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AS WOMAN TO WOMAN By rj'TH CAMERON B HE other day I overheard a B girl at a counter next me making her choice between a cheap but tiretty collar and an expensive piece of good lace. She finally chose the piece of real lace. "/ cant possibly afford it," she said to her companion, "but I'll charge it, and I guess it'll come out all right. I can't bear things unless they are nice." '7 know it, my dear," said the ether firl *'Wn A* ~..-L «..J i^ i...w H ui. i hi ao nave sucn good taste. Whereat the first girl smiled a smile of evident self-approval and tucked the piece of lace that she could not possibly afford into her muff with an air omfilete satisfaction. She evidently felt a great pride in that taste of hers which wouldn't let r be content with things that were within her income. And m the l feeling, she was typical of a large class of people. I know a woman who all her life has kept her husband in debt because she wouldn't have anything cheap in her home. Her silver must be solid, though his income was decidedy plated; her floors must be hardwood when she should have been content to have them painted. In short, she insisted that king must be all wool and a yard wide, although her husband's salary was mostly cotton and much nearer eighteen inches than a yard. She felt that she would degrade herself by admitting anything cheap into her home. In reality, she vould have raised herself, since she would have been doing That every just and square man or woman ought to do — making her tastes inn to her income, no matter how badly it hurt. Idont deny that to have good iasie is a reason for pride. It is good to eppreaate the beautiful and the real, and to dislike the cheap and shoddy; and it is good to be able to gratify these tastes. But it is not good to place these tastes and their gratification above our sense of justice and above our duty to our fellow men. And that is what any man or woman is doing who lives benond his means. tier all. when you come to think of it, all that we believe is true, these material things that We sell our lives for are nothing but chaff which the wind driveth away. Did you ever look around your living room and see all those '.-\t?£s that you've worked so hard to own and collected so painstakingly and f'iddenly realize how very little they meant? In themselves they are valueless. !i is nnh because we have agreed together to call them valuable that they are so. What are they to be compared with honor and justice and other absolute end eternal things ? Of course it's only once in a while that a corner of the veil lifts like that, but even that brief, occasional vision ought to £eep us from completely losing the right sense of value*. A large contingent of Boclety folk wharf Saturday afternoon to bid eronr-hv to i and friends who the M'ingoljfi for Honolulu and the orient. Among I o took Hawi I in islands were Mr. and Mrs. Henry GaHliard Smart, who have been visiting for some weeks in this city as the guests nf Mrs. Smart's mother, Mrs. Frederick Knight. Miss Virginia Relknap, who was the maid of honor at the marriage of Miss Irene Sabin and John A. Merrill, the fifteenth of last month, is also bound fnr Honolulu, while l>v. and Mrs. H. Bostwick and Wade Bostwick, who ■were amor? the passengers, v.-ill go on to Nagasaki At Honolulu Mr. and Mrs. Charles E d Clinton La BCon tasrnp will join the ship ami proceed • ila and the orient on their world The Mauds and La Montie AMUSEMENTS ! POSITIVELY LAST V.'EEK MME. SARAH BERNHARDT \.Ni> HER COMPANY Of TWKNTY II \K. INCLUDING MONS. LOU TELLEGEN Mid Toniciit. •i'i>p<irp": To norrow Matinee and Ni?l«r. "CamlUe"; Wednes '■:-■ .- and Nijrhts, "One Mirl.t": Thursday &Xatlm< ' ; Friday Matiai*' and Night. - And a Great Vaudeville Show ;n.i WINNIE HEKXINGB; ICRATTUS CAKPOSH; MB. and Mi:.- , . JACK McORKEV FA : JOSJE HKATHER: "AND THEY LIVED HAPPY EVER AFTER"; NBW DAYL.IOHT Pit ' K!>; McMAHON, DIAMOND i>..! CLEMEXCE. vRKi;s FOR THIS EXGAOBMKKT 05LT: Ircbeatra, fl; Bos a»d Ltoge, $1.50; l<yt-> Circl*i 50c <iii'l T-" Be ami 60c; lOc. tra 73c and $5: Box and Logc - Circle, 50c an<l Balcony, 23c and 50c: Galleiy. I PHONES—DOUGLAS 70. HOME C 1970. AMERICAN M.-irk'-t and T:li Bis. Pttoae Part 3SH TOVKiIIT, S:ir, V. M. McKEE RANKIN MARGARET DREW ' An-! i.-i'K ■! rumiiany DrantatJhc .Sensation THE TYPHOON S Bβ ■- • sits. enta. and Surirtriy. lock. ""• I'HB DARLING v.V \ VI J)KVII.I-i:" * Frances CSat-e ?ffiV H rt % r iS^£QWRAWSON lusio*] Prodnetioß *WI HlW>3_ "iiinyiicg 1 '.-.ca ;»■-•. fctais>" Patty Brothers ear , woirtrgartTL athhotm turee r'.ver Been in S. V. i'Hl«f> IO<"%" -Of. 31 »<•"'"*■—\«'TS—S IIURLIM HI SH AND LARKIN STREKTS OCEAN "WATER BATHS end Tub Botha Suit water direct from tbe ocean. Open every (ley and evening, inclndins Sunders a! >i hollditye. from 7 a. us. to 10 p. m. Spec ipry free. The Sanitary Baths Natetoriutn reeerred Tuesday and Friday mornlntu from 9 o'cloci to noon for women ""'FILTERED OCEAN "STATER PLTTKOE" COMFORTABLY HEATEI:. CONSTANTLY CIRCULATING AKD FILTERING Hot Air Hair Dryen. Hectrio Curling Iron* *. und Shampoo Room for Women Batheri Free. m BKASCH TUB BATHS. 