Newspaper Page Text
C\ fO A Zx7 Bk\ Hl IHi I / ' %\ a\ %\ | zr JI I 111 O> IL •-1 i v foiiii i dnni i iwiiWjiiFnf JL* Aw V W|S PUUlffiß BY A. J. WILLIAMSON’B W. VW ■»-» .—~- »-w *■» » w w w ~w. »"w ~ **w • w •'w -■■- »w» VOL. XLI.-NO. 19. Entered at the Post Office at New York, N. Y., as Second Class Matter. THE NE’W YORK DISPATCH, PUBLISHED AT NO. 11 FRANKFORT STREET. The NEW YORK DISPATCH is a journal of light, agree able and sparkling Literature and News. One page is de voted to Masonic Matters, and careful attention is given so Music and the Drama. The Dispatch is sold by all News Agents of the city and suburbs, at FIVE CENTS A COPY. TERMS FOR MAIL SUBSCRIBERS: SINGLE SUBSCRIPTIONS... $2 50 a year TWO SUBSCRIBERS 400 “ FIVE SUBSCRIBERS 900 “ ALL MAIL SUBSCRIPTIONS MUST BE PAID IN AD VANCE. POSTAGE PAID EVERYWHERE BY THE DISPATCH OFFICE. Address NEW YORK DISPATCH, Post Office Box No. 1775. playFanojlyers. ZEUS AND AMANDA “JAY.” The Jays, from Jayville, have a Box- Prince Davis, of the Chateau de Mi ner—Ouida’s Roman Camille — A High-Toned Cast—Horace McVicher Has an Opinion, BY JOHN CARBOY. When the •‘Jays,” Zeus and Amanda, direct from Jayville. with the blush of hay fever love upon their cheeks and hayseed in their hair, put in an appear ance in a city theatre in their store clothes, they furnish more solid entertainment to the people sit ting near them than the stage performance, what ever it may be. Last Saturday evening I wandered into Frank Murtha's New Windsor Theatre. The audience was large and there was not an eli gible orchestra seat unoccupied. The play was ••Camille.” The Camille for this special occasion was Miss Affle Weaver. She, in private life, is the wife of Mr. Horace McVicker. Horace is not a physical Stalwart, nor is he exactly mentally a Mugwump. On this evening Horace was nervously twitching himself about from one place to another in the lobby, anxious as to the success of his better half in the character which she had con sented to play at very “short notice,” and had studied only since rehearsal. Frank Goodwin and Frank Murtha, another Frank—it wasn’t Gayler—and Martin, the owner of the theatre, were in the last laps of a talking match, with Murtha a little ahead, when the or chestra struck up. Frank presently fired the Horace and two or three ethers, the subscriber included, into the managerial box, for one act only. At the front of the box sat a loving pair of JAYS OF THE MOST PRONOUNCED TYPE. One middle-aged, who, if his head had been turned around, would have been as hollow-backed and full-breasted as a P. R. Hercules. The other a buxom, bright-eyed young woman. Bhe was dressed regardless of color and fit, and there was sufficient evidence of muscular develop ment in her build to warrant the belief that she could—when at home on the parental farm—have gathered the family cow by the horns and thrown her over the barn yard fence with the ease and grace of a “real devilish” dude throwing a kiss from his finger tips at a passing ballet girl. As the curtain went up, they divided their atten tion between a close observation of the movements of the people on the stage and a study of the cast as printed in the programme. Directly, De Varville—he was about the worst De Varville I have seen this many a season—made a passing reference to the Champs Elysee. Or as he pronounced it in the Peoria stage French —“Cham Teesy. Amanda in the box grabbed the programme. The heads of the honeymoon Jays lovingly leaned to gether, and their four eyes, aided by her finger, be gan a search. ••I say ’Manda, I don’t see the name in the list— Les see—what’d he say’t was?” “Oh Zeus—it was one oi them French women— Sham Lizzie—they forgot to put her name in here. Never mind, she’ll come out ’fore the show’s over.” Then Nanine said something about the Boule varde. “There's ’nother one that isn’t down,” said Zeus, with another dive at the cast—Bully Yard—guess that’s the villain that's goin to carry off Camil. Seems so.” Horace McVicker sitting beside me with an EXPRESSION OF DIABOLIC RESIGNATION, murmured to Goodwin, “Wonder what those Jays will have to say about Affies’s Camille.” “They are the Chicago brand, Horace.” The Junior McVicker didn’t have long to wait for the Jay criticism. “ That’s Ar-mand” opened out Zeus—pointing at Ebenezer Plyrnpton, who was worrying the charac ter into a cross between an English swell and a Miss Nancy. •• That's him. That’s Camil—see ? Well, she ain’t much, anyway—to ’low sich a sick lookin’ canvas-back as him come foolin’ ’round her.” Then Amanda got in with an opinion on the Ca mille. “ What an awful cold she’s got. She ought to take suthin for it. Don’t s’pose they dare have any stoves back there ’mong them paintins for fear o’ settin’ the place afire. My, my, those actin’ wim roen must have a hard time of it. That ere cough ’ll kill her ’f tain’t tended to.” “This is only makin’ b’leeve, ’Manda.” “ Makin’ b’leeve ? Not a bit of it. S’pose I don’t know what a real, distressiu’, hackin’ cough is? 'lf she's got a husband hangin* about loose any where, he’d better take her home and tuck her into becVand dose her with a sweat.” ••’Manda, them actress wimmin’s husbands AIN'T MUCH GOOD, ANYWAY, *er they wouldn’t let their wives be kissed and mauled about and hugged and made love to every night upon the stage there, ’fore a house full of people.” “ Shet up—that gawk Ebenezer’s going into a fit. Jes’ look at him I” Horace oozed out of the box, Frank followed, and the subscriber brought up the rear of the retreat. And Horace, shortly after being soothed and sus tained by a prescription—involving as its principal ingredient a tan-colored fluid—formulated by Doc tor Murtha, assisted by Goodwin and others— turned on the tap of his conundrum mill. ••See here, what in the name of hallelujah are Jays good for, anyhow ?” •• To sit out the new Camille’s,” said Goodwin. “Well, at any rate, Affie’s Camille isn’t a hand kerchief wringer.” At this moment Charles, Prince de Davis, then on his way to les peuples Chateau do Miner, flashed his diamond solitaire upon the party. Davis has been a traveler. He has in bis journey ings taken iu Allahabad, Hyderabad, Fyzabad, Se conderabad, and all the other dambads of India; has had a surfeit of Kandy in Ceylon, has Shanghaied it in China, and fished in Poverty Bay—well he has seen it all. He isn’t a Buddhist, and I do not imagine hie oriental travels have