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Mary Brnti*.OH was in that state ut ecstasy aud terror that is call ed being in love. Sue was in love with Joe Law. rencc and sbe badn’t known mm a week and sbe badn’t seen him for two days and sbe was aboard tbe Berkshire Express on her way up the Housatonic valley to a week-end party to which bis aunt had invited her and—would everything be tbe same? Sbe was astonished at herself. She didn't know Joe Lawrence's aunt; sbe didn't know any of thtf people who would be at tbe parly; she didn't know whether Joe Lawrence was seriously in love with her or not. And yet she had accepted the invitation. It was almost as it she were pur suing Joe Lawrence. And it was inconceivable that a Burleigh should pursue auybody. Tbe Burleigha had never had to. Mary Burleigh turned again to the book she had been reading. The book was John Harkaway’s Good-by to Love. She found it reassuring. She had no doubts about love while she read. Aud she admired the delicacy of John liarkaway’s understanding and appreciation of women. She wondered what Joe Lawrence would think of the hook. Joe wasn’t a bookish person. He had probably never heard of John liarkaway. She put the book away care fully in one of her bags before the train stopped at Cornwall Bridge. She didn t want anyone to see that she *-ad it with her. Joe Lawrence was waiting for her. But be wasn't alone. He had seven or eight gay young people with him in a big touring ear. They, all seemed to know him intimately. They called him Larry. Mary hadn't known any body called him that. She sat be side him ihrougli the long cool drive to his aunt’s place in the Litchfield hills, with a big red moon coming up. But there was another girl in the front seat with them—a handsome, horrid girl who calmly reached over ant) tiok Joe Lawrence's cigar ette out of bis mouth and smoked It herself. Mary had no chance for a private word with him. She had no chance at his aunt’s either. There was a big dance on. and people were al ready arriving. Mary bad to dress. While she dressed she heard all the sounds of a parly in the making — the laugh:er anil the excited voices and I he rushing up and down stairs through the immense house — and wished that shi could see Joe alone. QllE could not gut'-st how he O felt And it wa unbearable not to know. Because she was quite mad about him. And she knew he was the sort of mau most .omen wanted—so tall and loan and sure of himself—with out any swank or pose. lie looked like he kind of man who could lei.d a lost cause. Indeed he had led one He had brought the Deiwiler expedition out of Thibet after they had got into a war wit the natives and lost five men d most of their sup plies. He must know that he could trea. any woman as he had treated her; he must have taken dozens of them in his arms am’ told th m they were lovely and kissed them and forgotten them .Mary Burleigh took a last look at herself in the mirror. She found that last look reassuring. She was quite as handsome as the girl in the car who had taken Joe Lawrence’s cigarette and she wasn't a hussy. Joe Lawrence was waiting for her downstairs. He came forward froru a group that included the hussy of the cigarette and greet ed her with a grave smile and took her artn. The dance was In some other building a hundred yards away. They walked to ward the soft, sweet beat of the music. Halfway. Joe Lawrence turned aside and took her down a path that branched ofT. .Mary Burleigh saw the gleam of water In the moonlight and heard the sound of water going over a dam. She knew that Joe Lawrence was going to kiss her again. And this time she would know whether he really cared nr not. She had been so completely his that first time that she hadn't noticed anything. She had only felt. As they approached the lake they heard the sound of angrv voices. The girl cried out. *‘I hate you—1 hate you." The man said. "Darling, you know ! love you." His tone was so charged with feeling that Mary Burleigh thought it was utterly convinc ing. Joe Lawrence turned hack. Mary couldn’t hear the words in which the girl replied but only the intense bitterness of her voice. un. Aiary saia 10 joe uw renee, “how I hate quarreling.” HEY probably think they hate it too.” Joe Lawrence said “Only vulgar people quarrel.” Mary said. “I dot.’t think that’s fair.” Joe Lawrence said. “I think we re all liable—no matter how much above it we think w-e are." Mary had no chance to argue it. They ran into another group