21S1 GEAHY ST. T MxtA NEAR PIVISADERO. SOCIAL NEWS parted from this city about in days ago and expect to be away two years. In compliment to her new daughter in law, a bride of a month: and two - 'loot Mrs. Nathan IT. Frank en tertained at "an elaborate luncheon in he* home in Vallejo street Friday aft ernoon. The tables were decorated as became the season with spring blos r.orns and hearts. The guests were bid den to meet the jrucsts of honor, who were Mrs. Irving H. Frank, the former Miss Helen ("armor nf Los Angeles; Miss jKirothy Keleher, who recently an nounced her betrothal to Lieutenant Carroll Armstrong Bagby, U. S. A., and Mips Anna Pribor, the fiancee of "Wil liam y. McKnight. Mrs. John Hays Hammond will leave Washington for Florida today to re main several w> < !.p. :»!>-. and Mrs. Ham mond bavc recently been entertaining Mts. T :. TI. Harriman of New York and Mrs. l>. Frank Medane of South Caro lina in their home in the national capi- AMUSEMENTS SEATS NOW ON SALE iffik GENEE T\ The World's Greatest Dancer, t] AssNtf.i liy M. Vnlinln aud COMPLETE BALLET. VALENCIA THEATER RMKkw >?on.. W,.«}.. fri. Xisrhts } ,n<l Sat Aft. ,- LA DANSE," an antbeatk record of dancing am! lian. Os rroni 1710 t,, i 5.4.-.. followed by Siridry I'.allel Dlvertisi-ments. Tm-.x.. 11. ir«. miti Sat. Ni K !K M . "LA CAMARGO." Dramatic Mallet Pantomime •ad Other BpecUl Fottwea Tickets. 18.30, |2, 51.",0. $1. at Sherman, Clay & C 0 . ,! ;>i»• I Valencia Theater. MADHIfA Next Sunday Aftat liUlll/IIA Columbia Theater Tickets Wednesday Morning 73e to |3—at firpmlismn Ticket Otteea. TONIGHT THIS WEEK anil Next—No SIN. Performances KifW mad §at Mar. Prices—Boc to $2. ENTIBE LOWBB FLOOI AT WED. MATS. $1 BUNTY PULLS THE STRINGS FSTRA-2 Times Only, XIV. MAT. & NIGHT, FEB. 33— BAIMBY'B AFHICAN HINT Pictures Bl | O-ss. H. Mimhlman. Manager LAST WBBK —BVBRY MGHT r> ■ \..,t>.. \v < 11. ;;ii!i gat. 2,"ic aiul Ooc. fMUTT m Idaslcal Comedy Prices—2sc to $1 COMMENCING NEXT MONDAY NIOIIT < Klll.n and DIM. In "Holt; Tolty" TIVOII OPERA HOUSE ** " r * J * Opening March 12, 1913 I PUBLIC SUBSCRIPTION SALE NOW ON AT SHERMAN. CLAY & CO., KEARNY I A.NH SITTER STRERTS, OP SBASOV TICKETS; ENGAGEMENT Chicago Grand Opera Co. j liiclikMuk M ISA TETI4AZZIXI and MARY GARDKN M AII F °K SEASON TiSkETS HE- CEIVED AND FILLED NOW. ■ ORDERS '''"'" Olle or ,uore King' , ? perform- I v "** anccs receiTetl now, tilled after, clom of Sulisirliitloii Sale h» near desired lota- ' tion at poMible. Spclal uttiMition givon orders of out of towu ; patrotta. Malic all cbpcks payable to W. H. ' LKAHY. Tiviul Oj-Tii Hmisf. S;in Francisc-o. Full loformatloo concerning company, artiste, j gepwrtaty, at Sherman, Clay & Co.'c. I THE SAN FRANCISCO CALL, MONDAY, FEBRUARY Ik 1913. FOREMOST WOMEN WRITERS TO MARCH "Mrs. Helen H. Gardener/ , "Owen Kildare" and Miss Mary Johnson Enlist (.Special Dispatch to The Call) WASHINGTON, Feb. I«.—One of the features of the suffrage parade on March 3 will be the presence among the massed "petition in petticoats" of women writers, famous throughout the world. These women include "Owen Kildare," otherwise Mrs. Leita Kildare Adams, Mrs. Seldon Day, wife of Colonel Day, IT. S. A., known to readers as "Mrs. Helen H. Gardener"; Miss Mary John son of Richmond. Va., who wrote "To Have and to Hold' and "John Oliver Hobbes," who among her intimate friends is just Alice Lee Mouque. And "Owen Kildare" gives us assur ance that among the American suf fragettes, the pen is deemed far might ier than the sword or the brickhat. Mrs. Adams is indignant at some wild statements of the "antis." "It is shameful —it is scandalous," she said today, "the things they are saying about the movement and its leaders in this country. "One anti-suffragette has just de clared that the women supporing the movement are socialists. "Socialists". Just think of that! I wonder if she meant to include Mrs. O. M. P. Belmont and other wives of wealthy men who are ardently with us? The Call's Daily Short Story MISS ANNE A. MARIA CRAWFORD "Well. Tom Marshall!" exclaimed Carrington Humes, meeting the new arrival on the hotel veranda. "It's good to see you in these old moun tains again. It must have been ten years since you were here. Jolly crowd of ours in those days'." "Yes." said the big fellow, reminis centb-. looking for familiar places about the hotel, "and I have never for gotten any one of you." "Two or three of our old time friends are here v/ith their families. Funny, isn't it. that the very men who courted their sweethearts on the banks of the trout streams around here are now in the same places teaching their sons to fish? But they're angling with differ ent bait these days