Newspaper Page Text
THEIR FIRST QUARREL to JAKES B'lllMTO* tCesrrlgbt, by Joseph B. Bowie®.) Mua Pinkerton always made a point #f being down early for breakfast when ibe was a guest. On ibis occasion, however. Mrs Henshaw was close upon her heels. She bad been described by a fellow woBian as "ridiculously pretty snd aKsurtHy in lor? with her husband.'’ “Good morning. Miss Pinkerton Stunt and kelp me sort th- 1- rs. w..: ytmT~ Mia® Pinkerton w.is only too de lighted. “Tbey seem to be nearly all for your husband.” she said "1 don’t want to he inquisitive, my dear, but do you wed all the letters your husband re eeiTua from hi? old sw*-c-hearts Young wives are proverbially sensl t've. and in the face of this question Mrs. Henshaw was almost upset. But •he showed a smiling front, and evened one of her >••• r “This is f'om Kate—Mrs. Trary She used to be my great chum. She write* such nice letter-. Just listen to ; this: ’My darling Grace, if you can tear yonmelf away from the partner of your joys and sorrows, who will, I dare say. manage to exist without you Jor *. bit, I should like you to come and lunch with me to-’morr w ♦ Wednesday) at 1:30. If you come I xsr prepared to overlook your com parative negiee* of me since your mar riage. If you don’t, beware! Yours wver. Kata.’ ” M-ss Pinkerton’s face softened. “1 suppose you never have a game with Jack,” sh? suggested, almost t!m Ttlr. "get him into a little temper, tpr instance, just for the pleasure of ’3Sd“*eiving him the next moment. He would think you quite clever If. Ssr instance, you succeeded in fright •Ibr him with that letter." “Prightenlng him. how° I really don’t—” “Why. don't you see” Read the let her atou-1 again!" Mrs. Henshaw did so, but still ir*»k?*j bewildered. “Stupid! stupid! Just knock out Mg' word 'Grace* and you have a roost O OkT‘ **ST\ I IIr STt'!*!L> Atiightfo’ ovc .tr>-: from ,.n unknown ■»OiU-CL.. Mr' Uensh&w began to see. The Sw» «a» silly, but after all if it would >1m» this somewhat difficult creature, wfcai barm was there in it? And Jack wtiuid only be .■ bit astonished for th aw unc ni. Meanwhile Jack Heushaw. blissfully stnttr^m of what was in store for Vm. prof ceded quietly with his toilet. Misj Tinker; a had got ujx>n liis serve's, and he rather regretted that bis wife had thought it necessary to send her the Invitation she had so {•er'istvnily "fi'hed" for ever since Jw\v had returned from then honey SWTKJtii. Jack Henshtw was by no means ■inLi, and his foot had hardly crossed tlw threshold of his breakfast-room hefote he scented something decided ly ar,usual in the manner of his wife and her guest. ' What in the name of a)! that's wonderful Is the matter this morn s'.*?” ho said. At that his wife, who had never frowned upon hint since tneir mar gave him a look which he found t&iffknu to analyze, and which left hum oven more bewildered than before. Then she rose hurriedly from the tahb* and went to the window, only presenting to her husband's aston Vh-*1 gaze the' spectacle of a pair of Ahou'ders heaving convulsively. “It's about a letter," she sobbed. “Read It," exclaimed Miss Tinker tea A piece of paper fluttered to the toot. and in a choking voice came the words: ** 1—I can't. ’ •Then I must.” Miss Pinkerton ■picked up the paper and stood con fronting Jack with the air of a tragedy qeeen She noted with some disap pointment that her victim was to all tnteats and purposes quite calm. She *ad pictured his face turning to a greudsh hue. but on the contrary it «us quite bright and animated. T«r wife opened one of your let •*vs by accident,” she began, unblush ajgty, ”jnd these are the wicked wonts which shattered her idol and citepaiied all the dreams of her youth." Mits Pinkerton then read the let uar. with a dramatic e:irnestness very arb in contrast with the feminine lastly ce the- writer. *30/ S*r'iP.g Jack (pausa) If you an tearyo r>- ' jt«t from the gar* uer of roar Joys and sorr * - who wilt I dale say, manage