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24 IN CHILDHOOD`S REALM GRANDPAPA'S GLASSES. My grandpapa has to wear glasses, 'Cause his eyesight Is not very strone. And he calls them his "specs," and he's worn them For ever and ever so long. And when he gets through with his reading He carefully puts them away, And that'i why I have to help find them 'Bout twenty-five times in a day. Bat at night when we sit 'round the table, And papa and mamma are there, He reads just as long as he's able, And then falls asleep in his chair. And he sits there and sleeps 1n his glasses, And you don't know how funny it seems; But he" says he just has to wear them To see things well iv his dreams. — December Ladies' Home Journal. UNCLE SAM'S CHILDBEN. Did you ever stop to thins, you young folks who read The Call and are proud of the gay flac that waves over you— or is by poetic license supposed to — did you ever atop to think what a curious lot of nephews and nieces your beloved Uncle Sam is blessed with? The children of Germany are Germans, and that's just all there is about it. French men are Frenchmen, and Chinamen always happen to be Chinese. But the children of these United States! They are of all kinds and colors, and some of them really seem to belong, by cood rights, to ages that are gone and half forgotten. Why, right here in our own California there are people— but that is an other part of the story. To begin in the right place, there are those nephews and nieces away up in Alaska. They happen to be free-born American citizens just as much as you and I are— or perhaps more, because their ancestors must have come over from somewhere ever so long before the Mayflower set sail, or even the excellent Mr. Columbus had thought of coming over here to bring the news from Europe. We call those people up there in Alaska "natives," and it is customary to say it with a scornful sort of accent, if you can. Nevertheless, they are very amiable and very hospitable people, as ail their visitors who have not been cruel or selfish will tell you. One gentleman, who went as a mis sionary to some parts of that cold north ern country that he had to reach by a journey on foot that was so difficult and so dangerous that he was barely alive when he had finished it, told me beautiful sto ries of the gentle treatment he received at the hands of Esquimaux, who had hardly seen a white man before in their lives. The homes of these people were holes in the ground, bnt hollowed out till they were quite spacious and with little open ings for the smoke from their fires to escape. To enter them one had to go down into a hole and then along an under ground passage to the house proper. To nave an opening large enough to admit a man into "the house proper would have been to invite in more fresh, cold air than the poor natives could conquer with their wretched little firea. When my friend, the missionary, ar rived at the first of these underground homes his shoes were worn out, and he was tired and discouraged. The natives fed him with the best they had and put him to bed, comforted with the best of their store of the skins of seals and bears. They wished him to remain, but he was able to make them understand that he must press on at once to another village, which in reality he wished to reach in time to atone for a mistake which he had made in carrying out the orders of bis Bishop. While the missionary lay and slept through the long hours of the night, the natives sat up and worked for him as I fear we Christian people would not be very apt to work for any strangers who came to our shores without money. They made him new boots, high and Btrong, and lined them well with straw, to keep the cold out and the warmth within. They made him, too — these natives j whom you would very likely have called • savages— a long shirt-like coat of skins, : very light and very warm. No rain could j "THE DREAM TURKEY." penetrate this coat of skins, which was not, if you please, a coat of fur. It was a light coat, fine like silk, and shedding the rain as it turned away the wind. I meant to tell you ail about a wonder ful Christmas dinner that my missionary friend was able to set forth for those natives some time after that — a dinner where they had everything that comes in tin cans, and were going to have the finest oyster >tew in the world till they remem bered tnat you can't stew oysters in con densed milk — but it is ume that my story came down from Alaska. Some of the young Americans who live right out here in Arizona are just about as barbaric as any people in the world. It is not any time at all since