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i inmmsufllf HeralO Established July 4, 1892 Published every afternoon (except Saturday) and Sunday moraine. Entered as second-class matter in the Postoffice. _ Brownsville. Texas THE BROWNSVILLE HERALD PUBLISHING COMPANY _ _ 1263 Adams St, Brownsville. Texas MEMBER OF THE ASSOCIATED PRESS The Associated Press is exclusively entitled to the use for publication of all news dispatches credited to it or not otherwise credited in this paper, and also the local news published herein. Subscription Rates—Daily and Sunday: One Year . $9.00 Six Months . $4.50 Three Months . $2.25 One Month . 75 TEXAS DAILY PRESS LEAGUE National Advertising Representative Dallas, Texas, 512 Mercantile Bank Building. Kansas City, Mo., 306 Coca-Cola Building. * Chicago, 111., 180 North Michigan Avenue. Los Angeles, Cal., Room 1015 New Orpheum Bldg., 846 S. Broadway. New York, 370 Lexington Avenue. St. Louis, 502 Star Building. San Francisco. Cal., 318 Kohl Building. Science Discards ‘Certainties’ A bright young man of today who set out to get a good grounding in sciences could easily be forgiven for con cluding that he was being asked to discard all of his cer tainties and substitute a somewhat jumbled mess of pro babilities, near-probabilities and wild guesses. A decade or two ago science was dogmatic and posi tive. It set up certain “natural laws” and they were like the laws of the Medes and the Persians. Certain things were thus and so and no one need argue about it. To appreciate how the picture has changed you need only consider a speech made in New York the other eve ning by Dr. Irving Langmuir, the 1932 Nobel Prize winner in chemistery. During the last 20 years, he said, science has come to believe that “no natural law has absolute validity” and that “in no absolute sense can anything ever be predicted accurately.” The law of cause and effect is no longer with us, and nothing in the universe is securely hitched. “Some things may be more probable than others,” he added, “but you can’t say that anything is absolutely true.” It would be hard to overestimate the importance of this changed attitude, for it carries with it one of the pro foundest revolutions that the huijian mind has ever been compelled to pass through. We are not through with that revolution yet; indeed we have hardly passed its first phase; and before we complete it some of our concepts of man and nature and life and the universe are likely to be altered almost beyond recognition. Nor is there anything in all this to depress the spec ulative soul who likes to feel that there are values which material standards cannot assess and realities which hu man eyes cannot see. Indeed, the exact opposite is true. is the ultra-materialists who is confounded by this charfge. How are you going to be dogmatic about the ab solute dominion of material things when you cannot have one single certainty about them In its long climb up from darkness mankind has pas sed a great rise and stands now facing limitless horizons. It has lost its old landmarks—but it has a marvelous chance for adventurous exploration. The “Red Menace” If you’re inclined to worry about the danger of com munism in this country, you might consider the following rather significant fact; In Cleveland, a typical American manufacturing city which has suffered from the depression about as much as any place has, the Communists made big plans for a May Day celebration. They climaxed their celebration with a parade and a lot of speeches. About 1800 people march ed in their parade; between 5,000 and 6,000 came to hear the speeches. At the same hour in the same city there was an Amer ican league baseball game—just a run-of-nine game, one of the 154 of the regular season. It drew some 5,000 fans through the turnstiles. When an ordinary ball game can draw as well as a red May Day demonstration—in an industrial city hit by four years of depression—the country isn’t in any very great danger of going Communist. New York Letter BY PAUL HARRISON NEW