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The World By LESLIE EICHEL Central Press Staff Writer NEW YORK. Sept. 30. — What will the effect be on national politics now that Senator Huey P. Long of Louisiana has passed from the scene? That is the question on millions of lips. The entire United States is vitally affected. • • « An Analysis Contrary .to the general belief “radical” movements do not lose s leader. Nor do the progressives. Huey Long was peculiarly Huey Long, a personality who evidently could not be separated from Issues. Each issue he took up became inevit ably fused with his personality— and eventually It became largely per sonality and less an issue. His great power and his service was as a Public Interrogator. He brought fear because of his bombastic exposures. He was the Prosecutor always. His power was gained by making the de fendants squirm. He sought out defendants whom the public delight ed to see squirm. Progressives Go On Progressives, although approving of much of Long’s “prosecuting.” did not approve his methods of proced ure. The La Pollettes, the Norrises, the Shipsteads of the progressive move ment have a much more trenchant program than Long espoused Long distracted from that. The progressives are not showmen. The crowd has been going over to th' tents of the Longs, the Cough Uns, the Townsends. The progressives contend that it will not be fantastic, easy roads that will lead us out of the mire, but hard roads, that few desire to follow. Actually, the progressives are the hardened pioneers. The others are the tenderfeet. Huey Long, nevertheless, had an affection for the progressives. And they understood him. He was timid with them. He realized that they knew the fundamentals. But he often wished, undoubtedly, that they understood more of showmanship. • • • Huey P. Long ruled in a feudal manner. He was “good” to the peo ple as a master is good to them. And since he battled aristocracy (for them', they ran to him for protec tion. And everybody was enfranchised in Louisiana through removal of a poll tax and school books were given to children without cost. Basically, however. Louisiana re RADIO PROGRAMS FRIDAY. SEPTEMBER 20 (Central and Eastern Standard Time) Not*: All programs to key and basic chains or group* thereof unless speci fied; coast to coast (* to e) designation includes all available stations. Programs subject to change. P. M. (Daylight time one hour later) NBC-WEAF NETWORK BASIC — East! weaf wlw weal wUc wjar wtag weak kyw whio wfbr wre wgy wben wcae wtam wwl waai; Mid: ksd witiaq wcfl who wow wdaf wkbf NORTHWEST A CANADIAN — wtmj wtba wstp we be wday kfyr crct efcf SOUTH — wrva wptf wwnc wli wjax wfla-waan wiod warn wmc wsb wapi wjdx wsmb kvoo wky wfaa wbap kpre woai ktba ktha wsoc wave wtar MOUNTAIN—koa kdyl kgir kghl PACIFIC—kgo kfi kgw komo khq kfsd ktar kgu kpo kez kga kyr kya Cent. East. 2:30— 3:30 — Masquerade, Dramatic Skit 2:49— 3:46—Rhythm Octet, tonss 3:15— 4s1S—Grandp* Burton, Humor 3:30— 4:30—The Strolling Songsters 3:45— 4:45—Sam and Dick. Adventure 4:00— 5:00—Flying Time, Adventure 4:15— 6:15—Three Scamps, Male Trio 4:30— 5:30—Press*Radio News Period 4:35— 5:36— Ann Lester's Song Prog. 4:45- 6:46— Billy A Betty—weaf only 6:00— 6:00—Amos *n' Andy-east only 6:15— 6:15—Uncle Ezra Radio Station 8:30— 6JO—To Be Announced 8:45— 6:45—Morton Downey—weaf 6:00- 7:00—Jessica Dragonette—to c 7:00— 8:00—Waltzing by Abe Lyman 7:30— 8:30—Court or Human Relations 8:00- 6:00—The First Nlghter—c to e 8:30- 9:30—Al Pearce and His Gang 8:00—10:00—Back of the News—east; Amos ’n’ Andy—west repeat 8:15—10:15—Jesse Crawford, Organist 9:30—10:30—Glen Lee and Orchestra 9:45—10:46—The Open Road, Sketch 10:00—11:00—Al Kvale and Orchestra 10:30—11:30—Griff Williams Orchestrs CBS-WABC NETWORK BASIC—East: wabc wade woko wcao waab wnac wgrr wkbw wkrc whk cklw wdrc wcau wjaa wean wfbl wapd wjsv wbns: Midwest: wbbm wfbra km be