and looking for a different catch." he laughed. "By the way, old man, Anne Trayner is here, and as pretty as ever." It was the very news Marshall was hoping to hear. "Anne Trayner. did you say?" His voice broke a little. Ho seemed to master himself with an effort. "Who — whom did she marry?" "Anne? She wouldn't have one of us. Half the men I know have been in love with her. For a long time T thought she was ambitious to go into op«ra. Her voice is wonderful, but so far she has never attempted to shine behind the footlights." He surveyed the corduroy clad figure before him re flectively. (Jossip had maintained that this same splendid specimen of man hood had jilted the much adored Anne. "Ever care for her yourself?" he asked easily. "Is she stopping at this hotel?" ques tioned Marshall evasively in return. "No; oh, no." Carrington Humes held out his hand cordially. "See you again at dinner. I'm busy with a debutante this afternoon."' Ho Anne Traynrr was in the moun tains! He wondered how she would greet him, how she would bridge the years that spanned their river of youth. Ten years was a long time to remem ber, and yet every girlish charm Anne had possessed was stamped on his memory, although he hod left her for Polly Neilson and her millions. He had felt an imperative need for money ami, boylike. without counting the cost, he had married the little hoiress, keeping his father's honor inviolate before his business associates, but sacrificing his own youth and happiness in the effort. Marshall had aged, suddenly, but he was not a cad, and his little wife had lived and died believing that her husband's heart was hers, and that business cares had touched his brown hair with gray and set the sad lines about his mouth that no gayety could quite take away. Interested groups of women watched him leave the hotel, saw him pause and then take the road that led past a num ber of picturesque bungalows built on the crest of the mountain. He walked rapidly until he came in view of a little gray stone cottage perched like a gen tle brooding dove, guarding the peace of the valley below. The spot had been his trysting , place back in those years when youth and love made his heart beat high. The two had planned just such a mountain home. Scarlet trum pet blooms on the porch vines swayed like ringing bells in the breeze, ferns USE^HENTS THK LEADING I'LAYHOISE. <;em\v and Masou—Phone Frankllu 150. LAST SEVEN NIGHTS—2 MATINEES. Matinees Wcihicsduy and Saturday. Tlic Year's Tri:;ni|>h —Fruuz Isobar's Operetta, GYPSY LOVE NKXT WEEK OKLT-β Nislits, 2 Matinees, Wm. H. CRANE Id liW 1.-Ttest C'Hlli-lV Kliecess. "THE SENATOR KEEPS HOUSE." 'EATS TUUB9DAT—Evga. and Sat. Mat.. $2 to if'w. Wcdiipsday Matinee, 25c to |1.80. All UL lAn I'hone Kearuy 2 Wmie Vh(me ,-4455 STARTING TONIGHT—THIS WEEK ONLY MAT. THIKXDAY, SATURDAY, SUNDAY EVELYN BERT VAUGHANsLYTELL Loading the AI.CAZA.R CO. in "The Third Degree" f'h:;r!<*s Kliiu's Strontcst Play. PK ICES—Night, Z',c to $1; Mat., 20c to 00c. NEXT—Miss Vaughen and Mr, Lytell in *SWEET KITTY BELLAIRS" David BelADCo'l Beautiful Cowtunip Play. Market 3trcet Opposite M»son. LITTLE HIP I DAISY The Tiniest Haby UJIDf*AIIDT NAPOLEON . Magnetic 1 ne Man Ape rwuw C\l.!- MOTION' PICT IRES, "H«-»in of Sun Franclitco." Mat. Oaily at 2:80. Nights «t T: 15-9: IS. SIN. AND I Matinees at 1 :X0 aud 3:". O. HOIJDAYS ( N!pr!it«i Continuous from «>:-> O. ROSALIE'S ARMY GREETED BY MOB Suffragette Hikers Forced to Run Gauntlet Entering Philadelphia DUnateh to The CalU PHILADELPHIA, Feb. 16— "Gen eral" Rosalie Jones and her army en tered Philadelphia in triumph tonight. The largest crowd the army ever ex perienced was on hand to meet them. There was almost a riot at the Cam den ferry, when several hundred men and boys tried to break into the thin, tired out line of pilgrims. There were only a few policemen on the iob and the Jeering scrambling, pushing mob had the suffragettes at their mercy for many blocks. Mere men have their uses in this world, it was then learned. The biggest war correspondent stalked protectingly at the gener al's side The next biggest grabbed Colonel Craffe banner in one hand and her left elbow in the other. George Bugler, who is as big as two Martha Klatschkens, took the little corporal under his arm and together they charged the mob. A halt for tea was ordered at the headquarters of the eastern district of the Pennsylvania suffrage organiza tion There the army, wearily pick ing up stores and knapsacks, proceeded to Hotel Walton. lined the gravel walks and sweet, old fashioned primroses grew beside the steps. "Can you tell me who lives in that little stone house?" Marshall asked a small boy who came swinging down the road. "Can't you tell without asking? "Why, that house just looks like Miss Anne. Everybody says so. My Aunt Kitty told mother that half the men come here just to soe Miss Anne." "Is she pretty?" "Yes, she looks like an angel. Her best beau came yesterday. Mother thinks they'll get married. Won't those fellows over at the hotel feel bad about it? Why, honest to goodness," con fided the small go#sip, "they're all crazy about 'her. My brother Bob thinks she is the loveliest woman in the world. 