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EMBROIDERY FOR THE BAY FOR those who have asked 'me for baby things I have had designed the dainty pattern before you on the page today. It includes the necessary ornamenta tion for a dress and cap, and just there have I drawn the line, because everything for babies and small chil dren should suggest that certain excel lent taste . which demands the least touch only of a good thing. An excess of elegance is for older persons, where, alas! it is too often a proclamation -of dubious taste. But back t? baby clothes. Tae •work is.' mainly, over-and-over solid stitch. The petals and leaves are solid, with an eyelet or a collection of eeed stitches as flower centers. Sterne and tendrils are carefully worked in out line stitch of the daintiest kind. . You will observe the broad shape of the petals and try not to disregard it In the working if you would have the result as rich as possible. The scallops, though small, may be slightly padded before they are button holftd. Allowance is made for seams and hems. Plenty of material has been left for the quarter-Inch team on the yoke, the cuff and on the crown of the cap for the setting in of tiny embroidery beading or for seamihg. When the plain seam is resorted to for joining the separate parts of. baby clothes, the garment is put . together vith. seme of Its scams, on. the right fcide: thesi are "then covered with the narrowest of hand-folded bias >:' bands. FOR THE INDUSTRIOUS NEEDLEWOMAN which are stitched on and brlar-stltched along their centers. Hemstitching is to be the finish for th« front of the cap and for its strings. Many of those who have I made and mastered little dresses do not * under stand cap : construction. For them let me say that the very short ends of the cap are felled together, after which the* longest straight edge of it is gathered into the round crown.' both having been divided into quarters for the accurate distribution of the gathers. Remember,. always, that no amount of embroidery can take the place of ; nno and careful hand sewing on baby clothes. If. one or the other must be slighted, omit the embroidery.. By saving: the , moments that would otherwise be wasted, these dainty '_ bita of work niayf.be wedged in without waste of valuable time and at no ex pense of; more pressing duties.! Flowered Bedspreads NOT only a flowered "' aurface, but with ; blossoms made by hand, i« the latest ( in' bedspreads. •', >-V Great cabbage roses ; in" rich. 1 ' delicious pink dotted here'and there; all over the plain Eurface-of a white linen: spread! ' Not • closer than : you care Ito place them, .with the ,: embroidering, in f view, but just So near' that , there swill; be plenty: of/pink In, evidence.: Tou can do the stamping yourself, if you . secure : a single large rose with a leaf and «t very little stcnvand trace it»upon< the goods. Mercerized and -;. twisted ;: embroidery cotton— a coarse number— will *; he I your ben medium;' and the work need • not.be solid.: Skeleton; embroidery is effective? Adelaide Byrd where there are large petals, and; the work should "be done in a bold way. , so that the result will be decidedly pink or old rose. Two shades of cotton \u25a0 may be used, with green leaves and stems, or with both of these done in'the rose pink. The dropping of this large, loose rose upon curtains and cushions In tb"» same room Will not be wasted work. \u25a0 Painted Scents Pillows THE dearest little ; scent pillows are made for one of the .exchanges . where^ fancy particles are -dis posed of for. thrifty workers. They are creamy white- and: a good quality of grosgrain silk." On the top of each- is painted a Wreathlikc design of, blue for get-me-nots or pink anemones. :^^^^ The » pillow is four* inches square, and its edge. Is a soft binding of inch-wide grosgrain ribbon, either, blue or, -pink, according to "the blossoms.. -It is mitereU to fit at .the corners. : and , is hemmed against the: upper and' the under -sides •with the tiniest hand- stitches ; andi sew ing silk to match. :\ Braid'and Embroidery /^OARSE cotton; embroidery appears I interming-led .with' many, of ; the V/ braided designs upon heavy linen frocks. ; Any . little -open space in the braiding 1 may be \u25a0 thus> filled in with solid work of >a color matching either background or braid, and; ;lt,wHl>add to the richness of the general effect. . BABY'S first [shoes are; usually, boot 'l- ies Jof soihe T sof t," pretty) stuff. : He 1 rarely , walks right into I shoes when " ''. the i^'flr'st ; little:; knitted v socks ; are ' dls-^ * carded \ for something flrrner.? Mothers** make thase dainty shoes lto! put on their \u25a0 own children or to. give ' to • friendly ;; ba- \ "bies of: their; acquaintance.;' ;• Theyj are\ delightful '{ work ".: to keep on ; hand for^quiet \u25a0 evenings i at- home, oosr s to* '. get ready in advance ? for; summer: porch', work. - -V . \u25a0;:/^.