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| With ® B rownsv ille a and 111 Valley a Theaters KEATON AND DURANTE ARE BEER BARONS Latest Comedy Satire On Beer Argument At Rivoli That riotous comedy pair. Buster Keaton and Jimmy Durante, make their latest co-starring appearance on the Rivoli screen starting today In “What! No Beer?'* a screaming satire on the current beer contro versy. Buster and “Schnozzle" run their own brewery in this picture and consequently all the mechanism of a modern brewery was installed at the Metro-Goldwyn-Maver stu dios and set in operation, including a 1,000-barrel boiler, vats and bot tling machines. For the romantic scenes of the story. Phyllis Barry, seen recently opposite Ronald Colman in “Cvna- i ra.” was casr in the leading fem inine role. The cast also includes such well known players as Rosco Ates, John Miljan, Henry Armetta, and Edward Brophy. The picture Is replete with spec tacular scenes covering the beer problem from the excitement of the last election to the present fight in congress for legaliza'fn. But aided by the interpretations of Bus ter and Jimmy, current history takes a decidedly ludicrous turn Keaton and Durante start out as a taxidermist and town barber, re spectively. and wholly by accident find themselves the unwilling own ers of a brewery- turning out 1.000 barrels of beer a day. Another ac cident saves them when the police raid their plant and catch them red-handed. "Two .Against the World' The charming blonde Constance Bennett comes to the Rivoli Tues day and Wednesday in "Two Against the World” at bargain prices. The story is a brilliant drama of high society with a dynamic court room scene, in which a beautiful society girl confesses to sins of which she is not guilty. She drags her honor in the dust, in order to sa\e her brother from th eelcctric chair and her married sister from a scandal. There is an unusually strong cast with Miss Bennett sup|>orted by Neil Hamilton, who although he is in love with her. is forced to pro secute her brother on a murder charge, and compelled to listen to the story of her dishonor from her own lips. •‘Hello Everybody" Kate Smith's first picture for Paramount, from Fannie Hursts -Hello, Everybody!’’, opens at the Rivoli Thursday at family night prices Miss Smith plays the role of a farm girl who accepts a radio contract to raise funds to enable her and a group of her neighbors to carry on a legal battle with a power company which is attempting to appropriate their lands for a hydro-electric development. She sings four new songs written espe cially for her. Bifljiiam — HOY — He aqui un drama a* intensas pasiones y de insuperable belleza. “VIDAS TRU tDAS” Ann Harding, Clive Brook Conrad Nagel VS A C OMI DH V CAKTTATl KAS — Precios — Adultos ......... 25c Nino*.. 10c I"hc Human Story of • Girl Who Was JitM Human . . . Pathos .... In tbe Piled-Up Pyramids of Apartment Homes A New Jack Oakie Fulfills the Ise of his In a novel And a Great Picture w ❖ — Also — Musical From "Radio he Story Row” b> . Mickey Vina McGuire Delmar Xf” 25-15-10 TODAY and Tomorrow At the QUEEN BrownsviUr PRINCIPALS IN CAPITOL FILM Eli&sa Landi as the Christian Virgin. Charles Laughton as Nero. Claudette Colbert as the Emoress Poppaea, and Fredric March as Marcus Supei bus perfect of Rome, head a cast of 7400 in Cecil B. DcMille s ter rific production ‘ Sign of the Cross- the greatest undertaking since the screen found its voice. Showing Sunday and Monday at the Capitol theatre, Prownsville ant the Arcadia Theatre. Harlingen, and the Palace Theatre, McAllen. ‘PARACHUTE JUMPER’ Douglas Fairbanks. Jr., and Bette Davis in a scene from “Parachute Jumper" fjpjiorted by Frank McHugh and Leo Carrillo. It plays at the Capitol Tuesday and Wednesday. ‘Sign of the Cross’ A Magnificent Spectacle Of Pagan Rome in Its Glory Sjjectacle ui>on s|>ectacle. magni ficence outdoing itself—Cecil B. de Mille's “The Sign of The Cross" opened its local engagement Satur day night with a midnite preview ;<t the Capitol theatre, and treated a large audience to a vivid picture of pagan Rome in ail its gloiy. • Sign o! the Cross" will play at the Capitol theatre Sunday and Mon day. "The Sign of the Cross' is first and foremost a spectacle of jiagan Rome, reaching its fullest expres sion in a Roman holiday at the Circus Maximus, where the gladia torial contests of all the brutal games that delighted Nero served ;; a orelude to the sacrifice of the Christians to the lions. But it is also a dramatic story of Christian persecution, and a tenderly beauti ful love story of a Christian girl and a Roman patrician, whose roles are played with rare beauty by FTlissa Landi and Frederick March. Flere is unfolded the whole pageant of Rome in the time of Nero—at once the most dissolute and the most colorful m Roman history. Here is the dramatic contrast be tween the palaces of the patrician Romans and the humble, hidden abodes of the early Chnsdans—on the one hand