The Washington times. [volume], March 26, 1932, Page 8, Image 8

About The Washington times. [volume] (Washington [D.C.]) 1902-1939

Image provided by: Library of Congress, Washington, DC

                
8
AH In a Day
-By-
MARK MELLINGER
NEW YORK, March 26.
My secretary, James Burbridge, just returned from
my bank. That’s rather a silly sentence because, in the
first place, I certainly don’t need a bank. I keep them
both only because the situation permits me to enjoy myself.
My secretary always allows me to overdraw my account,
and the bank calls up to find out what’s the matter with
my secretary. I then send my secretary over to find out
what’s the matter with the bank. It’s all very intriguing.
At any rate, I was just casting about for an idea for
today’s space when Mr. Burbridge raced into my office.
That, in itself, was a highly unusual occurrence—for Mr.
Burbridge is more of a creeper than a racer. An extremely
quiet man, he provides the perfect balance for a nervous
monkey such as I.
Big Doings at Bank
“Big doings at the bank.
Mark,.” he cried. My secretary
always calls me Mark and I
call him Mr. Burbridge.
What happened?” I queried.
“Don’t tell me they’ve gone and
made Winchell the treasurer?”
“No,” returned Mr. Burbridge.
“Not yet. But big doings just
the same. Seems as though
the city is flooded with coun
terfeit $lO bills. The clerk told
me it’s the finest imitation
they’ve ever handled.”
I sighed and turned back to
the typewriter.
“Are you kidding me?” I de
manded.
“Not at all,” he replied.
“Why don’t you take my advice
for a change? You certainly
can’t do any worse than some
of those columns you’ve been
turning out, so try one of my
stories.”
He had me there. The argu
ment was over.
“All right,” I said. “I’ll try
it. But I’m telling you right
now that it will never be any
good. Let’s see.
"Suppose we do call the man
Mr. Smith. We’ll say that he
■was a man with a peculiar ob
session in life. From the time
that he first entered high
school he dreamed of the day
that he would invent the per
fect counterfeiting machine.
That’s not bad for a beginning.
Obsession Grows
“As he grew older the obses
sion grew with him. He went
to college and took every course
that could possibly help him in
the struggle to attain his goal.
We’ll say that his parents were
dead, and that he had a small
income from the estate every
month. Just enough, that is, to
enable him to live and carry on
in his work.
“When he left college he be
gan to experiment. His every
move, his every dream had to
do with his obsession. Some
day he was going to perfect a
machine in which the plates
were so fine that he could man
ufacture money by the mil
lions —and nobody would be
able to detect the counterfeit
from the original.
“So we carry him along for
some 20 years. No marriages.
No loves. No pleasures. Not
for this very strange Mr. Smith.
His work was his everything.
And one afternoon as he stood
in his laboratory he shrieked
with joy. He had done it!
The bill he held in his hand
was positively genuine. There
wasn’t an expert in the world
who could note any difference.
And he had made it with his
own hands!
Not Crook at Heart
“Now, wait a minute. At
this point we’ll have to look
around for an ending. Suppose
we say that Mr. Smith was not
a crook at heart. By no means.
His goal had been the perfect
ing of thr- counterfeiting ma
chine. He had reached his goal.
Now what to do?
“After careful deliberation he
approached one of the biggest
men in the underworld. We
must bring in the underworld,
Mr. Burbridge, or it wouldn’t
be a Broadway column. At any
rate, Mr. Smith had a !ong talk
with this man and when the
latter gentleman was convinced
he wasn’t talking to a nut he
consented to a demonstration
of the machine.
“A few hours later, the rack
eteer was convinced. He told
Mr. Smith he would enter a
partnership with him, and his
organization would unload the
money on the nation. But Mr.
Smith refused.
“ ‘Nothing doing,’ he cried.