1 heard him tell her so last night." Marshall sat down on a big bowlder and lighted a fresh cigar. "Who is the man she is going to marry?" "He writes songs for her to sing, and she can sing, too. You'll hear her soon. She always sings about this time of day. I'm going for the mail. If you wait here, I'll see you again when I come back." Far over the valley the Betting sun burned crimson, tinting the windows in the little stone house the color of the trumpet blooms that rioted over the porch. A trim little maid appeared, and through the open door Marshall saw a blazing three foot log in the old fire place. It was a picture that his youth conjured up. and his fancy had caught and clung to it until the scene had grown to be his destined goal, elusive as a dream, yet always luring h!m on. Tlio twilight deepened, and the evening star, radiant as the far famed beacon of .ludea, shone over the quiet valley. Lost la dreams, Marshall sat there, and presently, but into the peaceful still ness, came Anne's voice, singing her old appealing love song for him. "I hear you calling me." So he had called her in his heart, ceaselessly through the yca;s. Had she heard? Had she un derstood? "I hear you calling me, though years have stretched their weary length be tween " Anne's rich voice rang , out in mellow sweetness across the moun tain. Lights flashed in the windows of all the houses along the road, but the lit tle stone house remained unlighted say? for the glowing hickory logs that made summer of early spring. "I hear you calling me." The words wore almost whispered, yet Marshall heard, and get ting to his feet, he started toward the singer. As he went up the fern lined pathway, he saw Anne in the door way, her white dress touched to color by the rosy flames behind her. "Anne, dear Anne," he said humbly, "I heard your voice and it brought back such a train of tender memories that 1 feel Just like a boy again. The little dream house we planned together came true for you, didn't it?" "It's very real. Tom. "Won't you come in?" She had schooled herself for just such a meeting and had herself well in hand. She lighted a lamp and po presented the little house, built according to their youthful dreams, for his inspection. His eyes took it all in quickly and then went back to the slender, beautiful woman by the fire whom Time had passed without taking his customary toll of youth. "I have wanted to see you again. Anne," he began quietly and tensely, "to explain something to you which T hope you will be good enough to hear for my own sake." "What is it, Tom?" She turned to ward him and the firelight caught a little jeweled pin in the laces of her gown. It had been his last gift to her. "You knew that I loved you and that I married Polly for her money. I ac knowledge all that. Then? were, how ever, mitigating circumstances that seem to lessen my guilt. 1 was young and I did not stop to consider that I was wronging three people to save one. jMy only thought was my duty to pro tect father." "Protect your father?" Anne's voice was only a whisper. "How? , * "Hβ became financially involved. I bought his honor at the expense of my own. There is only one tiling that is not reprehensible in my part of it. Polly was happy. She lived and died without suspecting why my hair turned gray in a few weeks and why I forgot how to smile. I have heard your voice calling me through every day of those lost years. That was my penalty. I loved you then. I love you now and yet I can not hope even for forgiveness." "I. too, have paid a penalty, yet per haps, it was for the best." "Then you cared, Anne?" he cried brokenly. "If I could only have suf fered for both of us!" "I tried not to think of you, but a robin outside my window wafbling a lilting love song, sang of you; the wind sighed your name to me, and every or chard, sweet with May blossoms, was fragrant with memories of you." "And whenever I saw or heard any thing beautiful. I, too, thought of you. When did you forget. Anne?" A nightingale called plaintively to his mate In the dusk outside. "I was calling you tonight when you came," she said softly. "I have always I known that some day you would come back to me." And there In the little house of his boyish fancy he came at last to his destined goal that, elusive as a dream, had always led him on—to her. (Copyright. 