1 - . . : ; II PQy ftopleOraCareerlpiP dS 3 J J : ' IBM ! I l BV MRS. R. J. BOYLAN. "Choose," said Conscience, "your People or your art." And W. F. Fransee. flrst violinist and director of operas, chose "My people." He left the crowded theaters of the world's big cities, where success had been his and went to spend his life In dingy, dirty districts helping the people of his own and kindred races to live better. He became an ordained minister In order that he might give them soul strength as well as bodily health. This ery day this man, who, like . Kubelik and Kocian, studied under il r Sevcik, is at his work in the foreign t sections trying to give his people chance in this new world cllliza- linn that is such a problem to them. He is well fitted for his task Seven languages can his tongue talk and his ear understand. He loves his work and hi people and he has & little brown-haired, brown-eyed enthusiast for a wife who is truly a helpmeet. He was more than most ministers the fire of the music Jan. He makes even his music help him. Men and women who could not be won in an other way or who are too home tide to listen to ser mons can not keep from hearing the songs of his violin. Often those songs arc home songs and they bring !he tears that are God's med icine for the soul breaking "Helm wen." Rev. Fransee trained for hi? pro fession in the Conservatory of Music in Prague, Bohemia. After his graduation he made a comer', tour through Europe, including England and Scotland. He played !n Glas gow and the manager of the Metropolitan Opera House, New York, heard him. The manager of fered the young musician a posi tion in his orchestra. It was ac jj cepted and when the tour was over W the violinist went to New York, whre he remained for tlve years. He was successful but h did not use his spare '.line as many mu sicians do. Instead he visited the parts of the city whore his poor countrymen lived. Sometimes he took his violin with him and gave them of his music. Often he was depressed because he felt that they were rapidly losing the best that tlioy had brought with them from their European homes and only gaining in Its stead the worst that is In America. From New Tork hp went to the Grau Opera Company of Boston a4 director of grand opera and after wards to the Castle Square Opera Company in Chicago. Meantime he directed many orchestras, glee clubs and chorals and once went to Texas to lead a saengerfest. In Chicago ho found the needs of his people great, but he found also that there were many organizations who gave their time to them as well as many volunteers who worked in the foreign sections. The conditions in cities not as large as Chicago seemed harder and more hopeless because there were fewer helpers for the forelgn-.V- rs. He saw them exchanging their faith in God for a fatal unbelief. e aw their children growing "P I : g ZAMN OHOTC N without school knowledge. He saw their homes becoming dirtier and less sanitary the longer they lived in America- He realized that the work was big and that he could only give one life to the cause. He had many conscience battles. His music quarreled with his dutv, but dutv won. ORDAINED FOR SERVICE SIX YEARS AGO. He gave up a future that was hung with success banners and en tered the ministry, being ordained by Bishop Spelmayer six years ago. For six years h has served as a missionary for the First Methodist Church of East St. Louis, 111. He has a mission on North Ninth street where services are hold every Sun day and prayer meeting every Fri day night. Ail his days and many of his nights he spends going from home to home helping the men, women and children to whom few persons think of giving aid. His congregation hag no limits, neither has his work. He looks for employment for men and women, sees that they have medical care, encourages them to send their chil dren to school and in every way he can serve them as a brother. His reward is seldom more than the satisfaction of his own con science. Often when his people are in trouble they look for him. After the trouble has been ptralghtened out they forget about him or feel ashamed to speak to him. There is a kindergarten in con nection with hla mission, where children who are younger lhan school age may stay through the day while their parents arc? at work. A deaconess is In charge of them. Besides this there are junior league societies and girls' and boys' club. For a number of years he worked away at his task and few persons besides those connected with his church knew that any effort was be ing made for the foreigners. Gradually organizations outside of his church learned what he was doing and asked hlni to tell them about his people, He has often spoken before women'H clubs and given them valuable advice about the kind of work that is helpful. In several months he will be given a new building In which he will be able to do many of tha things on a large scale which at present must be dope In a small way. In speaking before the Women's Civic Federation of his city about the usefulness of a day nursery he said. "Thero Is a need for a day nursery here because laboring men's wages are so small, and the saloons are so many that the women have to work away from home." A number of girls who belong to the Young Women's Christian As sociation wished to do a Christmas charity last year and asked Rev. Fransee to select a poor family. The hard part of that task was not In finding the family, but In se lecting the one from the many that really needed the gifts most He did this part, however, and the Sunday before Christmas he and, a committee of the girls walked far out railroad tracks and down a muddy road to the home. Home is a kind word to apply to the habita tion built by the father of scraps of lumber that he was able to lind. In it were the father, mother and three children The girls had brought Clothing for these and gifts. The