'I never had such a course in
mind. I want no part in the
actual distribution. There is
my machine. You leave and re
turn with $50,000 in cash—and
you can take the entire thing
NEXT Prof. Players 6th play of ~
MON. NIGHT their 2nd Sub. Season
Olivia Bows, JeK
to Mrs
C XI NEW COMEDO
by Roland Bottomley /
with.
rwECHiEimsF
and an eminent cast /
s of artists including* V
TAYLOR HOLMES SIDNEY GREENSTREET /
FLEMING WARD NICHOLAS JOY , A- a&S
JANE WYATT EVELYN CARRINGTON
Staffed by Lawrence Marston "
Ba i■i■n •" mw* £jVCS.« 50c to $2.50 ~
SHUBERT ft Thur. Mat.. ■■"....
ri 1A A 1 I 50c to 51.50 —
FLASH 11 sat. Mat. . .
faUnWUMr .50c In *2.00 —___
with you. I wash my hands of
everything connected with it
once it leaves this house.’
The O. Henry Finish
“The racketeer shrugged his
shoulders. If Mr. Smith was
that foolish, why, that was up
to him. He left the house and
went downtown. In less than
an hour, he was back with
$50,000 in cash. He handed the
money to Mr. Smith. The two
men shook hands. The ma
china was carried away and the
deal was over.
“Mr. Smith went to his bank
to deposit the money. He
reached the teller’s cage. And
a minute later, he found him
self in terrible trouble.
“What do you think had hap
pened, Mr. Burbridge? Thfe
racketeer had paid him off in
counterfeit money!”
“That’s fine,” cried Mr. Bur
bridge. “It’s got a kick, and
everything.”
I shook my head.
“Don’t be foolish,” I returned
wearily. “How could I possibly
get a column out of an idea
me that?”
Donald Woods Is
New Leading Man
Reversing the order of things,
wherein the film industry “raids”
the legitimate stage for its ac
tors, the National Theater Play
ers’ roster for the coming season
will number quite a few thes
pians who have been weaned
from Hollywood. Os those play
ers already announced, Kathryn
Givney, Ona Munson and Owen
Davis, jr., have all seen service
on the Hollywood lots.
Now comes the announcement
*
DONALD WOODS
from the Players’ management
that they have engaged, as the
new leading man, one Donald
Woods, who was just about to
embark on a film career when a
telegram from S. E. Cochran
lured him back to his first love—
the spoken drama.
Mr. Wood has had a wide ex
perience in the theater despite
his youth, starting his stage ca
reer at the early age of 14. He
has played more than 170 roles.
‘•Don,” as his chums call him,
was graduated from the Univer
sity of California at Berkeley.
His best booster is none other
than Addie Hibbard, the grand
old lady of the National Theater
Players, with whom he played an
engagement of 45 weeks in Hous
ton and Indianapolis.
THE WASHINGTON TIMES
OLD-TIMERS HIT OF FINE BILL
Tanguay Stars in
Big Moments of
Yesterday
•‘THE CARELESS LADY”
A Fox Picture
THE CAST
Sally Brown. Joan Bennett
Stephen Hllnctonlohn Bole*
Yvette Logan Minna Gombell
Jud Carey Weldon Heyburn
Ardis DelafieldMora Ijine
I I.uls Paredaßaul Roulien
KodcrliriiesFortunlo Bonanova
Hank Oldfield John Arledre
Aunt Cora Josephine Hull
Aunt Della Martha Mattox
By ANDREW R. KELLEY
There’s a pretty happy blend
ing of pleasant antiques and the
late model 1932 type of enter-
$1
Andrew K. Kelley
silver locks they still retain their
talent for keeping an audience
amused.
Tanguay Is a Hit
Time has been fairly kind to
the cyclonic Tanguay. Her figure
is still gracefully curved and
there is more than a trace of the
effervescing bounce and joyous
spirit which made her an envied
star of the Keith circuit a genera
tion ago. With her tousled hair
and feathery costumes, Tanguay
shouts “I Don’t Care,” her famous
hit song, accompanying it with
some of the madcap abandon and
prancing distinctly Tanguayish.
She made more than a “kind
appluse” hit yesterday afternoon.
Those venerable Dutch comics,
Rice and Cady, register again
with, their mangled English.
Corinne shows -what the hi-de-hi,
ho-de-ho girl of 1900 did to
wake up the customers; George
Harrison demonstrates that 70-
year-old feet can still shake out
a hot shuffle; Choc Cho, the
health clown, proves that regular
exercise can overcome hardening
arteries; Billy Kenney is down
from Capitol Hill to contribute
a bone solo and a rabble raising
suggestion that the budget bal
ancers spare the Government pay
rolls; Dan Barrett, May Hoey,
Tom Kelly, Alexander and Eve
lyn, Freddy Ford, Hi Tom Ward
and Burt Jordan contribute gay
specialties.