YORK—One of the lesser known racing promoters around town is Mr. Arthur Phillips, a young man so well-spoken and tastefully clad that you’d never associate him with the business. And as a mat ter of fact, Mr. Phillips knows prac tically nothing about paddock or track. He races cockroaches. Actually. And he’s doing so well at it that he has been called to Chi cago to set up a big cockroach-rac ing concession for the world s fair, together with a stable of his fleet est runners. Mr. Phillips is, he says, a writer by profession, and has traveled a lot. (He still has a sort of continental accent). Anyway, he discovered that in several European cities, especial ly Paris, many people amused them selves by betting on cockroach races. After spending 830 francs on an in dolent insect named Francois, which always lay down for a nap about an inch from the finish line, Mr. Phillips decided that this was a novel and uncertain enough sport to appeal to Americans. Good Breeding Wins: Back in this country he consulted | entomologists, and on their advice I ordered several specimens of the i giant field roach (Periplaneia j americana) common in some parts | of the South. “I found the big fel | lows sturdy but most lackadaisical,” | Phillips explained. “They weren't ; imbued with any competitive spirit. “On the other hand, the com mon roach of the North is a fleet and willing runner. But because of millions of generations of being chased, he always tries to take a zig-zag course. So I cross-bred the latter, called Sylopyga oriental is. with the field variety. The result was a high-spirited specimen, nar row-bodied and with long, power ful hind legs especially adaptable for taking hurdles in steeplechases. And these insects also ran in a straight line. “After that, though, I had to find some way to make them run. Novices will flee from a noise, but they soon get used to it. For a few days, too, they’ll run from a spotlight; then they overcome their shyness and. instead of running, will rise up and take a sort of bow. “Only one thing will keep them going, and that’s the feeling of be ing pursued. So I finaly perfected, and now have patented, a special cockroach race course. At one end the ten glass tubes, each contain ing an insect and, behind it. a marble. At the starting signal the tubes are tilted at a slight eleva tion, the marbles roll, and the roaches run. The marbles stop after a few inches, but the racers con tinue along the separate groves of an eight-foot track, heading for dark holes at the opposite end. The first insect to hide himself wins.” • • • Mendel Was Right Mr. Phillips' racing stable is In about its hundredth generation now, and the track record has been lowered regularly until it now is 4 seconds flat. “I think this proves the doctrine of Mendelism,” said the sportsman-scholar, “—that sel ective breeding will vary detennin ately the phenomenon of inheri tance.” For some months now, he has been taking his patented board around to private parties. The first public ex hibition was held, appropriately enough, at the Village Grove Nut Club. The racers named for the oc casion after New York celebrities. And one, of course, ran under the colors of Don Marquis, literary agent for the celebrated cockroach named Archie. Quotations Children.. .accept what they see on the screen quite as unquestion ably as fledglings in *he nest ac cept food fr*m the mother bird. —W. H. Short, director. Motion Picture Research Council. • • • If the rest of the world insists on continuing depreciated curren cies and mountain-high tariff walls, why we can play the same game. --Speaker Henry T. Rainey of the House of Representatives. m m m I do not think Great Britain owns Canada any more than Can ada owns Great Britain. —C. H. Cahan, secretary of state fcr Canada. Out Our Way .... ... By Williams f ITS A Y / NICE,LAZY UTTue STUFF, MUM? ui K'tE. . ALLYA DO Fl<5HtK4, \ IS SIT THERE OmlW WOO AH’ HOLD Ooki'T HeTcH IT moTH^sV^/ WHADDA VA KAEAN,^ 'LA-Z.V STUFF"? VA HAFTA RUN VER LEGS OFF, GETTlN' IT UP— AN'THEN , VCR TOO TIRED TADOANVTHING BUT FLOP DOWN / AN' HANG ON TO IT! A y here—anvbodV J \ WANT IT * ^ •* m.