parents as well as the children could hardly believe that such good fortune was theirs They looked at the toys as one might look at a star far off In the heavens and won der at its beauty, never dreaming of taking it in one s hands. When his people are sick he often has to help give them medicine. He has found that they are ashamed to tell their physicians that they cannot read directions on the bot tle and thus can not give medicine as ii should be done. "Many times." he says, "my peo ple have had as many as three physicians in one day. They send for one, he comes. He orders medi cine. They get it, but can not give it. The patient grows woTse and they send for another physician and so on. "The only way they can be helped Is for some one to stay right there and give the medicine. I have done that. I have sat up night after night in order that no mistakes might be made. "Once I went Into a home as the physician was going out. The wife was very sick. The man hud given his last $2 to the physician and had no money to get the prescription filled. "1 was able to help there. "Another day I went to see a family living In a little addition that Is built of pieces of freight cars. A little baby had been born, the ninth In that family and the mother had not recovered but hai become seri ously sick and was then burning with fever. Her face was covered with flies and she had tossed about so in her suffering that she wu lying on the child. FOREIGN EHS AFRAID OF THE HOSPITALS. "Her husband was home and the other children, but they could do nothing for her. I said, "Your wife should be In the hor.pltal." "He objected. Many of my people fear to go to hospitals or to let those they love be taken there. They do not know the ways of hos pitals and they think that one who goes away In an ambulance is al ready In a hearse. "I explained to tht man and at last he consented, but he would not go with his wife- He wished me to do that I wrapped mother and child in the blankets I could find and rode with them In the am bulance. My relief came too late, T OP, left W. F. Fransee and Mrs. Fransee. At right Jan Kubelik. Below Kubelik, his wife and five little girls at play. The mother could not recover. When she died I could not bear to think of having the funeral from the awful shack In which the home was, so I had her take i to the mis sion. My funds were low and thero was no money for a funeral, but friends of the church who heard of the death gave me enough money to give that good woman, that mother of children, decent burial. "I sent for the oldest girl and told her to dress the children in the best clothes they had, in o-der that they pay their mother their last respects by going to the funeral. Sh9 went home and came back with all of the children except a little boy of 3. When I asked why she had not brought him, she said, There was nothing for him to Wiar.' 1 I hurried to the home and found the little fellow standing in the middle of that cold house; there wjuj a cold, drizzling rain falling, the floors covered with mud and ho wearing only a llttlo apron. I wrapped him up in some rags and carried him to my house, where wo found clothes for him to wear to the funeral "When the burial was over the father came to me and said, "You are such a good man that I am going to give you some of my chil dren. You may have that little baby and some of the others, but I can not give up my oldest boy, nor that Utile fellow of 3. He looks so much like my dead wife.' "I didn't know just what I would do with the children but I did know that greater danger threatened the oldest girl than any of the others and I asked for her at once. Ho was glad to give her to me. I kept them In my house for a while and then found good homes for them. "I was sorry afterwards that he did not give me the other two. He let the oldest boy. born mind you in America, grow up without school ing, and he let a woman take that little fellow and pretsnd he was hers in order that she might beg " This instance Is given In order that you may see just how far this work la from grand opera He does his duty as a citizen of the United States and helps his fel low men and women when they wish to become citizens. Notice the fellow women. That part of his work did not begin until this year when for the first time Illinois wom en were permitted to vote in civic elections. At the request of the women's clubs he spoke before meetings of foreign women explain ing to them their rights and their duties. Which may be in some the grand operas of tomorrow, but which have no place m those of to day and yesterday. He takes interest In any project that is for the advancement of his people and the city in which they live. He is a member of the Pas tors' Alliance and his fellow minis ters love him ah men love younger brothers who have had more priv ileges than they. Some time ago a concert was given by the First Methodist Church and Rev. Mr. Fransee agreed to give of his violin music for the evening's entertainment. There were those among the audience who had never heard such music as he brought forth from his instrument V and for days after there was talk of the "missionary who plays the r violin." L Since then ho has taken part In jS a number of church entertainments i' and recently he was a soloist In the annual entertainment of the Schu bert club, the leading women's mu sical club In his city. The concert was directed by Oliver Howard Clark, who also has known the pleasure of study In old world music centers. This is Rev. Mr. Fransee's way of "paying back" the interest taken in his people by men and women of the city wnose homes are happier and more comfortable. His music is his recreation after hard days and nights at his work. i His conscience ullovs him that much pleasure after his great sacrifice. OLD MASTERPIECE IS FOUND IN PHILADELPHIA Old paintings are among the most elusive of art