The San Francisco call. [volume], June 09, 1907, Page 33, Image 33

About The San Francisco call. [volume] (San Francisco [Calif.]) 1895-1913

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MANAGER FRAWLEY
AND SOME
STAGE MAMMAS
James Crawford
MR. FRAWLEY brought this
publicity upon himself.
When we met he remarked
that I looked as if a stage
mother had just been talking to me.
Neither his tone nor his gaze justi
fied a drawing of cheerful inference,
but I faltered, hopefully, "Refreshed,
you mean?"
"No," he replied, with a shiver;
"the stage mother's talk is not a
tonic."
The meaning of his words was no
less obvious than the lack of tact that
permitted their utterance.
Only a veteran invalid can placidly
accept intimation that he is not a
picture of perfect health.; Besides.
the symptoms of debility that evoked
Mr. Frawley's commiseration were
solely resultant of my unwonted
pedestrianism while in 'quest of him
self to extend friendly greeting. Re
fection on that fact did not mellow re
sentment of his apparently sincere but
none the less indiscreet sympathy.
A professional actor whose liveli
hood is dependent upon his ability to,
dissemble had no excuse^for indulg
ing in candor that ruffled. Retaliation ,
would be sweet.
But how? .
Ha! He himself 4iad suggested the
means. r :.-3
The stage mother would serve!
He had manifested abhorrence of
her speech. Well, he should be en
ticed to provoke it in angry reprisal
unless she were not the ladyhis hint
had depicted.
So, with artful concealment of guile
I asked him why the stage mother's
talk is not good to hear.
He Steps Into the Trap
"Because," he . answered, with » a
promptitude and vehemence that
;oyed the listener, "it is rarely log
ical and always exasperating. You
will acknowledge that I've had some
experience wkh ingenues?"
I. did, freely. - .
"And that I have developed some
pretty good actresses?"
Instantly conceded. Blanche Bates,
Maxine Elliott, . Keith, Wakeman,
Mary Van Burcn and several 'lesser
lights owe much of their technical
ability to Frawley coaching, I told
him.
"Well, most of the girls I have
taken in hand came out of society
and most of them were accompanied
by mamma. All the . girls thus ac
companied, with one or two excep
tions, carried a = Mamma
retarded their professional .advance
ment."
"How<ould she?"* :-*;', - .
"By setting yp her authority against
that of the stage manager and 7 con
veying her society manners and meth
ods into the new life. In eagerness
to promote her daughter's career she
endeavored ; to pull down -girls who
were higher on the ladder, and she
gossiped and btckbited and, tattled
stories that should not have been told
outside the company. Of* course I'm
speaking only, of the society stage
mater." " * '\u25a0'
"Oh, is there another kind?"
".Yes; the mother who has . had
stage training. Her maternalism does
not jar with stage* discipline. Mrs.
Bates never interfered with Blanche's
training. She did not connive to have
her daughter cast for a part other
than that to which I, assigned her.
Nor did she ever hover in. front and
try to create sentiment in, favor **of
Blanche and against other ladies .on
the stage, as I have seen some. of. the
society mothers do. Blanche forged
right ahead, just the same.* So; did
Maxine Elliott," who had no maternal
counselor to keep her in turmoil/- ,
"And Miss Van Buren?" !
One Notable Exception
"Now, there is one of the few ex
ceptions I have alluded to.' Miss Van
Burcn and her mother, stepped out of
society — and - rather ; lofty society \u25a0 at
that— and not once during 'the six
Jtars they were- witn nit, did I the
mother make trouble for any member
of the company. She': accompanied
us around the* world, and a more sen
sible and considerate -stage mother
I never knew.^PBBBIBPBMHHBBi
"How many stage mothers are, you
now afflicted with?" - v
"Only one, and she is aJmost^as
reasonable as Mrs. Van; Bureri was."!
"Did you ever have -more; than' one
stage mother at , a^tirae?"- < ; V-\u25a0:':\u25a0'\u25a0V -\u25a0: ':\u25a0'\u25a0
"Did I?" he almost shouted- "Not
long ago I had .two. \u25a0; Lord, how they
loved each other!"