imbued him with any special regard for Joss, or any other idols, with or without wheels. If there is anything Davis does admire—next to an irredeemable Jay it is—a.diamond in the rough. Ho has A CABINET COLLECTION of uncut diamonds which he gathered in his journeyings around the world. One—an old mine specimen, which looks very much like an ordinary pebble—certainly it is not any more brilliant in its present condition —weighs six carats. “Do jou jvhat. T’. u izoiug to do with that ?” he said one day when he was showing me his col lection. “ I’ll tell you, I’m going to have it cut and set and present it as a just and deserved reward to the first leading woman I meet who, having been acting ten years, will make an affidavit that she has never played Camille or Juliet. And I’ll have another one cut and set for the woman who will take an Iron Clad Swear that she has never wanted to play Camille.” On this evening he dawned upon the party in front of the Windsor—with a dollar bill in one hand and a gold-headed cane in the other. The dollar bill was sufficient for his admission as a member of the party; the gold-headed cane gave a tone to the group. That and Frank Murtha’s six hundred dollar watch and chain were passports which would have ensured their owners a respectful hearing from the most callous of East Side barkeepers. “ Who’s the Camille to-night, Frank ?” queried Davis. •• Affle Weaver,” answered Murtha. “ Mrs. McVicker, sir!” interpolated Horace proud ly. And a moment later he added—“ Drop in— third act’s on now—- —” “Thank you,” said Davis. “That reminds me. When I was in Italy I indulged in a month of the genuine American luxury of loafing—regular efgh teen hours of hard work doing nothing—in Rome. I invited my soul and loafed. I met a party of Americans—one or two New Yorkers in it. One day, in the Palazzo Sanfriana I was introduced to an Englishman, who insisted that I should be his com panion in the patronage of an amateur performance to be given that evening at the Villa Ludovisi; the object being for the benefit of some charity fund. “ The cast of the play included a marchesa, a duke, two or three swells, a French count, and— who do you think ? ••GUIDA, THE NOVELIST. “She was to do the leading part—the title role of the play. “It was to be a swell affair. The canaille were ta booed; the rabble would not be allowed a sniff of this wonderful dramatic effort. “I went. The little stage had been erected in the grand pavilion on the grounds; the scenic settings were awkwardly arranged, but well painted—evi dently the work of a capable artist. The costumes were rich and costly, although the question of fit ting had not been entertained. “Whew! What an audience. In that union of nobs, swells, dried up Italian dukes, counts, and perfumed no accounts, I felt like a weary tramp in a strange barn. “ When that performance closed, and I had got away from that crowd, I made uuto myself a sol emn vow—never, so long as I could possibly avoid it, to be inveigled into a theatre when “Camille ” was on the boards. “One dose of the homely, angular, lean and weird looking Ouida playing Camille was enough for a lifetime. And such a voice. The Armand was a rather handsome Marquis, who, in addition to a faultish dress suit and an immense display of boiled shirt and patent leather pumps, had his breast covered with all sorts of orders and Insignia which made him look like one of those garter pedlars that you seeperigrinating Nassau street and lower Broad way. What a heroic stomach he must have had to smile “WHEN HE KISSED THAT CAMILLE! “Phew—l wonder that at the first sight of her he did not throw up his part—and his dinner as well. “ Well—her squeaking, shrill voice, her amazing makeup—Oh Lord, it was a sight! And the elder Duval—he was a little withered wizen-faced near sighted, bald-headed, old blue-blooded Duke—if he had any blood in him at all. He glared at Camille through an enormous eye-glass, that when in use it so pushed up his wrinkled brow and forced down the yellow skin below the eye that it made one side of his face look as if it had been wrenched out of shape by a stroke of lightning. Oh, he was a daisy. The Do Varville was a thin, consumptive fellow—a fashionable English artist, who throughout his en tire business smoked cigarettes and posed and stood around with a discouraged expression in his wall eyes which seemed to give a funeral droop to his wonderfully brown and abominably fluffy mus tache. “Know their lines? Well, yes, they did, Ouida? Yes, she was dead letter perfect in her lines—and that’s all there was in the remotest degree sug gestive of perfection in her effort. “After Ouida, no more Camille—in mine. lean go a Juliet—of the green and salad sort—and sur vive an occasional dash at Rosalind, but I’m not going to have a Camille sprung on me—never again. “Since then, I never take up one of Onida’s novels—what a lot of ’em she has fired at the long suffering public—that I don’t see wherever I open it, on every page, 'in my mind’s eye, Horatio’— confronting me, the awful image of her face as Camille. “Matilda Heron? She was a glorious type of beauty and physical perfection compared wtih the Ouida. Ah—l have it. I can give you something of an idea-of the get up of that Camille in that Ro man pavilion; it reminded me of “CHARLOTTE CUSHMAN’S MEG MERRILES. “A Meg Merriles, mind you, in a black wig and a rose-colored silk train dress. Now, then, shall we paralyze the general drought ? Come, Horace ?” But Horace had vanished. He had gone into the Windsor—probably to resume his seat in the box behind Amanda and Zeus. When, a few minutes later, Charles the Prince de Davis had ordered his car—a special of the Surface Third Avenue line—name stamped on the driver’s memory—and waved an au revoir from the rear platform, we entered the House of Murtha. The fourth act was on. I looked over at the managerial box. ®he Jays were there at the front—but not sitting in their for mer loving attitudes. Amanda was watching the progress of the play with wide open eyes, the programme spread out be fore her on the cushioned rail of the box. But Zeus, where was he? Another glance revealed his condition and pres ence. Ho was sitting at the side, his head resting against the partition—sound asleep, with his mouth wide open. Here was another man, even this poor “Jay,” wearied out with “Camille;” or, it may be, that the awful monotony of