1013, by the McClurc Newspaper Syndicate.] -, rt. - 4 ,;; rVi , Inches! BOOK REVIEWS READ 'BUNKER BEAN' AND LAUGH ALOUD Alert, lngeniouM and A miming. "Bunker Bean" is beyond all whoop ing, it Is more than a story; it is a topic of conversation. You have to be very quick indeed these days if you wish to ask any one whether lie or she has read "'Bunker Bean." He or usually asks you first. There are sig-ns, too, that in book form Bun ker Bean is insinuating , his amiable presence into sacred precincts of cul ture .whither the weekly serial never I penetrates. It would be an impertinence if it ] were not an impossibility to describe or to outline the plot. The story is an orgy of "live wire" Americanism, filled with the atmosphere as well as the substance of humor. It stands in the same relation to New York life that "The Principal Girl," by J. B. Snaith, stands to the life of London. And just as Mr. Pnaith can do and has done better things than "The Principal I Girl," , so Mr. Wilson can do better ! tilings than "Bunker Bean." In sup port of this Bt&temeat it may be pointed out that tne part of the pres ent story, which will be considered by many the poorest because it is the least alert and extravagant, is, from one point of view, the best. This is I the part that deals with the youth of Mr. Wilson's remarkable hero. There is to be noted here a method of pre^- I f-nt;.iion, combining workmanship with atmosphere, for which one may look in vain in many serious biographical novels. The rest of the story—the part that makes you laugh aloud— I shows workmanship, too. but the thing we at is extravaganza and not art. There is art in it to be sure. It is the author's subtle art that makes "Bunker Bean" so far superior to stories of the same general type by writers without Mr. Wilson's percep tion or skill. It is only necessity to note the precision with which he drops a phrase into the current of his text, producing an effect similar to that produced by a completed harmony in music. But now that Mr. Wilson has made a center shot on the target of popular taste he will probably go on producing "Bunker Beans" at the rate of one a year (one can almost hear the publishers clamoring for more) and he will have no time to de vote himself to more serious work. In '"Bunker Bean" lie has adroitly synthesized the dominant interests of modern American life. Thus we have finance, baseball, woman's suffrage, Christian Science, spiritualism, class antagonism, the untrammeled Ameri can girl and the alert American man. Mr. Wilson has woven these elements with extraordinary dexterity into a rapidly moving story and has, for the moment at least, achieved what ti.p public wants. The recording of that fart should be the principal if not the MACKAYE'S POETRY Klpct on William Vntißlin Moody, a Renl Contribution to Hie Poetry of Our Period Percy MacKaye's "Uriel" is a great poem. In making this statement the full import* of the adjective employed is borne in mind. It is usually enough to Bay <>f the best contem porary poetry that it is "distinguished." "Uriel" which gives title to a recent ly published collection of Mr. Mac- Kaye's poems, has qualities that raise it definitely out of mere excellence into the eatagory of works the beauty and fitness of which partake of the absolute. When "Uriel* , was oriarinal ly published in the North American Review two things happened. Ameri can poetry received a contribution such as :l has received only at rare inter vals, and Mr. MacKaye decisively es tablished his rlprht to be placed in the foremost rank of living poets. •iriel" is an elegy on the late Wil liam Vaughn Moody, than whom none has a clearer claim to recognition as the master poet of a nation. The poem rhould address itself to the interest of all lovers of poetry because It cele brates the passing- of a great singer, because it has nobility and beauty, and because it is the only elegy of consequence written by one of the present generation of English poets. SHORTER REVIEWS VARIETY AIB HUMOR The intention of J. E. novel, "The Brown's," is to amuse. The Story is builded around the Jives of a mother and daughter who live in a small town in Yorkshire, whence they finally venture to London and to the continent, taking with them their pro vincial ignorance of the ways of the world. The author conducts them through an endless variety of social ad ventures in which they display a naive aptitude for making amusing blunders. Fie extracts a quiet and consistent humor from the situations in which he places his characters and threads them through with a plot which deals with a family inheritance and a double ro mance. (George H. Doran Co.; $1.25.) "POETRY" "Poetry: A Magazine of Verse," The little periodical which was started in Chicago a short time ago, devoted ex clusively to the publication of poetry, is upholding a high standard of ex cellence. Two California poets. George Sterling and Clark Ashton Smith, were represented in the December number. The January number contains a poem by Nicholas Vachel Lindsay entitled 'General William Booth Enters Into Heaven." which Is one of the most re markable poems that have appeared in America in a long time. The February number of "Poetry" is devoted to the work of