed m.o.ii. v!iu h we tall the latest and coil temjMimry Hnlish. It was only the Nmy skeleton of our Lndi'Ii. what the Palatine mount ot Romulus was to iinjfrial Rome, what Wes-e was to the J.ri-ent emj.ireof the Mnecn. Hut it wa the lcie-J of our lommon tongue, it was the i-oiic with the marroxv in tiietn. ready to If clothed in llesh and e uij.jfd witii inew and nerves. Hut this simj.le ami uusoj.histiiatcd tonitue the genius of our S.inoii iiero xi iim.i1 and tnoldul that he founded a j.rose rfyle. ami taught the Hnglidi rae to trtit to their own mother-tongue from the first; to If jiroud of it. to cultivate it. to record it in the deed- of their ancestor, and to hand it on as a national smi.!i f.r their children." Ahrcd sJioweil the same courage that Il.intc was to reveal a little later when lie those to make Hf of the language of his own jfoj.Ie. instead of e;rcsing hmwlf in the more learned Latin familiar toall scholars hut familiar tostholars only. "Till Dante's time." s-o Lowell 'reminded us. "the Italian jfts thotight no language gl enough ! jut tlu-ir nothings into lmt Latin and indeed a dead tongue was the Ifst for dead thoughts -lmt I'atite found the common sj.,iih of Ploreiue. in which men i'argaituil and Millet! ami made love, good enough for him. and out of the world around him made a jxfin siuh as m Korian ever sang." Alfred and Dante and I'liaticer mvih all of them to have had an intuitive knowledge of the fact wiiiih later j.lr.lologiial M-iciue has not et stte cinhi! in getting acicjitcd the fact that every language is lm on the lijis of tho-e who tie it. and that it lives in isnnmon sjH,-Ji :ind in tlaily ue. rtitl'.er than in grammar and in dictionaries.. Language wa jk-en long If fore it was written: am! t he sjK.ken tongue loM-ss.imothing of its vivacity and even of its vitality when at last it is written down, when it is ;rej.arcd to make its apff.il to the ee rather than to the ear. There is a freshness a! -out the sj.ken word vhvh the written word, and more esjf.-i.illy the jrinted wr.rd. has often !st. This freshness ;5k. real masters of jjhii li are forever striving to reia;ture. and their writings are dtreit am! vig.rotts and inviting in ;r.jirtion as they suciced in litis endeavor. It was Lowell, a sh.lar of the widest reading and a most ai!nit wielder of literary ailu!ot! am! i'lustrtitton. v.lio ti. e t.-M a friend fmnkly that "Hoys and !l.-uk-guards have always ifen ttty mast-rs in language " Most of t:s iive fatlil to lay tirtn hold of tliis jirini-ij!e. that tin sj,ken nl is jiriinarv and that the written won! is Mi-ondary only. Failing to eras; it. we fail to -tx. ix ii.nMHuenies; am! we are likely to fail into the common error of acrej.tmg a grammar as a o!e of rules which rnu-st If olf vel. am! we are j-rone to hold v.; a dictionary as a final authority to settle all 'juestioni of u?age and or- "TKe Improve ment in American Style l Due to Oietablikintf the Dictionary and Discrowning the Grammar" thograjihy ami jironunci.it ion. Hut the grammarian had no warrant to et uj as a lawgiver, ami he lias no commission to do more than declare what he ha ascertained as to the structure and the con dition of tlie language at that j.jfcial jfriod of its changing history wlmh he has undertaken to ex jilam. It is as a rnord of fats am! of tendencies that a grammar is valuaMe; and its value is dimin ished in jiroort!on as the grammarian mistakes his tiffne and risks himself in dogmatic judgments. And as a grammar has no authority in itself, so .-i1m a di ttonary has m autliority of its own. Its value lies in the niittracy with vvlinli it lias re cinlel tlie fats. As a president of the Mlern Language ,ss.iation statnl it jilainly a few v-:ii-s ago. tiie trained sAln.lars Ink ujHn a di tionary Mtnj.ly as "a more or less iucomj.lete list of the words and jihrascs umiI in a language in some jfriiol of its life, witli definitions (often inexact) of these words and j.hrasfs,." The dictionary, however amjle. however fre quent, its Mijfj.letnents, must always remain "more or less ituomjilete." for the language kccjs on growing an.l c.janding and resjnding to tiie une.NjfituI muls of those who ue it. even while the most rcicnt Mi.jIement is getting itself into j.rint. Ami there is need also to emjhasic the fait that the language has grown .'old cjam!cd so abundantly that no dictionary-maker h:is ever dared to attempt to in. hide all the wools within hi rcaih. The sjfiial vicahularics of tlie several arts and m-icikcs are enormously distended, and only tlie more imjrtant words of these sj.,-, ial vifahiilaricscan if iiiiludol even in tliedi. tionanes whiih are lauiuil to eteinl to several volunu-s. The sjfcial terms of the electrician sm h as "live wire" and "thinl rail" and "scj.aratcly e citnl lNMer" are riiordol only in jarl cvm in the Icsiion.s of that sine. Tile sjfial tenns of the stage and tiie theater were caret title lollettui a More of years ago l.y a touj.le of exjfrts for one of the foremost of American dictionaries; and they j.rovn! to if so many that onlv the most significant and the most likely to lv sougilt for were inserted. m Th-se theatri. al tenns were not evanescent slang; they were tlie tolnii. al words usil with alolute eactm-s i.y tile tiioiis.-inds of men and women connected witli the stage. S.tne of them were known also to tiie theater-going j.ul'Iii . xuih as "Ui-offue" and "rctum-chok." ".-ut-droj." and "stag, -hands"; lmt many more stti h as "sky iM.nlers" and "cut-wing." "luimh -lights" and "star-traji." "raking-j.itic" and "l.tHlH,ard-tiiket" would j.roia!Iy not convey any clear and dciuute v!ea to the most of tlnse vvh throng into tlie thcat. r. It is front these sj-cial vH-alularie that the langitige is constantly enlargcil and enniheI Front tlii-se yjfci.d Vfiealittlane. familiar only to tlie j.raititiom-r of the several arts, certain words and terms and jihrases are sati hed tiji and enter into general use. For a Mti.n they may If looked t:;n as intruders, as little If tter than slang, and not a few of them fail to establish themselves in time. unaMe to make good a right of domicile m tlie select lexicon of literary usage. Hut wiair of them j-rsisl and justify their claims to accej.tame even !y M-hoIars. Xotliing tnre clearly indicates the taste am! the tact of an author than the wav in which he deals with these novel locutions. M-ne of them barbaric and to if rejected without