Plympton’s Armand was the opium which had lulled his soul to sweet forgetful ness. Who knows ? PREFERS THE PRISON. TOO LAZY TO WORK, HE STEALS. Eugene Rosenthall, a dandified young gentleman, who wore fashionable eye-glasses, was charged with opening a letter addressed to his roommate, Emile Ulman ; and abstracting five dollars, a remittance from St. Louis. Eugene and Emile had roomed to gether four weeks. Eugene expected a letter from St. Louis. Defendant received it, went to the post office and drew the money, and afterward gave him the letter. “ Why did you do this ?” asked the court. “ I had nothing to eat for two days,” said the ac cused. “He only roomed with me, that may be true,” said complainant. “What did you do with the money ?” asked the court. “ I got something to eat and paid the rent,” re plied the accused. “ What was the amount ?” “ Five dollars,” said the complainant. “ Haven't you been in this court before ?” asked Justice Kilbreth. •• No. I never had anything to do with the police iu my life.” •• Did he always wear glasses ?” asked Justice Patterson. •• Yes, sir,” replied complainant. •• I have seen him frequently in the labor bureau at Castle Garden,” said an officer of the Twenty sixth Precinct, “ and stay and get his dinner. He represented himself and his people to be rich in the old country. An attache of the court said he was convicted six months ago of robbing a countryman at Castle Garden. He was scut to the Penitentiary for five months. NEW YORK. SUNDAY. FEBRUARY gl, 1886. A What Julie Falvert Stumbled Upon in the Dark. THE UNKNOWN DEAD. PERTINACIOUS SERGEANT DUBREUIL. A STARTLING RESEMBLANCE. The Missing Husband—Jealousy of an Ex-Galley Slave. NICHETTE’3 STRANGE CONFESSION. When 'Julie Falvert, a vicious young woman, a little after midnight, in the latter part of November, 1827, entered the dark hall of the house in which she lived in the Rue de la Loup—a small alley in one of the worst quarters of Paris—she stumbled over the prostrate form of a man, lying upon the floor. A nervous young woman might have been startled in to uttering a scream, but Julie was not one of that kind. The night had been a bad one for her. She had tramped for hours, with the new-fallen snow soaking through her worn shoes and the sharp wind piercing her thin garments and sending chilly shiv ers up and down her spine. She had not succeeded in attracting the attention of a man; her pocket was empty as her stomach—than which nothing could be emptier—and she was so exhausted, miserable, and desperate that what she most wished for was a pan of lighted charcoal in a close room. Instead of being affrighted by the form upon which she stumbled, she looked upon it as a possi ble God-send. Perhaps there might be something in its pockets. She stooped over it in the darkness to investigate. One of her hands fell upon a sur face that was wet and clammy with what she in stinctively knew was blood. The other touched something hard and cold sticking straight up from the back of the figure. The handle of a knife. It was not a drunken man, as she had at first sup posed, but A CORPSE. Then Julie did scream. In a few moments a crowd had gathered about her, and the police were quickly on hand. They turned the dead man over and held lights above him to see his face. Several at once recog nized him as a person who frequently came to see a girl named Nichette, who had a room upstairs somewhere. But more than that none of them knew about him. He was dressed as a well-to-do artisan, was fair-haired and rather good-looking, seemed to be about thirty-five years of age, and his hands were hard with toil. In his pockets were several letters, affectionate and not at all proper, written by a man to a woman, without envelopes, address or signature. There was also a little money, nothing more. Out of his back they pulled the blade that had killed him—a long and keen butcher-knife, with a bone handle. One thrust of it had been enough, for it had cleft his heart in twain. Nichette was found in her room, abed and asleep. Although very much alarmed when awakened to confront the stern and threatening countenance of old Sergeant Dnbreuil, who was pushing the police investigation, she had sufficient prudence to say as little as possible—so little indeed that the ser geant looked upon her with grave suspicion. She recognized the dead man; admitted that he had left her room but an hour before; affirmed that he was in good spirits and had no quarrel with her; denied any knowledge of his identity beyond such ac quaintanceship as girls of her class might be expect ed to have, which was not even to that extent of knowing his name; declared that she knew of no reason to suspect any one as HIS MURDERER, and beyond that had nothing to say. The case looked like one of simple assassination for the pur pose of robbery—not at all an uncommon occurrence in that locality. Something, however, made Ser geant Dnbreuil doubtful of that explanation, and when the body was exposed for identification, to the public gaze, he kept a sharp watch upon all who came to see it. In three days nothing happened. On the fourth, he was startled. A man, very much muffled up—more than the coldness of the weather demanded, the sergeant thought—looked at the body, gave a single involuntary start, instan taneously controlled himself and quickly went away. Dubreuil followed him, unobserved. The man walked quickly. Again and again he raised his hand to his eyes as if to dash away tears, but they might as well have been caused by the sharp wind as by emotion. Suddenly be turned into a low cabaret. The sergeant glided in at a side door after him, heard him order a glass of brandy, saw him drop the muffling from his face and almost stag gered at the sight. It seemed to him that THE DEAD MAN stood before him. No resemblance could be more perfect. With a shaking hand the unknown raised the glass of fiery liquor to his lips and drained it. The next instant Dubreuil's hand was upon his shoulder and he found himself under arrest, Although subjected to a sharp examination by the commissary of police, the person thus apprehended successfully evaded giving any information about himself or the dead man. When closely pressed by questions he took refuge in sullen silence. Placed before corpse to which he bore such an amazing likeness, the tears filled his eyes, but upon being asked if he recognized the dead