All of this lavender and senti
ment entertainment is bossed by
the 78-yearold Hank Brown.
Bossed cleverly, too, by a glib
veteran who sheds his upper and
lower plates to toss off a nifty
monologue.
The dignity and class of the
program is provided by the
George Washington University
mixed chorus. This is a melo
dious and thoroughly worth while
musical interlude with well
blended voices heard in semi
classical selections appropriate to
the cathedral setting.
Interesting Movie
“Careless Lady” is the screen
attraction with Joan Bennett
featured in a story that reminds
much of the Constance Bennett
fiction “Lady With A Past.”
It is an unexciting, but interest
ing, tale of a country girl who
finds that she is neglected by
the desirable males. So she ac
quires clothes and sophistication,
poses as married, goes to Paris,
becomes innocently involved and
lands a rich and attractive hus
band.
The easy to look at Joan Ben
nett does nicely with a made to
order role. The placid love mak
ing of John Boles fits agreeably
into the action and his voice is
heard to advantage in a love
lyric, “When You Hear This
Song Remember Me.” Minna
Gombell, Josephine Hull and Wel
don Heyburn provide good sup
port.
Movietone shows Phar Lapp
winning his first race on this
side of the continent, scenes in
the South’s flooded area and
more Japanese-Chinese war shots.
The best all round show that
has hit the Fox in weeks. You’re
sure to find something you’ll like.
Next at Gayety
“Hello, Good Times” will be the
next burlesque revue attraction
at Gayety Theater, opening Sun
day matinee, April 3.
WARNER BROS. THEATRES
I H Bl
■■. TODAY"a
■ He Lived a Lie to HI —
Bl Save Another! _ ■
Richnrd ■ H
■ B BARTHELMESS g"
B _ In First National’s Z B
-■ “ALIAS THE DOCTOR” ■_
■g WITH MARIAN MARSH g
B On the Stage B
g B ROSETTA DUNCAN "g
g 1 YORKE and KING B g
T® And Other Acts fT
|| 26c TO 1 P. M. ||
INOW Bg
A Thrill Hunt to Six g
Wild Countries With ■
SIX NOTED EXPLORERS Bg
“EXPLORERS OF B-
THE WORLD” Bg
HAROLD NOICE *g
Director and Noted Explorer g|
IN PERSON g>
BENNY RUBIN COMEDY B
|| 26c TO 1 P M j
■* tainment on the
|F o x Theater
| program this
■ week. Alto-
I gether it adds
■ up a fine diver-
I sion for the
I Easter show
| shopper.
I The adoles-
Icent movie-goer
E perks up for a
I critical glimpse
I of Eva Tanguay
I and other old
(timers who
" made grandpa
laugh. Despite
Thrills of Six Explorers Filmed in
Exciting Animal Movie
From the ice and strangeness ♦
of the Alaskan lands to the inner
most wilds of central Africa, from
Brazil to Tibet,
to So uth er n
seas, on a magic
~ carpet of travel,
• k? is the Easter
w week offering at
W the Metropoli-
| j| tan. Under the
® -w ex P er t direction
■y jadL- Fof Harold Noice,
the htew en_
tertaining ex-
Plorations of six
I world famous
,:r travelers are
w in
making a film
hakold noice o f intelligence
and widely diverse interest.
Harold McCracken takes us on
his boat to Alaska, tracking the
walrus, uncovering the remains of
an ancient civilization, and dis
covering rare Jairds and sea beasts |
in their native haunts.
Then with Gene Lamb we go
on a strange honeymoon of two I
years through China to the lands'
of the wild Tibetan tribes. Far •
more exciting than our commer
cialized wrestling is his moving'
picture of a native sporting event, I
an elephant fight.
With the aid of a long vision
camera James L. Clarke presents
otherwise imposible shots of the.;
animals of central Africa and the
Belgian Congo.
Through Arctic Seas
Continuing our travel, we plow
through the Antarctic Seas with
Lieutenant Commander Stanhousel
and know the thrill of chasing j
whale, gaining as we go, further
enlightenment as to the habitues
of these lands.
