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$ States, recently celebrated her ninety-first birthday at her home on eBacon street. Congratulations and good wishes expressing the hope that she will pass the century mark, flowed in from all parts of the land and gave evidence of the esteem and erverence in which this venerable author, virile poetess and loyal patriot is held. Surrounded as she is by her children and her grandchildren, the event drew attention to one more hour in the restful evening she is passing of her long career of good deeedes, that were not for her family or sex alone, but for the whole world, which has been the beneficiary of her endeavors. Although always a day to be marked out on the calendar, especially by the literary world, her birthday this year was made more picturesque by the fact that a portrait of her by her son-in-law, John Elliott, was hung in the New Art Museum in Boston. Mrs. Howe, whose mind is almost as bright and clear as when she was many years younger, showed much delight over the painting of herself, and she talked with many friends about it, recalling episodes in her eventful life when she was quite active in the world of letters and of reform. Julia Ward Howe was born in 1819, near Bowling Green, New York City, Samuel Ward, her father, was a man of wealth and culture, and he gave his daughter a liberal education. Possessing a true scholastic spirit and a brain with which to think out her own ideas, she formed a conception of all subecjts peculiarly her own, which became more settled and clear when her father and her brother died in the same year. Though she married Dr. Samuel G. Howe at the age of twenty-three and spent several years subsequent to that event in Europe, she did not forsake her student habits. Her first distinct essay in literature came in the publication of a volume of her poems, entitled "Passion Flowers," while soon afterwards she wrote a play, "The World's Own," which was produced in New York, and later "Hypolytus." In 1859 she went with Doctor Howe to Cuba, and a book on the island life came frorm her pen. Doctor Howe assumed the editorship of the Bos THE HONOLULU TIMES ton Commonwealth, the anti-slavery organ of that day, and Mrs. Howe became his assistant and a frequent contributor during the abolition agitation. Sturdy Champion of Liberty. Strong in her sympathies with the slave, the attack on Fort Sumter intensified her ardor for the cause of liberty, and to one of the greatest poems produced during the war, which came from her hand, she gave the name of "The Battle Hymn of the Republic." It was one of the potent inspirations of the Union soldiers in the Civil War, and is a poem which will doubtless ever be in literature the most vivid and fervent expression of the aspiration which fired the northern heart. It was inspired, she said, by the sight of troops marching to the tune of "John Brown's Body." Of her later years, her philosophy of life, her interest and faith in human nature and her plea for freedom and equality for women have found expression in her books, though since old age has emphasized each little burden her large literary effusions have been fewer, and lately she has been content merely to contribute an occasional verse to the press of the day. The more significant of her works since the Civil War have been : "Sex and Education," in 1874; "Modern Society," in 1881; "A Life of Margaret Fuller," two years later, and valuable autobiographical reminiscences, which were published in 1899. One of her most recent works is "Sketches of Representative Women of New England." Her poems were collected in a volume which she called, "From Sunset Ridge: Poems Old and New," while her most recent contributions to poetic literature have been the treasured privilege of many magazines to print. After the war, in about 1870, Mrs. Howe became convinced of the justice of political enfranchisement for women, and has always been known as a noted advocate of women's suffrage and of prison and other reforms. For these views she owed her enlightenment to Mrs. Lucy Stone, who struggled in its behalf only in vain. Mrs. Howe's daughters have become followers of their mother's views concerning free-dorm for women, and with her have taken a prominent part in promulgating them. The nonagenarian author and philanthropist has been highly honored time and time again, by universities, which have conferred upon her degrees of doctor of letters, which seldom come to women. Sheerfulness has brightened her life's history with its many tear-stained chapters indeed, she has been called "obstinately optimistic." An Obstinate Optimist. A profitable insight into the mind and character of this remarkably woman is given in her unbounded faith in human nature. As she herself has explained as an example of her philosophy, "My heart's desire was to assist the effort of those who sought for a helpful philosophy of life. I am glad if I have borne the message of good hope for humanity, despite the faults a'nd limitations of individuals. "That hope casts its light over the efforts of years that are past, and gilds for me, with ineffaceable glow the future of our race. The world grows better everywhere all the time. Wherever human effort to a given end is intermitten, society does not attain that end, and is in danger of gradually losing tt from view, and thus of suffering an unconscious deterioration which it may become difficult to relieve. I do not think the manners of socalled polite society are quite so polite as they were in my youth. Young women of fashion seem to have lost in dignity and in general tone and culture. Young men of fashion seem to regard the young ladies with less esteem and deference, and an easy standard of manner is the result. "On the other hand, outside the circles of fashion, I find the tone of taste and culture much higher than I remember it to have been ing nobler and better lives, filling in my youth. I find women lead-larger and higher places, enjoying the upper air of thought where they used to rest upon the very soil of domestic care and detail. So the community gains, although one class loses, and that, remember, the class which assumes to give to the rest the standard of taste. Instead of dwelling upon the fault of our neighbors, let us ask whether we are not, one and all of us, under sacred obligations