The Washington times. [volume], February 07, 1924, Page 12, Image 12

About The Washington times. [volume] (Washington [D.C.]) 1902-1939

Image provided by: Library of Congress, Washington, DC

                
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INTERESTING
PROGRAM
Eminent Russian Pianist Ap
pears in Concert Here
This Afternoon.
r
Alexander Siloti, the Russian plan*
Ist, who will be heard at the Na
tional Theater this afternoon at 4:30
o’clock, under the local management
of the T. Arthur Smith, Inc., Con
cert Bureau, is perhaps the bright
est light of the survivors of the
school of Liszt, whose friend and
pupil he was. Rachmaninoff is his
eousln and pupil.-
Early in his career he was a pupil
Os Nicholas Rubinstein, brother of
Anton; he was a friend and col
league of Tschalkowsky and on
friendly terms with Brahms. As an
orchestral conductor, he did much
to further the cause of English
music in Russia, and to him that
French school of which Roger-Du
casse and Ravel were exponents
owes what Russian popularity it ac
quired.
Mr. Siloti has to his credit numer
ous arrangements and transcrip
tions. His programs are dotted with
t|iem —Bach, Liszt revisions, Ravel,
Liadoff and Rubinstein.
The New York Evening World
mid, after hearing Siloti’s recent
program in New York, that he plays
all of these composers as an inter
preter should, and that he is more
concerned with attempting to show
What the composer means than in
decorating them with his own
fancies. <
Siloti’s program will include com
positions by J. S. Bach, Mozart,
Tschalkowsky, Liadoff, Scriabine
and Liszt.
SOIREE FOR RELIEF OF
CHILDREN OF GREECE
A soiree under the auspices of
the Relief for Fatherless Children,
Inc., will be given Monday night
•t the home of Mrs. Charles M.
Ffoulke, 211 Massachusetts avenue
northwest.
Solos will be given by John A.
Rogers, of New York, and Emanuel
Wad, the Danish pianist. .
Classes in Technique.
Jacques Thibaud, who recently
Was heard in Washington, will'give
his first American classes on the
avenings of February 18 and 25 at
the David Mannes Music School in
New York prior to his sailing for
France later in the month. For his
glass of violinists, divided into
players and listeners, M. Thibaud
Will discuss points of technique and
Interpretation.
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KREISLER PRYSI
OWN TRIBUTE
TO WILSON
I
“Greatest of Violinists” Awes
Hearers With Dvorak's
“Going Home.”
By WILLIAM MOORE.
A dimly-lit stage. A glittering
back-curtain, fairly shrieking its
spangled allurement. A man with
a fiddle.
The man looks with eyes tinged
with sadness over the vast sea of '
faces before him. He hears tne j
surge of applause which quickly'
ebbs away into breathless silence ■
as he raises the fiddle to his chin. |
The bow is poised. String meets I
bow. The man forgets the adula- I
tion of the crowd. He has but one
thought, one aim: "To play—play
my tribute to the great statesman •
they are burying today.”
The inspired strafns of Dvorak’s
"Going Home” breathe over the
audience like a prayer. There is a;
catch in the breath —a lump in the i
throat—a. tear in the eye as the
last phrase rings out in triumph —
triumph even over death and the
grave.
Fritz Kreisler’s Tribute.
This was Fritz Kreisler’s tribute
to the memory of former President
Woodrow Wilson yesterday after
noon. It was just another reason
why people acclaim Kreisler. the
"greatest of violinists.” Just
another reason why hundreds of
persons stood throughout the long
concert because there were not
enough seats to go around.
It was not a funeral dirge that
Kreisler played. It was a paean
of victory for the man who had
"fought the good fight” and had
passed on to his reward. I dare
say that out of the thousands of
telegrams, letters and personally
expressed condolences there was
not a message couched in greater
tenderness than the musical message
of Fritz Kreisler.
Kreisler told the critics -after the
performance that he was undecided
whether or not to ■ give the con
cert, and it was only through the
insistent demands of the public
that he consented.
With every appearance in the
Nation’s Capital, Fritz Kreisler’s
artistry and personal charm become
more deeply (entwined in the neart
strings of Washington music lovers.