Dr. Laurence M. Gould, who
trekked the frozen wastes of
Little America to establish food
headquarters for Byrd’s flight
over the South Pole, tells of the
hardships, the interest, and of
discoveries made.
This lightning journey of
BIOW PLAYING
TOPPIHC THE
thaills of wfl
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Llll T I•! F 1 w opf * J
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LUISE CRACKER'S Bl
■ FIRST OfIAmRTIC HIT!
■ HAIRES
I fHADGE EVAfIS
I
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MvMrtvn
ROMANCE AND MUSIC
f t
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MARIAN PALMER and Allan Rogers, featured in
“The Chocolate Soldier,” the Strauss operetta which
opens at the National Theater on Sunday night.
The National Daily
►strange lands, little known beasts,
queer customs, and unheard of
people closes with the experi
ences of Harold Noice up the
Amazon River, into Brazil, and
the lands of the Indian natives.
; His personal interruption seems
almost cruel but for the fact that
his verbal tales outshine the ones
on the screen. He carries us
from high interest to intense in
terest with his stage appearance.
Paramount News Reel and a
Benny Rubin comedy short com
plete this novel bill.—H. W.
Kennedy Clicks
Edgar Kennedy will continue
his “Mr. Average Man” come
dies in a new series to be made
at the R-K-O-Radio Pictures
studio. The comedian was
signed for six more pictures by
David O. Selznick.
SENATORS, WAIT!
I Don't vote on Repeal or Beer un
til you’ve seen the
PROHIBITION
FAIR *5S L
The House refused to vote on Re
peal. and the Senate can get full
light on the issue at this Fair!
WASHINGTON AUDITORIUM
25c to ir. M.
35c to 5:30 | f IJL
FASCINATING B
JOAN BENNETT
IN j
“CARELESS LADY”
* WITH
JOHN BOLES
■ •
CYCLONIC
EVA TANGUAY
in Fanchon & Marco’s
“Stars of Yesterday" Idea
BILLY KENNEY
Washington’s Minstrel Star
•
Geo. Washington University
Mixed Chorus of 85 Voices
kelly r '
_\ y'SM
,'wmJHF'Ki IsZflwl
n
i. n> qj;yJJ iH >Fh ~ j"b~ F-fl
. [ill Va a
J "PERFECT CONTROL' Q»z LUCKV RABBII EYES HAVE IT" J
SATURDAY—MARCH 26—1932
"Tarzan" is Full
of Exciting
Incident
“TARZAN, THE APE MAN”
An M-G-M Picture
The Cast
Tarzan. Johnny Welxatnuller
Jane Parker.. .Maureen O'Sullivan
Mm. Cullen Doris Lloyd
Harry Holt N>ll Hamilton
James Parker.. ,C. Aubrey Smith
Os all the amazing scripts to
go into action on the screen
“Tarzan, the Ape-Man,’’ showing
currently at Loew’s Columbia, is
head and shoulders above them
all for sheer imagination.
Imaginative Story
What story there is concerns
itself with a safari bent on find
ing the graveyard of elephants
for there lies a fortune in ivory.
The African natives cannot be
induced to talk of such a place
where superstitution and fear go
hand in hand. James Parker, his
daughter Jane, Harry Holt and a
dozen or more guides and aides
de-camp reach an unknown land
after hazarding great danger;
they are mystified by a weird al
most human call which causes a
maddened herd of hippos to stop
in their rush on the safari. Sud
denly they see a lithe and bronzed
young man swinging from tree to
tree with the agility of an ape
and as suddenly he disappears
with the girl; she is ternfied, but
is able to make him understand
that he must take her back which
he does.
The safari is then captured by
a tribe of dwarfed savages and
the girl’s cry to a playful young
gorilla results in the most per
fectly timed rescue Tarzan has
accomplished to date; the rescue
is the climax, the end is obvious.
Animals In Support
Johnny Weissmuller, swimming
champion, makes a great job of
the title role and throws in some
plain and fancy diving answim
ming; Maureen O’Sullivan is good
to look at and nothing much is
demanded of her; C. Aubrey
Smith is capable as the doting
but determined father, but Neil
Hamilton is rather lost as the
man who did not get the girl.
The support is made up of lions,
tigers, leopards, ’gators and a
large assortment of apes.