-.'- "\u25a0'\u25a0;.\u25a0\u25a0\u25a0\u25a0•' Vs-.v-" "\u25a0 \u25a0 Darning Gotton Case : \ CONVENIENT case for- two f\ spools of ; darning cotton— a. black \u25a0^J^- and a white— is; made of two sim ilar, silk-covered pasteboards. .They, are oval in shape and so planned as to length that they will fully cover the two balls of cotton. \u25a0-. X They are covered with figured silk and faced with plain silk, the two qualities being overcast together along their edges.. ,"''.'^?, il,-i 1 ,-. 1 \u25a0'\u25a0'\u25a0\u25a0 : . '.-:*. Within these, two' covered ... oblongs there are placed the two. spools. Through their openings there are passed ribbons., which . are ' then "threaded through holes punched ' in. the/ card boards.. •\u25a0.-'* : ,''••.' ' These will' hold- the spools of cotton firmly, in place -after the ends of the ribbons are \u25a0 sewed securely -to the , fig ured silk and« finished with rosettes on theoutsides of, the oblongs. Making Underwear WHEN making" up flannel garments ; Itslsa goodplan to wash the \u25a0: flannel 'before cutting the gar ment"? \u25a0:?. \u25a0; •-*•-'- '•*\u25a0• "- \u25a0 •\u25a0\u25a0 >.\u25a0 Even the very best makes of .flannel have .an unpleasant s - way of shrinking, and it is very annoying to " find that the garment has become /oo * tight after it has been washed two or three times. If r: jt washed, it is wise to make flannel garments -loose " to allow . for shrinking. The ; biue-co'rded j silk booties; are-, ex- - quisite • bits fof , work i and ' a " ; irreproach- \u25a0\u25a0\u25a0\u25a0; able"; gift ifor \u25a0 somebo'dy's^darling. /\ They are- made", of ;. heavy [ soft "grosgrain * silk : , with fa"' satin v finish/: arid ] each toe ; is em- ; broldered ; witli -a ; spray of leaves i and ; roses "In blue /silk 1 ., floss..' .The {work vis !_-.'\u25a0 padded arid ;-V done r £, in ' over T and-oyer. r stitch;" -They are/. fastened ? with'i; three.;-/ eyelets -and ; a 'J blue ; silk 7 cord ; arid \u25a0( dec-^V; orated Hhex instep' with ; a blue ' ribbon ''\u25a0, ending -rbsette.^v' '. ;". : V New Ideas in Leather Work LEATHER work has taken such a . firm" hold on the retailer of small fancy articles and on the woman with". the gift habit that it is well to go into 'it'_ at ' greater length. There are many r points of interest unknown to the leather .; burner wliose knowledge stops there..: . : Newest among the useful. leather arti cles for the library table are those which are sllded. Thls.is done upon smooth or suede leather after the: de sign is traced -and outlined 'by one process or another. Burning with a pyrographle needle-is the usual outlin ing method, but tooled ,work is a later institution.' Blunt tools, the side of an awl and the 'dull side of. a 'paring : knife, have been found sufficient for the.work. Within the outlined design heavy gold paint is: applied to,- good effect upon a conventional pattern, not too ornate; but of such breadth and shape as to give a generous cold touch to. the dark leather. Oil paint? .work up. well on suede and better;stlll on smooth. or; glace leather surfaces. , . - fobjlbout Babies Booties \u25a0 These, little ; booties are cut with a : vamp.' ibut th'ose'of \u25a0 /white" flannel are cut 'with two side -pieces .and. ; a sole. t J X very^simple ; pattern.) each piece requiririsTi a basted : on binding - of ; blue satin ;_ machine stitched^, after rwhich : the sections .are i sewed 'together by a^close : overcasting -process with silk dec : orated ;. at \u25a0>' the ; instep with .*- bows, f and \u25a0 all,^ori-theV: booties? are \u25a0 made^ without ' ; a . tongue.'-'. : '.:-' :\u25a0 -\u25a0"•';. : - "'\u25a0'\u25a0 Cut work on skins is another and. most effective development in this artistic decoration. Back of the openings satin Is permissible. where delicacy is demand ed, brocade may be' used to give added richness, and velveteen is the most suc cessful heavy material to supply back ground color and texture on such' large pieces as cushions and hangings. Jewels on -leather are the most bril liant touch and a last invention of the successful, worker. Green and red jewels resembling emeralds and garnets have been got in large bead sizes and sewn upon the suede leather to further decorate some open space filled in with Persian, silk. The jewels carry out. necessarily, the same note of color as that of the inserted silk. . Lacing, done with silk cord or with leather thongs, is the method by which many leather novelties are fastened to gether. \u25a0•- ' With eyes open and a receplive mind, there are marvels of beauty to be seen In tMa; rich material. They are dis tinctly salable, too. » , The regular crochet \ stitch . is ' resorted \to in a. pair of pink ; mercerized - cotton slippers *to be worn to breakfast •when baby ' wears i hli i flannel -wrapper. '', .They, are entirely "washable 'down to the ' rib bon ties. ! and ' even the soles are of . the crocheted work.