It is not only his technical ability
that astounds his auditors, but it
is his wonderful personality and
humbleness of demeanor that find
the responsive chord in our being.
Critics Enjoy Kreisler. .
What did he play 1 ? It matters
not what he played. Critics, ever
on the lookout for technical errors,
watchfully waiting to pounce upon
some phrase that appears a bit off
its course, always settle back com
fortably in their seats with an/air
of blissful assurance and abandon
themselves to utter enjoyment
when Kreisler plays.
To me, the Tschaikovsky con
certo was a of beatify, with
its whims and moods—yet subtly
brushed with the hand of Melan
choly. As Kreisler was in the midst
of this work the faint reverbera
tions of guns, the army’s salute
to the memory of the departed war
President, formed a striking con
trast to the soft-stringed music.
What else did he play? Oh, ves,
there was the Cesar Franck A
major sonata, Porpora’s '’’Minuet,"
Tartinl’s "Variations,” Chopin’s
“Mazurka," and Padefewski’s “Mel
odic” and—but why continue? It
was not so much what he played
as how he played.
TO LECTURE FOR
SCHOLARSHIP
DRIVE
Horace Alwyne Will Dissect
Russian Music at Rausch
er’s Tomorrow.
Horace Alwyne, of the depart
ment of music at Bryn Mawr Col
lege, will give a lecture recital on
the program of the Philadelphia
Orchestra concert of February 12,
' tomorrow afternoon at 4:30 o’clock
at Rauscher’s. -
The lecture-recital will be under
the auspices of the Bryn Mawr
Club of Washington. The proceeds
from the sale of tickets will be de
voted to the fund to raise SSOO for
a scholarship to Bryn Mawr for a
Washington girl.
At present two Washington girls
have these scholarships. They are
Ernestine Jennette, daughter of
William Jennette, and Beatrice Pit
ney, daughter of Judge and Mrs.
Malin N. Pitney.
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THE WASHINGTON TIMES
~A R T IST S W HO- WILL
APPEAR IN D. C.
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The child is Rosemary Finckel, twelve years old, who will play
several piano selections at a recital to be given Tuesday night at
the Hotel Roosevelt. In the oval is the picture of Nina Koshetz,
soprano, who will appear with the Philadelphia Orchestra on Tues
day afternoon at the National Theater. •
WORDS and MUSIC
By WILLIAM MOORE
Sprig has cub!
Don’t believe it? Well, Ijsten to this:
“Comrade Moore:
“Don’t bother about buying that extra ton of coal. You’ll
not need it. Spring is here, in spite of the Weather Man and
the Clarendon Goosebone Prophet. How do I know’ 1 All the
little saccharine sopranos and convulsive contraltos have salted
away Gretchaninoff’s “Snowflakes” and are plugging away
on sweet sonnets of Spring.
“The first harbinger of
was noticed the other evening when
one of our local prima donnas was
observed to throw a fit lot rapture
over that “Daisy Song” that, I am
afraid, we are doomed to hear on
all sides this spring. You probably
know it. ‘He loves me—he loves
me not —the lying little daisy—HE
LOVES MEI*
“Yours for ‘humanizing’ music,
"W. P. M.”
The above communication gives
me the joyous opportunity of dig
ging up this masterpiece of our
cubdom days:
Sprig has cub! Sprig has cub!
Strike the lute and beat the drub!
Let the buds and blossobs sig
A. welcub sog to geddle Sprig!
* * *
Leonard Liebling, music critic of
Mr. Hearst’s New York American,
contributes this to Words and
Music: i
" ‘Scofflaw’ is to be the official
name of any miscreant who disre-:
gards the prohibition amendment.
It is a good idea and should extend
also into music, where the critics, I
harried by a worn vocabulary, con-1
stantly are looking for new words.
Suggestions, as examples:
“For a singer who is off key—
Mufftone.
"For a basso who is too loud —
Bullbawl.
"For a composer of sentimental
ballads —Notgot.
"For a violinist or pianist with
out technique—Technit."
Not a bad idea, Leonard. What
do you think, readers?
» * ♦
Even music critics have a right
to change their opinions, for, wasn’t
it Emerson who said we should
“regulate our opinions as we would
a ship’s course on a voyage, ac
cording to the weather which might
be prevailing?”