man, he simply shook his head negatively. To give him time for reflection upon the unwisdom of his course they locked him up. But a week’s imprisonment made no change in him. After that lapse of time, a woman, giving her name as Louisa Lassen, applied to the police for aid in finding her husband, who bad mysteriously disappeared. Her description of him tallied exactly with that of both the dead man and the one who was locked up, but could not apply to the former, since she had seen her husband at home three days later than the murder, of which sho knew nothing. When shown the corpse she at first cried out •■ It is my husband !” but upon more careful examina tion said: “ No; it is not my husband, but •' HIS TWIN BROTHER ADOLF.” The letters found in the pockets of the dead man were exhibited to her and she at once pronounced them the writing of her husband. Then she was confronted with the prisoner and claimed him as her husband Samuel Lassen, brass-worker, Dane, and father of her three children. His identity thus established was not denied by him and he now admitted that the murdered man was his twin brother, but beyond that he was silent. It was readily ascertained that he had been at home on the night of the murder and that he and Adolf wore on the most amicable terms, so there could be no suspicion that he was the assassin, still the police, mainly through the insistance of Sergeant Dubreuil, persisted in holding him as a clew— though, as yet, rather an unpromising one—to the discovery of the murderer. All this while Nichette had, unknown to her, been kept under police surveillance. The day after the murd-er she flitted to another low quarter of the city, but, though she came and went freely, she was never for an hour lost sight of, in her new lodgings, on the streets, or in the disreputable resorts she frequented. It was observed that she had taken to drinking harder than ever before, and that she seemed to have some secret anxiety that worried her. One night her screams brought to her aid the de tective who was shadowing her just in timo to save her from being BEATEN TO DEATH by a sturdy ruffian, who was so busy beating her that he did not notice the entrance of a third person into the room until the officer’s hand clutch ed his windpipe. The sturdy ruffian turned out to be hor husband, Emil Dabrecht, a recently liberated galley slave,who was furiously jealous of her, and took the most vio- art grtqjertM lent exceptions to the manner in which she was earning her living. In her excitement, and burning with resentment against him, she exclaimed: “ I believe it was he who killed the man in the Rue de la Loup !” That did not seem improbable to the police either. After no little difficulty the commissary drew from her the following strange story: •• For several months I was the mistress of Sam uel Lassen. I had to be somebody’s, f£r my hus band, who was a thief, was in the galleys on a seven years’ sentence, and I had no other way to live. But although I am what I am, I am not a thief and I am “NOT A BAD GIRL AT HEART. “Iknew Lassen was a married man, because he told me so; but I never thought anything about it until one night his brother came to see me and told mo that I was ruining the happiness of an innocent woman and her three poor little children by the in fatuation with which I had inspired their father. He said that Samuel Lessen was giving mo so much out of his scanty wages that his family were kept cold and hungry. When I heard that I cried, and felt as if I ought to be drowned. I told Adolf that I would go away and never see his brother any more* He was very kind to me, and offered me all his sav ings—two hundred francs. I refused them, but he insisted, saying that I must have something with which fo go away, and finally I took them, and I swore upon the crucifix that I would never renew my relations with his brother. Poor Adolf left me and went down into the dark hall, where he was murdered by my jealous “ GALLEY-SLAVE HUSBAND, “ I have no doubt. The letters found on his body were from his brother to me, and I had given them to him to return them, as a sign that all was at an end between us.” When this statement was made known to Samuel Lassen it so overcame him that he broke down com pletely, and confessed that so far as his knowledge went it was all true. It did not take the police long to fix the murder upon Emil Dabrecht, who finally confessed that, in stigated by jealousy, he had killed the wrong man, and he was sent back to the galleys for life. BlßßlfyirßATS. How Skins from the One Help to Make the Other. MEN AND THEIR HEAD-CBEAR. The Invention of Felt Hats and How they Grew. THE SILK HAT’S HISTORY. Australia's Rabbit Plague and the Ruin It Has Wrought. A RABBIT-LAW MURDER. Five centuries ago the first felt bats of which any written record has been preserved were worn in Europe. Previous to that time all head coverings had been knitted or made of clotb. When Crosar invaded Gaul and Albion, he found their inhabit ants bareheaded and dressed in skins, and he left them only the Roman dress, which at best included a light cap. The invasion of the Saxons gave to tho Britons the woolen cap called holt, from which our modern term hats is derived. For many centuries after, silk and satin and velvet were the favorite materials from which to fashion the head-gear of people rich enough to have any choice iu the mat ter. Tho poor went bareheaded or in rude caps of coarse ■cloth, or skins worn with the fur out, like the cat skin cap still popular with the toughs of London. Thus, from Biblical times down to the thirteenth century, the fashion in dressing the bead bad, as far as the common people of the earth were concerned, hardly changed, and certainly not enough to make their general appearance different. ANCIENT FELT HATS. The first felt hats wero male from lambs’ skins, and afterward from the skins of beavers, the latter material continuing to be used till recent times. The change from lambs’ skin to beaver was not ef fected without great difficulty, and the record of subsequent changes in the material and the manu facture of hats would form a striking and curious chapter in economic and political as well as in in dustrial history. In the sixteenth century the trade guilds and cor porations all had certain privileges of which they were jealously watchful, and they had rules and customs which, under pretext