the wicked Empress Ponpae in her luxurious bath of asses' milk: on the other hand the i Christian girl. Mercia, ministering to tortured and hunted among the people of her faith. Once more, as in the days ol “The Ten Commandments ’ and 'King of Kings,” enormous crowds mill before the camera, and once more. DeMfile proves himself the undisputed master of crowd ef fects. The street scenes and the •mm laid m he Circus Maximus are masterpieces of mob excite ment. in its cast. too. me sing oi The Cross" merits extravagant praise. It is difficult to imagine a more perlect Nero than Charles Laugh ton. The manner in which this young Englishman portrays the cruelty, the lewd madness of Nero and yet maintains an absolute sem blance of realty, is little short of miraculous. As the cruel sensualist. Poppaea. Claudette Colbert is also res]ionsible for a performance of unusual bril liance. Elissa Landi raises to new and unexpected heights of emo tional acting as the Christian, Mercia, and Frederick Marsh sur passes anything he has ever done lor the screen as the favorite of Nero's court, Marcus Superbus. whose love for *the Christian girl proves stronger than tradition, wealth, position or even life. The Parachute Jumper Douglas Fairbanks. Jr., comes to the Capitol theater in his latest, and best picture to date. The Parachute Jumper" wrhi*h plays Tuesday and Wednesday. If you want to see something In thrills, see “The Parachute Jumper"—it's something new and entertaining in the motion picture field. There is a tender love trend in the story and Fairbanks. Jr., is well suite# to his role in the picture. Billion Dollar Scandal The attraction at the Capitol theatre Thursday will be “Billion i Dollar Scandal" a dramatic story ol a giant swindle, which features a j cast of stellar quality headed by Robert Armstrong, Constance Cum mings and a well selected support ! mg cast. Opening sequences of the picture I are laid in a large penitentiary, : where the three major characters arc first presented to the audience. round Arm strong. a leader of the convict trio. ‘The three "go straight" when they are paroled, and Armstrong, when he comes into possession of know | ledge of a great scheme to mulct the government of countless mil , lions, reveals it to the public. The picture comes to a dramatic climax m a senate investigation chamber, where, at the risk of his life and freedom, he exposes the entire plot. Hard to Handle Jimmy Cagney is back — back again on the screen from which his smiling countenance has been miss ing for several months .Back in one o. the most rollicking comedies, in winch Jimmy plays the part of a hi ;;i powered publicity promoter, who gets into more business scraps and love tangles than is generally allotted to half a dosen ardent youths. Jimmy's admirers, and they arc legions, will have a chance to see him in his new picture, "Hard to Handle," which opens at the Ca p. > 1 theatre* Friday for a two-day engagement. Mary Brian is the leading lady in this whimsical comedy and seldom has theje been better team work than that displayed by these two in a screen play of tangled fortunes m both business and love. According to the Warner Bros casting director. Mis* Brian's charm oi manner, her beauty and innate sweetness are perfect foils to Jim my's rough and ready exterior and hi.; blustering boisterous and over- . confident spirit in his role as pu-1 bltcitv promoter. Mary Brian is | blonde in the picture LOVE PERILLED Phillips Holmes, susoected of the i or tball>Held murder of his teammate. Johnny Mack Brown, in "70.000 Witnessess." is the sweetheart of the murdered man's s ster. played by Dorothy Jordan, showing at the Queen Tiieater Thursday and Friday. JIMMIE CAGXEY HIMSELF! James Cagney is a lightning speed press-agent, fast with his words and faster with his kisses, in Hard to Handle'. Mary Brian blonde for the first t:me and ever-so-cuie, is the girl. It, plays at the Capitol Friday and Saturday. BRILLIANT DRAMA Neil Hamilton and Constance Bennett who nJay the leading roles in Warner Bros.' "Two Against the World", showing Tuesday and Wed nesday at the Rivoli theatre. San Benito. JACK OAKIE GIVES FANS NEWTHRILLS A new Jack Oakie makes his ap pearance on the screen of the Queen theater Sunday and Mon day— an Oakie that is. by reason ol a character that is three-dim ensional, an important addition to the list of Hollywood's juvenile leading men. Not that Oakie has cone Gable, far from it. But in Uptown New York.' World Wide's p;ct urization of a storv by Vina Delmar, the wise-cracking come d’.an completely justifies coasider ation as a dramatic actor of ex | treme naturalness, genuine sin cerity and c >nvinci»g emotion. There is no lack ol the old Oakie. the breezy bufloon. in hi* j rol eof Eddie Doyle, chewing gum impresario. But there is an ad dition. an actor who can play dramatic scones with fine feeling Mrs. Delmar's story provides plenty ci human interest in its narrative, cr.d Okaie's