Perhaps this writer might some
day wax enthusiastic over the dis
sonantal rubbish of Ruggies. Who
knows?
♦ ♦ ♦
Yes, folks, spring is in the air.
Only yesterday T. Arthur Smith
began to wonder if his onion crop
this year would be as productive as
last. Leßoy Lewis has designs on
a mountain hermitage where he
hopes to gain Inspiration for the
1924-25 season. Adolf Torovsky
probably would like to have a sea
side cottage this summer far away
from the chimes of Epiphany where
the only bell In miles would be the
dinner bell. Netta Craig will prob
ably do some concertizingat various
summ’er resorts. The Music Editor
will (ho, hum)—Lord knows what
he will do. Probably finish his
book, “A Capable Commuter."
♦ e ♦
Mildred K. Schippert, publicity
chairman of the District Federation
of Music Clubs, wonders If the local
club members are reading the
monthly Federation Bulletin. If
not, they are missing. much inter
esting and valuable info>mation. It
is requested that all federated clubs
not already having a bulletin chair
man appoint one. With the assump
tion of the duties of “publictor” by
ijliss Schippert, members of the
Federation may rest assured their
activities will be capably broadcast.
* * *
The musical world is startled
with the rumor emanating from the
Quaker City that Leopold Stokow
ski, director of the Philadelphia
Orchestra, has been offered a $70,000
job as director of one of the New
York orchestras—which one Dame
Rumor refuses to disclose.
It would be a shame if Dr.
Stokowski accepted the position. I
don’t know how much the Phlladel-
phians pay him (it is not in the
neighborhood of >70.000, I’m sure),
but one cannot think of Stokowski
ever leaving the 107 trained mu
sicians he has developed during his
years of endeavor in Philadelphia.
He is regarded a* a Philadelphia in
stitution. Long may he wave his
baton as conductor of one of the
greatest—if not the greatest—
orchestra] organization in this coun
try
“OH, MAGGIE,” WRITTEN
BY D. C. MAN, COES BIG
“Oh, Maggie," the song recently
written and published by L. Z.
Phillips, director of The Washing
ton Times and Herald Band, and a
prominent Washington musician
and composer, is sweeping the coun
try, according to telegraphic and
written accounts received by the
local song writer.
M. E. Keiser, director of Thomp
son’s Pyramid Six, of Murphysboro,
Ill.,'is the latest to offer his con
gratulations to Mr. Phillips. He
says
"We fell in love with ‘Maggie,’
and not wishing to be selfish, we
introduced her to our dancing
friends, who proclaimed the song a
big hit. Why? Because it was
played and encored ten times, and
still the dancers called for more.
This is a singing orchestra, and
two members took the parts of
Maggie and Jiggs and it was hot!
We will keep this number in our
repertoire for quite a while. If you
have any more contagious numbers,
don’t forget us?"
SONG RECITAL GIVEN
BY JESSIE MASTERS
A delightful recital was given
Tuesday evening in the studio of
Albert W. Hamed, 1521 K street
northwest, by Jessie Masters, Ameri
can contralto, in honor of Mr. and
Mrs. H. P. Cary. The following
program was sung by Miss Masters:
"Slumber, Dear Maid" (Handel),
"Praise of God” (Beethoven), “Dawn
of Night” (Nikolayef), “Springtime"
(Tschaikowsky), "The Nut Tree"
(Schumann), “A Ballad of Trees and
the Master" (Chadwick), “Sheep and
Lambs" (Homer), “Songs My Mother
Taught Me” (Dvorak), “The Kerry
Dance” (Molloy), “Now’s the Time
to Love" (Gounod). “Homing" (Del
Riego), "Sweet, Honey Love" (Burt).
“Fairy Pipers" (Brewer), “Two
Frogs" (Howell), “The Wedding
Morn" (Nevin).
HERE’S A'CHANCE FOR A
DOZEN VOCAL STUDENTS
John Philip Shaddick, the eminent
vocal teacher who has been profes
sionally active in Washington for
the past year, announced today that
an anonymous patron of music has
offered scholarships to ten or twelve
aspiring young vocal students who
meet the requirements of an exami
nation.