-. 1 7Z^\ NO . HAAMK' WOO i i'n/e held EMOUGB bags, \A4 vTAOUT NOoOin’ A W»T& ilii-' . oft 4NATWE-SPR.IKIG J^EG U. S. PAT OFT. _^ ^_._ C 1933 BY HEA SERVICE, IWC. _S~fOj Daily Health _ Talk _J In addition to the use of e\er- j cises mentioned as especially help- j ful in flat feet, the circulation may j be benefited by the use of contrast i baths. Occasionally operations are neces sary in order to lengthen heel ten dons in muscle-bound feet, out in most cases of flat feet a surgical operation is seldom indicated. A few special exercises have been developed for stretching the Achil les tendon of the heel. 1. Simply walking on the heels across the room five times. 2. Prom the standing oosition with the feet paralled, the patient squats down to the position of sit ting on the heels, maintaining the heels and toes on the ground. This is done in two counts. 3. The patient stands facing the wall with the toes 28 inches from it. The toes are placed together and the heels as far apart as pos sible. With the hands placed against the wall and the heels maintained on the floor, the entire rigid bod\ is allowed to fall forward as far as possible by bending the elbows, and to remain in this position a few sec onds before returning to the starting position. This is done in two counts, about 10 times. 4. The apparatus for this exercise consists of two handles fastened to the wall and a heavy wooden block three and one-half inches high, 12 inches wide and seven inches’ m depth, fastened to the floor. The pa tient faces the wall, standing with the forward parts of both ieet on the block, and holding on to the handles. On the count of one, the heels are allowed to touch the floor, the body being kept parallel with the wall. On the count of two, tne return is made to the starting posi tion. The exercise is carried out from 10 to 20 times, this number be - ing attained gradually. 5. The patient stands with the forward half of each foot on a chair facing upward and holding the bal ustrade. and allows the heel to (iron He then returns to the starting position. Movie Sidelights CAPITOL What happens when a charming young lady detective sets out to use her feminine wiles to ensnaie a suave gentleman crook, is the central theme of “Dangerously Yours," new Fox production which shows Thursday (Family Nitei only at the Capitol, Brownsville Warner Baxter is starred in the fole °f ,the society thief, and the beautiful Miriam Jordan has the part of the girl sleuth employed by an insurance company to protect the jewels of its clients. queen “The Sign of the Cross,” which shows Thursday and Friday at tne Queen Theater, is something more than an inspiring spectacle within 11 ^ proof of th« fact that Cecil B. DeMille, master of this type of entertainment in the silent days, can bend sound to his will, and produce a film of even vaster proportions than in the past. Fredric March scores as the Ro man patrician, Marcus Superbus, who loves a Christian girl; Elissa Landi is lovely as the Christian Mercia; Claudette Colbert sur passes her every past performance as the wicked Empress Poppaea; Charles Laughton is no less than magnificent as Nero. RIVOLI — SAN BENITO “Madame Butterfly”, Para mcunt’s modern screen version of the romantic story of a Japanese Geisha Girl, is the current at traction at the Rivoli Theatre. San Benito. Sylvia Sidney has 'he title role. The film, briefly, centers around the romance between an Amer ican naval officer, played by the popular Cary Grant, and Madame Butterfly. Meeting accidentally, they fall in love and are married in Oriental fashion. After several months of much happiness. Grant is forced to return to the United States, promising to return. He does, but under entirely different circumstances. The I Once Over Bf H. L PHILLIPS RULERS OF THE U. S. A. Henry the First was a very fine scholar And scholars are known to be wise; He was never in doubt, and he rubbed nothing out, And he always