the Apache Indians used to kill people in such incon ceivably horrible ways that even the books about cannibals and pirates do not tell anything like it. It used to be said that these dreadful people would tie their pris oners to a stake and build a little fire about their feet. Then the big "braves" — only you will not think, surely, that they were really brave at all — the big braves would sit around laughing and enjoying themselves, while their children were taking the prisoners to pieces, just one little joint at a time. Don't you think Uncle Sam ought to do something to discipline such nephews and nieces as that? Well, he has done all sorts of things. *ome of them were wise and some were foolish, and altogether those naughty Apaches have cost us a great many lives and a great many dollars. Besides the dear little "Yankees" who live way down in Maine and the rest of New England, the honey-tongued children who live "way down in Dixie," just think how many hundred thousands of coming Presidents and Presidentesses who are just now snowed under in the Middle and Western States! There are the "Wolverines who live in Wisconsin, the Buckeyes who are born in Ohio just on purpose to run things in Wash ington when they get big, and the dear little Hoosiers who begin to talk the best Kind of common-sense right through their noses long before they are able to walk a step. There are plenty of native-born Ameri cans in almost every State in the Union who can't speak a word of English, but after all I believe California has the most astonishing conglomeration of races of any spot on carth — unless it is that cute little land of Hawaii, that is half the time crying to come into our family and the rest of the time declaring that it won't— so there now. If we should get those little Hawaiians for real own cousins! They don't wear a stitch of clothes when "they are little— that is, they don't if they are lucky enough to live in the native villages where the foreigners don't set quite all the fashions yet. And the fathers and mothers of those little islanders just love them almost to death. They love each other's children, too — those happy people of Hawaii. And a funny thing about those loving mothers is that they don't think it is anything strange at all to trade babies! Well, of course they all live pretty close together, anyway, so nobody need cry about it. And it must be very convenient if your family has too many boys in it to trade some of them off for girls, or vice versa. To come back from those nephews and nieces that old Uncle Sara really hasn't adopted yet, there are enough children in our own California to write a book about. The race that has a right to be remem bered first is surejy the Indian. There are not many Indian children — fewer and fewer each year. Mrs. Hudson, who surely has a right to paint Indian babies, since she herself was born right up there among them — one of the first pair of white twins born in Mendocino County — Mrs. Grace Hudson has given everybody who looks at The Call a chance to see exactly what Indian babies are like. There are just a few thousand of them scattered about the State, and except when they grow up and find whisky to drink our California In dians make very little trouble for Uncle Sam or anybody else. Our Indians live in houses that are more like big baskets than anything else, and most of them are very poor. They have been driven from pleasant woods and springs they loved to dreary, desert places, and the game and crops of acorns ti'iat used to be their food grow less and less plentiful as the years^ go by. The race is dying, but let us hope it is to make place for a better and happier one. The Spaniards and Mexicanos were the first white people to overrun California. Many of them are here still, and some are rich and proud. It is said that when an Englishman, who had a title, wished to marry a Spanish girl of our State., his peo THE SAN FRANCISCO CALL, SUNDAY, DECEMBER 1, 1895. pie murmured that she was not his equal because her ancestors were perhaps no body in particular. And then the girl's father, a fine, proud Californian, who didn't think titles were worth the trouble of wearing, sent those people over some information regarding his "family" which made them feel that their English titles were very new and very tawdry indeed when they had to be com pared with the fine old Spanish ones our Californian wouldn't bother with — except to please his pretty daughter. Of course we, the children of the Grin coea, are the most important young folks in California— everybody knows that. But, after all, Uncle Sam does as much for other kinds of infants, trying, of course, to make them grow like us. There is a public school with a flag over it up in Chinatown where white school ma'ams spend their time trying to teach little Chinese in gorgeous pink and impos sible green silk trousers to read and figure in true public school fashion. Very good pupils too do these picturesque little Ori entals make; and— would you believe it?