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the\/alet. is.” sniff .Cholly Sap Tint lit* Vnn’t make *fl M Irr Pepprey. f, s If a fellow like me * tlou. iota of clothes he Oflie a man.”—Catholic. K_ *ce of Evils. • Id yon advise me to ter to u Cooking school ^ «» music ichool? Hoarder (reflec ivelyi- Well, think I’d send her to a ooklng school 1 it may l*» more fatal n Its rrsuits, ut It Isn’t anything like o noisy. I ' /hers the Shoe Pincnea. , Chaplain-Ah. my brother, fa Is full of trials Prisoner— Fy up. guv nor! Think I dunno It ain’t the trials I inlnds; it’s »erdlcta.-Londou Sketch. HE RAILWAY CD NEB! SCHEDULE. itfeen Brownsville and Point | Isabel ffective Saturday, May 11, 1912. \ Vther than Saturday, Sunday ajid Monday SpecK ‘point Isabc] Ar 10: no a. m. j O.v 4:20 a. m Jn.OO a. m. Ar 12.30 p. m. 6:00 p. m. Lv 4:30 p. m. v 7:00 p. m. Ar 8:30 p. in. Sunday r 8:30 a. m. Lv 7:00 a. m. v 11:00 a. m. Ar 12:30 p. m. r 9:30 p. m. Lv 8:00 p. m. Monday r 8:30 a. m. Lv 7:00 a. m. v 11:00 a. m. Ar 12:30 p. ra. r 6:00 p. m. Lv 4:30 p. m. Didn't Like the Reference. Tramp—You know the savin’, mum, “He that glveth to the poor lendeth to the Lord.” Mrs. Subhubs—Very true. And since you speak in proverbs I’ll refer you to another old saw. Tramp _ — Which one Is dat, mum? Mrs. S.— The one back in the woodshed.—Boston Transcript. Overworked. “The hour of 12 lias struckl” hissed the ghost. “1 don't hlntne It." replied the ma terialist. “It was worked to death long ago."—Judge. Nothing can work me damage bat myself.- St. Bernard. r~ !See the Latest Things ■ TROUSERS’ | the Patent Ilip Grip, g COMPLETE LINE I | SUMMER CLOTHING 1 I* A.Spero. 1 E*iz»beth St* Ketr 12th M J SEAMS. CHANNELS, ■ .„ :_ ANGLES.TEES, PLATES, ~ S^EEL Q> CAST LINTLES, HARTWELL IRON WORKS STEEL $ CAST COLUMNS, HOUSTON, TE\AS. TRUSS ES. GIRDERS, ECJ. -- -- KROnPT SHIPMENTS. -- " _ _ rROiNTIER CONSTRUCTION COMPANY General Contractors 309 Merchants1 National Bank Building. Phone 150. j _ . » — *** * ^ ___ ______ MILLETS RIOT IN COLORS. •>. < <nf The Artist Enraged the Critics, but Forced Recognition. In his early years ns an artist the late Frank D. Millet liad n hard strug gle t6 gain recognition. He sent pic tures to exhibitions, to be sure, and good pictures they were, but no one paid any particular attention to them , or said anything about them. One day Millet conceiv€»d an idea. He painted a picture of a lady in black sitting on a bright red sofa, standing against a vivid yellow background. The effect was just a trifle startling. Friends who saw it in the process of production expostulated with him and i asked him what he was going to do ! with it. They were astounded when j he announced that he was going to 1 send It to the exhibition. They told him the critics would "wipe the floor" with him. "They can't do that with out mentioning roe.” said Millet quiet ly. "and they’ve never even done that, as yet.” • To the exhibition the picture went. It killed everything within twenty feet on either side of 1t. You couldn’t help looking at it. It simply knocked you down and held you there. The critics got into a towering pas sion over it. They wrote whole col umns about it. They exhausted the English language in abusing it. They ridiculed the eommittee that permit ted it to be hung. They had squibs and gibes about if. but every time they spoke of it they mentioned Frank Mil let. Ue suddenly became the best known artist in town. Somebody, be cause of the stir it had made, bought the picture at a good price and re moved it to the seclusion of his own home. When the next exhibition came off Millet had another picture ready, one of a very different sort and very good, but no bettor Ilian others which be had l exhibited before. The critics had much j to say about it and "noted with pleas j ure the marked improvement" that i Mr. Millet had made, “an evidence." as they modestly put It, "of the value of criticism, even though severe, to a young artist." And the majority of them never realized that Millet had simply compelled their attention by a clever trick A Tight Fit. "How do yon like tlie rooms in your new flat?” asked Bill Brown. "Pretty fair.” answered Jim Jones. "What do you mean by pretty fair?" "Well, they’re a little tight across the shoulders, but otherwise seem to be a good fit.’’—Cleveland Plain Dealer. Irony of Fate. "Did your husband have luck on his shooting trip?” “The very worst. He accidentally shot the friend who was going to take us on an automobile tour and missed the man to whom he owed a lot of money.”—Baltimore American. SAVAGES OF ECUADOR. The Jibaros Gave One Spanish Gov* irnor His Fill of Gold. If you are looking for a real wild Indian seek the Jlbaro. Perhaps you never heard of him, but you should, for he’s the wildest, most savage and uncultured type of redskin who thrives today. War and the Jibnro are synony , mous. No other Indian tribe In history | has so determinedly and successfully ! resisted efforts to conquer tt as this tribe of the Jlbaro. Today the Jlbaro, 10.000 strong, rule supreme over the vast forest regions of Encador between the Santiago and Pataso livers and southward to the Amazon. It Is one of the most pictur esque and primitive of all surviving tribes of redskins. Once when partly subjugated to Spanish rule they were ' goaded to rebellion by enforced labor j In the mine* of their taskmasters and | marched 20,000 stroug into the strong hold of their enemy and in one night completely annihilated the 12,000 In habitants. As an example of their savagery they killed the governor by ' pouring molteu gold down his throat in order that ho “might have his flil of gold.” Like tactics are still pursued, and the Jlbaro is little molested. War is their normal condition, their favorite ! 