Arthur Davlson Ficke and Witter Bynner. * * * 'Madison Hood," by Hamilton Drane, is the story of a young pioneer in the Missouri river country whose uncon ventional religious views are imposed upon the narrative throughout. Hood is a rough diamond, a lawyer, and makes himself a power In the commu nity in which he lives. The villain of the tale is a Methodist minister, who is Hood's rival for the hand of Lucy Thornton. When it transpires that the minister is already provided with a wife Hood magnanimously takes his part. (Hamming Publishing company; $1.25.) "A Blot on the Escutcheon," by May Wynne, is a story of adventure In England and France at the time of the French revolution. The hero of the romance is a young Englishman. wboM family has tven disgraced. The fam ily of his sweetheart is also th.vat ened with dishonor, but the Mot on the escutcheon is finally removed and the story ends happily. (R. F. Fennu & Co.; $1.25.) # * * "Which One?" by Robert Ames Ben net. The author of this story has made PORTER GARNETT In it the high traditions of the Eng lish elegy are revived. One might contend that the burden of proof rest* with those who would deny that "Uriel*! is a great poem. It may be said that this poem calls attention to itself as a communion with the muse in one of her proudest and shyest moods. In reading it one feels the poet's reverence for the poet, the friend's love for the friend, the artist's respect for his art. One sees in it an intense feeling held in check by the desire of beauty and a sense of the dignity of the spirit. Its beauty of image and epithet is singularly pure. The poem is no where marred by feebleness, by over emphasis, by affectation, or by ex cess of effort. The result is an in tegrity of tone maintained upon a level of high and effortless beauty. It is interesting to note in this con nection with what art the poet breaks the mood of spiritual contemplation and permits his memory to draw from the data, of life without disturbing the poem's integrity of structure, a swift impression of the man as he lived. "Uriel" shows Mr. MacKaye bringing to perfection that modernity of man ner which he has expressed with such consistency, discretion and individual ity in his earlier poems. But although he employs the gesture of modernity, he is never guilty of its excesses. No other contemporary poet has extended the poetic vocabulary with more sanity and judgment; none has*, while freeing hlm?e!f from the shackles of classical prosody, exhibited greater mastery in obtaining effects by means of altered rhythm and stress. All the poems in the volume are commemorative in purpose, and there i<? something about their impersonal, objective and interpretive character that gives to the collection an interest such as few books of poetry possess. The unusual interest of the volume will be instartly recognized by whosoever looks into it. There is much art and much beauty in these poems, and when the occasion demands, as in "The Bard of Bouillabaisse" (written for the cen tenary of the birth of Thackeray), there is much cleverness. "The Sibyl," addressed to Edward Gordon CraUr upon the publication of his volume, "T'pon the Art of the The ater." is a perspicuous and exquisitely wrought tribute to a man revered by artists und reviled by the rabble. Mr. MacKaye expresses this artfully and incisively in the following lines: TiicTi the rated oaea tad Winded, AwJ thf timid, callous minted, clutch thn children's ilewes and stare, Crying: '\Vi';it behold you there? Tlirrp is nothinu!" Rut thf> lovpr And the jroopg of Nral, his friend, And tile artNt follow nfter Thr children In Ihpir And thf daring half discover And the lumm'V roinprehpiid. "Tn the Bohemian Redwoods" is a lyric expanded from the form in which it originally appeared in a little paper published in the Bohemian club's grove during the encampment of 1910. The dating of this poem at "San Rio" (evi dently a mistake for Monte Rio) would seem to indicate that the author of "Sappho and Phaon" is innocent of in formation regarding , the vicinity. Published by IJoughton-Mlfflin com pany. Price, $1. KATHLEEN NORRIS DEPICTS CALIFORNIA Clever Short Storlea That First Made Antive Author's Reputation Ap ponr in Rook Form A majority of the tales in "Poor, JVar Margaret Kirby and Other Sto ries," by Kathleen Norris have Pan Francisco and other places in Califor nia for their settings. In these the suggestion of local color and loral at mosphere is intimately suggested, par ticularly (for the reviewer) in "Misa Mix. Kidnaper," which introduces a fictitious city editor of The Call tele phoning instructions to £he compos ing- room about a "front page story." Mrs. No?ris' stories are uniformly optimistic in tone. Some of them show a strain of discreetly managed pathos, while others are frankly cheerful and still others frankly humorous. The tale already mentioned falls In the last category as do "S Is for