— when their school closes in the afternoon they go right along to a Chinese school THE BUSIEST DAY IN THE WEEK. [From a photograph by Marta H. Philip.] where they work away until 9 o'clock at night. Among the foreigners who have got to De taught to be good Californians there , are the children who belong amone the , 10,000 people of Switzerland who are living in our State. The Swiss Minister Pleni potentiary and Envoy Extraordinary (that is his really truly title, and he has it en ! graved on his visiting-card), has just been out here to visit these people. 1 hope that when he gets back to Wash | intrton he will tell Uncle Sam to please • make those Swiss children go to our ! schools and iearn English, so that you ' can't, as now, drive your horse a day's ; journey in some parts of the State without ! iinding a single English-speaking family. THAT GEOGRAPHY LESSON. Just a few little nephews and nieces — good little Gringoes all this time— have sent in their geography letters. Perhaps j there'll be ever so many more next week, I and perhaps — who knows?— there may be , some from foreien parts. Here are the letters, and surely no one could read them without learning some thing new about the great and glorious State we live in. Los Angeles, Nov. 26. Dear Geography Editor: There are so many interesting things to tell about Los Angeles that I hardly know where to l>egin. Best of all there is the river; in summer the lowlands about it are covered with flowers, and great fields of sunflowers are blooming there still. Down from the hills little clear brooks come running to the river and you can see the pretty pebbles shining under the water. There are beautiful orange groves all about the country here and the trees never droD their leaves, but are always shining green. The oranges ripen and hang, and almost any day in the year you can go to an orange tree and gather fruit and sweet-scented flowers. English walnuts grow here, too, and the trees are pretty for shade. There are reservoirs all among the hills that supply the water for our city. Around these little lakes are planted grass and palms and other trees and flowers. Then you see there is a nice little park, and people can take boat rides on the lakes and be happy. Christmas berries grow among the hills, and we are going to decorate the house. You can look through the white roses that cover our porch to the white snow on the hills beyond and it looks pretty. I will write more next time. Ruthie C. If. Alameda. Dear Call : I am just going to write a compo sition about Alameda, and a big boy told me some of the things to say. Alameda is situated about ten miles from San Francisco. It is mostly up of houses for people to live in who have to work in San Francisco. Alameda is situated upon a peninsula which is going to become an island when the new Government canal is finished. There is a new steel drawbridge across the canal, and wh'-n some more dredging is done there will be a very fine place for steamers and sailing vessels to land their cargoes. '.Ye have a very fine electric car system run ning down Santa. Clara avenue and across to Oakland. The cars run right around a circle, so when you want to j?o any place you just Ret on a car going either way and it will be all right. Yours truly, J. C. Kenny. Tehachapi, November 25. To the Geography Editor : Nobody else will write you a letter from Tehachapi, so I must do it. Tehachapi Pass is a low place in the Sierra Nevada Mountains where the railroad goes that connects Northern and Southern Califor nia. Jf the State should ever break in two Tehachapi is the place where It would break. The wind blows hard all the time here, so you have to keep your hat tied on. Sometimes cloudbursts come down the canyons here and some time I will tell you about that. Walter Rodgers. THE DONALD SEBIES-NO. V. FOR TINY BOYS. At last the time to eat the grand Thanks giving dinner had come, for the bell was ringing, and its silvery peals filled all the house witii welcome music and impatient little Donald's heart with joy. The happy boy could not walk liko a gentleman into the dining-room, but hopped like a froggy all the way down the dimly lighted hall. When papa