performance of a young man who surrenders the Wife he loves to the man she loves packs many a heartfelt punch. And Oakie's scene at his wife's sick bed leaves many a feminine eye moist, and many a masculine throat unclear. Vina Dclmar again demonstrates i in "Uptown New York" how close- ; lv she reacts to the little things j that in the lives of unimportant j lieople become big things Her narrative is simple, iorceful. dra matic. Her characters are deeply etched, with an easy recognizable quality of familiarity. And the pathos of the lives in this "Uptown WHAT! NO BEER? Buster Keaton and Jimmy “Ethnozzle" Durante in *'Wt V ! No Beer?" showing Sunday and Monday at the Rivoli theatre, San Benito. THE BIG SHOT Jack Oakie and Shirley Grey in Vina Delmar’s "Uptown New York." Showing Sunday and Mon day at the Queen Theatre. Brownsville at popular prices. First showing in Brownsville. New York" trio culminates in a stirringly dramatic climax. Opposite Jack Oakie m the SPECIAL:— Wc> have been granted a special privilege on reduc tion of prices on the "Sign of the Cross" . . . Also Claying Today at ARCADIA Harlingen. Tex. Abo Claying Today at PALACE Mi-Alien, Tex. a a a a —— — ■ ■ ■ ■ ■■■ — ADMISSION — Matinee Lower Floor . . . 35c Balcony.25c — NIGHT — Lower Floor ... . 40c Balcony . 35c Children . 10c TODAY TOMORROW Like a Shining Light .... The Simple Faith That Was .Mightier Than a Pagan Er ( re! TODAY! The screen spreads betore your eyes the greatest spectacle in its history .... The splendor and intrigue of Nero’s Court! .... Thrills and spectacle of the Coliseum .... Loves and hates of ancient Rome ! ! ! Cecil B. DeMille’s “SIGN rf -‘•GROSS” •Mjfh the Greatest Cast Ever Assembled FRH6rIC MARCH — ELISSA LANDI yr Claudette Colbert — Charles Laughton / and 7*500 Others only important feminine role is Shirley Grey, an attractive new comer whose portrayal of Patri cia is a model of restrained char acterization. Mercedes PERSONALS Mr. and Mrs. Charles Kimbrough cl Chicago, and Mrs. Benjamin Weid of St. Paul. Minn., have re turned to their homes after a visit here in the home of Mr. and Mrs. Stephen Gardner. Mrs. Lucy McKee of San Antonio was a guest here this week in the home of Mrs. Shelly Collier. She also visited Mrs W W. Collier of Pharr. PUBLIC PARK MAIN SETTING FOR PICTURE Touching and Exciting Story Centers On Two Waifs Scenes and events with which you are the most familiar, often hold the greatest surprises, as will be seen in the First National picture '•Central Park” by Ward More house, featuring Joan Blondell and Wallace Ford, which comes to the Queen theatre Tuesday and Wed nesday. “Central Park was conceived anc executed as the story of what might occur in any public park, but which happened to take place in Centra. Park. New York. But Central Park has always been there People have been walking and riding and trot* tir.g in it for generations People have been buying hot dogs in it taking their children to play in it, e\er since any one can remember. It's just a park set down in the middle of a teeming metropolis, but a park where wealthy society folk rub elbows with the poor and down-and-out in an ever passing current. Ward Morehouse, the Broadway columnist and dramatic critic, and author of “Big City Blues.” has spent a lot of time in Central Park in the course of his newspaper duties. He has covered the police station, has learned the inside de tails on many tragedies and roman ces. He has seen boys and girls, strangers in New York, who ha\e wandered to the edge of the lake in the park ready to end it all. He has talked with the cops on duty— lias known many of them by their first name, and he has found Cen t al Park % veritable fountain of human interest stories. In preparing his story lor the movies, he took two waifs, a boy and girl, hungry, alone in the big city, adrift in Central Park, and made them the central characters of “Central Park." Around these two he has woven about as excit ing and as touching a story as the screen has made in many a moon. II is a story that in the main is based upon actual experiences that Morehouse has known about “Central Park” is what might be called in newspaper parlance a “human interest” story, t’s just what might happen to you or your neighbor or your friends in a big city's park almost any day in the week—which probably Is happen ing to people just like you in many big citv nark; every day when they have eves to see it. There is a strong cast which in cludes besides Miss Blondell and Mr Ford. Patricia Ellis. Henry B. Walthall. Charles Sellon. Spencer Charters. Harold Huber. John Wray, Holmes Herbert. De Witt Jennings. Henry Armctta. It was directed by John Adolfi. y A muiwr nf | brrr, Wonili i | —and more j brer' It Will Make Even Congress Laugh! Starts TODAY I —a toast to your tunnvbone: | A BARGAIN IN BEER! Buster J and Schnozzola can’t wait jM for Congress! They’ve a " comedy that’ll go to your ^ head and make you silly! TODAY and MONDAY