"Really?" .irTßßßnr"' • '
"They, were not on 5 speaking, terras,
but "? their .; mutual "dress f maker man-
aged to keep each of them informed of
what the other thought of her. Dur
ing rehearsals they' sat" in front and
exchanged glares of hatred, sniffs of
contempt and snorts of defiance,
tHus distracting the attention of the
company from the work in! band and
prompting , their rcspectiyc daughters
to say and do mean things to each
other." ' ,
He .wiped his- brow.
"We -were in Minneapolis ; at the
time,". he resumed, "and the first thing
I knew -those "two'jtnothers- had the
community split into" factions by mak
ing a sectional issue of their rivalry."
; r 'A ; sectional igsue?"
A Clashing of Claques
" Yes— north versus south. ; One of
the J mammas had been # prominent in
the society of a Mississippi, town "and
by some subtle means she created an
impression among the southerners in
Minneapolis that • her daughter' was
discriminated ' against and * otherwise
persecuted, because her: father ; ; had
fought for the confederacy. Her sup^
porters came to- the -theater- in c flocKs
and applauded, her .daughter, ' Then,
the other. t mamma- rallied the. federal
forces,' so-s to, speak, . and .prompted
counter demonstrations in favor of her
daughter.'? ;., \u25a0 • : '}~:\ \u25a0\u25a0\u25a0:.: ; :- \u25a0 .-}. >\u25a0
/'The ; battle . of the f mammas must
have been good for; the box office," • I
remarked. . . . ', , V,
"It was," Mr.* Frawley sighed, '."but
business had ito 'be sacrificed hv -the
interest of peace , preservation. ;vThe
conflict .threatened' to • destroy j disci
pline in the company," and* to :get> rid
of i her :' mamma I : was forced to * dis
miss one' of r the ;» prettiest 'and jmoet
promising^ ingenues" \u25a0.!•' ever,- poached. 5
If it Had ' beeni a' case of . husbandl in-'
stead of. mamnia, I might; haye,man T
aged" to', keep" her," .but; one Vcannot
exercise^to'ward^a-, woman. tbe\diplo
macy.' that fames' a ; ' man." \u25a0 . \u25a0..' -\u25a0: \ ' ' \ ' \
• " Is ; the ; stage" husband another man-,
agerial bugbear?" - . , f ... : -.i
. "If < he? conies out of \u25a0; society, i'yes.
'An actor ' who weds •: ah '}\u25a0 actress j
knows that for; him*' to* interfere* in} her
"stage* work wbuld^be" toT tH«ir.' mutual
discomfort, but the outsider- who mar
ries Into then profession? has; to? be
taught^ that \u25a0 in*. the! theater ;Jie must \u25a0 be"
second 'in : command {of^his . vrii e,';*Hc
. i»> permitted ltd ; convey.: her f satchel \. to
the stage entrance ana leave her there,'
nor, is objection » made -to his; circulate
ing' aniQng"', the • and f telling
them' how; good ah' actress; she^is,|but
if he attempts W~dicUte~6rj*even! ; augw
gtst— rhow '*\u25a0. ehe shall be^ cast i he Vi in-i
THE "s SAN vJ^ANCISCO CALL, STOD^^^UNE C ; 9, 1907.
'J'You' play erf oik don't seem to \ like
the nonprofessibnal /husband 7 of; an
actress." . \u0084" . . :.-.%\u25a0 ... .
This/ Husband \u25a0. Is .^ Human '\u25a0". /\ /
v% <r \Vc don't, unless he is -unobtrusive
and ; self-suporting. /In the*,- Lambs'.