\ Purse silk, too.- may be used for this model, and' it will make " it none the less launderable. . A i sample of. hand .weaving is shown - in ?'a /pair "\u25a0;_ of primitive-looking shoes -• made . of -i' white wool with dull blue The San Francisco Sunday Call How to Apply the .Design rpHERE are two ways to apply -*- this design to * the material upon which you wish to work it. If your material is sheer — such as handkerchief linen, lawn, batiste and the like — the simplest method is to lay the material over the de sign, and with a well-pointed pencil, V draw over each line. ' If your material is heavy, secure a piece of transfer or impression paper. Lay it, facedown. upon this; then draw over , each line of the paper design with a hard pencil or the point of a steel knitting needle. .Upon lifting the pattern and trans fer paper you will find a neat and accurate impression of the design upon your "material. There are two point 3 to. observe in this simple process, if you would t execute it satisfactorily. One is, see that your material* is level — cut and folded by a thread — and that your desicn is placed upon it evenly at every point. The second is. when placed accu rately, secure the design to the ma terial with thumbtacks or pins so that they cannot slip during the operation. Transfer paper comes in white, black, blue, red and yellow. I ad vise the use of the lighter colors when possible, as the black and blue are so liable to crock. Do not rest your hand or fingers upon any part of the design you are transferring, ebe the imprint of hand or fingers will be as distinct upon the material as the drawn lines of the design. Cloth-of-Gold WITH the continuance of the fash ion for metallic weaves and fancies there is a liberal show ing of that delicate fabric known as cloth-of-gold. In Us several variations It takes on a silver shimmer or a rich bronze tone, and in each of these three general colors or notes it drift 3 into blues, lavenders, greens and rosy pir.ka, which make it a material suited to many purposes. The richest theater bags, for th* purse, opera glass and fan. have been developed most successfully in this gold tissue, because its colorless elegance makes It alike harmonious with the sim plest black or gray frock or with the most elaborate and colorful creation. Metallic tissues are not as perishable as they look, and their durability is in creased by the silk lining, which may be either a cream wtite or an old. gold or a silver gray if it is to match every thing: or. again, a faded rose pink or a dull blue, a lavender or a leafy green if the tinted tissues are used. These rich-looking opsra bags need no exterior decoration because of the very and a*stired elegance of their fabric. All sorts of perfect boudoir ornaments are made of this tissue, from the folder in which a fair lady may keep her rib bon-bound love letters to the little work bag which, holds some delicate bit of lacework; from the galloon-bound can dleshade. with its paneled lights of cloth-of-gold, to the lining of the gilded or silvered scrap-basket beside he? desk. Hats are. touched with the same fab ric: the rosette and the home-mado flowers have not yet vanished before th» breeze of spring. . The narrowest strips of it are used to wrap the end of a feathered quill, and great scarflike twists of it are the successful decora tion on the blonde-colored straw hat. The party frock for "the quite young girl demands silver gauze, and for the matron a bronze or gilded rose; and be tween the two there is a long line of youth and beauty for whom a touch of colorful gold cloth adds the last needed bit of brightness, to a rich but half worn dress — the dance frock that has seen" almost too many good times. Tnese metallic, stuffs are very manage able by the amateur. They may b© folded and cut on the bias. Turned In once: or twice, they may.be made, into narrow French folds for beautifying tn® sleeves of party dresses or for weighting the tunics. Indeed, this fabric fills many a lons felt want' ln the dress, the millinery and the fancy-work field., and we cannot now picture a day when it will be done with. - spots woven at-intervals. The atitch i* that of the Nava jo Indian blankets and the ; booties a,re\u0094 made after the moat ancient of shoe patterns—a strip of material wrapped round J tha foot and « joined- at' che side front, then sewed to'a sole of the «*ame r material. Booties, like knitted soekV. get to be a; habit. . and the lover of dainty fancy wt>rk who -begins the work grows fas cinated, "and la rarely without a bootl* or , two in her workbag. *