Brownsville herald. [volume], June 13, 1935, Image 8

About Brownsville herald. [volume] (Brownsville, Tex.) 1910-current

Image provided by: University of North Texas; Denton, TX

                
Ch e W"or Id
IT LESLIE E1CHEL
tral Press 8taff Writer)
NEW YORK, June II. — An ex
planation why Japan's foreign trade
Is Increasing is given by the Alex
ander Hamilton Institute of New
York in these words: •
“The recent Increased exports of
cotton textiles from Japan to the
United States has again brought into
the limelight of discussion Japan’s
competitive power in International
trade, and has raised the question
as to how Japan has been able to in
crease its exports in spite of high
tariffs and the depression. The fact
that Japan’s exports in 1934 amount*
ed to 2,282.000.000 yen as compared
with 1,917,200.000 in 1933 and 1.431.
000.000 in 1932 shows the extent of
the Japanese export trade expansion.
“The reason for Japan's ability to
compete in the international markets
may be briefly summarized as fol
lows: (1) The depreciation of the
currency and (2) the low standard
of living. The Japanese currency
has depreciated in terms of the gold
franc by 66.3 per cent and in terms
of the dollar by 66.2 per cent,
MAlthough the decline in the ex
ternal value of the yen has forced
Japan to pay higher prices for im
ported commodities this has not
materially affected the general price
and wage levels of the country.
“Since the cost of labor in Japan
has not Increased to any extent, the
depreciation of the yen has enabled
Japanese manufacturers to export
their commodities in spite of the high
tariffs prevailing in a number of
countries. Although exports from
Japan have shown a material in
crease. imports have risen still more
sharply and the excess of imports
over exports during 1934 was larger
than during 1933 and 1932.
“The Japanese have stated that
their drive for exports is determined
by the necessity of paying for im
ports. Otherwise Japan's ability to
purchase abroad would be mipaired.
This situation applies particularly to
the United States since each year
Japan's trade with this country' has
shown a large excess of imports over
exports
“The excess of imports over ex
ports from the United States in 1934
amounted to 370.431.000 yen as com
pared with 128.541.000 yen in 1933
and only 64.726.000 yen in 1932
Japan buys raw cotton and a num
ber of industrial products from the
United States. The fact that Japan
has had a continuous excess of lm
Ets over exports with the United
tes has made it more difficult for
the state department of the United
States to deal with the sharp in
crease in exports of cotton textiles
to the United States The Japanese
argument is that since Japan's lm
RADIO PROGRAMS
FRIDAY, JUNE 14 (Central and Eaatern Standard Time)
Note: All program* to key and basic chains or groups thereof unless speci
fied; coast to coast (« to c) designation includes all available stations.
Programs subject to change. P. M. (Daylight time one hoar later)
NBC-WEAP NETWORK
BASIC — East: weal wlw weel wtlc
wjar wtag wcsh kyw whio wfbr wre
wgy wben wcae wtam wwj wsai; mid:
ksd wmaq well who wow wdaf wkbf
NORTHWEST A CANADIAN - wtmj
wiba wstp webc wday klyr cret clef
SOUTH — wrva wptf wwnc wls wjas
wfla-wsun wiod wsro wmc wsb wapl
wjdx wsrab kvoo wky wfaa wbap kpro
woal ktbs kths waoc wave wtar
MOUNTAIN—koa kdyl k*lr k*hl
PACIFIC — kgo kli krw komo khq
klsd ktar kgu kpo kex kga kyr kya
Cent. East.
2:90— 3:30—The South Sea Islanders
3.-00— 4:00—Shirley Howard Songs
3:15— 4:15— Burton Humor Sketch
3:30— 4:30—Fields and Hall
3:45— 4:45—Sam and Dick. Sketch
4:00— 6:00—Congress Speaks to You
4:30— 5:30—Press-Radio News Period
4:45— 6:35—Gallagher A Shean—weal
4:45— 5:45—Billy A Betty—weal only
5:00— 6:00—George Duffy's Orchestra
5:15— 6:15—Black Chamber, Drama
6:30— 6:30—Pickens Sisters. Vocalists
6:45— 6:45—Uncle Ezra Radio Station
6:00— 7:00—Jessica Dragonette—to e
7:00— 8:00— Waltzing by Abe Lyman
7:30— 8:30—To Be Announced
8:00— 8:00—The First Nightsr—c to c
8:30— 9:30—Joe Cook A Circus Night
9:00—10:00—Back of the News, Talk
9:15—10:15—Jesse Crawford at Organ
9:30—10:30—Stan Myers A Orchestra
9:45—10:45—The Hooflnghams. Sketch
10:00—11:00— Williams-Walsh Orc'ies.