Shiftless Susanna. ,- "Making Allowances for Mamma" and several others. It would be a difficult reader, indeed, who would not be moved to mirth by Su sanna's , mishaps or by the most amaz ing of mothers In law for which al lowances must be made." The frankly humorous stories are on the whole the best in thn collection. Those into which pathos and sentiment enter show a resolute wrench at the skillful use of the interesting phenom ena of plural personality with which we have been made acquainted through the investigations of Dr. Morton Prince, to whom Mr. Bonnet dedicates his story. "Which One?" has originality, fancy and humor. (A. C. McClurg & * * * "The Two Gods," by Walter S. Cramp, A romance of the Saracens- in Spain. The hero. Beltran, a student at the University of Cordova, attains happi ness by forsaking Christianity for the faith of his fathers. The story is largely a discussion of the two re ligions. (Richard G. Badger; $1.23.) • ♦ « "Para," by Frances Stocker Hopkins, is a picture of Pennsylvania country life in the first decade of the nine teenth century. in this setting the romance of Sara Vanderpoel and her English lover is told with humor and address. (Neale Publishing company; $1.20.) 'The People's Books." a library of monographs by distinguished writers, aim to brine the results of modern knowledge #tth|a the reach of all. One of the chief merits of the series, in Which about lot) titles have thus' far been Issued, I 3 the promptness with which It nils the need of inexpensive handbooks on such subjects of live interest as "syndicalism, and suffrage, and on the contributions to philosophy of such men as Bergson and Euken. "The People's Books" art- published in America by the Dodge Publishing com pany and the price per volume is 20 cents. "Essays and Addresses," by Roger A. Pryor reflect the intellectual activities of an eventful life. The author was in turn United States minister to Greece, member of congress and of the Confederate States congress, brigadier*: general C. S. A. and finally justice of the supreme conrt of New York. These political addresses and arguments in famous law suits form an interesting contemporary exposition of significant historical events. Xeale Publishing company: $1.50. "Cefiom Bits of H*rte«sr," bf A. W. Maoy ('!!!'■ ('—inopolitan I'ress. New Turk). "The Cm,.inn of the Meadows," by Mittie Owen Me n.-ivid (Cosmopolitan Pww, New fork). "Poem*,* , by *':i n-i»i >«-lI Matnoa <The Coemopoll tMß PreM, New Y'>rkt. ''Sochi 1 Welfare in New /i ;.!.'. ■!."' by Hagh H. Lnftk (Stands Walton & Co.. >■"-■•«■ Yorki. "Heroine* In Modern Progree«," by Elmer Adams ami Warren Foeter (Stargu Wal ti'm A (V . N''.v York). "'TIj ■ tl<me of Sliaine." by (Tbmrlea Fi!'<ni Pidcla (Tlie Coemopolltao Press*, Ni'w Vnrti. "The Stock Exchange From WltUln," by Will Van Antwerp (Double <l»y. Vat!'' & CJe.. New York). "Tlie Nigbt Kl.ltrs," by ffldgwel! Caflutn (Gcorjie W. JftcotM * Co.. Philadelphia). ••T!h> Inn of TiiMi'iniiliiy." I.v letoa Galnworthy (Charles Scrlbner'i Sons New York). "Elementary Jane," by Eicbftrd I'rvce (Bouil»*«». Miftiin ac 0., New verities for the sake of a happy end ing. "The Tide Marsh" is a typical example. But the ultimate happiness of Mr?. Norris' stories serves a pur pose, the purpose of supplying the de mand for cheerfulness in fiction. Mrs. Norris knows that while some people may like their coffee without sugar there are others who always put sugar in their chocolate. Life as she pre sents it is like chocolate, to which ■Iμ acids a little su?ar in order that she may be sure it is sweet enough. Her stories are neither meat nor medicine. They are beverages. They will de light every one who has a sweet tooth, which is , equivalent to saying that they will delight a great many. ""Poor, Dear Margaret Kirby" Is Ihe story of a wife, impatient in affluence, but faithful in adversity. The theme Is similar to that of Washington Ir vine's "The Wife." The treatment is interestingly different. Mrs. Xorris' story is a good example of present d«jr magazine fiction, but it is difficult to imagine Irvine's prose idyl "getting by" the third assistant , reader for & popular monthly. "Bridging the Years" preaches the gospel of content and give* a glimpse of one of San Francisco's charming , old hillside houses. "What Happened to Alanna," "The Friendship of Alanna" and "The Last Carolan" are three of the tales in which Mrs. Norrls deals delightfully with children. Her touch on the human note is sure, her plots have Invention, her method adroitness. It Is her humor and optimism, hou that make these stories worth while. Published by the Macmillan com pany. Price, J1.30. NEW DAVIESS STORY "Andrew the Glad" Ha* Qualities Tlfat Made "The Melting: of Molly" a SnccfM There Is nothing in the slightest de gree unpleasant from the beginning to the end of "Andrew the Glad," the latest story by Maria Thompson Daviess. who set a standard of agree able story writing with her earlier novel. "The Melting of Molly." The setting of this new story, which. like its predecessor, has a way of in sinuating- itself into one's sympathies, is in the south of the present day. It contains traces, however, of the older traditions, and the plot V? made to turn unon certain events of the past as tli.