just then. She had to stand and go through introductions and make small talk. “Come." Joe said at last, “let's dance." Mary waited, as they danced, for him to speak of their last meeting. Rut he did not. Ob viously lie felt sure of her. When the orchestra paused a young n an. a college boy evidently, came hurrying up. "Mary." Joe Lawrence said, “this H my cousin. Eddie Tolli ver I'm afraid he wants to ejsvlffs * ** Only Vulgar People Quarrel Young lr. Tolliver did waul to dance wiiji her. As Mao dauced with him she watched Jo* Lawrence. He wasn't dancing He vas -tandinp at one side ol the room talking to the hussy oi tbj cigarette. A big. heavy man witn a crooked nose and thick lips, who wore a white bar tender's jacket, joined them, le put his arm familiarly through Joe Lawrence's arm. Obviously the big mau was a guest aud not a servant. The hu took Joe's other arm. The three of them walked off togcthe "I suppo j." young Lddie Tol liver r * to Mary. “I suppose you know that Jo Lawrence was o: of the greatest quarterbacks Princeton ever had.” “No,’’ Mary said. "1 didn't know that.” "He was," Lddie Tolliver said. "He was captain and quarterback and he made the All-America. And when he graduated he wasn't through. I don't meau he wasn’t through with football. Of course he was. I mean he wasn't finished. So many good football players go in for selling bonds and are never heard of again.” • "But Jot Lawrence weut right on being a hero.” Mary said wickedly. “A sort of Richard Harding Davia hero—like Clay in Soldiers of Fortune.” "Exactly.” Lddie Tolliver said “You heard about bow he flew from Darjeeling to Thibet and got that crowd out tbrougb the mountains, with the natives snip, ins at them every step of the way and rolling rocks down on them.” "I don't believe Clay ever did anything so grand.” Mary said. No, Lddie Tolliver said. “Clay wasn’t the man Joe Law rence is. And Joe II go right on. He’s just turned down a chance to lead an expedition into Mon golia.” "Why did he do that?” Mary asked. He hadn’t mentioned it to her. "We don’t kuow." Eddie Tol liver said. ”B»t we’ve all been kidding him about it. We’ve all guessed that you’re the reason.” ■ ]\ TE?" Mary said. She smiled 1 A at Eddie Tolliver. Eddie Tolliver grinned back Yes," he said, “and l hope you won’t think I’m fresh if 1 sa> you’re the only one I ever saw him with that 1 thought was in his class.” "I do think you re fresh.*’ Mary Burleigh said. "But I’m so fluttered I don’t mind.’* “! knew you were all right,” Eddie Tolliver said. Mary felt better when Joe Lawrence came to claim her. She felt so much better she almost forgave him. She didn't want to be mean. And she had to be mean. “How do you like the party?” he asked as they danced. “It’s a grand party and if there’s any better orchestra in New York I’ve never heard it and your cousin Eddie Tolliver is the nicest boy I’ve met in a long time.” "But'*’ Joe Lawrence said. "I don’t like your frieuds.” Mary Burleigh said She almost gasped when she realized what she had gaid. She had never said anything like that in her life. She was too well brought up. It i # a All • ■ .I" IUI . JUC La«t n - rente asked. She eouldn't very well say she didn’t like the hussy. Joe Law rence would think she was jealous. ’’The big coarse man in the bartender's jacket.” "Don't you know who he is?" Joe Lawrence asked. "I don t care who he Is.” Mary Burleigh said "I think he's ugly.” "He isn't handsome,” Joe Law. rence said. "But he's an awfully nice fellow. l like him im mensely. ** "I «an t imagine liking such a man.” Mary Burleigh said. "I think he's rather horrible.” Joe Lawrence swung her around and out of a doorway to the veranda. He led the way down the path toward the lake. "What's the matter. Mary?” he asked gently. "Nothing’s the matter.” she said, trying to speak gravely and quietly, as if she weren't angry. Sh«» didn't wish to he angry. An 1 vet she was. She was furious. And she was bound to make him ane*-y. "But something is.” he said. "Something's awfully wrong.” "Nothing is wrong." Mar) by Lucian Cary I said, "except that we aren't agreed about your friend in the bartender s jacket." ""Dl'T you don’t know him,” Joe Lawrence said. “You've never met him.” "I don’t ever wish to meet him,” Mary said. "I can see by his face that he’s a coarse, brutal, vulgar man without any of the finer sensibilities. lie may be a good bartender but he’s not a man I wish to know.” "Really, Mary," Joe Lawrence said. ”vou don t imagine that you can tell what a man is like by one look at him across a room." "Naturally I think 1 can.” Mary said. "His character is written all over him.” “My dear." Joe Lawrence said, "you’re mistaken. He may look coarse and vulgar to you but that’s only because you dou’t know him. As a matter of fact he's an uncommonly sympathetic and understanding and gifted person.” "Understanding!”