10:30—11:30—Jimmie Garrigan Orches.
CBS WABC NETWORK
BASIC—East: wabc wade woko wcao
waab wr.ac wgr wkbw wkrc whk cklw
wdre wcau wjas wean wfbl wspd wjsv
wbns; Midwest: wbbm wfbm kmbe
kmox wowo whas kfab
EAST—whp whec wlbs wlea wore wicc
efrb ckac wibx wmas
DIXIE—wgst wsla wbre wqam wdod
klra wrec wlac wdsu wtoc krid wrr
ktrh ktaa waco korna wdbo wbt wdae
wbi* wdbj wwva wmbg wsjs wmbr
wala ktul kgko wcoa wdne wnox kwkh
MIDWEST — wgl wmt wmbd wlsn
wlbw kfh wsmk wkbn wcco wsbt ksej
wnax woe
MOUNTAIN—kvor Ids koh ksl
COAST — khj koin kfre kol kfpy kvl
kfbk kmj kwg kern kdb k*mb k*b
Cent. East.
3:30— 4:30—Jack Armstrong — east:
Musicals—Dixie and west
3:45— 4:45—Mickey of Circus, Sketch
4:15— 6:15— Bobby Benson—east: Og.
Sketch—midw Goopy Geer—west
4:30— 5:30—H. V. Kaltsnborn—east:
Milton Charles. Organ—west: Jack
Armstrong—r^ncit f«r midwest
Cent. East.
4:46— 6:46—Carlton A Shaw, Vocal
4:66— 5:86— Press-Radio News Period
6:00— 6:00—Just Entertainment — e.
Patti Chapin—Dixie; Orch.—west
6:16— 6:18—Just Plain Bill — east:
Orchestras, Dixie & tnldw.
6:30— 6:30—The O'Neills Skit—east:
Orchestra—Dixie: Orchestra—west
6:46— 6:46—Bosks Carter’s Comment
6:00— 7:00—Leith Stevens Harmonies
6:30— 7:30—Court Human Relations
7:00— 6:00—Hollywood Hotel—-c to e
6:00— 9:00—Richard Himber Orches
6:30— 9:30—Col. Stoopnagle A Budd
9:00—10 00—Oornberger’s Orchestra
9:30—10:90—Dancing Music Orchestra
—east: Art Jarrett Orehes.—west
10:00—11:00—Sonny Woods’ Orchestra
10:30—11:30—Frank Dailey Orch, east:
Richard Himber—west repeat
11:00—12:00— Dance Music—west only
NBC-WJZ NETWORK
BASIC — East: wjs wbs-wbza wbal
wham kdka wgar wjr wlw wayr wmal
wfll; Mid: wcky wenr wls kwk kwer
koil wren wmag kso wkbf
NORTHWEST 41 CANADIAN — wtmj
wiba kstp webc wday kfyr crct cfcf
SOUTH — wrva wptf wwnc wls wjax
wfla-wsun wlod wsm wmc wsb wapl
*jdx wimb kvoo wky wfaa wbap kpre
woal ktbs kths wsoc wave
MOUNTAIN—koa kdyl kgir kghi
PACIFIC—kgo kfi kgw komo khq kfsd
ktar kpo kex kga kgr kya
Cent. East.
3:30— 4:30—The Singing Lady—east
3:45— 4:45—Orphan Annie—east only
4:0<^— 5:00—Winnie the Pooh, Sketch
4:16— 5:15—Capt. Tim Healy. Stamps
4:30— 6:30—Press-Radio News — ba
sic; Ths Singing Lady—midw rpt
4:36— 6:35—Oals Page. Song Recital
4:45— 6:45—Lowell Thomas — east.
