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6 THE OGDEN STANDARD-EXAMINER SUNDAY MORNING, JUNE 25, 1 I How the Famous Stage Queen Managed to ' 2 Lillian Russell at 74 I By Dr. I. L. Nascher TT WAS not so much the late Lillian Russell's great dramatic ability or 1 her clear, well-trained voice as her I personality and physical beauty that made her the most famous musical com I edy star of her day and acclaimed for more than a generation "America's greatest beauty." And after she had ceased to sing and act for the public I the compelling charms that had lifted I her to the stage's topmost pinnacle per il sisted and made her up to the very day of her death one of the most admired I of women. I Other women marveled to see how I Lillian Russell, as she neared sixty years I of age, still retained the clear complex ly ion, soft skin, unwrinkled face, youth- ful expression and all the vivacity of I earlier life. I How did she achieve this modern miracles? What was the secret of her B unfading beauty? I Lillian Russell made no secret of H some of the measures and means she I employed to retain her extraordinary I good looks, but she did not tell the I whole story. She did not say that in ad- I dition to the baths, cold creams, cos- metics, exercise and wholesome living she also made liberal use of common W sense, self-control, persistence, energy WM and cheerfulness factors neglected by I many women who faithfully follow her m other formulas. She employed the combination of I mental qualities and drug store and Ik beauty parlor accessories not only dur H ing her whole stage career, but long H after the time when most women realize that they are growing old and believing H that they have become passe and unat- tractive, make no effort to improve their H appearance. At sixty Lillian Russell was H even more careful of her appearance, H her face and figure, than she was at twenty or thirty. H At an age when most chorus girls think more of the pleasures of the mo H ment than of the prospects of to-mor-H row, Lillian Russell exhibited the com H mon sense and self-control that distin H guished her through life. She knew H that early morning dancing after a H night's carousing following an evening's H work, would soon destroy the shapeliness H of her limbs; that the hot bird and cold B bottle of a night's feasting would give H a dull, blotchy face, a husky voice and H a headache in the morning. H She loved Broadway's sensuous pleas- H tires, the bright lights, the lilting music, H the fragrance of flowers, the dainties H of the table, but she had the strength Hi of character to sacrifice those pleasures that might injure her voice or physical H charms. She adopted rules of health H which she observed religiously until they became a part of her life. H One of these rules was to get suffi- J son doing no mental J The last or physical work needs EZbp "'kt '- "y studio pho- very little sleep. Mental Vfr tograph of or physcial labor needs A photograph of her as she looked V jHPV ' Lillian" Russell, enough sleep for com- forty years ago, when she was jusl .... ' - . ' taken in London plete reparation and beginning to become celebrated for ' durlnf the visit she j the amount depends the beauty which strength of character j and her husband Alex- partly upon the amount and intelligent application of scientific JF anjer p. Moore, made j r A of waste and partly principles enabled her to preserve to the there last winter and fur- St upon the rapidity of day of her death Bfc-) ' nishing convincing proof CH repair. nf the wav this remark- HI During youth repair goes on much more rapidly than in later life, and as the waste is much greater in later life, the older one grows, the more sleep he requires if he does not cut down the amount of his work. Insufficient sleep means insufficient repair and a longing for more sleep to make up the deficiency. When a person has had enough sleep to complete the repair process the person awakes naturally. Lillian Russell did not regulate her sleep by the clock but let nature regu late the amount she required. When she awoke she was completely refreshed, her mind was clear and receptive, and she could learn her lines with but little effort. There were never the dark circler under the eyes, the dull eyes, the strained expression that comes from insufficient sleep. Another of her health hobbies was ex ercise. She was a close observer and she saw girl after girl become fat and clumsy and worthless on the stage after a short period of inactivity and high living. She found that she began to gain in weight and show it when she was not working, took no exercise and indulged in rich foods. She realized that she must regulate her diet and mode of life and take proper exercise if she would re tain her admired figure, and she had the strength of character to earn,' out her purpose. Most persons when they take up ex ercise to reduce, soon become fatigued, the exercise becomes irksome and they give it up. When Lillian Russell became fatigued she rested and when thetired feeling passed away she took up the ex ercise again. Systematic exercise be came part of her daily routine. In later years she occasionally sub stituted tennis for the usual gymnastic and calisthenic work. For the middle aged woman, especially the one inclined to stoutness, tennis is probably the best of all recreation exercises. Like base ball, it involves the muscles of the arms, legs, necU, back, chest and abdomen, stimulates the circulation, and if not too strenuous it helps digestion and elimina tion. While active exercise wears away fat and if excessive, muscle too it also causes perspiration, the water being drawn from the blood through the agency of the sweat glands. There is then a natural longing for food and drink to make up for this loss, and many persons who try to reduce through ex ercise eat and dnnk enough to make up the entire waste. But Lillian Russell learned to take little refreshment after the strenuous exercise and thus kept down her weight. In the matter of food and