There is a Paramount newsreel
with Senator Bingham making a
plea for a glass of good beer, and
there is an animated cartoon
comedy, but our guarantee is
that you”! find plenty of anima
tion in the feature picture and
how the boys will love it.—K. Y.
B Auditorium day ■
■ TODAY—LAST 2 TIMES I
■ Matinee. 50c to $2.50 ■
" Fonifcht. 50c to $8
K~ Ruly VALLEE-Willie S Eugene HOWARD [
fl Everett MARSHALL-Ray BOLGER
fl EttielßarrymoreCOLT-GALEQuadruDlets fl
[howard]
at T Sts. N. W—DEC. 5250 M
W —STARTING TODAY— ■
M SPECIAL EASTER W
■ HOLIDAY SHOW »
< STEPIN FETCHITI
■ SCREENLANDS GREATEST M
W “LAZY’’ MOVIE STAR ■
I IN PERSON J
■ HEADING HIS OWN BIG K
W STAGE SHOW OF 50 ■
f “HOT FROM 1
f HOLLYWOOD”!
Inclndingr
< CLUB HOLLYWOOD 1
F ORCHESTRA f
810 Demons of Jazz Syncopation W
■ SPECIAL MIDNITE SHOWS W
StUESDAY and FRIDAY F
W —Next WEEK-
LY First Time on Any Stasre £
K "BLACK and WHITE W
■ 9 REVUE OF 1932“ B
Fox Program Has Joan Bennett Also
in Interesting Romantic Story
IN NEW PLAY
1
JANE WYATT, who has a
prominent role in “Olivia Bows
to Mrs. Grundy,” the new farce,
which features Janet Beecher
and opens at the Belasco
Theater Monday night.
Columbia Group
Will Do Play
By Barry
The Columbia Players, who
with their recent victory in this
year s city-wide one-act play'
tournament, brought their record
to three first places in six con
tests, are now busily at work re
hearsing Philip Barry’s three-act
play, “Holiday” to be presented
late in April.
The Players won the one-act
tournament with “The Monkey’s
Paw” in 1929; repeated their vic
tory in 1930 with “When the
Ship Goes Down,” and this year
scored with Paul Green’s “Quare
Medicine.” Not content with I
winning the play prize, the group
also walked off with the first
individual prize for acting, won
by Frank Jamison, and the first
prize for diction and voice, won
by Orris Holland, who is directing
“Holiday” and fast whipping it
into shape.
GAYETY PLAYING
LAST CHANCE
TO-DAY TO SEE
BLACK & WHITE REVUE
70—PEOPLE—70
| NATIONAL rX
■ w Night«, 50c to $2.50. Wed. Mat., 50c to $1.50.
■ W Sat. Mat.. sOc to *2.00.
■ gap mmmjlU
\
- «O^ : MpMSBg» ' 6I2ILLIANT GST INCLUDES
ALLAN 906ERS
I l“W5a& SARAH EDWARDS
'W '▼ dOUHDUHSMURE
S W MARIAN PALMES-EDMONDMULCAHY*
- JB ™ EO VON TASSEL
-S" WSiMIL W • ■ «
I filorioos Singing Ensemble-Superb Orchestra
I weekTapml
IMHELEN HAYES
' - MOLNAIVS NEW COMEDY..
I THE GOOD FAIRY
wdh the cdhn/u/ -Mclfar
d/au Ifor/c, and dhoducldm intact
I EVENINGS -$ 2.50 - $2:00- sr.sO - $l.O 0 50 t
I MatunaA. Wednesday a*ut satuilday - so< to- $2:00
I 5 DAYS ONLY BEG. TUES., APR. 12
ARCH SELWYN B th" Welwyntheatre*, Qy.
’ THE GREATEST ALL STAR. CAST EVER
SENT ON TOUR IN AMERICA !
ARTHUR BYRON-BASIL RATHBONE -ROBERT LORAINE
■ MARY NASH-CECILIA LOFTUS-DIANA WYNYARO
d ERIC BLORE-J. MALCOM DUNN Sic. //
BENN W. LEW Smakhuuf famuli/Jtit
I MAIL ORDERS NOW—Oreh.. »2.50: Bal., 52.00. 51.50 & »I.oos 2nd Bal., 50c
»S' Wed. A Sat. Mata.. Oreh., 52.00; Bal.. 51.50 * *1.00: 2nd Bal.. 50c.