1 weapons being the lance, the javelin 1 ; and the blow gun with poisoned ar- i rows, which have served them with \ deadly efficiency. Little is known of their religions or mythological beliefs There are about 1,400 Jibaros who are Christians, hut few of these arc* of the full blooded type and are scorned by the majority of the tribe. Missionaries say the Ji bnros will never break from ancient customs. —Catholic Encyclopedia. Railway Wheels. Did you ever notice that the wheel.* of a locomotive engine are beveled The reason for this Is that in rounding a curve the outer rail is. of course, a j little longer than tlie inner one The t difference is very little, but it would ; be enough to make an engine “skid" i unless it were reckoned for. In tin* beveled wheel the higher part, with its j greater circumference. Is forced against the outer rail by the very tendency of j the engine to drive straight ahead, ami with tin* other wheel the smaller cit j cumferetne rests on the rail, thus over ' coming the difference in the lengths ol ; the lines , Too Hast/. A traveling theatrical company was starting to parade in a small New England town when a big gander front a farmyard near at hand waddled to the middle of the street and began to hiss. One of the double-in-brass actors turned toward the fowl and angrily exclaimed: “Don't be so quick to Jump at con elusions. Walt till you see the show.’’ —LiDnincott’s. ..eea 1 | HIS BOLD BLUFF WON. How a Clover Beat Worked One of New York’s Exclusive Clubs. It is about as bard for a stranger to get beyond the portals of an exclusive New York club as it is for tin* pro- j verbial camel to get through the nee- ( die’s eye. But N’ew York clulKlom is laughing over how one clever ihmsuii “put it over” one of the city's l*est ; clubs recently. A well dressed man drove up in a taxicab and strode Into the club. The doorman opened the way for him. and he walked up to thp desk. “Send a boy out for my bags, will you?’’ he began, and the clerk the hell for one of the club boys. “A good room, please. If there a:* any left tonight," said the ueweome.*, ' “with a hath." “Yes, sir; we have 218. a very good room, sir." "Good! 1 had that room here a con pie of years ago." • The bags were brought in. the boy showed the way to the elevator and soon the man was comfortably settled in bis room. Downstairs be came In s few minutes and strolled out to the grill room. There he had a collide of drinks, smoked a cigar and took away a box of the club cigarettes. Fie signed a —chit” in other words, a club check—for what ho had bought and walked out An hour later lie came back and went Into the dining room where he ordered the I test the clip J had. prefacing his meal with a couple i of cocktails. Again he signed a “chit." “Taxi, please." he demanded when he came back to the office after taking a couple o? Havanas from the case, signing ns usual. It Is the custom in all smart club* to provide cabs for members, they signing checks for them and settling at the end of the month when their bill comes In. The man drove off. went to the theater with a lady be called for. kept the cab the entire evening, took her home and then re turned to the club for a nightcap and a cigar. Then he went upstairs to bed. Next morning he was down bright and early. “Send a boy up for my bags." hf said, “and get me a taxi. I've got tc catch the 0:20 train." Fie had a hearty breakfast, took a pocketful of cigars, lighted one at the desk, a porter carried his baggage to the cab and away he went When the clerks came to enter the checks In the ledger It was found that this man was not a member of the club and was not even a guest of n member. His name was not on the list. There was a bit of a jolt in the club office on bill day.—New York World. Security. "Did you lend that forgetful friend of yours the book lie asked for?" “Yes. but I took care to borrow his umbrella the same day."—Washington Star. -7 Fire Insurance Joyce R. Wood Phone 100 Combe Building, Over Howse Furniture Company / . ■* . ’ • • -* **> . • i >.<(.* <*>.* i ^ ► l \ [ I I I | THERE IS LAUD. LAND AND LAND jj I If you pay LAND prices you do net want Land. I o | have none to sell, nor expect to have, but know where ,, 1 you should buy if you would secure value received Because as a Civil Engineer I know the whole Valley < , as you know your dooryard. T 17 T> p 17 Room 306 X Li Di VJ V/IaL^ Kercl ants’ Nat’l Bank Bldg. ♦ ! Reference Merchants’ National Bank ^ mmm • , i i 1 ! m .-. We have used care, time and money to secure for you the best results of a most mod Ji | ern and complete plant. Isn't it worth while? I Your Answer! Your Order! H | L. B. PUENTE, Manager. \ PHONE 356 j V;. • > * 1