club the - man /who marries 'ah ; actress
;and 'lives on. her*3^earnings i is (usually
alludedto as 'the human husband.'"> \u25a0
V V Which means?" \u0084/., -. ;/
//'I ; have never/ heard the .meaning
defined/ but II presume /it ; relates to
! his :/doc»lity—hiS;% subservience— as 'a
sbouse.". • - .. ;. • "i-^.y'^^^^^Mt^ '-' :;; .' \u25a0/ \u25a0' '
iv>HeT- told /me, .about ,a. society -girl
; who ; married f a <busihessmah-,and be^,
came r an iactfess after 'he^becamef a
bankrupt /Both of Jthem ; carried;their
society v tricks ;/and// manners; into
stageland, / with . ;the result -that *: the'
lady's career JaS; a* bistrion soon came
to an * inglorious; end. '/ //./ >^j
/ ; "She /acted t as" an "amateur,"/ Fraw
ley narrated,/ "and /when * she '/applied
to : me ; for \u25a0; a i positions I \u25a0: happened rto
need Va : s second/woman,/ so ; i after- test
ing; her ;< talent^li eh gaged
otner,/. women ;, in .' the/"'company/:re
ceived^ her. courteously/of course, but
she « . turned .up* her. nose /at^ thctn. f
\Vhenvthey.: realized that she regarded
them (as "« her/ inferiors • socially/ one? of
them— l'll 1- not A mention ; ; her s name
took [occasion ', to} inform/ her Sin
ence ; of v the Jcompahy,Vy ou fhiust | be
of }royal /e^raction^at^least^Uor/ the
most j distinguished Ipf^my; ah cestofs^
one "'of my^ grandfathers-^wasjpnlyl a
"president; of^theiynitedttSatcs." / i
; .'" Was i she 2 tellingXthe | truth ?" v X
;' ; vt'Zndeed shes was," ah'djthef disclosure
came ; as ., news) to \ all U of y - us. vVThe
haughty lady beganitosthawv^butihef
silly?: hauteur; had jgone*ttooufar;lahd
the women enforced ; the! exclusi vehess
that : shejiad \u25a0 sought.iSbJwheh l h"er hus
jbahdjicamcltoJSm
the! persecutiohi l\ tbldfhimi ittwould \ be i!
better p f or, fi all |if f hei re^ 1
stored' her and -himfeJf to sbewbr. Imw
cause .women in /stage >life\ cannot be
faithiul •: to '/their --prof cssional V duties
and " have i time I for r indulgence ; in * the
little politics^ of /which ; , society/, life "is
largely/niadeup/p.Hei took hereaway."
t/-."Nowy /'harking • back - to^^the* stage
;mother~r-".,'- ;^' v v>3/-.-,"- :-'/ : '/ /\u25a0/•;/\u25a0 /\u25a0.":
//."Please : let - me/i forget her." -\u25a0.\u25a0..,•;
'/"ButrsheMS quite interesting to my
readers,' and— - — "' * '
.-"•;.?! What?;. /-',>•\u25a0 V;'' ;' ~ X : '^' : .
/His 'fright .was , genuine. ' / . /. , .' /
/" Am" ; I v to : understand," i he; 5 huskily
inquired, "that; what/I "havtjtoldf you
about the 'stage*' mother is - to ' be \u25a0 pub
>lished?",^,/-?^ %<St //• '> \u25a0.:\u25a0\u25a0' '-\u25a0 :"f<
/ / "Almost verbatim,"; I chortledri
:/>His] pauorj; deepened. ,^', \u25a0 /v> "
Revenge is hot a" lemon.. . .
Maude Adams at Van- Ness .
; / Maude Adams ' in ;"Peter .' Pari'.'iwiil ? .be
> the week's attract lo n ;at the Van | Ness
,th eater, t-. commencing ~t tomorrow^ even-*
:ing.ftTh'eVfame{Of;;thiB;play;is*,nbw:sb
fas ; to | make , description ? of^
i it"-seerii^superfluous.'Cv*Air^Jast:"seai"ori^
arid ' part ; of j thet present f one I this 'iyvohz,
f derful i story * In * five v ?aets,-/made % more
| wonderful? still i>byjth«^faselnatin'eritn^
\u25a0 terpretation of" its \ chief part ' by; Maude
fAdams.'t was* performed ;«nUhe? stage f of
I the i Empire jYork.^ toSau*-'
diences of 5 unprecedented size and en-"
\u25a0 thusiasih.^S Miss >f Adams ;«' accomplished
what j was ?nevef^expectpd-i-Bhe"i;b"roke
i the '?. record I of l;tnef Empire^ theater £by
:the/a-ize}Jof^thej|audienc©snwhich^her:
: performsTnc«Tattracted|tOi4'PeterjPanVsi
and surpassed even . the j record 'made \u25a0 by
/The'Little^Minlster.'^ ;XC; / ,/: / '^C-'i
iii The C casts t '\u25a0> and lu production :» of < "Peter
Pan'.'i in' this city f will«be to] tbTe .minutest
detail (exactly, the f same *asi those] which
iwereiseenaatfthe/IBmpirev} theater Mm
New: York,'- .-- ..-.,-... ,
-As this -will be Miss .Adams: first
jVlsitltoj San t FranciBcbj irilflve 1 years, |the
rush a foV| seats |wlll! naturally Iba^veryj
'gjrwit^andi'ln^ordsrithatleverybody/may,
\u25a0 have sag perfectly/lfair^cbance]|it | has
been decided notv to; accept any orders
rur .f UUHshoasv^ MaJl|'«rd»rs.-g inolosins;
checks or money, will ;bei" filed .in^the
order; iri^which ; they ' are' received. ANo
; favoritism-. .will j be ;\u25a0 shown ; in ..the dls;
/seats. ,The ; policy .will be
simply, "first come, iflrat^ served.!' ,
\u25a0••." i* ?•'\u25a0*--/*•:'-'. >'-- : "'.