* Mary cried. She was astounded at the animus in her voice. She knew she was deliberately picking a quarrel with the man she loved And you flirted very well and I was amused aud a little interested.” She shrugged her shoulders. ‘‘Now Ini through I really don't care for flirtation. I think 1 do aud then when 1 try it 1 don't.” “Mary.” Joe U»reiue said, and his voice had a throb in it. "you know 1 love you. You know I was utterly serious.” “I'm awfully, awfully sorry.” Mary said. "Because I wasn’t serious. And now I really must be going on." She turned and walked bat k toward the house. He didn't fol low her. He stood there looking after her. She couldn't stop. She had to walk right on. She was appalled at what she had done and bitterly determined to go on doing it. She found Eddie Tolliver in the living-room. She beckoned to him. Eddie Tolliver dashed over. “i know 1 can trust you." she said. "I've got to leave without f ! far as Westport. She took the ahotc road tor hotue. She knew sh- bad been a fool. And she couldn’t stop be n0 a fool. Sbt had lost Joe Lawrence and he* heart was broken tnd she wa. glad. She went ra ring down the shore road, traveling faster than she had ever traveled in a it before. She stopped s ort in Fairport. She was going home, of course .* nd how would she explain** What eouto -he tell them? She -at there thinking and while she sat a flivver went b> her at top speed She looked up. The flivver slowed down with a squeal of brakes am* turned around and tame back. There were two policemen in ft. Une of them jumped out and came forward with a flashlight in his hand “Whoseear is this?" be asked. “It belongs to a friend of iiyne.” Mary said. “Let's see your driving li cense." I “'<*11 might try to harn the perfect I* oh* Ions cliflorom-e hro*f»*n a l««1* amt a woman crook.” she couldn't stop. "Giltcd!” "But he is,” Joe Lawrence said "lie's not awfully sociable and he's not the kind of man who'd ever be the life of the party. But he's extremely un derstanding and gifted. I've never met a mau I'd rather talk to if I were troubled.” “After all.” Mary said. * I ve seen him. If 1 hadn't you might convince nie.” “But. Mary,” Joe Lawrence said, “surely you know >ou can’t judge people by their looks — you never can tell.” The more reasonable he was the more determined Mary was to make him angry. “Of course you can.’* Mary said. "Anybody can tell by look ing at you that you’re a profes sional hero. You couldn't exist if you couldn’t hear the cheer ing section. You're a horn matinee idol." "I'm awfully sorry if that’s what you think of me," Joe Law. rence said. *'TT is,” Mary cried. "You re A the perfect book for hoys. You're Frank Merriwell in per son.” Joe Lawrence took both her hands in his. “Mary." he said, "wbat a the matter? Something has happened that you aren’t telling me. Won’t you come across*" "Yes." she said. "I will. I don’t like you. 1 can't say I hate you because that's .00 strong a word. I'm merely bored. Completely, terribly bored.” “Mary.” he said, "don’t you remember the other night?" "Oh. yes.” she said, “of course I remember it You kissed me." "I told you I loved you,” Joe Lawrence said. "I didn't take you too .seri ously." Mary s»«i.| "If | had I shouldn't liave *••« - ,,rr aunt » invitation But 1 tii ■ t anybody's knowing it." "I'll go and get Joe,” Eddie Tolliver said. ‘‘No.’* she said. “Joe mustn't know—either.” Eddie looked at her gravely. He swallowed hard. "J-j-just as you say." he said. "You can take my car—it’s a Rinaldo road ster and it's standing way out in the drive.” O you suppose you could get — my things into it without anybody's noticing?” Eddie Tolliver shook his head “Everybody's noticing you to night.” he said. “I'm afraid I couldn't. I'll drop them out of the window if you say so hut 1 m afraid I might get caught.