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26 ELFIE FAY ADORES THE NAVY. James Crawford rf"^ XCUSE my kimono," said H Miss Fay, "and you must I j cut it short." '^"^ "Your kimono?" I faltered. "Xo; your visit — pardon my back, won't you?" she replied, turning to a wall mirror and resuming the task which my entrance to her dressing room had interrupted. •But why this hurry?" I inquired. "The navy has detained me— why don't you and Mr. Picture Drawer sit on the trunk?" she answered, has tily penciling an eyebrow. "The navy?" I fumbled, squatting as vhe had suggested. "Those were my very words. Don't you know that in New York the news papers call me the pride of the navy?' " "Pretty title." *Do you think so? To me it sounds too much like plug tobacco. But the papers mean well." -How came they to bestow the so hriquet?" •-'_ J-- . "They found out that I just dote on everything and everybody con nected with naval life. It's my only incurable weakness. Say 'navy* to me and I'm instantly insane. Since my arrival here I have spent more time aboard ship than in the Orpheum — and don't forget that I'm booked for two shows a day." m \u25a0\u25a0 ~ "How can you manage to do it?" Strenuous, but Pleasant "Rapid transit — gas buggies — steam launches. After the matinee yester day I was whisked down to the bay and aboard the Maryland, where I dined with some officers and then rushed back here just in time to get on my face paint for the night per formance. I'm engaged to drink tea this afternoon with the same jolly crowd on the same gall-yant craft/"*lt means strenuosity, but I can't resist" "Are you infatuated by the navy as an institution or by any individual attached to it?" "I adore the whole shooting match — officers, jackies, engineers, firemen. Talking about shooting matches re minds me that I know more about machine guns than curling tongs and care less for grease paint than for tar." "Then you are not wedded to your art?" "I love me art, but, alas, I can not be its and its alone while the navy exists. My affection is divided, with the navy first choice. Don't you think it was real courteous of Secretary Whatsisname to order the Maryland to remain here and entertain Elfie in stead of going out for gun practice with the other cruisers?" "Sailors are proverbially gallant to women." A Suggestion in Flowers "You've said it. It would take weeks of rapid fire talking by yours truly to tell of all the compliments the navy has extended to her. Not only invi tations to eat, but souvenirs and keep sakes — I have enough gold lettered cap ribbons to stock a millinery store — and fiow-cr-al tokens. Last time I was in Norfolk, Va., the boys of the navy yard sent me a beautiful design ia flowers. What do you think it was?" "An anchor of roses?" "No; a cross of immortelles, with 'Peace,' in violets, on the crossbar. I have often wondered what the boys meant by that. But bless them one and all, say I. Heigho!" She commanded her colored maid, Lena, to open the dressing room door so that she could hear the stage per formance progress and thus regulate her own speed in "making up." "'The Vassar Girls' are on," Lena reported. -}\u25a0/, :'~' f "That means skidoo for you in a few minutes," said her mistress to ir.e, "for I go on soon after the vase line — I mean the Vassar — girls come off. So you'd better rush your ques tions and expect short answers." "Why did you sigh, 'Heigho,' just now?" I asked. Appreciates Her Buxomness "Expression of regret that women arc not allowed to go to sea in war ships. I yearn for a life on the ocean deep aboard one of our Uncle Samuel's floating fortresses. Jf there is truth in the theory that after death we re turn to this world in the form of in ferior animals, I hope that I'll come back as a pig. Then I'd stand some chance of being adopted for a mano' war mascot. But let's talk about something less pathetic. How do I look?" "Considerably stouter than when you were here a few years ago." ."I said 'something less pathetic' If you think I enjoy being reminded of my ong-bong-pong you're awfully in error. But so long as you've started the unpleasant subject, let it go on to the bitter finish. No longer am J an airy,, fairy Lillian. If my weight keeps on increasing as it has done during the last year I'll soon be a crowd. I'm the lady who rose and gave her seat to three old men in an overloaded streetcar. Won't you al low that artless confession to dispose of my figure as our topic of prattle?, Or have you* some more cheerful ques-J tions to ask me concerning it? Go on. I'm strong. I'll be brave." "What have you been doing since we last conversed?" Learned to Star and Starve "Adoring the navy, of