The donor of the scholarships has
stipulated that the money shall be
set aside as a partial endowment
which will take care of the financial
end of approximately one-half the
students’ period of fetudy.
Applications for the examinations
should be made to Mr. Shaddick,
1607 I street northwest,
Mrtiono! Daily
. PRODIGY’
IS CONCERT
STAR
Rosemary Finckel, 12-Year- I
'Old Pianist, to Be Feature
of Recital.
The second of a series of con
certs under the auspices of the i
choristers of St. Andrew’s Episco- <
pal Church, will be given Tuesday 5
evening in the ball room of the <
Hotel Roosevelt, at 8:30 o’clock. !
The artists to be presented are
Rosemary Finckel, pianist, and War- 1
ren L. Terry, tenor. Rosemary is 1
only twelve years old, but she is 1
regarded in musical circles as a 1
‘‘child prodigy.” She has given (
several recitals in New York, and H
will make her official debut on the |
concert stage of that city the last
of this month. She is a pupil of
Felian Garzia, of New York, and
comes from a family of talented
musicians. .
Mr. Terry is soloist at the Sacred
Heart Roman Catholic Church. He !
possesses a tenor voice of rare (
sweetness and depth. Marguerite (
A. Ross will accompany Mr. Terry ;
on the piano. The program follow?:
Plano: . Boure B Minor (BacW); ,
“Hark, Hark, the Lark” (Schubert- ;
Liszt). Tenor solo: Aria, “Io Non ■
Ho) (Leoncavollo). Piano: Nocturne,
B. Major (Chopin): Prelude, G
Minor. Songs: “Die Lotusblume” ,
(Schuman); "Du Bist Wie Elne
Blume” (Schumann); "Im Walde”
(Berwald). Piano: "La Fille aux
Cheavaux de Lin” (Debussy);
“Serenade of the Doll” (Debussy):
Prelude, G Minor (Rachaminoff).
Songs: Aria, "La Fluer que Tu
M’Avais Jetee,” “Carmen” (Bizet);
"L’Adieu du Matin” (Pessard); ber
geretts: "Que Ne Suis Je La Fou
gere” (Weckerlein); "Chantons l.e
Amuors de Jean (Weckerlein).
Piano: Concerto, G Minor, first
movement (Mendelssohn), Felian
Garzia at second piano. Songs:
"Love’s Epitome (Salter); (a) Since
First I Met Thee,” (b) "In the
Garden,” (c) “She is Mine,” (d)
"Dear Hand, Close Held in Minn,"
(e) "Requiem; "Oh, Lawdy” (Strick
land); "The Snowy-Breasted Pearl
(Robinson).
MINSTRELSHOW
TD BE GIVEN
BT GROTTO
Willard Hotel Will Be Scene
of Affair Monday
Evening.
A stir has been caused in ama
teur theatrical and Masfcnic circles
by the comng ■ minstrel show of
the Kallipolis Grotto Drill, Drum
and Bugle Corps on Monday eve
ning, in the ballroom of the New
Willard Hotel. This is strictly an
old time minstrel show with up-to
date songs and jokes, of the kind i
that have been so greatly enjoyed i
in the past and which are now
gradually fading from the American :
stage.
The company is composed of'
rwembers of the Kallipolis Grotto ■
and some of the best-known lum- i
inaries of Washington’s amateur i
theatrical realm will display their ■
talent.
The show is being staged and
directed by Herman (Chick) God-!
frey, well known in local musical i
and theatrical circles, who is also |
one of the end men, and Charles |
Dunn and Carleton Fry are the
musical directors. Charles D.
Shackelford, captain of the Kallip
oils Grotto Drill Corps is a most
efficient Interlocutor, and the four
end men, Chester Crawford, Billy
Neal, Ed. Howard and Chick God
frey compare favorably with many
professional dispensers of black
face humor a la Lew Dockstader.
The famous Mohawk Quartet is
the added attraction and its "Ten
Minutes of Harmony” will be one
of the most enjoyable spots on a
program dotted with features.
Edgar R. Kidwell,. Washington
ban joist in "Banjo Syncopation,”
who has been enjoyed by thousands
of radio fans, will also be featured.
Fred Shaffer, Washington barytone,
is one of the soloists, and there are
other faetures, including a chorus of
forty that cap really sing.