Orphan Annie—repeat to midwest
6:00— 6:00— Amos ’n’ Andy—east only
5:15— 6:16—Tony 41 Gus. Serial Skit
5:30— 6:30—Songs by John Herrick
5:46— 6:45—Dangerous Paradise, Skit
6:00- 7:00—Irens Rich. One Act Play
6:16— 7:16—Songs by Morton Downey
6:30— 7:30—Ruth Etting College Prom
7:00— 6:00—Beatrice Lillie’s Comedy
7:30— 6:30— Phil Baker Show—to cat
8:00— 9:00—Meetin' House, Dramatic
8:30— 9:30—Lucille Manners, Soprano
6.46— 9:45—Cloister Bells Concert
9:00—10:00— Harold Stern’s Orches.—
east; Amos 'n' Andy—west repeat
9:15—10:15—Tony A Gus—west repeat
9:30—10:30—Ink Spots Quartet—east
9:36—10:36—Reggie Childs’ Orchestra
10:00—11:00—Shandor and His Violin
10:06—11:08—Tommy Tucker Orchestrs
1 10:30—11:20— Billy Bisaett s Ore1—’:j
ports from the United States exceed |
exports, the United States ought to
give Japan the possibility to pay for
these imports."
More than 155,170,000 books, ex*
elusive of those printed for school
use. were sold in the United States
during 1929.
OUR BOARDING BOUSE
-By AHERN
• EE-GAD-I WOULD
HAVE CONE UP IN A WELL -'-YOU
GALLOWS TREE.ON CANT BLAME IT
THE CLAIM THAT THIS 5*1 »
ELEPHANT GUN KICKING
WAS NOT LOADED . lS THERE ANY
_ Tun ka/vt^/ska \cl SUCH THING 6S A
A CARD PARTY
. -W--W-WHAT WILL- wHAT^fLA.
f, _ EXPLAIN IT TO
. *BE SURE HER WHILE
TICE IT I YOU'RE SIGNING
UP ON A
OUT OUR WAT
-By WILLIAMS
( FER <300D CjOSW 1 »# / WHV, ITS KiO USE \
SAkES— SWAT I $ / OP SPOILINJ' TM' ]
TMAT FLV f VOLI / WALLPAPER. I'M l
60T ME NERVOUS, , | WAITIN' TILL ME
WAITIN' FER TH' v 6lTS ON ONE OF /
PLOP/ f ' ^EM BRANCHES, /•
JL heLl look p*
"*Lll4E A PLOWER/^
THE GUMPS — Please Omit Flower*
—By SIDNEY SMITH
^Tyell you
• Must
(SUMP
Once- im
THE jnVj£&»c£
BOOTS AND HER BUDDIES — Plenty to Worry About
..V
OOOtt TK* CUE&
WEM> Vb
T'CRACVC COW^
_ Jl
^
I RWE.V* \t W0C\_0-fc0T.\v)E EEEM
«>0 CO^CER.t^E'D W\TV\ t>TOCW\hi' v*>
TH* £>TORE VfcTH 6WEU>&1E*=» . \ t
OOH HWOit OY3L CEKSX \Ki ’VH' fefeHM.:
BJER"AV\\Ki6 VJk HKviE \6 RV6HT
__
'C TvV'STORE
GPP *1 * l VOONiQPQ _ SHARK VO HO SVOAW.OWP.O HV R'WG
HOVO \_CWG \S TH' OW\* SOW OP AW O^LV SOW OP
WP CAW AW OWP\ SOW OP AW OWPV SOW OP1
TAKP N'T 9 AW OWCV SOW .TOO — HPS SORP*
GOWWA tAAKP SOWP SOOPU.
F\SH
STOQvFS
I-rC
THE NEWFANGLES iMom’n Pop) — A Good Way to Play Safe
—By rOWtW
D—2
m.
« ;
—
' k STIFF NECK EM 'M f
YOU NYU6TA BEEN
'NOPE — I AlttS UP TN5EE ENVAT.