course. In cidentally I spent six months in Lon don, where the critics said I was the only legitimate successor of Nellie Farren, deceased, whom I had never | seen. Then my song, 'The Belle of . Avenue A,' was built into a musical comedy and I starved — I mean starred — in it a whole season and learned all ' about how an actress can earn noth- j ing but nice press notices while imag- 1 ining she's making money. After dis covering how one can i play to full houses every night and live economic ally and get into debt I returned to vowdeville and like it better than ever, though the starring bee does occasion ally enter my bonnet and buzz me into foolish yearnings." "Musical comedy," I sententiously observed, "seems to be losing popu larity." "My ambition," she said with seem ing seriousness, "goes higher than musical comedy. I want to play — you'd better hold him, Lena, or he'll fall off the trunk — I want to play Camille." When replaced upon the trunk and released by Lena I informed Miss Fay that the shock was over and she could proceed with impunity. "And for Armand," she glowed, "I would engage a leading man with a Tennessee dialect. Wouldn't it be just lovely to hear him, when he is real mad at me, drawl, "Ca-me-ill, ah'll ha-ave to gi-ive yo' u-up?'" , She didn't smile, and appeared to be surprised by my chuckle. "But," I ventured, "to look the part of Dumas' tubercular heroine an actress must be " More Than One Fat Camille "Well, I'm not the only buxom lass in the- business," she put in, THE SAN FRANCISCO CALL, SUNDAY, OCTOBER 20, ; 1907. and then murmured, "Olga Nether sole, please write; regards to Florence Roberts." rp>, "It's mos' time t' git intah yo' stage dress, Mis' Elfie," Lena hinted, ar ranging the garment she mentioned. "Sorry you're going," said Miss Elfie, as I rose from the trunk, "be cause I've enjoyed our conversation very much, especially your allusions to my figure— by the by, did I catch your name .right? What did you say it is — Mr. Killjoy?" I coldly set her right "Well, drop in again some after noon when the navy hasn't first call on my spare time. I'll have lots to tell you, and I'll love to tell it, be cause you're such a good listener and don't want to know how often, if ever, I have been married, arid whether grease paint doesn't hurt my com plexion, and*if I wouldn't advise young girls to stay away from the stage, and if " \u25a0 ... .:\u25a0\u25a0 . : . "Miss Elfie, yo' haven't mo'n a minute t* git intah dis yah gown," Lena almost groaned. "And if you shouldn't find it con venient to play second fiddle to the navy," Miss Elfie said, .when the half closed door was between us, "console yourself with the) thought that I'm coming back here from Los Angeles to await the arrival of the battleship fleet and that— -" Her shoulders were clutched by dusky, muscularhands. She vanished. Somebody kicked the door shut. . Western Drama at Van Ness - William Faversham, . known , for years as one of the best actors? ln the famous Empire theater r stock ;..-. com pany. Is playing -the title) role in: "The Squaw Man," a; drama depicting a phase of Western \u25a0 life :In t the' early eighties, and will; be seen at the' Van Ness theater tomorrow -evening. < The play was ; written '\u25a0 by:: Edwin ; Mil ton Royle and \ the production . is . made by Liebler & Co. .Its, inherent strength; the novelty, of its story and situations,' the wide range of character drawing embodied in its action, the forceful and finished acting: of Mrs. Faversham and .the complete manner of its pro- Auction united to give it an entire sea son's run in New York city. The story of the play, briefly told, is that of a young Englishman, who, to save the head of a noble family from .punishment for embezzlement and a woman he loves from 'disgrace, takes the crime upon his own shoul ders and comes to America, where he becomes a cattle ranchman in a west ern state. There he marries an In dian girl who saved his life. Hence the title of the play, for in the west when a white man marries an Indian woman he ' \u25a0 becomes a "squaw man." The Indian wife eventually commits suicide when her husband attempts to take her son away from her and send him back to England to be educated for the title which he has himself in herited, but which he renounces in the child's favor." Freed by the death of his wife, the Englishman determines to return and claim the inheritance for himself. Liebler & Co. are accustomed to sur round their stars with strong, com panies and Mr. Faversham is no excep tion to the rule. The cast of "The Squaw Man" is an unusually capable one, including more than 30 prominent actors and actresses, among whom are