threw open the great doors, oh, what a beautiful sieht met his eyes and what delicious smells greeted his nose. From one end of the room to the other stretched the long, snowy-draped table, heaped with all the goodies which this happy time of the year brings, while over all was shed a blaze of light from the many jets of the great chandelier. Mr. Turkey, with his beautiful brown coat, who occupied the place of honor, was all decorated with dainty white and laven der ruffles and ribbons, and was truly a sight to behold. The delicate salads and cranberry jelly in their pretty dishes, the mine and pump kin pies, and all the other good things just made Donald's mouth water. When asked by bis papa what part of the turkey be liked best, he answered, "The drumstick, of course, papa ; didn't you know that the drumstick was the best part of the turkey?" After he had eaten— l was going to say I'enough," but it was more than "enough" ; it was as much "as he possibly could," | which was "enough" for two such boys as i he, and all the rest were through, he : slipped round to grandma's chair and I asked her to please keep his drumstick for i him until the next day. She smilingly promised and then they all went to the drawing-room, where Don- I aid had a happy time lying on a furry rug I before a blazing tire, "eating raisins and I nuts and listening to a beautiful story which mamma read aloud, while the gentle raindrops pattered against the window panes. Then bedtime came and the tired, sleepy boy was soon safely tucked in his little white crib. Just as mamma was about to leave him on the verge of slumber-land the little fellow surprised her by sitting up in bed and begging for Mr. Turkey's drumstick. So she went down to the pantry, found the treasure and took it to him. Oh, how pleased he was, and mamma left him enawine it just the way a little doggie does. After a while, when she went back to the nursery to wire his tiny bands and to say one more good-night, what do you think she saw? Well, it was such a funny sight that mamma wished she were an artist so she mieht make a sketch of what she saw. Why, the dear little fellow had fallen ftttasieep with the great drumstick stick ing half in and half out of his mouth ! Mamma called papa to come and see, too, and when he did he thought it was such a good joke that he could not stay in tne room for laughing. Gently pulling the turkey-bone away, mamma left the dear little boy to live over a^ain the merry hours of Thanksgiving day in the happy realms of "Dreamland. PIEEOED. Yet th« Enveloping Tissue Was Not Broken. A curious experiment has been made at Briancon, in the presence of the city offi cials ana the officers of the artillery. A quartermaster named Armand had re ceived in his breast two shots from a revol ver in the hands of a revolutionist, but, strangely enough, his military coat was not perforated, while, in the papers and a book in the pocket of the garment were found two circular holes, corresponding in diam eter with two balls found the day after the attack on the li oor of the arsenal. A figure was dressed in a soldier's coat and papers and a book similar to those carried by Armand were placed in the pocket. Several bails were tired at the figure, but, although the coat was not injured, circular holes were found in the book corresponding with the balls of the revolver used in the ex periment. Mr. Paul Issartier writes the following comment: "The fact does not seem very extraor dinary. I have myself seen a similar cir cumstance, or rather one that presents some analogy to this story of the Quarter master Armand. A workman received a cut with a hatchet on his shoulder; the flesh was found to be very deeply cut, al though his clothing was not damaged in any way." A simple experiment will enable any one to believe in the possibility of this: Put a potato, an apple or any soft fruit which has no ker:.el inside in a handkerchief, suspending it by the four corners tied to gether, so that nothing touches it. By striking from below with a kitchen knife at the suspended fruit it will be gashed or cut through. But however sharp the knife or fine the handkerchief the cloth will not be injured. Is there not some relation between the effect of the knife in this experiment and that of the ball as described?