knew all the replies. But his fondness for lampreys he couldn’t keep under. He asked for six helpings one night, so no wonder If, very soon after, his blood-vessel burst. Which finished the learning of Henry the First, From "Kings and Queens.” • • * George Washington was a fighting man Who rode a charger skittish; He helped the British lick the Braves— And then he licked the British. He scorned the offer of a crown And made the proffers shake it; Oh, little did he think some day Frank Roosevelt would take it. • ft • Andrew Jackson was a man Who loved the smoke and powder; When canncns roared beside his ear He’d bellow, "Louder! Louder!” Fcr breakfast he liked Injuns served On nicely buttered toast; For lunch he'd shoot an enemy And serve him as a roast. He was a fighting President, A man of fiercest mixtures; His hard luck was that in his time There were no moving pictures. • • m Grover Cleveland came from Buf falo He liked to fish, if you would rcw; He was so very honest he Was quite a curiosity. He always held that fishing was The highest form of art, And was the only President Who, fishing, looked the part. • • • Wocdrow Wilson was a Tiger teacher Who looked and talked much like a preacher; He talked so fast no politician Could follow him in good condi tion. He landed in the White House neatly And left the bosses stunned completely; And that was the start of all his trouble— He should have had a hard boiled double. • • • Calvin Coolidse, taciturn, Saw the bullish days return; He saw the citizens go crazy And thought the outlook very hazy. While we sang songs and took to drinUing Cal Coolidge sat there thinkng, thinking_ He saw the cyclone swiftly growing And notified the folks, “I’m go- ! ing.” • • • Franklin D. Roosevelt, wherever he went. Named Alfred E. Smith to be President; It didn’t do Alfred a bit cf good But it helped our Frank (as he knew it would). One day the folks heard Franklin D. Say, "Folks. I’m nominating me!” It was in the bag for him all the while For he had a wonderful newsreel smile. One day he was just, “You ol’ pertater”— The next he was our sole Dic tator; Just where we are going we can’t decide But. boy. we will knew that w’e've had a ride! Poor Uncle Sam Yankee Doodle came to town Today’s Radio Features WEDNESDAY, MAY 10 (Central and Eastern Standard Time) Note—All programs to key and basic chains or groups thereof unless speci fied; coast to coast (c to c) designation includes all available stations. Programs subject to change. P. M. (Daylight Time One Hour Later) NBC WEAF NETWORK BASIC—East: weat wlw weel wtic wjar wtag wcsh wfi wlit wfbr wr<_ wgy when wcae wtam wwj wsai; Midwest: wmaq wcfl ksd woc-who wow wdaf NORTHWEST & CANADIAN — wtmj w iba kstp webc wday kfyr ckgw cfcf SOUTH — wrva wptf wwnc wis wjax wfla-wsun wiod wsm wmc wsb wapl wjdx wsmb kvoo wky wfaa wbap kprc woai ktbs kills MOUNTAIN —koa kdyl kgir kghl COAST—kgo kfi kgw komo klio kpo kfsd ktar kgu Cent. East. 3:00— 4:00—Al Bernard, the Minstrel 3:15— 4:15—Trio Romantique—also c 3:30— 4:30—Winnie the Pooh, Drama 3:45— 4:45—Paul Wing’s Story—east 4:00— 5:00—Meyer Davis Orch.—to c 4:30— 5:30—Back of News—also cst 4:45— 5:45—John Pierce, Tenor 5:00— 6:00—Jack and Loretta 5:15— 6:15—Burton Holmes, Talk 5:30— 6:30—Elvia Allman, Songstress 5:45— 6:45—The Goldbergs, Sketch 6:00— 7:00—Fannie Brice, Geo. Olsen 6:30— 7:30—Donald Novis, Tenor 7:00— 8:00—Ranny Weeks and Band 7:15— 8:15—Rocking Chair Memories 7:30— 8:30—Josef Lhevinne, Pianist 8:00— 9:00—Cob Pipe Club—cst to cst 8:30— 9:30—Dance Hits of Yesteryear —east: Carveth Wells—midwest 9:00—10:00—Vincent Lopez Orchestra 9 30—10:30— Nat Brandwynne Orch. 10:00—11:00—Frank Libuse’s Orchestra 10:30—11:30—Don Pedro's Orchestra CBS-WABC NETW )RK BASIC—East: wabc wicc wade woko wcao waab wnac wgr wkbw wkrc whk ckok wdre wcau wip wjas wean wfbl wspd wjsv; Midwest: wbbm wgn wfbm kmbe wcco kmox wowo EAST AND v ANADIAN — wpg Whp wlbw whec wlbz wfea wore efrb ckae DIXIE — wgst wsfa wbre wqam wdod wnox klra wrec .vlac .vdsu wtoc krld wrr ktrh ktsa waco koma wdbo wodx win wdae wbip whas wtar wdbj wwva wmbg wsjs MIDWEST — wbcm wsbt weah wmbd wtaq wkbh kfab wisn ksej wibw kfh wmt wnac wkbn wgl MOUNT AIN—kvor klz koh ksl PACIFIC COAST — khj koin kgb kfre kol kfpy kvi Cent. East. 3:00— 4:00—The Captivators—also cst 3:30- 4:30-Skippy,Sketch -east only; Between the Bookends—west 3:45— 4:45—Do Re Mi Trio—also cst 4:00— 5:00—Tremaine Orches.