Wedgwood No well, Bertram A. Mar burgh, Thomas Thome, Frank A. Lyon, George Deyo, Emmett Shakelford, Frank S. Bixby, Berton Churchill, Charles Hill Mailes, Albert Cowels, William Frederick, Margaret Bourne, Maud Hosford. Kate Burlington, Kath erlne Robertson, Virginia Kline and little. Leonie Flugrath. "In Old Kentucky" Returns Probably the most successful Ameri can play on the boards today is "In Old Kentucky," which- will be seen again at the Novelty theater this afternoon. It has been presented for 15 years, sea son; after: season," and' from Maine to California it is known and appreciated by all classes of play goers. Some there may be who Lwonder - how - an - attrac tion \as old as ; "In 1 0ld : Kentucky" can still ' draw crowds to • see - t it wherever it Is presented. This is simply due ! to the 'fact; that, '-'-like- the "circus, It has come ; to 'be: looked upon as an •estab lished institution. Who /that has seen "In; Old Ken tucky*', will ieyer forget the colonel and his valorous "love- \u25a0 affair with - Aunt Lethe ; or ; faithful \u25a0: old Neb, the " colored servant ;; of \u25a0-\u25a0\u25a0. young ; : Frank - Layson, the hero; ; or% winsome ' Madge Brlerly, t the breezy young s mountain ,'< lass V and the bravest : little girl in^old .Kentucky? The ,' company \u25a0 for. the season of ; 1907-8 includes , some ,of the favorite : players who have been identified with the play for years. Bery G. Clark ! and \u25a0 Charles K. French play : their ' original roles of the colonel and Uncle Neb. Miss Mary ; Stockton will be seen for the first time in the role of Madge, and others in the cast are J. J. Sullivan, A. H. Wilson. Calvin Tibbets, Miss Katherine Raye and Miss Margaret Lee. A new. scenic production has been got up for this season's tour. * • • Week of Comedy at Alcazar Leo Ditrichstein's latest New York comedy success, "Before and After," will be the attraction this week at the Alcazar theater. The play has never been produced in this city. "Before and After" deals with the adventures of a physician with an in ventive turn of mind. He is Dr. Latham and he manufactures a magic powder which possesses the power of changing completely the character of a person to whom it is administered. Its chief merits are the making of the patient to see all the world in a rosy light and develop an ardent desire to make love to all persons of the opposite sex. Dr. Latham carries his invention to Dr. Page, .a surly old practitioner, whose patients, as well as his family, always remark about his abruptness. Dr. Latham slips a dose of his magic pow der into Dr. Page's drink, and the transformation is complete. Then fol lows a series of complications well nigh unexplainable, for Dr. Latham administers the powder to many of Dr. Page's patients, as well as the doctor's own wife. The denouement comes at Saratoga, where Dr. Latham confesses to having been the cause of all the trouble which makes the farce the most laughable of comedies. Stage Director Butler has drafted an exceptionally strong cast from the Al cazar forces. • \u25a0:^-« :; "'-:* Musical Play at American Ben M. Jerome, who has had consid erable success with his musical com edies, will personally conduct the or chestra at the American theater this week, when "The Yankee Regent," his most profitable production, is given Its initial presentation to a San Francisco audience. "The Yankee Regent" was originally produced in Chicago, where it had a run of 22 weeks. It is said to be mor© on the order of a light opera than. a musical comedy. The locale is in Ger many, but the comedians are not called upon to butcher the English language to dialect distortions in order to create mirth. The comedy Is said to be clean and spontaneous and the plot consist ent, revealing a Yankee politician and embryo poet in Germany, where he is subsequently made regent of the prin cipality, owing to the discovery that he is the thirty-second cousin of the late ruler. « The chief laugh producer Is Toby Lyons, who is assisted by John Collins and Walter Smith, and the balance of the cast includes Clara Berger, Thomas Burton. Elsie Baird, J. Paul Call an. Elsie Herbert and O. L. Jeancon. There is a chorus of 50 beauties and a pony ballet. • "• .' ' • Nice Topliner at Orpheum The Orpheum's headllner this week la the musical spectacle, "Ye Colonial Septette" in "An Old Tyme Hallow een." This little company is now. in its third year of success and repetition appears to increase its charm and pop ularity. For the engagement In this city new scenery and costumes have been: provided and a number of musi cal selections added "to the repertoire. Cliff Berzac and his trained horses will be