to exist without you far a bit, I should like you to come and lunch with me to-tnorrow j <Wednesday) it lt3P If you come 1 am prepared to overlook y ;r com parative neglect of me since yeur mar riage !f you d ot- beware' Tours ever— I suppose I need not read *he name in your wife's pre-sen e, Mr. Henshaw!" cos.laded Miss Pinkerton, and then she gave something like a ga.'P For the effect of the le*‘e- on Jack had been marvelous. His cigarette was discarded His callous smile had changed to a sickening look of shame. When he stood up he actually shook, and his lips apparently framed words. 1 though for some time no sound came from them. At last he spoke, but his voice was hollow and scarcely recog - j nirable. * N •, it Is not ne e--ary to read the name." he said, with a shiver. He walked -a..wly over to the win dow with drooping bead. Grace ha i turned to him with a look of w .er and alarm which deepened as he spoke. l> i my n cor, Grace," he said. , "I uaa.-t understand this. I assure ' you I have given this—this girl no : enc uragement that < raid induce her to write a letter like this after my marriage.'’ His wife had dropped the flimsy mask that she had worn ncne too well, and confronted him with a pale face She could find, however, nothing to say, except to repeat his | last words. ! "After your marriage; what do you mean?" Jack made an idiotic attempt at jocu larity. jingled some money in his pocket, and feebly laughed. “".Veil, of course you know that a man isn't an-werabie to his wife for his pre-nuptial flirtation-." Mrs. Heashaw's self- atrol was j breaking down ucdc-r t' e weight of her discovery. With a sudden access of pardonable fury, and forgetful of the part she had been playing: ho is shc^ \\ ha: s her name? Jack turned from the window with j a ! >ok of astonishment, and muttered ! disjointed!}’: ' H-r name! Why surely! The let ter! Miss Pinkerton read it! By George, though, she didn't read the name!” Then, with the eyes of both women upon him, a look of horrid en lightenment suddenly tame into his face. "Great Jupiter, her name. Do you hear? Tel! me her name at once! Which one was it?” There was complete silence for the space of ten seconds. * Jack Henshaw counted them bv the clock. Then Mrs. Henshaw rushed out of the room in •ears. Jack turned to Miss Pinker ton, who had remained silent throughout, and now looked really frightened. ' What will she do?” he a.-ked, ex citedly. “she would probably go to her moth er,'' she said, in some alarm, "un less—" But Jack did not wait for the alter native. "That's what i feared! It's the more exasperating because 1: will bring your visit to such a sudden conclu sion. Of course you will understand. If my sisters were here it would be differ,-n-. j suppose Grace will go at once Ml fetch a cab! ’ And before she could stop him he was at the front door blowing excited double bh, - s on a cao whistle Then he summoned a maid. Miss Pinkerton finds she has to leave us suddenly. Will you please help her to pack?” Before the astonished spinster t nil find breath • > reply she was bundled out of the room with more basic than dignity. Jack rushed tip to his wif. s room, three steps at a tint**. A very tear ful "Come in" answere: his knock, and m a very few moments Jack Hen thaw had dismissed the idea that he was the injure.! person and was fully convinced that he was the hardest heatted scoundrel living. His con duct was quite unjustifiable, but he could at least palliate it. " i ou see, I Know you wore hav ing me." he explained, rather lamely; "I also Knew, or rather, guessed, that the letter was from Kate Tracey. I was beastly severe, I know, but I i couldn't think what you were driv ing at. You know my old penchant for amateur acting; I saw the possi bility of the situation, and couldn't re sist it. And dear Miss Pinkerton—'’ “An! Where is she? 1 had quite forgotten her' It was her mad idea. A great scheme for making you ridicu lous. Ridiculous, indeed'" “Tnat reminds me," said her hus band, going to the door, “dear Miss Pinkerton thought she would leave us. In fact, her cab's at the door now. No! don't trouble. I ll see her out and tell her you are too upset. 