— Popular Science News. Eaten by an Alligator. A young Jamaican met a horrible death in Port Lirnon, Costa Rica, on Sunday, October (J, in the river Banana, having been caught and eaten by an alligator. Sinclair, with several other companions, had gone to bathe in the river, and while in the water the alligator appeared, when they all made for land. After getting out it was discovered that Sinclair was missing. Hia friends, how ever, hopeful of recovering the whole or part of his body, went away, but returned to the river an hour later with dynamite and rifles just in time to see the alligator on the surface of the water with Sinclair in his mouth, whom he held by his left side, but as soon as the alligator spied them he went below with his victim and never came to the surface again, despite all the dynamite and shots which were discharged in the river all that day until night. On the 10th inst. J. Kaempffer shot an alligator, and, on opening it, found in the stomach of the rapacious reptile different parts of a human being— a hand minus the arm and another hand with the arm, the flesh being still on it. A lot of bones were also found. It is believed that these were parts of the unfortunate Sinclair. The alligator was ten feet long.— Panama bur aud Herald. ART TALKS FROM PARIS There Are Many Pacific Coast Art Pilgrims in the Gay City. EDUCATION VEESTJS TALENT. Parents' Opinion of the Length of Time It Takes to Become Famous. The number of American art students in Paris is, of all foreign nationalities, the greater. The Pacific Coast, and especially San Francisco, has sent a small army of students here. Among those whose names you hear oftenest, whatever rounds of art's ladder they have climbed, are Aaron Altmann, Edouard Cucuel* Maurice Dal mue, William Dunbar Jewett, Harry Fonda, Gottardo Piazzoni, Granville Red mond, C. R. Peters, Harry W. Seawell, Miss Claire Curtis-Huxley, Miss Rita Po tron, Miss Blanche Roullier, Miss Anna E. Klumpke, Jules Pages, Frederic L. M. Pape, Ernest Peixotto, Florian Peixotto, John Bakewell Jr., Edward H. Bennett, H. C. Corbett, all of San Francisco; George H. Piper of Virginia City, Willis H. Thorn dike or Stockton and Harry Lewis of Los Angeles. Of this number ten of the San Franciscans exhibited in the salon— the old and better last salon of the Champs Elysees. These students are all hard workers and very much in earnest in attempting to do something more than simply to "rub their elbows in art." Like the majority of Americans, most of them study at Julien's. Whatever may be the aim of each when he arrives in Paris, sooner or later, nearly all turn to painting, if painting will follow them, but the muse will not always be wooed. A few turn to sculpture. They live just off the BouleVard Montparnasse, which is thick with academies and studios, and they eat, generally, at the Art Club. *** * * Aaron Altmann has been two years in Paris and is studying in the Gerome Ate lier at tne Beaux Arts. He has turned his attention to painting and shows the great progress he has been making in two pict ures recently painted. "La Matelassierd," the figure subject, shows an old woman carding a mattress; "Clamart at Harvest Time" is a landscape. Both pictures are very promising and show a decided talent. His coloring is beautiful, and strongly re sembles that of Millet. Mr. Altmann has spent his summer in the country of Bas tien Lepage. Edouard Cucuel studies at the three principal studios — Julien's, Gerome's and Collarossi's — thereby broadening his man ner of work and emphasizing his indi viduality. He has grown notably stronger in his drawing in the past few months, being more simple and massing. Maurice Dalmue was born in Paris, but went to America when a lad, beginning his studies in drawing in San Francisco. William Dunbar JeWfett, a graduate of Berkeley, Has spent six months at Julien's studying sculpture. He is now at work in a private atelier of his own. Harry Fonda has been one and a half years in Paris, and does very good work. He exhibited in the last salon an oil paint ing of "Concarneau," a seaport town of France. Mr. Fonda is the musician of the club. Gottardo Piazzoni is a Swiss by birth, a Californian by adoption. He has been in Paris a year and a half, and is a very prom ising young painter. Granville S. Redmond, the deaf-mute sent by the State institution at Berkeley, has been here a year and a half. He ex hibited in the fast salon an oil painting called "Matin d'Hiver." He is also study ing sculpture. Harry S awell has just returned home to San Francisco after a stay of three years in Paris. He exhibited in tlie salon this year an oil painting showing the interior of an old kitchen and its occupant, an old peasant woman. It is very dark in tone, indeed quite Rembrandt in style, and gives promise of great things. It is called "I'lnterieur dune Vieille Chaumiere." ••* • • George H. Piper is studying drawing for illustration