of protecting indus try and favoring trade, went far to hinder and to ruin both. The supply of beaver skins becoming unequal to the demand, some of the manufacturers had the idea of making hats partly of beaver and partly of other hair stuff. The new hats, which obtained the name of demi-castors, had the advan tage of cheapness, and soon were largely patron ized by the public. But as beaver was a product of the French colonies—Canada then belonging to France—the trade of which was declared to be in jured by the new fabric, the Guild of Hatters per suaded the Government to interfere. In 1664 an edict forbade the manufacture and sale of demi-cas tors, a fine of two hundred livres being imposed on the manufacturers, with confiscation of all their stock. Deepite this prohibition, however, the public de mand for demi-castors continued, and merchants continued to sell them, The law was then made more stringent. For the first offence expulsion from the guild was the penalty, with a fine of two thousand livres, and for a repetition of the offence a fine of three thousand livres, half to the informer, while persistence in the sale was punished by imprisonment! Many heinous crimes were in those days punished less severely. And still the severity proved ineffectual. An attempt was made to remedy the injustice and hardship by affixing a stamp to all hats already manufactured, and to allow a period to elapse for using up the material prepared before the promulgation of these ordounances. This com promise could not be strictly carried out; new hats still continued to be made, and it was not till the middle of the eighteenth century that the State tolerated the sale of deml-castors. Felt hats were worn to any extent in England for the first time in 1510 or so. Their manufacture had been at that time just introduced there. Some ot the old chronicles of the time preserve vague stories about the manufacture of felt caps long before, but it is certain that there is no definite proof of such an industry, and, if it was practiced at all, it was in such a small and modest way as to have escaped general notice. Beside, no felt caps of a period an terior to Elizabeth are preserved in any collections, which is very fair proof that nope existed to be pre served. The use of felt did not become universal even in the reign of the virgin queen. In the his tory of a later reign we read that Guy Fawkes, of gunpowder plot fame, wore a velvet hat, bequeathed to him by his grandmother in her will. ORIGIN OF SILK HATS. Silk hats appear to have originated in France. In 1760 a hatter of Paris, by name Leprevost, had the happy thought of making hats of silk stuff, which were much more brilliant in texture than those made from woollen stuff. It was a progress, no doubt, but a progress of the kind not tolerated in those times. The unfortunate Leprevost, although he had the distinction of being hatter to the king, was unable to stand against the hostility of his brother hatters, who in the name of the rules of the guild forcibly entered his premises and seized forty-nine silk hats, which they kept as evidences of his breaking the law, while they destroyed by trampling on them no less than 3.071 hats that were in stock! Thenceforward the silk bat had a hard time of it, but it gradually fought its way into favor, first in Italy. In 1825 it got back to its place of birth and began to be a popular article of wear in France. Previous to the introduction of the shiny silk bat tall beaver bats had been largely worn. These were made at first entirely of felt, in all sorts of shapes and with wide and narrow brims. The general rule appeared to bo to mako a wide brimmed hat of soft felt and a narrow margined one of thicker and stif fer material. Sometimes a pasteboard or cloth body was used to keep the tall crown better in shape. The first silk hats presented little variation in form from the felt ones of the time. The difference was in the substance, not the shape. The earliest silk hats after the futile invention of Leprovost appears to have been worn in Florence, Italy. Tall silk hats first came in for morning or undress wear. For full dress a hat in the shape of a crescent, which folded flat, and which is still in use as a part of cer tain uniforms, was adopted. This kept in favor till about 1820, when the present opera hat was invent ed. All gentlemen visiting carried their hats in their hands at that time, whether calling or at a ball» and the opera or crush hat speedily became very popular. The old-fashioned hatters made a bitter fight against the silk hat and offered one curious objec tion to it. This was that it possessed no medicinal properties while the beaver hat did. According to them, by wearing a cap of beaver’s fur, anointing the head once a month with oil of castor, and tak ing a couple of ounces of the same a year a man’s memory would become so strengthened that he would remember everything he read. Even when beaver had ceased to be beaver and become a mixture of lamb’s wool and rabbit’s fur, the old theory of the medicinal value of the beaver’s fur was upheld. RABBIT FUR HATS. The trade in rabbit skins for hat making is now an enormous industry. The skins are doubly val uable, the hair being used for felt making and the pelts to boil down into glue. The present statistics of the Industry in Europe may be figured from the fact that eighty millions of skins are collected in France, twenty-five to thirty millions in England, almost entirely from the warrens of the sandhills and woods; twelve to fifteen millions In Belgium, almost wholly of domestic breed (as are nine out of the eighty millions of French skins); two to three millions from Russia, Sweden, an* Norway and four millions in Northern Germany, yearly. In Austria and Hungary there are about twelve millions col lected, but retained for home manufacture. Spain and Portugal have skins of inferior quality, which are kept for the hat factories of these coun tries. France occupies the chief place in the commerce of rabbit-skins, and this not only in re gard to quantity but to quality. There is no rabbit comparable to the French rabbits either to eat or make hats of. Both xo Belgium and to England large quantities are exported. The supremacy of France did not exist at the start in the rabbit skin trade. In the early part of this century the Germans and English took the lead in the preparation