drink she was as careful as in other habits of life. She had i en many a girl's face become bloated, blotchy and pimply, many a figure become coarse, many a voice be come husky and many a constitution wrecked after too many midnight sup pers. So she had the good sense to draw the line at excesses in food and drink. She knew that a single night's carousing would have such a disastrous effect upon her complexion that it would take several days' work to restore it to its ante-prandial condition, and she had the will power to resist temptation. When questioned about her secret ojf keeping young and looking young while growing old Lillian Russell gavo the usual rules of health regular hour, proper food, plenty of sleep, exercise, frequent baths and added, "lots of cold cream." "Plenty of baths in tepid water" was her advice in later years, but in her earlier days she was a fre quent patron of Turkish baths. It may be that her use of lots of cold cream began when she was a frequenter of these bnths. It is the common ex perience of all who work in or go fre quently to Turkish baths that the skin becomes excessively dry through the - ' - I SKF ... drying out of the sebaceous, or fat, glands in the skin. Frequent and pro longed heat will dry out these glands and the skin will become hard and dry Unless the fat they have lost is replaced. This is usually done in Turkish bath.-, by oil or cold cream inunctions. The so called Roman bath is virtually an oil inunction after the ordinary Turkish bath. To these baths are ascribed the beauty of the ancient Roman woman and the softness of her skin. In Lillian Russell's ttage days the grease paints, cosmetics, face powders and other make-up paraphernalia were frequently composed of substance harm ful to the skin and unless thoroughly removed, caused irritation, a muddy, pasty or sickly pale complexion and sometimes a decided disease of the skin. Lillian Russell, always careful of her complexion, was not satisfied with the wash bowl in the dressing room, but took a daily bath and frequently a Turkish bath to clear away the effects of the make-up box. There is no question about the health fulncss of the tepid bath or of its cleansing properties, especially when a mild alkali like borax or a small piece of sal soda or a small quantity of am monia is added or a mild alkaline soap is used. If any rubbing is necessary it should be done with a wash cloth, never with a brush except in locations where dirt might accumulate and it cannot be reached with the cloth, as under the nails. The brush is especially injurious on the face, where the skin becomes tough from exposure to the wind, and the brush causes innumerable fine scratches which may not show to the naked eye but can be seen under a magnifying .'lass, and furnish an entrance to dirt and germs. A brisk rub to stimulate the surface circulation and a cold cream rub afterwards will put the skin in as healtlij a condition as possible, provid ing, of course there is no skin disease. Lillian Russell recommended from time to time various kinds of cold cream, but basically all except the greaseless cold creams are alike. They all con tain animal and vegetable qils and fats. The former nourish the skin or replace the sebum and the latter keep the skin oily and soft. The greaseless cold creams soften temporarily but if they arc allowed to remain onthe skin they dry up like paste and make the skin dry. The ani mal fats encourage the growth of hair and are therefore objectionable on skins on which the hair grows profusely, but this can be obviated by the use of peroxide of hydrogen which first bleaches the hair and finally destroys the roots. It is known that Lillian Russell used from time to time other measures to maintain and enhance her beauty Various face fhassages, manual and mechanical, were tried, various sub stances were used for massaging, hun dreds of local applications to whiten and soften the skin were used. But aftax a few trials she always went back to the old reliable measures. She believed a woman was justified in making use of every art to render herself more beauti ful and attractive, and she lived up to her belief. The real secret of Lillian Russell's perennial youth lay in her temperament. She did not worry. Advancing age brings fine wrinkles due to the waste able woman defied old age mL through more than sixty years of life j Jpj of underlying fat and those can be ?' "ironed out" through massage and ani- i k mal fat cold cream. Worry makes D coarse wrinkles that cannot he removed. W It was her nature to be jolly, and her pleasant, smiling face therefore did not 1 show the drawn lines which give the appearance of age. She was dignified in her bearing, but it was a gracious dignity, free from the artificial poses that some women as sume to impress their friends. At an j age when most women think only of themselves and their own comfort, she : thought how she could please others by her appearance and her work in their behalf. She associated with the young and! those whose thoughts were of youth, and thus she kept up the youthful spirit that was so long the marvel of other j j women of her own age. She had many competitors, but none who combined j 1 physical charms with personality and I'f mental charms as she did She remained litf young because she kept her mind young j Mj and made her appearance correspond lM with her mind. And how well worth while were all W the time and thought and painstaking fjj care Lillian Russell devoted to the pros- W ervation of her beauty. Through her fl success in preserving her youthful charm X she not only contributed enormously to her own happiness and that of her fam- j ily and friends, but also she was able to assume in public affairs a place which would have been impossible for a woman old, wrinkled and ugly. The beauty of Lillian Russell which will long be held in such pleasant mem ory helped win the war, and later itj played an important part in the election! of President Harding and the solving of the nation's immigration problems. J