one of the interesting Incidents of the performance. An element of comedy 4s Imparted by the introduction of a mule named Mademoiselle Maud. The Four Dainty Dancers, who re cently were a sensation at the Hippo drome, Paris, will appear for the first time in this city. They excel In dance and have the advantagC of being young and attractive. Lillian Tyce. "the real Irish girl," will be heard in the mel odies and folk songs of her native land. She Is credited with doing the fullest justice to the delightful old Irish mel odies. This week is the last of Ladell and Crouch, the Teddy Trio, Dixoa" and Fields and of Elfle Fay. Magnetic Bill at Princess For the week beginning tomorrow, which will be the last of vaudeville at the Princess theater, a most attractive ' bill will be presented. It will Include Mr. and Mrs. Esmond, who appear in "A Soldier of Propville." Harrington and Giles, who excel 4n song, dance and repartee, and Gilllhan and Brocee, the comedian and the dancing girl, will make their first appearance. Other new people will be the Burtinos, in their wire act: Ola Hayden, the female bary tone; the Sam Sidman company in the musical travesty, "A Judge for a Day/" which it is declared will prove a total eclipse of all their previous efforts. New Princess motion pictures will be a feature of the entertainment. Fiery Spectacle at Chutes "Fighting the Flames, or The Fire man's Christmas Eve." the first silent fire story on record, whose sole purpose Is to lead up to the actual incidents of a real fire, will receive its first produc tion at the Chutes theater this after noon. It was built and Invented by Claude L. Hagen, who also contrived the effects for the chariot scene of "Ben Hur," and was produced by him origin ally at Euston Palace, London, in 1903 and subsequently at Proctor's Twenty third street theater, New York city, and at Coney Island, where it enjoyed 'extraordinarily long runs. The curtain rises on a snow seen* with the pedestrians hurrying to and fro. Next Is beheld the interior of a : two story house and a fireman singing a Christmas hymn, accompanied on the organ by his wife. As it is time for him to report for duty the scene changes and discovers the Interior of the en gine house, with the firemen polishing: the harness and singing as they work. "When they retire to their bunks the scene again shifts to the home of the fireman, and his wife Is seen lighting the candles on a Christmas tree. It catches fire and she gives the alarm. Again the engine house. The men fly down the pole 3, the horses run to their places and are being hitched when they are hidden from view. Then comes the grand climax. When the drop is raised the engine Is running at full speed through the street drawn by two fine horses gat loping on a treadle like the one used in "Ben Hur." The fire laddies arrive at the fireman's house and begin work with axes and the foreman dashes in through the flames and rescues his child. His wife jumps from the second story window and is caught in a net held by the firemen. The curtain falls on a very effective group showing the puffing engine, the panting horses, the little family, a big St. Bernard dog and a large crowd of sight seers. A pleasing feature of the perform ance will be the Columbia quartet, who have been brought from the east espe cially for this production. Performances of "Fighting the Flames" will be given every afternoon and evening. Fine Melodrama at Central The most elaborate melodrama 3lr. Howell ha 3 staged yet will be present ed at the Central theater tomorrow evening. "Tracked Around the 'World." the story of the theft of half a million dollars' worth of diamonds, carries the audience to every quarter of the globe until the thief is finally located In New York. There are 50 people In the cast. Mag nificent stage settings are entirely new and there is gorgeous costuming of every variety, from the Chinese garb in the San Francisco gambling den to the beautiful spangled silk net gown, imported from Paris, worn by Miss Selbie In the "Palace of Folly" scene. The play la brimful of special ties, and some of the old favorites and several new leading people sing and dance, together with a specially en gaged beauty chorus. Kernan Cripps will play the lead and T. N. Heffrtn is the villain. True Boardman, who will sing a tenor solo, and Gus Mortimer have comedy parts.. • « • Promised by Press Agents The opening of the comic opera sea son ,at the Princess theater will take place Monday night, October 23, and the initial bill wUI be "The Mocking Bird." with Cecelia Rhoda, Zoe Barnatt, Lucille Saunders. Grace Marvin. Edna Malsonave. Estelle York, Fernanda St. Continued on Pa«e 2Z