—also c 4:30— 5-30—Jack Dempsey Gym _ east; Skippy, Sketch —mid west rpt —Geo. Scherban Orchestra 6:00— 6:00—Chas. Carlile, Tenor—to c Cent. East. 5:15— 6:15—Buck Rogers in 2433 east; Martin's Orchestra—Dixie 5:30— 6:30—Travelers’ Quartet—east; Freddie Martin’s Orchestra—Dixie; The Devil Bird—midwest 5:45— 6:45—Boake Carter — basic; Kansas City Presents—west 6:00— 7:00—Voice of Experience — basic; Melody Magic—Dixie; Har monies—west; Gendron's Orch.— midwest 6:15— 7:15—Modern Male Chorus—toe 6:30— 7:30—Kate Smith, Songs — ba sic; Dictators Orchestra—Dixie 6:45— 7:45—Abe Lyman's Or.—basic; Dictators—Dixie; Yodelers—west 7:00— 8:00—Irvin S. Cobb—coast out 7:15— 0:15—The Serenaders—also cst 7:30— 8:30—Burns and Allen—basic; | Ann Leaf, Organ Recital—Dixie 8:00— 9:00—George Givot—cst to cst 8:30— 9:30—Edwin C. Hill—also coast i 8:45— 9:45—Light Opera Gems—also c 9:15—10:15—Little Jack Little—to cst 9:30—10:30—Joe Haymes Orch.—c to C 10:00—11:00—E. Duchin Orches.—c to c 10:30—11:30—Ozzie Nelson Or.—c to c 11:00—12:00—Dance Hour—wabe onlv NBC-WJZ NETWORK BASIC — East: wjz wbz-wDza wbal wham kdka wgar wjr wlw wsyr wmal; Midwest: wcky kyw kfkx wenr wls kwk kwcr koil wren wmaq kso NORTHWEST & CANADIAN - wtmj wiba kstp webc wday kfyr ckgw cfcf SOUTH — wrva wptf wwnc wis wjax wfla-wsun wiod wsm wmr wsb wapi wjdx wsmb kvoo wky wfaa wbap kprc W’oai ktbs kths MOUNTAIN—koa kdvl kclr kghl PACIFIC COAST — kgo kfi kgw komo khq kpo kfsd l.tar Cent. East. 3:15— 4:15—Dick Daring—east only 3:30— 4:30—The Singing Lady—east 3:45— 4:45—Orphan Annie—east only 4:00— 5:00—To Be Announced 4:15— 5:15—King Kill Kare & Adolph —east: Dick Daring—midwest rpt 4:30— 5:30—Three X Sisters, Songs 4:45— 5:45 — Lowell Thomas — east: Orphan Annie—midwest repeat 5:00— 6.00—Amos ’n’ Andy—east only 5:15— 6:15—Octavus R. Cohen Story 5:30— 6:30—Black String Symphony 6:00— 7:0C—The Crime Clues Mystery 6:30— 7:30—The Three Jesters—east 6:45— 7:45—Phil Cook and His Act 7:00— 8:00—Sherlcck Holmes Adven. 7:30— 8:30—To Be Announced 8:00— 9:00—Tlie Revelers Quartet 8:15— 9:15—Beatrice Berenson, Songs 8:30— 9:20—Chicago World's Fair 9:C0—10:00 — Picket.s Sisters — east only: Amos 'n' Andy —repeat for w 9:15—10:15—Berr ice Clair. Soprano east. Cohen Story—west repeat 9:30—10:30—Master Singers Chorus 10:00—11:00—Bert Lown Orchestra 10:15—11:15—Sherlock Holmes—c rpt 10:3(^—11:30—Johnny Johnson’s Orches. JERICHO And built himself a nation. But Dr. Tugwell flunked him and Said, “What an aggravation!” The doctor marked him zero and Said. “Ignorance I war cn; We scholars are the nation's brains And Uncle Sam’s a moron!” Elmer Twitchell understands that if Columbia professors don't save the country. Yale and Harvard will be given a chance. But he doubts that anything can really be ac complished until we call in Notre Dame. Nothing is so unflattering these days as to be told you're worth your weight in gold. The lady who shouted to Cong ress, “You can’t spend money you haven't get,” was not, it has been ascertained, a married woman. The pictures are a swell racket. , —Tallulah Bankhead, actress. ——■ ■ 1 ... ■ _Barbs _ Speaker says America has learn ed nothing from Britain's experi ences with the dole. So what? Has Britain learned anything? • • • Gandhi's going to fast three weeks again, he says. Lucky hes doing it in India, not here. Too common here to attract any atten tion. DflRunG Fool rg BEGIN HERE TODAY . MONNIE O’DARE. 20 find beau- ' tiful, help* to support her young brother and sister by working in a drugstore. Monnie is in lore with DAN CARDIGAN, rich and handsome, hut he seems to neg lect her for SANDRA LAW RENCE. a member of his own set. HETTY, Sandra’s