A stage will be constructed in
the ball room of the New
and the lighting, decorations and
electrical display will compare
favorably with that qffered by
Washington’s leading theaters.
The attention of the public Is
especially directed to a patriotic
finale by the entire company en
titled “Lest We Forget the Martyrd
Lincoln.” In this feature of the
entertainment Abraham Lincoln is
portrayed by Eugene B * Perry.
Perry has given the part a most
studied interpretation and has ap
peared at many local functions in
his characterization of the martyrd
President and has received favor
able comment from critics as one
of the best to portray the part.
This finale is a most fitting climax
to an entertainment on the eve of
Lincoln’s birthday.
The Kallipolis Grotto Orchestra
will furnish the music and there
will be dancing after the show.
CAPITAL CONTRALTO
IS HEARD IN RECITAL
Miss Verna Richie, one of the
talented contralto pupils of Leßoy
Lewis, Washington pedagogue, gave
a delightful recital recently at Stu
dio Hall. Mildred Kolb Schulze
played the piano accompaniments.
Musical Instructions
SAXOPHONE
Plano, Tenor Banjo, Guitar. Uke., etc.
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THURSDAY, FEBRUARY 7, 1924.
GHAMBEH MUSIC
TO BE HEARD
TODAY
Prize Compositions of Berk- 1
shire Festival Will Be
Performed.
• *.
Chamber music is a rare thing ;
in Washington. With the exception
of occasional visits from the Flon- .
zaley Quartet of New. York, this
delightful side of musical endeavor
is little known in the Capital city.
Hence it will be a privilege to
hear the programs of chamber
music to be presented this after
noon, tomorrow and Saturday after
noons at 4:30 o’clock at the Freer
Art Gallery, under the auspices of
Mrs. Frederic Shurtleff Coolidge, of i
i Massachusetts, who has done so
much to further the cause of
chamber mugic through her main
tenance of the annual Berkshire
festivals. +
Mrs. Coolidge has presented to
the Library of Congress t&e com
posers’ autograph scores which
won the Berkshire prize, as well
as the autograph scores of works
dedicated to her or commissioned
by her.
The programs will be played by
the Festival Quartet of South
Mountain, the Elshuco Trio and the
Lenox Quartet. The assisting
artists will include Harold Bauer, •
Lionel Tertis, G. Barrere and •
others.
The admission to the programs
is by invitation only, the number
of invitations being strictly limited.
SDDSIKM
PLANS TOUR
OF DIXIE
Noted Bandmaster to Direct
Concert in Capital City
in March.
“A ’’Dixie tour” has been ar
ranged for Lieut. Com. John Philip
Sousa as the last lap of his thirty
first annual journey at the head
of the band which bears his name.
Beginning at Tulsa, Okla., on Feb
ruary 1, Sousa will visit thirty
eight cities in Oklahoma, Missouri,
Arkansas, Tennessee, Louisiana,
Alabama, Florida, Georgia, South
Carolina, North Carolina, Virginia,
the District of Columbia and Mary
land, before ending his season in
Baltimore on March 8.
Sousa’s tour comes at the end
of what has been his most suc
cessful season. Starting from New
York in July, Sousa and his organ
ization of 100 bandsmen and solo
ists has played through New Eng
land and from Portland, Me., to
Portland, Oreg., the length of the
Pacific coast, across Texas and the
i old South and will play its way
i up the Atlantic seaboard to Balti
more, where the journey ends.
From the financial standpoint,
this has been Sousa’s greatest
year. The famous Sousa scale of
' “same prices” have brought greater
I audiences , than ever before, and
' Sousa has rewarded them with
■ more pretentious programs, be
j cause he has the largest band i
• upon which to draw, but he has
{also made this a season of novel
j ties and the Sousa programs this
I year are more varied and there
fore more wide in their appeal
than ever before, ranging from
Schelling’s “The Victory Ball,” and
Grangers "Country Garden” all
the way to the Sousaesque humor
esque (an annual affair and this
year based upon "Mr. Gallagher—
Mr. Shean”) to the new Sousa
marches “The Dauntless Battalion”
and “Nobles of the Mystic Shrine.”