-v affect the lives of persons living in the present. Caroline Parrah Brown is a BCtui lnely charming young person. Wβ meet her when, after having brought up abroad, bavins Inst Ikt parents and having inherited a fortune, she appears in the southern city where her father and mother were mstrrled. She is taken into the home nn<l into the affections of Major and Mrs. Bu chanan, who were her mother's friends. Toward Caroline's father, however, there is a different feeling in the com munity. Peters Brown has been on*> of the so called "carpethnsrprers" who made fortunes In the south after th n war by acquiring , property at rldfcu lously low prices from the impover ished southerners. Tt is Caroline's purpose to make such restitution as she can by spending Peters Brown's money for public works in the com munity from which it had been shrewdly extracted. There is In the Buchanan circle a young engineer. An drew Servier, who is also a playwright and something of a poet. That he should fall in love "with Caroline and she with him is inevitable, but there is that in the background of their livos which it seems must keep them ap;irt. Andrew's father had died a suicide after having been ruined by Peters Brown. The central interest of the story lies in the romance of Caroline and An drew, which we see thus threatened by circumstances, but surrounding it are many related Incidents that go to the making of a pleasantly varied plot. There is the siege of Phoebe Donald son's heart by Andrew's friend, David Kildare; there is David's candidacy for the j'idgeship -which affords the au thor an opportunity to present the many interesting aspects of a fac tional fight; and there is a possum hunt. Mrs. Daviess has the narrative fac ulty and considerable humor. The con versation of her characters - , however, Is not always natural; it is too often obviously manufactured. One of the chief difficulties is that she rarely per mits one person to speak to another without addressing him or her by name. Published by the Bobbs-Sferrill com pany. Price, $1.30. PUBLISHERS' CORNER Admiral A. T. Mahan, whose latest book, "Arguments and Arbitration," (Harpers) was published shortly be fore he sailed for abroad, believes that one of the effects of the opening of the Panama canal will be to put an end to the dread of Asiatic Immigration on the Pacific coast. It will then be possible, he notes, to carry shiploads of European immigrants, direct to Pacific ports without the tiresome and expensive rail journey across the con tinent. Thus, he says, "the ground will be filled up—the only perfectly sound provision for the future." Among the new editions' announced by the Maomillan company arc John Masefield's "The Everlasting Mercy and the Widow in the Bye Street," Albert Edwards' "Panama" in the new Travel series, R. C. Punnett's "Mendeliah," I>r. Henry H. Goddard's "The Kallikak Family," Alva "Crops and Meth ods for Soil Improvement," Henri Berg. son's "Laughter" translated by Cloud esley Brereton and Fred Rothwell, W. B. Munro's "The Government of Amer ican Cities." and Dr. Ernest Richard's "History of German Civilization." * # # "Advertising- as a Eusiness Force," hy Prof. Paul Terry Cherington of the school of business administration of Harvard university (Doubleday, Page & Co.). has been taken Up an<! in a course of study by the 10,000 members of the Associated Advertising Clubs of America. • • ♦ "Lanagan: Amateur Detective," is promised by Sturgis & Walton for March publication. Lanapan is a San Francisco polfoe reporter whose genius for running down murderers and otht-r criminals made him the envy and despair of the professional detectives. The author is E. H. Hurlbut, a well known newspaper man of this city. BOOKS RECEIVED York). '-Woman's Share in SoHal Culture."' by Anna Oarliu ftteeerr (MltebeH Kt:nn.>rley Co.. New York). '-Mijrhty Animals." by Jennio Irene Mix fAmcriran Book company, N<w Turk). "Seren Keys to Baidpate," by Karl Deer (Bobba. M.n iil rompany. India napoli*). "'ChtW of Btefta." by H. ■Mμ KiiKSard iLonpinan*, Green A Co., New York). ■Hi.' Maiden .Manifest." t.y Delia Campbell Mac- Leod (Little. Brown & Co.. Boston). "On Boenl the Baltic," by Anna chajiin Ray (Little. Brown & Co., Boston*. "Tlie Days of Uay«," by Loot* .1..-. J.li Vases (Mttle. Brown & Co.. Boston i. "The GoTermneiits «.f Kurope." by Kre<lerlek Aistin Qfg (Macniillan company. New York). •I,iii;i Suhoniinau- Clause Syntax," by M. A. I-.iiHT (Aineriia-i Book company. New York>. •'Time and tW Woman." by Richard Pryce (R. I. i'ouuo cotuuaiiy, New York;. i 7 ROM*! |ment|