*' "Never mind.” Mary said "I can send for my things. But 1 need a coat.” "There's a topcoat in the car." Eddie Tolliver said. Alary nodded They walked out of the house and down the drive. Eddie put her in the car and showed her where the switches were. Alary pushed the starter. Eddie Tolliver leaned in "Listen." lie said, “isn't there anything 1 can do?” "No." she said. "You’ve done the perfect thing.” But what'll l say to Joe?” “Anything you like except the truth." Mary said. "I—(—I’m afraid I can't lie to Joe.” Eddie Tolliver said. Alary put the car in gear. "Then.” she said, “tell him I've gone home." Hie waved her hand and put her foot down on the accelerator. The car shot down the drive. Out on the open road she al i'ii' ' charged her mind. But she didn't. Hie pressed the p dul down age in* • the Peer ' ards :n -t' til and ar’rl.v turn’d over ou a c»irv!». I* 1' "• t < h to tj;,i*> as *'l — I haven i n with me,” Mary said "Let* see the certificate of registration.” Mary hunted iu the door pock. et<s. She found nothing. “I suppose.” she said, “it's under the seat.” “All right,” the policeman said Mary got out and the police man lifted up the scat. The cer tificate wasn't there. He lifted up the rumble and peered with in. "VY bat s 111 the keg?" he asked. “I don’t know.” Mary said. “You wouldn't.” the police man said. TTK got a wremh and knocked the bung out of the keg and leaned over and sniffed. “Apple jack.” be said. He hunted around in the rum ble and dragged out a cloth sack full of cold chisels- -all new and shining; and some kind of drill press; and a wooden case full of drills. "It's her all right." he sadd ‘'Sure,” said the other police man. “All right. Sadie,” the police man with the flashlight said. "Let s go and see the sergeant “ He bowed Mary into the car. took the wheel, and drove on. The flivver followed at a distance of five yards. They stopped at the Fairport police station and walked into a hare room furnished with a bench and a desk. A young man in uniform sat at the desk, play ing with a kitten. “Here she is. sergeant." the first policeman 'aid “Kinaldo roadster and all.” The young man turned and surveyed Mary. "Ail right.” he >afd to the two policemen, "lock her up.” Tli tr.n policen:ea look her by llit Jl .it "What's the charge?" Alary asked. "Reckless dri/tng." the first policeman said. "Driving with out an operator's license. Driv ing a car without a certificate of registration — undoubtedly stolen. Transporting liquor. And burglars' tools.” "Is that enough Sadie?’’ the sergeant asked "You're making a frightful mistake." Mary said. "I’m not Sadie " Th*. sergean’ grinned. "What do you want to be called?” he asked. "My name.’’ Mary said, and paused. She didn't want them to know her real name. She didn’t went anybody to know that she had been arrested, least of all her father and mother. The sergeant chuckled. "It's all right with us." he said. "We'll call you Mary Jones if you'd rather. Only > don’t mind telling you that New York is looking for you. S*die.” Mary swallowed bard. She woudered if the family lawyer could get her out—end be trusted not to tell. Look here, she said "Look at me—can't you see I’m not a crook?** "We adroit you re a looker. Sadie,” .he sergeant said. ”But 1 know crooks. Most people don't. And they wouldn't see what 1 see.” All ngh.1." Mary said wearily. “Want to call up anybody.’’ the sergeai.t asked Mary glanced at the clock on the wall. It was » quarter to two. Judge Brown wouldn't understand. He'd insist on mak. iug trouble for the police and then her father would hear about it. '■.No.** she lid wearily. The sergeaut nodded to he two .olicemen. One took her by each arm. She ebook them off. “1 can walk." she said. She walked dow n a long cor ridor between them. T'jey open ed an iron grille. Mary walked in. The cell was lighted by a single electric bulb. There was a cot on either side. A slim young colored woman sat on one of the cots with her head in her hands. The door clanged behind Mary. She sat down on the un occupied cot. The colored girl stared at her with dark, sad eyes. ’’What are you in for?” she ked. "It’s *11 a mistake,” Mary said. The colored girl smiled a (amt ironical smile—as if to say that one expected sue1- a reply from a white woman. "What are you in for?” Mary asked. The colored girl raised her eyebrows and shrugged her shoulders. "I knifed my friend.” she said simply. Mary stared at the girl. She looked mild. She looked young and gentle aud sweet. "What for?” Mary said "He «as foolin' round *ith another woman,” the colored girl said. ”1 got jealous. ' "Did you hurt him badly?” Mary asked "Yes, ma'am.” the colored girl said. "I hurt thaft man bad. Rut the doctor — he say he'll get well.” * The colored girl dropped her head in her hands. Mary sat up right on the couch. She would have to call up Joe Lawrence. There wasn't anybody els* She would have to call tip Joe "How do you call the ser geant ?