1 want to have a last word with her, as I don’t « xpect we shall see her aero again. The atmosphere is too dra matic for her dairy-fed cons' tut ion. Miss Pinkerton, for the first time in her life looking rather "sheepish," w .s :n tli l'.aii. and the cat wet- at the door. Ja-.K handed her In politely, and took the keenest interest in the ar rangement of her luggage. "1 am so sorry you have to leave ■ so toon," he said. "but I quite sym pathize with your feelings. Dy-;he nva. there was an empty envelope it Kate Tracey's handwriting on mj pl.t > this morning. Do you happen to know—” But the cab had started. The British military force now to South Africa costs $4tia.t>00 a week, ll is officially stated. I EASY LESSONS IN DRAWING By FREDERICK RICHARDSON ( !r3ftJC*or .r. - G*ia.rc« & *' ? r* At 'i J rtg&l» l»J - t. bc« N*.) A prevKms article show*-.! the ap plication of tb» working method, as so far followed to decorative draw{ Inc. In the same way the present articb- will show bow drawings by symbol ferm# ma> je taker, out of door-i and be is. u as the basis of an interpretative working from rature. Success d* per. l.ac more upsn un der'tanling the working method of rc lacing and employing the symbol It s.ipp* - i th a tr ch clearer understanding of : point of view has resulted frees s: iy r. the inter vening time and that a targe amount f fro-. ; m and s : . in ira« ag has resulted. X.tc far X.ifare W::k Heretofore tfct ng has l eer, al most wholly cr a*:ve O;;eo:s have after vi-servat: n -r. reduced to slmj-lt f rs- an ; ~ nto pic forms than upon particular skill in objective drawing it were well for , the pupil or teacher to review the carle r articles which suggested going out of doors to find the tree, tiie rock, hill “r other forms to be reduced to w-.ri r.g symbols for combining into pictures. All th.it was sai I on study ing the character of trees so that a simple shape would suggest the par tieuiar tree to be pictured should he k< p; m minis. ' s tHat fn -dom and beauty of ex Pr< ssloa might i>>- acquired. Now the ‘ ;i'ii c,v ■ < ut tti nature and accepts 1 : r combination and sets forth his inrrelation by that expression. T ne i ri s nt article is suggested ' J”: vacati°n or out ot door work la Benefit!, and is a step toward objec i’>e drawing as rt'ated to the fore going work. Let us suppose the ord- I nary case of the pupil in the public school and not deal with the excep tional advantages of the few who can seek unusually picturesque localities. Most city boys and girls spend the summer at home, with only parks or the suburbs available for picturesque material, or a short run in the ad jacent country, and thus it is a matter f nice selection and appreciation v. ■ h which we arc to deal. It may be a c ns n to them that it pcs s to .lo more with a back yard with much appreciation than with the Rockies or grand canyons without it. So the locality need not concern the pupil so much as his artistic sensi bilities. Variety of Treatment. Wherever the motif la found, be it in park, country or back yard, by river or s* a, let it stand as a study n t to be exhausted by one presenta t: n but a* a source of inspiration in the inexhaustibility of artistic in terpretation The same clump of trees in the veiled morning Is not the same under the deep shadows of noon, and th-. unit t of 'iiinv is net the same as the mysterious mass of shadow at night. A gray day does not present the same colui masses as a sunny day. and so on through all the changes that nature puts on to interest with her untiring variety. Not only is there variety in the change of nature, hut there is the variety of the ixdnt of view from which she is veiwed. This is the itr. - scale of proportion that is to lie