particularly. At present, however, he is much interested in model ing and architecture. He has been over here two years. Willis H. Thorndike is also studying to illustrate. He makes very chic girls. He has been at Etaples this summer, on the coast of Belgium, and while there he has made a vast improvement in his painting. Harry Lewis was born in Ohio. His home now is in Los Angeles. He is study ing water colors. Miss Claire Curtis-Huxlev, who exhib ited in sculpture at the last salon, is worthy of mention. The work was a bust head entitled "La Priere de Grandmere," and speaks well for the talent of the young sculptress, who has studied but six months at Julien's, on the Rue de Beni. She is a pupil of Puech and Bouguereau. The model for her work was the old Italian woman who sat for Rodin for his famous bronze study in the Luxembourg. As a rule, women sculptors are apt to be petty in their work, giving more attention to details than to the strength and com position of their subject. Miss Huxley shows none of that weakness so far. Her work for the next salon wiil be a figure. Her model for this is a favorite of Roll's and sat for him in the composition of his "Joys of Life," designed for the staircase of the Paris Hotel de Ville. It was exhib ited in the Champs de Mars Salon. Another noteworthy exhibit was a kitchen interior — "Coin de Cuisine" — by Jules Pages, who has already secured an honorable mention from the society. The kitchen represented is that of a famous restaurant at Montmartre, much fre quented by American art students. The cook, in white cap, jacket and apron, is standing at his blazing furnace, sur rounded by copper pots and kettles. The strong light is in the background, giving a contre-jour effect. The harmony of color is beautiful. That Mr. Paces has great talent no one can deny. He reminds one of the work of the old Dutch masters. Miss Anna E. Klumpke, who has al ready secured noteworthy fame as a painter, exhibited a portrait in oils. Miss Rita Potron showed a pretty por trait of a lady, on porcelain, but her prin cipal work was a composition representing Judith holding the head of Holofernes. The picture is painted on Limoges (email) enamel. Miss Blanche Roullier exhibited work in pastels— "Plumeur de Volaille" and the portrait of a young lady. ••• • * Ernest Peixotto has been in Paris twice for study, and has secured an honorable mention. He has attended no school, but studied by himself. He exhibited this year "La Sainte Famille" and "Femme de Rijsoord." His cousin, Florian Peixotto, exposed a portrait in oil, "Vieillard Hol landais." The drawings of Frederic L. M. Pape (Eric Pape is his pen name) in the Century have been well known for the past two years. Constant tells him that he is another Da Vinci, he is so very correct in his drawing. To my mind, however, his work is cold. The architectural students from Califor nia are John Bakewell Jr. and Edward H. Burnett, who were received at the last session of the Ecole dcs Beaux Art, and H. C. Corbett, who has taken the examin ations of this session. These young men have chosen a yast work ana a paying one, inasmuch as art has to-day turned quite commercial. Here in architecture is benefited, for there is a general tendency everywhere to make good painting a decorative adjunct of spa cious and lofty architecture. ••• • • Education Versus Talent. I suspect that almost every American boy who has ever broached the subject of following art as a profession to his parents has had held up to him as illustrative of genuine talent the case of Benjamin West. He is told that when West was 8 years old he made a brush out of a cat's tail, bor rowed some yellow ocher and painted his small sister's portrait in a remarkable manner. Now, John has never painted his sister's portrait even when 18 years old, so John's father says: "You? You'll never be an artist. You've never shown any talent." So John is either refused aid outright, or along with material help come all the fond and heartless, discouraging words which one's family so well know how to give. But the historical account of West and his portrait happens to run a wee bit otherwise. Some friendly Indians were his first teachers. They imparted to the boy West the secrets of the mixture of their war paints, and to their red and yel low his mother added indigo. His brush was made from hairs cut from the cat's back. He was never opposed, but always encouraged. When he grew older a coun cil of the neighboring Quakers was held 10 decide on the question of young West's following his calling. They wisely agreed that God would not bestow faculties