V*4EN SUE GOT SOQE NT SONNE
I TUING 1 SAID-AND SUE TIED NC TO
TUE BNDS.0T !W NECKTIE /
ALLEY OOP — Pyhsps Foosy Isn't So Crasy
—Ey HAMLIN
$ THOSE GUVS WOULD ALL
TU8W GBEEN, IP THEY
KMEW HOW ILL GET 4
BID OF TH OUEEISJ /
WELL-Dl OJA \ NAW ' I TRAILED IM ALL DAY,
FIND OUT WHAT) AN ALL HE DID WAS TURN
FOOZY WAS yOVER ROCKS AN' SCRATCH
GONNA 00? f ABOUND BRUSH /1 OEdOED
->.-—S.f< HE WAS CRAZY, AN' LEFT
1 \ HIM0UT THERE - j
WASH TUBBS — An Old Acquaintance
—By CRANK
LET'S TURN TO AN OLD ACQUAINT^
AKICE,
« SWA66ERINJ6, TWO-PISTED BULLV^
»S OWE OP THE T0U6HESr SCOUNDRELS
HARD AS MAlLS'NJ1''
twkte as sharp
THiJAJDPE f
WlniLE THE police Of TWO STATES ARE
WlOOKING POR PEGGY LAKE AND+UfiOC
OP WASHS AMP EASYS MONEY- .
/7\t PRESENT, HE'S RATTLINC3 ARClaG in
^ A DILAPIDATED TRUCK, nOT TKm
Jl HJLSS FROM SANTA MARlA
FRECKLES AND HIS FRIENDS — Squaring Thing*
—By BLOSSEB
a- --s -V
BUT, I WONT LISTEN, SON, XVE GOT A SWELL ;
LET 'itXI FACE MORE SON OF MY OWN WHO
THOSE MEN, BEHIND MY DOESNT KNOW IM H(S
AND TRY TO PLAN THAN DAD-ID LIKE T> EARN
EXPLAIN HOW 1 THE RIGHT TO HA/E
I GOT AWAY !
THEN,WHEN YOU SEE j BUT,IF TtAJ AND IF THEY ■
MIG6SY, yOU CAN TEU. UET ME GO, DO, ITU. STILL
HIM WHO HELPED TOU THOSE MEW PUT ME ON THE
■JO ESCAPE...EVERY BOr MIGHT DO CREDIT SIDE OF
LIKES TO FEEL THAT SOMETHING i 6.t*5cto *
MS DAD IS A HERO...I'M TO TOU f
GOING TO SEE THAT MY
KID FEELS THAT VAT
-^^'‘^J^BOUT me/
CHIP COLLINS’ ADVENTURES
anil ■ .. ■■ 1 I
—By JACK WILHELM
OwST UOCvi, HERE UJE \y* AfTteA/acA/
S^NX ... 6>UT .pr «uC> JA*'0 AAAW A OAAATC.... 0OY.
wok> *e a cwy*~ 'ZZZZZl *Ltm0m /'
OWkM/fTH PAROARA WV’-..._ r /.
poa The o^^*CE
TONIGHT. JJ
(StfvW ^
yssfc— i .....
MVCOtUMSl.-COME ovrr iu G'vje
Mtrae A MOMENT, N ViXMT HOO ElVE
TO ASK VOO SOMETH I mG. Ml Uo TE S, Ml*.
.. THEM I'MV
COva<NC» APTeiKVOU.
BUCK BRADFORD — On the Ides Beyond the lee
—By WILLIAM RITT and CLARENCE GRAZ
MASTERMAN
AND
SALISBURY,
ALARMED
AT THE
DISAPPEAR
ANCE OF
BRICK AND
THE VIKING
SHIP
DURING THE
NIGHT,
SEARCH
THE
BEACH
I DON'T UNDERSTAND IT-BRICK THE SHIP WAS BEACHED
MUST HAVE LEFT FOR SOME OVER THERE-LETS
GOOD REASON/ 1— - [EXAMINE THAT SAND/
Sir " —
SEE THC6E 5WIR15
IN THE SAND-THAI
INDICATES A
STRUGGLE f
LOOK - FOOTPRINTS/ SALISBURY. I KNOW]
HUGE ONE5/ Of BUT ONE PERSON
WHO GOULD MAKE 1
I HOST PRINTS- I
6AMLA * jyd