\u25a0Mrsj^Fiske^atj.Cqlonial;;';
>i Mrs.' ; Fiakei arid^he Manhattan,com
pany,'faf ter J a : long ;'; run ; in i New .York,
,will^ appear' at^the. Colonial' theater] this
week ( in ; "The ? New. York > Idea," a^; play
that H tells^'in'* satiric J vein ; a",' story" of
present- day. Newj York \u25a0 life • in
Its I author ;Ha /^Langdonr Mitchell; : who
adapted V'Becky f Sharp" "for Mrs.^, Flske
f rom* Ttiackeray^s :!'Variity t Fair.". ? .T/-^'
;V."The]Newj York .Idea" deals; with the
divorce," question.!^ It ' holds -upitO; ridi-t
cule ' the \u25a0 absurd \ complications ;that - re
jsulttfrom^ rushing SintqTv marriage *ahd
.rushing 'out of j_it \ through I the \u25a0; divorce
court.j I V*'Fbllbw •; your (for a'man)
and; leave the. rest to;the divorce : court"
is \ given 3as the f New-JYork f idea. "'oThe
means of handling this question or con
dition I has I been % found *. by > Mr. Mitchell
in^havlngljtwOiCOupies'' divorced, ? and
'havingVone i of athe J'dlvorced^ women
about r, to 1 maVry^the ; divorced ~ husband
'6f,:the^otner % won»an.- \u0084. > ;'jv 7^- *- ; i
! i t supporting *Mr s. ,y Fiske^ will
: Include \l John * Mason; ; Georgo ' " Arllss.
Charles ; Harbury.l Robert i Ci Ferguson,*
Dudley^ Clinton.^ Frederick \u25a0 Kerby/j Dudi
ley/Digges.'l Charles tTerry,*j James 1 Mor-^
ley, J Marion '\u25a0, Lea, Ida Vernon, ,. Blanche
Weaver, Emily. Stevens and ; Belle Bonn.
iNew .i? Magnet^atlPrphcuih ' ; '
fff/Air^ulr;l>unnfalad«Marie"Gla2ierf f f/Air^u1r;l>unnfa1ad«Marie"Gla2ier liead
the bill at ' the ". Orpheum this .week. Miss
GlfWier|ls-not]ithelpossessor;rbf2great
personal *at tractions, but she is an > act
ress i-ot* ability;! and^Versatillty.^As : for
Mr.^ rhinn ::: -or, as" he is generajly^ styled.*
the! littlefcomediati^— 'his ? popularity ~3 in
this"' city! dates I f rom -the! first prod notion
.of !£ the ©^Davld % Henderson iiversfon% of
ll'Slnbad,"-? Ins whichji, it iwllllbe tre'mem-^
;bered^hefwrrl^ibffUhelprinclpaljbon-"
ors,^t Miss |Glasier| arid i Mr. ,i Dunn 1 will
appear In a" skit' called '"The* Messenger
Boy," which? an; eastern. critic declares
(to) be "one of \u25ba the : wit tiest a"hd /merriest
contributions ' to i the vaudevile stage.
will make their first appearance . here
and present a sketch called "A Dream
of. Baby Days." Both actresses appear
as society ladies who dream of child
hood'and appear In abbreviated frocks
and Buster Brown blouses and make
lots of. "sport" for' the audiences. Other
new people \will be Frederick Hawley
and company in a -melodrama, entitled
; /"The Bandit," and the Bootblack Quar
tet, singers and dancers.