tried, and the drawing of the same clump of tr. s and ixmd or river or fence with the horizon high or low, the picture upright, square or long and narrow, with all the degrees be tween. The cutting off of the top ; line that the foreground may be aug 1 mented, the experimenting with the. placement < f the principal group to ; this or that side, or the center, in fact, ' every consideration of the chosen j motif should be tried, not only for I the variety, but as the best wav to s proportions, to exercise fer tility of invention and to guard against that tiresome fault-conven tionality. Beauty in Haystacks. Or- of the great landscape painters of France painted two haystacks | under such different aspects. His ex hibition was of great interest from j the nature student's point of view and from tk artist's There was a score or mort > f canvases from January to Decmtii r. from dawn to night. The haystacks were painted through mist and rain, under frost and sun. some j an hour apart ,n the moment of their presentation and others months. It seemed as though the artist had never wearied of showing how many phases of beauty his subject could take on. and his exhibition showed that he did not weary the onlooker, for one went our this calendar done in haystacks; with untiring delight in tin- changes and variety. If we present a subject ns every one else has presented it there is lit value in out pi The story has been told before and we are . repeating it. But if we take, no mat ter how commonplace the theme, a subject that has been told again an J J again, and give it in a new light and a new !r> -s we at once claim the at tention. Tills is I!.- art.st't !a:rn to j recognition that he -h >w- ear own world through new eyes Treat Subject Thoroughly. It is meant that the student take whatever mat. rial he may have and pursue it to that end that he finds Interest in the study of proportion. ! placement, butane- and color, which must come u that artistic u mperm* mom is cxistant. Let the prop it. r; <f each mass of trees, ground, pond or whatever else compost s the picture he weighed and tried. Li t the ground he as two thirds to tii* sky a- tht. , lift!.-, as four-fifths. Let the sky pr- dominate. Try proportions of a fifth of sky. a fifth of dark tret s to three- ! fifths of half-tone ground. Vary the intensity of these with the propor tions. it will be seen that the pur pose is nut the treating of Hie sub in i.s many ways as possible for the sake of producing a quantity of ! pictures, but by seeking to produce j the motive in every way in which it seems to obey harmonious expression, to cultivate the perception for beauty, to the point of finding beauty in the most unpromising material. To-Day's Illustrations. The illustrations show on. mo iv< treated from different points of view i and under various conditions as so | forth in this article. Indian at West Point. Pan! Knapp, ,. halt-breed Pouawato niie 1 n >» ars , 1. has bt ■■■ u ppoint e t *c a West Point . det-hip by President Roosevelt. Voting Knapp was bori t for years hi livt . with his - rents in Beat n Har ber. v.l.e; i.e : eived the great parj ' f l.is tin a lion in tii • public s hoots. Lattr he went to the Haskell institute, . -i mol ! r in ns in Lawrence, Kan L->»» A- c- la returned to Bentot » 1 r I: i l.a- been icing >uoh vrori ' l|- l ... a;.. , J.,, wr. o ■ . Indian Commissioner Leupp "■* 1 interf st. i in him, and the t president. Khedive's Escort. °n a r- •< nt J tirney from AKxat- i d .a to ti e oasis of Siwa, the kit'd ivt \ d Egypt was is. inrd ly ,-lght KiA'P | ":ar* d.diers. one coachman -even protons, three rooks, four serv’ j at. t ,vo let, * pitchers. one farrier.' five camtlmen. :.n amt 1 drivers, four ■ ' - nn i ■ Bedouin , amel drivers lie i*> were 44 horses. .12 dromedariet tot i bo camels for his highness' po» s0nai service and 240 ..amels supplia ty Bedouins for t:au*y,:t service. WASTED TO_A But Found a Cursor Fi{. of Suff»rin„ “ Y,*« A. II. Stotts, messing*.;.' if ,v Capitol, Columbus, 0 m-,. v“e8 js 'JZSZ’Z act 2ft cure, i h.,7 » backache,, i“1a he,’*, a ble urinary d',r,3 On? > <»l‘apsej. feJ*y ■ «as:e(i away in bed for After being given up, I b “ *** Doan’s Kidney Pills. in a®“ months I regained mv ol l w * and now weigh 1SS p',Unfls t ^ boxes did it, and I have bJT two years.’’ J'ea *s5 Sold by all dealers. 50 cm* Foster-Milburn Co., Buffalo, X LITiRARY FITTER Perclva: Gibbon, ' the well-kB„« author, began life as a cab,a * and i3 young yet with a ckanc, J adding M. P. to his name. ® Andrew Lang n< wrote to Is** Zangwill to a. k him to take pa an author's reading for the beneHta a charity and received in reply ^ following laconic me. age: •if't, will—I, Zangwill," ^ One hundred pounds was gwn u London for a first edition of Di**. Dt-fo- s I he Life an<* Surprising Ai ventures of Robinson Crusoe" uy together with "The Farther Adv* tures,” issued in the- same vea,-” Thomas Hardy, the novelist,*!,, little b >y when !. • ier gave ta a copy of Dry I n's "Virgil." She toot great pains with his education, a* had him taught Latin a: 12, and u the age of 15 he received his hrs lesson in French from a governess. Bliss Perry, editor of the Arlan* monthly, has been appointed to i professorship in English literature in Harvard college, a chair which iai remained vacant since 1S06, at; which before that t:nie was occnpui by George Tichn r, Henry Wads worth Longfellow and James Russtil Lowell. Lafcadlo Hearn is residing In Xw Orleans and doing some work. Hi v>rit"s ' I nrn living ia a rntned cr, de b- use damp brick w alls green w ith age. zigzag cracks running don the facade, a gr-at yard with torch# plants and cacti in it; a quixota horse, four cats, two rabbits, thru dogs, five gK'si' and a seraglio d hens—all living tog, ;aer in har mony." SAYINGS OF THE TOTS. / “Mamma.' said ..tt.v Ethel, who wa looking a, the ; . tares in a SuBOf school beck, "how do the angels gi: their right gown* on oter their wings?” ”1 think papa . r.i mamma likes the baby better than they do me,' aid lour-year-old B.- -te to the visitor, " ’cause he lets cm do just as they please. ’ “Tommy,” said the teacher, “don’t you know better than to talk aloud a school?” “But what is a feller to do?” quer ric-d Tommy. ’ Y , said the other dat 1 mustn't whisper ' It was the ro.I of distant thumitt that cau.-ed lift’.--* Margie to observe “They must be >amng house a beavers t “Why dr> you th.uk so, dearT'ask« her mother. "I hear the arp- movin' fte fura> ture around." rep.: i Margie. ST HAY STATISTICS. rhe av< of si k*** B L .man life i- ter. : : 3 per annum, Only one «*-up. m over 11,000 at* to celebrate th-ur ad wedding British South V has a gofti* tiou of 1,132,750 whit- people and 3uS,355 negroes. While Euro 1 -• has :• 7 people to 2' square mile, As.a hr,: but 58, Africa an 1 Australasia on- and one-ha!* ^ During the lifeir.w ■ t a health} »*• she will lay from •> ' ' 500 eggs be-t laying capart.y is durng her ond year. In France, out of e j itants 123 are 111 r- ft us against 73 iu 12.. - Germany. It is stated '.In' t 225,000 miles of i..-up tom of the sea. Each — f 1,000 to lay. TRANSFORMATIONS. Curious Results When Coffee ing Is Abandoned. ^ It is almost as hard for acoU« toper to quit the use . i1 ‘lS j.0j a whisky or tobacco fiend to 1 . except that the coffee user*acA fee and take up Pcstuin Ft-’ ^ ^ without any feeling of a i morning beverage, for when g «C1 b„,i. I an,I *:-■*-TiS* Is really be tier in poln. most of the coffee served nt ^3 and to the taste of the conn is like the flavor of fine Java- ]acejj A great transformation ta 0 the tody within ten days or *^ after coffee is left off and 0 -‘^pol Coffee used, for the reason tsa^ sou to the nerves has been on^ and in its place is ta’iien,'?aC3enSc* contains the most powerful nourishment. mAP10* it is easy to make this ^ these statements by changt fee to Postum Food Coffea "There's a reason.