of the skins. France was op pressed by the system of protection and prohibi tion, and so was unable to take advantage of this new industry, and it was not till 1847 that the sys tem of prohibition was relaxed and the protection of the home manufacture was removed. So far from this proving injurious to the national inter ests, it is from that date that we reckon the rise of a trade which has attained to gigantic dimensions. Paris, which is the centre of the preparation of the material, dispatched agents in every direction to employ brokers, chiffoniers and other collectors of skins of rabbits and hares, which had before been seldom preserved for any use. The most energetic and successful purveyors in this industry were the Auvergnats, who still remain the chief agents in the collection. In 1847 the couperies depot’s worked up two and a half millions of skins; the establish ments in the provinces consumed about an equal quantity. At first the manufacturer collected-and stored the rabbit skins, and transformed them into hats with very rude machinery. It is only recently, by the distribution of labor, always advantageous, that the preparation of the stuff has been separated from the manufacture of hats, and the collection of the skins is organized as a distinct industry. In England there are now some twenty firms engaged in pre paring and cutting the skins, the largest of which firms are in Southwark, and others in Manchester and Leeds. The industry, altogether, is a very in teresting one in many respects, and it represents a living to large numbers of people, including the collection of skins in the towns and villages throughout the country, and the hundreds of women and girls occupied in •'pulling” and in other operations preparatory to the felting, when the hat manufacturer enters upon the mysteries of his special trade. The value of the rabbit skin trade in England alone last year was over $1,000,000. There are no statistics at hand of the trade in this country, but it is very important, and there are even places where rabbits are bred in order to provide skins for the market. This is, however, a perilous experi ment, as the experience of Australia and New Zea land with their rabbit plagues will demonstrate. AUSTRALIA’S RABBIT PLAGUE. In the natural history of aboriginal Australia there were no rabbits. Nature knows better than man, and had decided that Australia was not a rab bit country. A few years ago an agent sent to Aus tralia from England had difficulty in procuring from Tasmania, Melbourne and Sydney a sufficient number of skins to serve as samples. Man, in the weak person of a foolish settler, thought he knew better than Nature, and introduced rabbits—only one or two to shoot at. The climate and food exactly suited the rabbits’ constitution, and en larged its normal fecundity. Moreover, not having provided rabbits. Nature had not provided the car nivorous police whose function it is to prevent undue increase and multiplication of these and other small deer. In the second year of rabbits in Australia the foolish settler had good sport with his gun, and was glad. In the third year the rabbits had good sport with his crops, and he was sad. They multiplied by millions, sweeping across the country in swarms, eating up all before them, and threatening ruin to colonial agriculture. Farms, or “runs,” which had formerly maintained 50,000 sheep, would not feed half that number after the appearance of the rabbits. It became a fight for life and death whether colonists were to exterminate the rabbits, or the rabbits to drive the colonists into the sea. All Australia, as well as New Zealand, rose in arms against the ruthless destroyer. The resources of civilization were called out. Rabbit Acts were passed by Parliament. A Rabbit Convention learn edly discussed the matter, and adopted fifty-nine resolutions, which alone ought to kill a consider able number of the timid enemy, of sheer fright. Ordinary methods of rabbit slaughter were found to be absurdly inadequate. One large farmer who employed one hundred men, with dogs, and spent £5,000 a year, gives it as his opinion that of all means of killing rabbits, men and dogs are the most useless and expensive yet devised. Phosphorized oats is a much cheaper and more effective way. It produces on a single farm a crop of 500 dead rabbits per day, and an average of 300,000 skins for exporta tion in the year. Of the various means employed in this war of extermination, the most efficient are trapping and poisoning, phosphorized oats and sulphide of carbon having been found especially effective. Latterly some specimens of the mongoose family have been imported from Colombo, and after being kept in confinement for some time were turned out on some large estates in those districts in Victoria and New South Wales where the rabbits are most numerous, and, so far as is known, the result of the experiment is said to be most favor able. The cost of this quadrupedal pestilence to the colonies has been simply immense. The local Par liaments have spent some millions of dollars fight ing it already, and will probably have to spend mil lions more. The cost to private individuals has been colossal. But it has made the trade in rabbit skins brisk. In 1882, Victoria alone exported nearly 5,000.000, and New Zealand 10,000,000. The popular hatred of the little rodent extends oven to him as a pet in Australia. Any man found keeping a live rabbit is a criminal. He is sent to jail and a reward of SSOO given to the person who inform* against him. OWE, NO. 11 FRANKFORT ST. A RABBIT LAW MURDER. This led recently to a curious and bloody tragedy Ata little village in New South Wales, a man who kept a grog-shop reported to the local police that another man, a carpenter, had a litter of rabbits in his cellar. The carpenter was summoned, and de nied the charge. His house was searched, and a she rabbit, with a batch of young, was found there. He protested bis innocence, but it was without avail. He was let out on bail for trial. He went to the grog-shop and accused the proprietor of having put up a base and sinister job on him. The latter gave him the lie and ordered him out of the place. A scuffle followed, and the carpenter was killed by a stab from his opponent’s case-knife. The grogsman was now arrested and the matter thoroughly investigated. The result was to prove that he long had a grudge against his