: This Is -the; last of the Ptnneys, Les
Klners. ' Moulin,* -Emerson - and Baldwin
and James J. Morton.
• •* *
Musical Show at American
Beginning tomorrow night, a summer
season of 'musical comedy; will be in
augurated , at "•'. the T American ..theater.
The first; production. , "The ; Girl from
Parls,"/is to?be; given by a company
composed of such iwell known people
as J Dick "Temple,'; Sam Sidman, Maurice
Darcy.-Kathryn Miley, Elizabeth Spen
cer, and Doris Goodwin, aided by a cho
rus of more than ' SO.' ;A special feature
will be -the appearance- of .Richard "J.
Jose, -the contra tenor, 5 who will '\u25a0 sing
some 'of ; the ballad songs that have
made him' a "favorite. --The' production
will; be sumptuously \u25a0 staged and the
musical "numbers especially attractive.
During this J engagement special sum
mer prices 0f : 25, 50' and .75 \u25a0 cent* •will
be the rule. *- ']j&3&&8B&tE&&R£
" Sain ' Sidm*n~- who heads \u25a0 the'; cast of
"The Girl \ from . Paris,**. ' is a comedian
'of I note,%who : has .been associated^wtth
Lew. Fields and Louis Mann on the east
ern stage for the last seven years. On
several occasions he- has played "Mr.
Fields'/ roles" : in/ the". latteVa absence,
and it is said that few In his audience
were aware of the substitution.
««Toung • Buffalo, King of the/ Wild
/West.'V is'the^titleof the thriller' that
gdes*;on~this "afternoon in the Central
theater. The scene \u25a0Is 5 laid ;In Arizona,
where ( Young .i Buffalo >is < the * sheriff : of
Angel's /"Gulch? and rids the country "of
Lord Bufflngton, an " English desperado
who {murders; the {owner of ! a mine he
desires to possess. ' The girl in the play
is a the : murdered • man* daughter,* and
after jf rescuing - her... from -the • < villain
Young ; Buffalo \u25a0 m arr ies her. Love -\u25a0 and
hatred.' virtue and villainy, comedy and
pathos— all are embraced In the* unfold
ing of this melodrama. Lee Beggs will
be seen as Young Buualo, Maude. Bran
don "'. as cthe i"> heroine,** Whit i Brandon as
the arch villain, Juliette • Chandler as
.Wild | Nell,"; Miss ; Ainsley ras Mrs. Mc-
Carthy, and James ; Cor rigan, Gus ' Mort-'
imer and '.W...W.. Craig j are ; also _ cicely
cast. . • \ '.':'\u25a0'.,;:" \'^, '..'<-'/,'\u25a0 ."*.*. ......
Herschel Mayall comes to the Central
theater , next week, opening' : as * leading
man in "Secrets of the Police."
•"•\u25a0\u25a0-'\- \u25a0'/>:• '>"-^'f '*?:\u25a0"\u25a0.\u25a0:\u25a0:<\u25a0' . : .--.
iThttje'Dr^oaasjHbldl v Gver
; The ./ebrapanVVatf the Nor
elty. theater has more than fulfilled \u25a0 all
advance promises j and j has I won \ recog
nition for artistic and intelligent work
In the play , of "Leah i Kleschna." Owing
to its immediate success "Leah Klesch
na." will ; be retained , a* the bill for. the
ooming. week.- s • »>, - --,
. ~-: : X':-. • -4?,.. '\u25a0*•\u25a0•\u25a0-
: . SoVgreat >has ] been ; the ; demand for
seats :\u25a0. torJ every performance \u25a0, of • "The
Undertow" at the Alcazar theater dur
ing ; its two weeks' ; run I that \u25a0 Belasco |cV
Mayer /.have decided <to • carry the j play
over v another^ week. T >"^Too '\u2666Undertow^
has drawn : people to I the Alcaxar from
all walks of life, and | many of > the per
sons in ; attendance were never ', Inside
a' theater \u25a0 before.; ; \u25a0 \u25a0; ; ",-\u25a0• ; \u25a0\u25a0••.-. .\u25a0,:-.-. \u25a0\u25a0;
;..-:-. - =\u0084->,.- i \u25a0•.•'--# -\u25a0 - • \u25a0 ;\u25a0; .;\u25a0\u25a0
OaklandjS Best Offerings '^ ;
tiil^ThVf^e^dlnaflDsiy.^^a^coinfeVopo'nk'
by^* Julian |f Edwards ?^and :'£ Stanislas
Stange^'?authori,fbfCs'!When Johnny,
Gomes ? Marching Home." Is s attracting
Ur^>«*lo^w<<s;t»'ldsy» pwk, OsJUaad.