maid, sus pects her of “vamping” JIMMY, the chauffeur. CHARLES EUS TACE, new in town, is kind to Monnie and Kay, her younger sister. Kny makes a “pick-up” acquaintance with CHESTER BIGELOW, traveling man, who flatters her, telling her she ought to be in New York. NOW’ GO ON WITH THE STORY CHAPTER XIII HARLES said “Hot!” and smiled. He wore no hat and the pallor of his skin was a thing Monnie noted subconsciously. Un like Dan, wrho wore his sunburn with a swagger, Eustace never tanned but bore always, in spite of hatless horseback riding and mornings at golf, a kind of trQpic indolence which suited him well. He wore, Just now, the most ele gant of careless white flannels and a blue coat. * “You look awfully cool,” he said to the girl sitting on the low step, in the shadow of the honey suckle vine. Monnie scarcely stirred. She felt the smile with which she an swered him to be a prodigious ef fort. There seemed to be no life in her at all these days. Tonight after a cold supper and after a shower she had slipped into one of her oldest party frocks—a blue lace of two seasons ago, unsuita ble she felt for anything but the warmest night in Belvedere. She had not expected visitors but here, on her very doorstep, was the most elegant young man in town! She said with an effort, “Thanks. I don’t feel at all cool.” She glanced up at him in the half dark, one flushed cheek rest ing on a slim, long-fingered hand, uer breath coming and going quickly beneath the folds of soft lace. The bodice was cut rather low and the creamy skin of her neck and bosom glimmered above it. Her eyes, shadowed with weariness and heat, looked big and dark under their fringe of heavy lashes. She asked him to sit down. He made a gesture toward the car in the shadows outside the gate and said slowly, “I’d thought per haps you'd come for a drive—out where it’s cool.” “Mother and Mark have gone to a strawberry festival,” Monnie said with apparent irrelevance. “And Kay—Kay’s over at ’Rlssy’s. I wonder if I ought—" “We’ll be back in an hour,” Charles said. “Why not?" She debated this. She had re fused to go to the festival. She had said she was too tired but the real reason was her desire to avoid people. Prying people who would ask questions. About Dan About everything With this man it was different, i She could be easy with him. He was—well, a friend! She felt that. Splendid in his way, of course, but not, Monnie thought, the type to stir her pulses. • • • AS he held out his hand to assist her, she gave him her own. A child’s clasp, Charles EuBtace felt, half piqued and half amused. "Believe I will,” Monnie mur mured softly. "If you’ll excuse this—this ridiculous costume.” He gave her a mocking bow, practiced eyes taking in every de tail of her appearance. The lace had been adroitly cut to show every exquisite line of the girl’s figure. "It’s a lovely dress,” he told her. Monnie widened her eyes at his tone. There was something not quite cordial about it. Did he think she was fishing for compli ments? She reddened to the roots of her hair and in that Instant Charles Eustace regretted his dis courtesy. Used ag he was to the finished wiles of* more sophisti cated women, he had carelessly bulked this young girl with the crowd. “I’m sorry,” he said awkward ly. "I really mean it. It is a lovely dress—” "Of course, it is old,” Monnie faltered, hurt by she knew not what. "It’s a party dress, too, and unsuitable—but I was so hot—I had nothing else so cool—I didn’t expect anyone—” one naiea nerseu ior 11, out suddenly she was in tears. “Do forgive me. I'm an idiot— but I seem to be all tired out and we were so busy today at the store—” A big clean handkerchief was pressed into her hands. She straightened herself, mopping at the persistent tears, trying to smile again. But it had not been just that. Both she and the man knew that his tone was the lash which had cut her deeply. Charles Eustace said, slowly, “Monica, you do know I’m your friend, don’t you?” , She stared at him. “I hope so. Of course!” He flicked at the bushes beside him