victim, and, to satisfy it, had trumped up a charge of rabbit hiding against him. To support this charge, he bad hired a tramp to bring him a pregnant sbe-rab bit, and had put her in his victim’s cellar. The rest of the story has been told, except tbat.the conspira tor will hang. BARNUM’S CIRCUS. What it Will Be and the Great Number of People it Will Contain. THE NEW ATTRACTIONS AND FEATURES. As the circus season approaches, the curiosity of the public is becoming more and more interested in knowing what the attractions are going to be that Mr. P. T. Barnum is to spread before them this year in Madison Square Garden, and, with a view of ascertaining, a reporter of this paper visitpd the office of the Barnum and London shows yesterday, and the result is as follows: The combined shows will open in this city ©n the 29th of March. A grand torchlight parade will be given on Saturday, March 27. Madison Square Garden will be arranged with three equestrian rings, an elevated stage and a large hippodrome racing track, beside a labyrinth of aerial apparatus for mid-air performances. There will be two menagries, an elephant pavilion, a mu seum of living wonders, an aviary, three circus companies, a revival of the thrilling races of the Roman hippodrome, an immense congress of giants and giantesses, led by Chang, beside midgets and other curiosities. There will be the skeleton and skin of Jumbo, prepared by Professor Ward, of Rochester; Alice, the widow of Jumbo, who is shortly to arrive from the Royal Zoo in London, and many specialties from India, France and Eng land, which have never been seen in this country. There will also be a marvelous troupe of Arabs, whose performances have created a sensation in Europe, as well as a troupe of bicylists, unicyclists, etc. (their first appearance here). All Winter long agents have been dispatched abroad to secure novelties and attractions for this year’s exhibition, which is is positively stated will be the grandest in the history of shows. There are over 300 performers this season and 100 acts are to be given, embracing everything startling, daring, curious and new. Mlle. Christine, the double headed girl, and Lucia Zarate, the midget, will be two very attractive features also. When the show travels it will use 80 railroad cars, have nearly 800 people on the pay-roll and spread 26 tents. They will have in actual use seven advertising cars, 500 horses, employ 220 men in advance, incur a daily expense of s7,ooo—last year the daily expen diture was $6.800, —and represent a capital of $4,000,000. It will travel through the Western States until the Fall, when the entire show will be shipped to Europe, where Mr. Barnum confidently expects to create as great a furore as that which an nually greets him in this country. The immensity of these shows can hardly be comprehended by the public from the bare outlines mentioned, as nothing h-as been said concerning its Winter quarters, where wheelrights, blacksmiths, harness-makers, costumers, trainers, hostlers, grooms, skilled mechanics of all kinds, car builders, and many others to the number of 200 are kept em ploydd all the year round, or of the vast number of foreign agents located in nearly every part of the habitable world, who are constantly on the alert seeking wonderful living curiosities and animals for the museum and menageries. It is the only circus in the world that enfploys its people by the year. The printing bills amount to over $350,000 each season, while its advertising expenses foot up $2,500 per day. Salaries range all the way from SSOO to $lO per week for performers, but sometimes as much as SIOO,OOO is paid in a season for some one particularly good features. The elegant costumes worn by the employees and others cost over SBO,OOO and 40 girls are employed all Winter in the manufac ture and arrangement. Every year the show has to be better and larger than the previous year, and this season it will be bigger than ever before in its history. EXCISE* MATTERS. SHOULD HAVE WAITED FOR HIS LICENSE. Edward Hortenstein keeps a lager beer saloon in the Tenth Ward. It was reported at the Station House that defendent was selling without a license, the place had changed hands. Officer Collins went there and found that to be the fact, the new pro prietor had taken the license up to headquarters to be transferred, but without gettingJthe transfer, continued to sell. He was fined $5. He should have waited tor his license. PAINT DIDN’T SAVE HIM. Adolph Grimmeyer keeps a lager beer saloon at No. 175 Ludlow street. On Sunday week ago Officer Dokel entered the place between six and seven o’clock in the evening, by the hall door, about ten steps in the halh On entering he found five men there. The prisoner was at the bar. He is the bartender, and was in charge at the time. The defendant said they were painting there at the time, no beer selling. The door was locked. One of the painters went out to get some stuff, and a knock came to the door, and when he went to open it. the officer, and not the painter, entered. After him came the painter, who had gone out for some turpentine, to his shop. ••Who were the five men?” asked the Court. “Myself, the painter, a porter to clean up, and a man that lived in the house and his brother. The painters came there in the morning, and had been there all day.’” Martin Harris said he was in this store last Sun day week. He was there painting all day, and the job had to be finished, if it took all night. He sent out his workman to bring some stuff. When the messenger went to the shop, a brother of wit ness was in the place waiting for him. The mes senger told him he was at 175 Ludlow street. He came there by himself. Afterward came his painter. Then came the officer. “When the officer came in, what were you doing.” “Varnishing the back counter. It couldn’t be covered up.” Officer Dokel was recalled and asked if there was any sign of painting going on. “No, sir; there was painting some day or two be fore, but it was dry.” “Did you see any paint pots ?” “No.” “You put your hand on where it was painted, and it was dry ?” “Yes, sir.” Fined SSO. Vestryman Taintacase sat at his desk checking off the day-hook entries. His telephone rang up the regulation number, and he jumped up to answer. •• Hello!” No answer, so he rang up Central. “That you, Central?” “Yes, what’s wanted?” •* Did you call me?” “ No, but I will; what have you got?” •A pair of eights; come down and I’ll let you eit on the toes of them.” PRICE IT VE CENTS. — ■ ■ ” -----1 ABSENCE, What shall I do with all the days and hours That must be counted ere I see thy face. How shall I charm the interval that lowers Between this time and that sweet time of grace? Shall I in slumber steep each weary sense, Weary with longing ?