and forbid their employment, and so he went to London to study. Now John is an* artist because he has to be. It is a disease he has. Unlike the measles or the mumps, he doesn't recover so quickly when doctored. Finally he comes to Paris. Fortunate for him, if he is by nature a gentleman and has already an education, even an ordinary one. It always helps to be a gen tleman. Education, to be sure, does not make an artist nor originate talent, but it does develop it and often brines out great and unexpected powers. Ignorance seems to go with an artistic temperament, ana specializing always tends to narrowness, which in time cramps and finally kills all feeling and originality. When John arrives in Paris he is filled to overflowing with all the young students' dreams of future greatness. He takes up his studies at Julien's and talks of nothing but work — morning, noon and night. The old men listen, but say nothing. They know tnat he will cool off in a lit tle while and work only half a day. When he shall have reached this stage he may have learned to value quality more than quantity. On the other hand, he may have learned. the greatest fault of modern Bohemia — incorrigible laziness. This lazi ness may be shown in many ways. He may be simply bumming, not dreaming great dreams of work, as he lies on his couch and gazes at the chimney pots through wreaths of smoke. He may waste his time by taking models out to the coun try, or he "may go out to study new sights and scenes in earnest. Often it takes weeks to adjust the proportions of this grand new experiment and pleasure, and during the adjustment work often suffers. Everything is in his favor here if he will only make it so. He has all sorts of acces sory instruction. For a reasonable sum (5 francs a half day) he can have the best private models in his own studio. There are numberless incitements here to study his profession which America cannot give, and all these cost him nothing. The streets are filled with picture-shops and galleries. Tiie people themselves are pic tures walking about. The churches, the theaters, the concert-rooms and the res taurants are covered with pictures. The atmosphere is surcharged with art. He is also away from all restraints and free to do as he will. *** * * In a few months a letter comes from his father, asking if John's masterpiece is ready. Then a small array of sisters, cousins and aunts who think that he has already done great things in the sketch which he made of Aunt Mary, conse NEW TO-DAT-DRY GOODS. 107-109 '^f*£!lk 7^ 1220-1222-1224 post street,^jr;.^'^^ MARKET STREET KOHLBERQ, STRAUSS & FROHMAN. 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AC • yards a pattern, navy and brown only, stitched, hand-embroidered initial O\J warranted all wool; 25 pieces will be CAO •old at *J\J L VH I llls,L N x l o7six,wid H te N D sS ' Nl6 3^ n^ A 7 D J£? d T?£^S5B& hand-embroidered Initial, fine quality <m -, . 00 2u ' £*£• ne^ '{Soring! very sfy? Ar O 1awn..... NP •»- lBh . 15 pieces will be sold at /±%J TADIES 1 LINEN HANDKER- AMAZON CLOTH SUITINGS, 52 CHIKPS, box of six hemstitched, ■•- -V inches, 6 yards a pattern, all staple ;.: • pure linen, the fashionable small© 1. 2 5 colors and black, beautiful finish, all rrvo Initials: should be $1 50 or $1 75 a box <&) 1 wool; 20 pieces will be sold at......... OU . • FRENCH MOMrE SUITINGS, 38 inches, . LADIES' LINEN HANDKER- 7 yards a pattern, warranted silk and CHIEFS, box of six, pure Irish linen, wool, two and three toned effects, new CAO . fine hemstitched, pretty initials, ?'-' (Jj*! .5O ; stylish colorings U\J cheap; a lovely holiday gift..... 1 -— ,;- . ;";•■'• : V Dress Goods at Market-Street Store Only. MEN'S SILK HANDKERCHIEFS, 20 -* '. Inches square, Japanese silk, hand- embroidered initials, wide hemstitch, 25 VPIIIMO^* last year 3 for *1 **> \ C.\L.\\\ijZs. mt™»q cttv uivmrifßrmm 20 Received more than 100 styles last week. You MEN'S SILK HANDKERCHIEFS, 20 are sure to get the newest and prettiest styles here inches square, American silk, quite- We cull especial attention to la^e variety of Plain he Vyi^ ncJ?OmelnlUalS ' alWayS b 35 Fishnets in this new lot. - All the new meshes and sold at DUG - • ••••• ■ *-* v dots. ■ *"'**'.-.*.* ~~~~~ ! * . NOVELTY VE1L1NG5... ....i...t5c toB 2.50 MEN'S SILK HANDKERCHIEFS, 22 . ' ■ , Inches square, very heavy silk, wide hemstitch, elaborate Initials, cheap CAC .; ■ vir , i-»ir-»r-n-^.».T« at75ceaca.....................:. ; ...... OU NEW RIBBONS. RDHWIVIP «'TnDQ" CHANGEABLE RIBBONS, 31/2 inches ' - DK.U WIMI C, 1 UrJi wide, 10 colors, a new. pattern, very o^C •■■ rich, extra quality, 60c grade.......... GO CUSHION TOPS-You remember the other lot we W ARP PRINT nrßßnve „,, 'i v . . had, those delightful,- comical patterns. on ■v . ,*"■; * " ** \ IvIBBONh, 3% inches stout tinted denim: 200 more just In; they are X™'' ° lutel >'. 