treasures, even though as has been contended of late their primitive colors neither fade nor change. An old master may be one thing today and some thing quite different under later expert treatment. This happened recently to Carlo Dolcis' sixteenth century picture in the Memorial Hall collection, where It was cataloguer as "Youth and Love." When it was turned over for restoration to Artist Pasquale Farina, he found that It was In reality one of the Florentine artist's missing masterpieces, ' Salome With John the Baptist's Head." Some graceless fellow had painted a heap of fresh fruit over the dissevered head. Since coming to Philadelphia from Buenos Aires ten years ago, to undertake the restoration and reconstruction of the great Mun kacsy pictures In the Wanamaker prlvato collection. Mr. Farina has made old masters an especial study. Under his restoring hands, the Wanamaker paintings; the great chronological collection of John G. Johnson and the old masters In Memorial Hall and at the Fine Arts Academy have resumed pristine brilliancy and perfection. He has utterly demolished the "Golden Bloom" and "Faded Color" theories, heretofore so useful to dealers in tent on victimizing long-pursed col lectors. Incidentally, he set about collect ing old masters himself. The expert has in this a vast advantage over the mere man of money, and soon Mr. Farina began to engage the Italian authorities' attention. Most of the genuine old pictures nowa days arc from old castles in Italy; and the government forbids their removal from the country. How this edict Is evaded by a thousand cunning devices (s another story; but Mr. Farina, two or three years ago, found that he possessed a pri vate gallery in Rome of more than 100 old masters, none of which he was permitted to take to America, One. however, he did bring over, with the aid of friends In Naples a fine "Madonna. by Joseph Caruc cl, a famous Florentine painter, who flourished during the flrst half of the sixteenth century. Caruccl was a careless genius, fond of paint ing goddesses and bacchantes, and In no wise inclined to save his soul, as other artists did, by painting paints, angels and holy virgins for predellas and alter pieces of the churches. But he painted one "Madonna" on a wooden panel ruthlessly sawed from an earlier picture, and this, by a process of bargaining, some years ago came Into Mr. Farina's posses sion. Caruco they called him "II Pon tormo" in his time, because of the suburb where he lived lavished all his skill on this Madonna. The painting was critically regarded as one of the finest examples of Flor entine art. But it was obscured by the "bloom" and dust of ages, the col ors dull, the draperies almost In visible. Recently Mr. Farina set about a long-delayed task of dis closure and restoration, with this Pontormo "Madonna" ks .JUbJeJt. The countenance sparkled anew; fhe flowing draperies A'ere l'ght. feath ery and free flowing Ju.s ;i3 when the colors were firt 'aid on in dis temper, more thai four centuries ago. Traces of a dim figure in thn in ner angle of the left elbow caught the artist's eye. an 1 beneath Tl Pon tormo's heavy imposts he found an old man's head painted with mlnla-ture-Hke cere the heud of St Pe tor. That was the last of Caruccl's work The painting beneath It was even rarer than a century older. With true antiquarian zeal the artist at onco proceeded to destroy the Pontormo picture, one of the loveliest Madonnas of the Floren tine school, in order to reveal an unknown artist's conception of "Christ In Gethsernane." The photographic reproduction of this picture, painted at least six centuries ago, In an artistic land mark, denoting the beginning of that amazing movement in Italian art which culminated In immortal masterpieces of Venetian, Umbrian and Neapolitan schools in the six teenth century, This now long-moldered painter had little notion of drawing or per spective. He outlined his figures with a graving tool, the marks of which are plainly visible. His fig ures are manifestly portraits from life, the faces finished with miniature-like delicacy. He gilded as well as painted, and on the hair and drapery of his Savior and saints may still be seen the gleam of gold a tradition of the Byzantine man ner. Pontormo himself evidently thought nothing of this old picture. It was evidently much larger orig inally; but the great Florentine cut out of it the panel he desired, and covered this Co such excellent pur pose that hi "Madonna" remained untouched for nearly 400 years. The earlier painting in distemper, now hard as enamel Is an extreme ly rare example of art in the earlier period of the renaissance. ' There are many coses," said Mr. Farina. 'In which painters of all periods, made use of canvases or panels on which amateurs or In ferior masters had already painted a picture. . "No matter how Inferior the painter, every one of his canvases or board3 was properly prepared. These men of no repute were equal to their masters in sound knowledge of the technical part of the paint er's art i I Americans Wearing French Shoes. The tables have been turned this J spring, for instead of American slip pers being sent for by fair Parislen nes. who admit the superiority of American footwear, a French slip per as frivolous and extreme as only a French fodtcovertng an be has arrived to play its part in this American summer. The new slipper has an enorm ously high Louis heel and the thin nest of thin turned soles. It Is ideal for dancing, not only because of the high heel and paper thin sole, but also because the broad strap at the i front holds it as firmly on the foot "VH as a well fitting buttoned boot The strap and its cut steel buckle are of exaggerated size and the huge buckle 16 absurdly in contrast with the speck of a cut steel ornament on the slipper toe: but all the same this Is a very smart and a very popular slipper style. H IsSfI l