BEGINNING MONDAY, APRIL 18th
EIGHTH ANNUAL SPRING AND SUMMER SEASON
8. E. COCHRAN and CLIFFORD BROOKE Offer
National Theatre Players
OPENING ATTRACTION
|“A CHURCH MOUSE”
WILLIAM A. BRADY’S PLAYHOI SE, N. Y.. SI CCESS
I SUBSCRIPTION'S. AT REDUCED RATES, ACCEPTED FOR THE
?M 1» WEEK SEASON. Nighta. for All Ten Playa. >7.50, >5.110 A- *2.50.
,’;T Mata.. Wed. A Sat.. >I.OO A >2.50. Application Blank* at Hot OtHoe.
Ba Single Sale Opens Mon.. Apr. llth. Nighta, >I.OO, 75c and 50c Wed.
I A Sat. Mata., All Seats .*►<»«•.
Plenty of Laughs
in Fun Movie
at Rialto
Well, life is like that—one min
ute, quite the rage in Hollywood
—the next, flapping hot cakes in
Hillsboro.
And thus the Cohens and the
Kellys, lately of Africa, where
elephants meant ivory and lions
meant business, have gone Holly
wood—all done in a big way in
“The Cohens and the Kellys in
Hollywood,” showing currently at
the Rialto.
Gobs of Laughs
The show Is good for gobs and
gobs. of laughs—the kind of
laughs you sort of feel ashamed
of after it’s all over. You know
those atrocious stances and
grimaces of the fight-all-the-time
honest-to-goodness friends, Charlie
Murray and George Sidney.
Anyway, the story is a saga of
filmdom from the days of the
melodramatic silent version
through that strange era of the
theme song.
And the Cohens and the Kellys
got hit for both —the Kellys with
their lovely daughter, Kitty, whose
silent stardom couldn’t talk, and
(the Cohens with their handsome
i son, Melville, whose theme sone
got the air with a lot of othci
I theme songs.
Foster Is Good
The funniest thing, really, i
how terribly snooty these Hills
boro hot cake flappers ..re ?.
Hollywood goes to their heads
And the Cohens are quite a>
• snooty until—well, life is like
that.
Though theme songs take it or
■ the chin with a right hard punch
in the story, “Where Are You?’
, the Melville Cohen success, one
of those things you go away hum
ming, is played over and ovei
again.
| Norman Foster, who has s
winning boyishness as Melville
ought to be starred. The boy i:
good. It’s time somebody oul
there in Hollywood recognized it
“Slim” Summerville goes in foi
his usual slapstick in an amus
| ing short “In the Bag,”
And thus the Cohens and the
Kellys, lately of Africa, where
elephants meant ivory and lions
meant business, have gone Holly
wood—all done in a big way in
“The Cohens and the Kellys in
Hollywood,” showing currently at
the Rialto.
The show Is good for gobs and
gobs. of laughs—the kind of
laughs you sort of feel ashamed
of after it’s all over. You know
those atrocious stances and
grimaces of the fight-all-the-time
honest-to-goodness friends, Charlie
Murray and George Sidney.
Anyway, the story is a saga of
filmdom from the days of the
melodramatic silent version
through that strange era of the
theme song.
And the Cohens and the Kellys
got hit for both —the Kellys with
their lovely daughter, Kitty, whose
silent stardom couldn’t talk, and
the Cohens with their handsome
son, Melville, whose theme song
got the air with a lot of other
theme songs.
Foster Is Good
Though theme songs take it on
the chin with a right hard punch
in the story, “Where Are You?"
the Melville Cohen success, one
of those things you go away hum
ming, is played over and over
again.
Norman Foster, who has a
winning boyishness as Melville,
ought to be starred. The boy is
good. It’s time somebody out
there in Hollywood recognized it.
“Slim” Summerville goes in for
his usual slapstick in an amus
ing short “In the Bag,”
JAB.
5 De Luxe Show* Today
Doors Open 10 A. M.
WHEELER
& WOOLSEY y
Sand Star Cast
“GIRL CRAZY”
Georre Gershwin Music w ?
Plus RKO Vaudeville
featuring
JACK WHITING V
Coming
K/M “YOL’NG BRIDE”
Mt Stage—ROW GANG
ratsosao