' Edith . Mason, soprano. Is doing some
beautiful work in this opera, and
Ferris Hartman never has been ex
celled in Els work in "The "Weeding
Day." Too much praise \u25a0 cannot ba
given the chorus and orchestra, under
Paul Stelndorff. "Bhe ensemble work is T
the principal feature of this opera, and '
the Idora forces give it with a 1a 1 finish
that is .refreshing.
After another week's ran "The Wed
ding , Day" will give place to Victor
Herbert's opera. "The Ameer," erig
inally written for Frank Daniels and
on the same lines as- "The Idol's Eye"
and "The Wizard of "the Nile."
•• • '
"La Tosca," the celebrated Sardou
drama with Nance O'Neil in the . leading,
role, will be the attraction at the Lib
erty playhouse this week. The part has
been attempted by nearly all the emo
tional . actresses since it was given
forth by Sardou's fertile brain, the lato
Fanny Davenport having made it f am- .
ous throughout this country, and in no
role does the art of Nance O'Neil come
to the surface more strikingly than as
Floria La Tosca.. She has played it
many Uraea In this city, always with
the greatest success. One of the.
charming features of the play is that it
allows her to wear some gowns which,
for cost and elegance are said to equal
any worn on the stage.
* Miss O'Neil will be suported in **La
Tosca" by a carefully selected cast, and
the production will be all that could be
asked for. Virginia Thornton, who will
be remembered 'as « Creston Clarke's '
leading lady In '"The Ragged Meu«nV
ger," i, makes her first appearance with
the Liberty company. In "La Tosca" and !
will hereafter be a regular member of
Reopening of the Chutes ' "
• -' The "Chutes, . zoo . and : skating . rink,
which have been chosen for some time. .
wlir reopen this morning and continue .
open daily.' . Several improvements and <
additions have been made to this favor- !
ite resort. All i the concessions and '
amusement devices will be in full oper
ation, and extra efforts have been made \
to ,-; insure \ the ' entertainment of oall
. ' : \u25a0\u25a0. * -iBI3BW^<sBSBBBBSSS^^HH
. Frawley's next production will be
Bernard Shaw's comedy ."You Never ;
Can Tell." This tvas a pronounced hit \
In London and New York, and Manager :
Frawley will stage It to every possible j
advantage.'/' : ' '\u25a0'• ' ' r ;-,'."-; " : s '
;I. "V 'V- •-.., - • \u25a0 # « -
\u25a0 At the Aleasar rhxe Undertow^ will \u25a0
be followed by the beautiful drama of '
German \ student Ufa, "Old Axeldelberg," !
as played by Richard Mansfield. Bar- >
tram Lyt«rtl is cast for the role ef Carl •
HeinHoh. the Prinse.
rA Lady of Quality" is one of the '
plays to be staged at an early date by !
the Frawley company at the Novelty '
theatsrJSnAninMßHl
-\u0084 "'. -i• ': '• '\u25a0' •'• '
Elisabeth Bpeaoer of "The Girl from ,
Paris".: company is i the. daughter of '
William .Qilpln, ; first governor of Colo
rado, and abandoned society -for • the \
stage. » She has been appearing in "The !"
Tourists, 1 ! "Tho Maid and the Mummy" :
and other bis successes. : «
\u25a0 * \u25a0 • S'^jBHQI
Manager John Cort la now , turning his
attention to the field, of com lo opera. ;
and next cf all will sand on the road a -
new -\u25a0 musical^omedy, - .''The Alaskan." f .*:
In addition , to this production " Manager r
Cort , intends ; bringing Maude . Fealy to y
New York next fall in a play entitled ;
,"Tlm \ Stronger 1 Sex.* which has been y
running fat \ the •< London 'Apollo " theater;
for-' many months. V, Florence j Roberts, 4 -.
Max Figraan and Sarah \Truax will also !
bej starred iby ; him in new ; plays. Then :
Mme.'i| Calve is /to make \u25a0an • extended -
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33