** she asked the colored girl. "I dunno." the colored girl replied, " ’le*« you rattle them bars." Mary rattled the bars The sergeant came down the hall. Mary told him she wanted to telephone. He grinned and un locked the door. Mary got the Tollivers' num ber finally, called long distance and asked for Joe Lawrence. *Tm in jail.” she said to Joe Lawrence. “Where?” he asked. "Fairport/’ she said. "I’ll be there In an hour,” Joe Lawrence said. "Please. Joe.” she said, "don't drive too fast.” "I won t.” he said. THfc sergeant took Mary back to her cell. She sat on the act opposite the colored girl and waited until she heard Joes voice down the corridor. She heard Jo« »av. “Where is she?” 4nd the nett moment Joe and the sergeant came down the cor ridor. The sergeant opened the door. Joa put his arm around her. Mary tat him. They walked down to the ser geant's desk. Eddie Tolliver stood there with bis arms folded, looking very fierce. "Mary." Joe Lawrence said, "the sergeant la a bit thick. Would you mind telling him your name?" "My name," Mary said, "is Mary Burleigh." "What’a your father » name?" the sergeant asked “Addison Burleigh." Mary said. The sergeant shook his head. Tie was quite crushed . "After all,” he said. ”we were told to look for Shifty Sadie — in a Rinaldo roadster. And this lady was in a Kinaldo roadster and—" he fumbled at a folder and open ed if— "and there's Sadie’s pic ture." Joe Lawrence looked at the picture and then he looked at the sergeant. ‘‘And you thiuk Miss Burleigh looks like that?” "Well," the sergeant said. *T don't think so now But what about this applejack and the burglars’ tools?" "The applejack Is luiue.” Ed die Tolliver said. "The tool* are some things 1 picked up on my way through New York tor our shop. We’re repairing my airplane.” Joe Lawrence smiled. "The sergeant is going to forget about tbe applejack. Eddie." he said. "The sergeant is going to be awfully glad if n will lei him forget tbe whole thing " The sergeant nodded. "Y’eah." he said. “What 1 say la let by. g«nes be bygones." "I don’t know whether we will or not." Joe Lawreuce said. "I’m pretty sore." "Oh. Joe.” Mary cried. "Please. He was Just as courteous ae be could be.” ’’You see how me lady feels.’* the sergeaut said. "All right,” Joe Lawrence said. "Well forget it this time. But you might try to learn—just try to learn — the perfectly obvious difference between the appear ance of a lady and the appear ance of a woman crook—so you won t make such a stupid mis take again.” J^DDIE TOLLlVEll took hi* car and drove oft Joe Law rence put Alary into liis roadster and followed. • Where are *p going*" Mary asked. Joe Lawrence stopped the car. "Back to the party.'* Joe Law. rente said. But don’t they all know 1 ran away?" -‘\es. Joe Lawrence said, "they do." "Then how'll 1 ever explain?" Mary asked "Don't explain. Joe Lawrence said. ••But — but. Joe." Mary Bur leigh said. "I want to explain to you." Joe Lawreuce took her in 'li# arms and kissed her and she kissed him buck “Darling, ’ lie .-aid. and hia voice was utterly convincing, “don't you know I love you?” "I love you. too." Alary Bur leigh said. "That's — that's why 1 was such a fool—aud was so nasty—and so childish. I wia so mad about you and . . .** She hesitated and Joe Law rence kissed her. "And,” he said, "you couldn t quite bear to give up and admit it " "No." Mary Hurleich -aid wanted to make you miserable —if I could." ‘ You did. Joe Lawrence? said. She put both arms around hit neck. * But you forgive me?" Joe Lawr ace held her close. And I was absolutely mis taken about saying | could tell what people are like by looking at th m. And an>wa\, | didn't especially dislike that man in the bartender's jacket. I — the one I really disliked — was that aw fully good-looking girl that took the cigarette out of your mouth and smoked it.” 'She only did that for your benefit. Joe Lawrence said. ‘ She# an old. old friend but she's mischievous." And 1 d like to meet the man in the bartender’s Jacket. Joe," #be said. "I really would. 1 want to meet everybody you like.” You really ought to meet him.” Joe Lawrence said. “He* a novelist, but he’s all right just the same. Mis name la John Harkaway. Perhaps you've re«d some of his books.** “I — I have read one.’ Mary Burleigh said. "I thought it was really good ” ‘Cop,right I 111. Th. Kail S,.<Uc»t. I