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Tulle-Mad Paris Wears Scarves
Hats, Corsage Bouquets and Muffs of This Fairy Fabric. world, writes each week the fashion article for this newspaper, presenting all that is neweftt and best in styles for well-dressed women. Lady Duff-Gordon's Paris establishment brings her into close touch with that ccntre of fashion. Lady Duff-Gordon's American establishment is at Nos. 37 and 39 West Fifty-seventh street. New York. tracf! the beginnings of these particular costumes. Notice the lace tunic, ?for Instance, combined with rose satin. The tunic, edged with a very new chic flounce, Is of black chantllly lace. The shaping at the top of the bodice Is most effective. Jew elled bands hold this In place over the shoulders. The high waisted effect given by the crushed girdle Is in keeping with the design of the costume and with the figure of the wearer. 1 do like the big satin rose that Is tucked Into the front of the girdle. This is the new way to wear flowers and the only place that will be permissible this Winter. The light effect given by the tulle scarf Is fascinating and it ?also gives grace to the whole costume. A lace or chiffon scarf ADY DUFF-GORDON, the famous "Lucile" of I London, and foremost creator of fashions in the worn instead would be too heavy and de cidedly "out of the picture." Another scarf that Is most satisfac torily in the picture Is the hat worn with the cerise charmeuse crepe and the net lace. The mesh of tills lace skirt, which, by the way, 1s fulled over a cerise drop skirt, is as fine as tulle. The bertha which distinguishes the bodice is rapidly grow ing In favor. The scarf worn here Is a delightful rose tulle Affair. / Ceriie : u'ie Forms the Frame for This Dinner i? ?-?!? Coi'.jme of Cerise Crepe and Lace. By Lady Duff-Ciordon ("Lucile"). . ?*' ? I t: .V. who said that a woman's reputa ? ? x.i.-. ? ?? a 5.i']<? and as easily damaged. Ho ... ; r.nat ii.any women find it an ex ? .< ? ? ' ]> ;p their supply of both these , ?_ ? ? rr.t o: this- expression of the great ? . v. hen 1 dropped In at a Very pri fcu , ? way, Irom which the general ? I ?. ? ? creations my first thought was - - v.'i.-itf.r would be wearing noth ... , : ? and a frightened smile after ? ? ! made this remark "Oui; . : \ j <? in some fashion-?a scarf, <. : . ? ? : '.'hat else she wears will not ? * i'Uiii < <.sturnes that 1 saw ' ' ? ??;., ? -,ty fabric" and its uses. :t . i ' j ;< ? that it ran be had for t. '>?:/. - . I'- expensiveness li?*t? in t..'- fat' '.hat ' ' ..?? . a:,d orlvp It can seldom be worn t:<?- -1 .:.'J 11:r;? ? :.< l ><J as a drapery or a Bcarf sev eral yards are i.< > J' i A hat of 'hi-. d< 'irate .: .<? ? material will have to be remade nr riy < . ? r ? ?!me ti know only too well that In fcp'.te my v. aming : t-n girls w<i| be going tulle inad lb if sea.-.on. There is nothing more delirious than a scarf of cobwebby tulle draped carelessly aero th" shoulder* It 1; HufTy. yet trans parent. It frames the face and shrouds the shoulders most piquantiy, ind j:st between our*-< such a scarf takes ten years from a woman's appearance and creates a fe<<]|ng of mystery. With the i,se of tulle there i^ a perfectly natural tendency to continue the use of lace. These two fabrics- f lace ran be called a fabric?blend charmingly. Both are as light as air, and both are never used to better advantage than when combined in an evening costume. Of tulle hats I have airealty written; therefore win nay nothing more of them this week. Hut there are signs that point to a re vival of the^lace hat, a perfectly logical outcome of the fragile tulle hat. 1 -think. Whether you realize it <>; not. fashion 1b aiwayi; logical, al ways the outgrowth of something that went before. In these three costume-: l am eiiowlug you hero you can easily A Modern f '.irmen in Flame and Canary Yellow Sa!:n, Willi the Lver Present Tulle B dice. I .1 This Chantilly Lacc Tunio and I ulle Scarf Make This Costume a I liiag of Beauty. Lady Constance Stewart Richardson 25 "7J?r The firit fig ore if a dainty and simple po?e, but it work* beauti fully into any of the dance* that are *o popular to-day, for, a* we all know, dancing i? coming into it* own, and one of the moat beautiful and widely neg lected art* la now making a place for it?e)f. The sccond figure is an exercise (hat must bring to the body the lightness of flying, and when once it is mastered you will find that you have true grace at your command. In this, o? in ?o many danc ing move ments, the figure must be poised lightly on the ball of the fool.