—shall I flee away Into past days, and with some fond pretence Cheat myself to forget tho present day ? O, how or by what means shall I contrive To bring the hour that brings thee back morfc.' near? How may I teach my drooping hope to live Until that blessed time, and thou art here ? I’ll tell thee, for thy sake I will lay hold Of all good aims, and consecrate to thee In worthy deeds, each moment that is told, While thou, beloved one, art far from me. A BITTER CUP. BY A POPULAR AUTHORS CHAPTER XIV. “ SHE WAS THE EVIL GENIUS OF OUR MOST Vlfi HAPPY HOME.” Rose and Mr. Dacro, standing together st thff' gate, deeply engrossed in each other, do not hear the light quick patter of the children’, steps until they are close at hand; then,as Kate, : the winner of the race, gives a JitUO shout ot triumph, Miss Fane turns and with some surprise where they have been, “ To Mrs. Hunt’s, of course,” Kate answers boldly; she is prepared for the scolding she knows she has earned, and thinks it well to de fend herself at once. “ You know you prom ised to take us this evening, and, when you did not seem disposed to come, Mary and I thought it a pity to disappoint the poor old thing—so wa went by ourselves.” There is a half-comical, halt-defiant sparkle In the girl’s bright eyes, which at another time would amuse Rose Fane, who at all times finds it a difficult matter to enforce strict discipline with her saucy but very loveable, and not really disobedient pupil; now however she hardly no tices it, she is thinking so much less of the children than of the sudden cloud that has darkened Neal Dacre’s handsome face as she answered gravely: “ I do not think Mary was much to blame in tho matter, Kate; she does not indulge in such wilful pranks, except under your guidance. And now go in at once, or Mrs. Lindsay will be uneasy about you.” Kate goes, with no other protest than a shrug of her slim shoulders and a saucily significant look, which is quite lost on the earnest pair she leaves behind. “ What name did she say, Rose ? lam ab surdly fanciful to-night—not Mrs.—Hunt?” “ Yes,” Hose answers slowly and sadly, " it is Abigail Hunt, Neal.” A bitter exclamation breaks from Neal’s stern ly-set lips. “ Dear Neal, why should you mind ?” Roso says pleadingly. “ She has lived here for a year now ; she came here to be near me.” “ Near you—why, she always hated you, Rose I” There is so much passionate, incredulous scorn in the man's tone, that Rose shivers a little, as though struck with some painful remembrance or some sudden fear. What if the strong in stinct she had vanquished at last, the instinct that told her to recognize in Abigal Hunt a ruthless and implacable foe, had been right, after all? For a second she feels sure that it was—feels sure that Abigail Hunt has both the will and power to harm her; then she remem bers all the days and weeks and months that the lonely broken-spirited woman has lived at her gates, speaking no word to wound—doing nothing to harm her, and, with a little flush of generous scorn, she rebukes herself for what she calls her base and cowardly fear. “ She did not like me, Neal,” Rose says, slip ping her hand within her lover’s arm, and rais ing her eyes to his, “but I do not think she went so far as to hate me or any one. Maud was all the world to her—more than most daughters are to their own mothers, and, when Maud died, I think all her power of feeling strongly, died, too. At all events she has been the quietest of neighbors for tho last twelve months.” “And she followed you from Slocombe here ?” “ Yes—she has neither relation nor friend ; she is as lonely as a human being well can be. I am at least Maud’s cousin, you must remem ber, Neal. Do you really think it strange that she should attach herself to me?” Neal does not answer ; with every second the shadow that has fallen over the handsome face grows more hopelessly dark. He, too, strug gles fiercely and half-scornfully with the omin ous dread that hangs so heavily over him, but, unlike Rose, he achieves no victory. The men tion of his dead wife's grim confidante and friend, tho knowledge that she is in the imme diate neighborhood, that at any moment she may appear in bodily presence before him, seem to bring back all the grim spectres, all the shame and pain and terror of the past to haunt and torture him afresh. “I wish to Heaven she had chosen some other spot to pitch her tent in,” he cries with a savage energy, and Rose, with a vague pain at her heart, notices how lividly pale he has grown and how thickly the drops of cold perspiration have gathered on his brow. Perhaps he reads the mingled terror and re proach of her glance aright, for he masters hia agitation by a strong effort and draws tho shrinking figure fondly to him, as he goes on in an altered and explanatory tone : “ Did I frighten you, my darling ? I am a superstitious fool to-night, but I need not try to shake your nerves and make you share my own weak dread. I know the fear is baseless and unworthy, but it is nothing less than fear I feel of Abigail Hunt.” “Fear ? How cau she harm us—even if poor Abigail wished it, Neal ?” “In no way, I hope and trust, my darling; but still, vague and shapeless as it is, the fear is there, and you may guess the shock it was to learn that the woman I would avoid, and have you avoid above all others, has been your neighbor all this year.” “My quiet, harmless neighbor, Neal. Sure ly, if she had meant to injure me, she would have found some means to her end before this ?” Neal shakes his head. Reason, and right, and common-sense are all on the girl’s side; on his, only a dull unchangeable conviction that finds vent at last in passionate, low-spoken words. “You do not know her as I learned to know her in the weeks of my miserable marriage, Rose; I pray Heaven you never may. She was the evil genius of our most unhappy home. We could never have been happy, Maud and I, but we might have lived in peace but lor Abigail Hunt. There were moments when I pitied tho fragile creature, bearing her fierce pain with a