with a willow switch he had picked up. “It’s only—only that I get into one of my bad moods now and again and say things I don’t mean. I did mean your frock was lovely. But some devil of sarcasm put that edge on my voice. I don’t know why. Or yes, I do. I’m used to the sort of woman who invites comment on her attire I thought, ior an instant, that was what you were doing. I ask your par don—” “But even if I had,” Monnie began, puzzled, “it’s no crime, surely, to want compliments?” He laughed on an uncomforta ble note. “Of course not. Monica, you don’t know anything about me. I’ve got a wretched temper. I’ve been through some bad times. Some day perhaps I’ll bore you by telling you about them." “It wouldn’t bore me In the least,” the girl told him demure ly. Her tears had dried now. The little flare up had only served to heighten her color. “Waft just a minute. I’ll get a scarf for my hair,” she said, going back into the darkened house. She paused to scribble a line for her mother and in that instant the telephone rang stri dently. Her instant thought, as al ways. waking and sleeping, was “Dan!” She put one hand to her breast with an unconsciously dra matic gesture and called out to the man In the shadows, “I’ll an swer that. Hope you don’t mind waiting.” • • • T IFTING the receiver, she was conscious of an almost un bearable feeling of tension. But --- it was not Dan’s deep voice that came to her over the wire. “Oh, Miss Anstice. Yes. How are you?” She put cordiality into her tone. Miss Anstice was an old family friend. Charles Eustace, lounging against the pillar outside, heard a note of alarm in the quick, terse words that followed. “What? Yes—yes. Please tell me. Outside Miller’s garage just five minutes ago? There must be some mistake. She’s at Rissy’s! Thank you. I know you won’t. Yes, I’ll do something about it— at once—good-by—* All the color now drained from her cheeks, she returned to Charles Eustace. “Something terrible—I don’t know what to do!’* He put out a brown, lean band, touching hers. “Tell me. I’ll help you.” Eyes big and dark and unsee ing. she stared at him. “It’s Kay. She’s gone—with some man. Miss Anstice happened to see them. She’s not a gossip. She’s & real friend. They had bags, she said. The man was asking the best way to Waynes boro.” Good Lord!" Charles said. “Jump in. I know that road well. We can catch op with them.” Binding the scarf she had picked up from the hall table about her head with stumbling fingers, Monnie obeyed. The scents and sound of a June night received them, as the motor purred and the powerful little car plunged down Denny street Everywhere — everywhere were little groups on porch and lawn. Lights in little houses. Laughter. The music of a radio. Monnie thought, blindly, “Little Kay. Little Kay. I’ve got to save her." “Miss Anstice didn't happen to mention what sort of car it was. did she?” inquired Charles, ex pertly swerving to avoid a boy on a bicycle. “No, she-—she—" Monnie’s teeth were chattering now, as it with cold. “I’m so f-frightened,” she interpolated. “What if vM don’t catch up with them? I never can face Mother!” The calm voice of the man in the driver’s seat came to her. “We’ll find her,” he said. “Don’t you worry!” • • • A HEAD, miles ahead, on the ^ country road. Bigelow grinned down at the girl beside him. “Cooler now, baby? That aure is a hot burg you live in.” Kay said, “Yes. lots cooler’’ She cast an apprehensive glance back over her shoulder. "Sure nobody saw me when yon stopped for gas?” He had a big, booming laugh— empty, meaningless. He employed it now. “Baby, don’t think about that old burg any more. You’ve shaken the dust from your shoes You’re slated for big times.” He slipped an arm around her shoulders. Kay shrank from it "Hadn’t you better watch the road?” The laugh boomed again “Don’t like one-armed drivers, do you. Baby?” Kay grimaced to herself In the darknesB. She’d been a fool to come, she told herself, but she was no quitter. She’d burned her boats. She’d have to keep on going. (To Be Continned)