1 ne newest creation ' 24 inches square, the designs in tints. : X » r and millinery, beautiful 60° Dresden effects, shown for first time OU Brownie patterns 25c * ,:, V v Home, Sweet Home .......... 30c *S" We also have these Dresden effect* In \v«^ Auld Lang 5yne....v............V.30c , Print Bilks, ?1, $ l a 5; »i 6 0 and $2 a yard! quently expect that he will eet Into the salon the first year he is in Pans True, they don't know much about the salon (I have known of some good people who .thought it an open bar), but at the same ! time they know it is considered necessary I in the advancement of art. If he does exjr I hibit the first year of his study here, it w ur " be because he has wonderful genius or a wonderful cultivation of ereat talent, it docs not often happen. Parents and friends have anill-distruised contempt for any work which does not come up to their ideals— ideals, perhaps which prefer a daub of potato-patches ana broken crockery to a grand original con ception impartially revealed. They k no^ I nothing about the'sshemes of color to be worked out. To them red is red, yellow 13 yellow and red and yellow make orange. "What more would you have? They can't see the wings of their chil dren, so they refuse to believe in the power of their children to soar. One gives his son three months in which to conquer fame; another two years. The latter is only a beginning. Men and women are ! not lacehorses.' it takes time to prove that one has genius or talent. Then, too, there is a vast difference be- I tween a painter and an acknowledged painter. Giod luck does not always stand lat the door knocking. It must otten be made, and the process is long and painful. The irony of non-appreciation by one's j nearest and dearest is often an arti3t's greatest fame. You remember Meissonier's experience. His granddaughter, upon ber fifteenth 01 sixteenth birthday, had received a beauti ful fan. The sticks were exquisitely carved in ivory, but the fan itself, of blacE gauze, was absolutely plain. Evidently the donor intended that the art of the grandfather should enhance the value of the present. i He was about to do so, when she stopped him: "Voila! qu'il va me gater mon eventail avec ses mannequins!" (He is going to spoil my fan with his dummies!) ••• • • To return to our unfortunate John ! His genius or talent may not develop so quickly as that of his neighbor and play* -. mate, Henry. He may paint tolerably | well. He may draw the figure accu rately and sketch with cleverness churches and restaurants. Even then, when he has reached this stage, he should be happy if ho 1 cad an uneventful life for the next five or six years, toiling steadily, as if he were I plying an ordinary trade. There is some- I thing more to be sought than praise- I worthy industry on small things. He ! m DSt follow with all his might after origi* ! n ality in the solution of his favorite prob j 1 em. No artist can fit himself into an j other's form or shape. He must find his ! own fitness. He must do something more than aim for perfection of form and effectiveness ol coloring — the modern craze. Before he begins a life and death strug gle for originality in feeling and sentiment he will probably pass through the numer ous crazrs of medievalism, romanticism and all the other isms in which young painters in all ages ind-.ilne. Sifting chaff from wheat takes time. And it takes courage, too, for an artist of to-day to reverence ideas above mechan ism. He will have all manner of evil spoken against him by his broth r artists. But there are people who do not look fo» exquisite beauty of form and color alone in a picture. It would be impossible and unjust to ctiticize the work of contemporary students. But the most of them possess one excellent quality in common — their determination to be original in all lines — first of all in imagination, (whicrf is a lost art to-day); in the choice of new subjects which shall be distinctively American ; in the manner of treatment of old subjects — in short, in the power to combine great sentiment with great artistic effect in coloring. At the same time, all Americans, both students and artists, possess two acknowledged faults— the high lights in their studies are not toned enough and they do not pay sufficient at tention to drawing. Flobejtce Blanchard. 25 Avenue Wagram, Paris, Oct. 25, 1895.