One of the most interesting
events of Sousa’s year comes dur
ing the Dixie tour. On the day'
before he finishes his season, he,
will visit Washington, where he,
was born, and w'here he was to i
gain his first fame as director of'
the United States Marine Band. ■
, There Sousa, whose physical home
is in New York and whose spirit-;
ual home is the whole of America
, to whom he has given such march
tunes as are possessed by no other ■
nation, spends a brief day each I
year among the scenes and the
friends of his childhood and of
I his first triumphs as a musician.
' ———l
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CONCERT PLANNED BY
GERTRUDE HENNEMAN
Gertrude Henneman, young Amer
ican concert pianist who makes her
home in Washington has just re
turned from' a concert tour of the
Middle West and South. This tour
included Chicago, St. Louis, New
Orleans, Shreveport, Tulsa and
Oklahoma City. The music critics
of these cities were most liberal in
their praise of her art.
Her playing has been compared
to that of the great Carreno, and
all critics were unanimous in their
praise of , her interpretation and
tone quality..
Miss Henneman is .appearing at
the Masonic Auditorium on the
evening of February 12, under the
auspices of the Spanish War Vet
erans Association of the District
of Columbia.
- -F : o
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New
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Romance (Rubinstein) Violin Solo Mischa Elman I
Souvenir Ppitique Violin Solo Mischa Elman J 9 v
Fleurette, I Shall Never Forget Orville Harrold I , A
That i* Why! (O'Hara-Krahmer) Orville Harrold I
Sheep and Lambs Louise Homer I 1A
The Auld Scotch Sangs Louise Homer J 9 "
MELODIOUS INSTRUMENTAL
Scherzo (Mendelssohn) Master Shura Cherkassky 1
Prelude (Mendelssohn) Master Shura Cherkassky J a
LIGHT VOCAL SELECTIONS
Hold Thou My Hand Merle Alcock | « A
Grass and Roses Merle Alcock J 45377 10
Oh, Baby! Frank Crumit I - A
Sweet Alice Frank Crumit 1 19236 10
Chili Bom Bom
Billy Murray-Ed. Smalle (with The Virginians) 109/A « A
Happy and Go-Lucky in My Old Kentucky
Home Murray-Smalle (with The Virginians)
DANCE RECORDS
Blue Grass Blues —Fox Trot
David H. Silverman and His Orchestra in-
Honolulu Blues—Fox Trot 19237 10
Jack Chapman and His Drake Hotel Orch.
My Sweetie’s Sweeter Than That —Fox Trot
The Benson Orchestra of Chicago « A i
Wow! —Shimmy Fox Trot
The Benson Orchestra of Chicago
She Wouldn’t Do What I Asked Her To —Fox
Trot The Virginians 19241 10
Hurdv-Gurdv Blues —Fox Trot The Virginians
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On Sale Tomorrow at the Following Victor Dealers:
VICTROLAS VICTOR RECORDS
DROOP’S MUSIC HOUSE
Steinway Pianos 1300 G Player Rolls
The Above Victor Records On Sale by
ARTHUR JORDAN PIANO CO.
1239 G Street N. W.
Victor Records and Victrolas
Try Our Victor Record Service. You ll Like IL
Washington Home of the Chickering Piano
HUGO WORCH
VICTOR MACHINES AND RECORDS
Sole Agents For the Following High-Grade Pianos:
Kronlch & Bach. Henry F. Miller, Emerson, Lyon & Healy and
Lindemann A Sons.
1110 G N. W.
PIANOS FOR RENT.
Sealed Victor Records Are Exclusive With Kann's
This means full music value for your money, as you are
first to play thru after the factory test., Be sure you get
Kann's Sealed Victor Record*.
S. KANN SONS CO.
The Busy Corner—Penn. Avenue At Bth Street
Woobwarb
We Have the Victrola Records You Want
Victrola Section—Fourth Floor.
Victor Talking Machines and Records
Come to ,
The Hecht Co.
A Building for Music Alone. 618 F St. N 2 W.
She will share her program with
Miss Frances Sc he rg ar, soprano, of
this city.
■■!■■■ I
Columbia
NEW PROCESS
DEMONSTRATION
RECORD
Schubert's f
Ted Lewi.
Popular Favorite ;
BUVCOWD&:
1210 G St. I