kmox wowo whas kfab EAST—whp whec wlbs wfea wore wicc efrb ckac wibx wmas DIXIE—wgat wsfa wbre wqam wdod klra wrec wlae wdsu wtoc krld wrr ktrh ktsa waco koma wdbo wbt wdae wbi* wdbj wwva wtnbg wsjs wmbr wala ktul krko wcoa wdne wnox kwkh MIDWEST—wg] wmt wmbd wisn wlbw kfh wsmk wkbn wcco wsbt ksej wnax woe MOUNTAIN—kror kU koh ksl COAST—khj koin kfre kol kfpy kvi kfbk kmj kwj kern kdb kgrob kgb Cant. East. 3:30— 4:30—Jack Armstrong — east: Musical*—Dixie: Melodies—west 3:45— 4:45—Carlton A Shaw. Pianos 4:00— 5:00—H. V. Kattenborn Com ment 4:15— 5:15 — Bcbby Benson — east: Cent. East. 4:90— 5:90—Allan Leafer Orchestra east; Cadets Quartet—west; Jack Armstrong—repeat for midwest 4:45— 5:45—Leafer Orchestra Cont'd 4:55- 5:55—Press-Radio News Period 1:00— 5:00—Just Entertainment—ea.; Organ Concerts—weat and Dixie 5:15— 4:15 — Lazy Oan, Minstrel east: Edith Karen's Music—west 5:90— 4:90—The Harmonettes—midw 5:45— 4:45—Boake Carter's Comment 4:00— 7:00—Johnny Green 4 Show—e; Concert Orches.—midwest 4 Dixie 4:90— 7:90—Leith Stevens Harmonise 7:00— 4:00—Hollywood Hotel—« to e 4:00— 4:05—Richard Hlmber Orches. 5:90— 9:90—The March ct Time—to e 4:45— 9:45—Jerry Cooper—east; Lazy Oan—midwest repeat: Henry Busse Orchestra—west 9:15—10:15—Carl Hoff and Orchestra 5:90—10:90—Frank Dailey's Orchestra 10:00—11:00—L. Romanelrs Orchestra 10:90—11:90—Dick Messner Orchestra basic; F. Town’s Orchestra—midw. 11 ;0O—12:0^—Oance Music—west only NBC-WJZ NETWORK BASIC — East: wjs wbz-wbsa wbai wham kdica wear wjr wlw wsyr wmai wfil; Mid: wcky wenr wla kwk kwer koil wren wmaq kso wkbf NORTHWEST 4 CANADIAN - wtmj wlba kstp webc wday kfyr crct cfcf SOUTH — wrva wptf wwnc wis wjax wfla-wsun wiod vim wmc wsb wapi wjdx wsmb kvoo wky wfaa wbap lcpro woai ktbs ktbs wsoc wave MOUNTAIN—koa kdyl kgir kghl PACIFIC—kgo kfi kgw komo khq kfsd ktar kpo kex kga kgr kya Cent. East. 3:30— 4:30—The Singing Lacy—east 3:45— 4:45—Orphan Annie—east only 4:00— 5:05—Ken Sparnon's Ensemble 4:15— 5:15—Capt. Tim Healy, Stamps 4:30— 5:30— Press-Radio News — ba sic: The Singing Lady—rmdw. rpL 4:35— 5:35—Robert Weeds, Baritone 4:45— 5:45—Lowell Thomas — east: Orphan Annie—repeat to midwest 5:00— 6:00—Dinner Concert Program 5:15— g:15—Tony A Gus. Serial Skit 5:30— 6:30— Lum and Abner, Comedy 5:45— 6:45—Dangerous Paradise. Skit 6:00- 7:00— Irene Rich, One-Act Play 6:10- 7:15— Lucille Manners, Soprano 6:30- 7:SO-Ruth Etting College Prom 7.•00— 9:00—The Light Opera Theater 6:00— 9:00—Meetin’ House. Dramatic 6:30— 9:30—Sinfonietta, Concert Ore. 9:00—10:00—Dorothy Lamour, Songs 9:15—10:15— Ink Spots Quartet—east: Tony and Gus—repeat for the west 9:30—10:30— Oliver Naylor’s Orchest.; The Light Opera Theatre—w. rpt 10:00—11:00—Shandor and His Violin 10:^fi—11:01?—Joe Reichman Orchr-*ia ***•*.. .. mamed one of the backward states In I regard to labor and social security laws. It has fewer such laws than even the "reactionary” states of the north, whose regimes Senator Long attacked. OUR BOARDING HOUSE _B, AHERN 'sxnrm.......""".' ...—.......-■■. BROTHER 3AKE SAID g| SINCE JAKE IS A | IN A LETTER 10 ME YESTERDAY p HOOPLE UKE YOURSELP, f THAT HE MADE#l8SO DURING M YOU KNOW YOU CAN TAKE \ THE SUMMER WITH THE RACE THAT SUM HE MENTIONED HORSE I SOLD HIM I-.UMP - M AN' TRIM TH PAT OPP IT, --AND HE BOUGHT THE HORSE \ REMOVE TH BONE AN' . PROM ME POR#*250-^EGAD, I ITLL BE MORE UKE #300. WHAT A CHUMP I WAS 1-^ / Ju^T ^A'^THAT T**7. A BRIDE'S RIRST 1 ADVANTAGE OP I'/Ej'-HE *n iit I KNEW THE STEED BISCUIT f '-‘s HAD RAO MG QUALITY 1 J J 3AKE OF \ TOO MUCH I WIND \N < the horw , WA »H»ig me r.* wo u.» n,f*or? on OUB WAT —By WILLIAMS ?f££-UP£ L,TTLE WAIT-STOP/ \ MORE. IT7S KIKJDA OOMT CLIMB \ DIM AW' you CAWT POLE I v SEE IT yERy PLAIW. WITH TH1 CAR. ---I'LL GET OUT / AMD DO IT / WMV Mcrmeos get <sgAV.- J DAN DUNN — Secret Operative 48 ' Bj NORMAN MARAS ^ — ---'T — " - 1— — ■ . —iwr—--- - - - -- . . ... . nr -......-Hi— I HELLO. TWOMAN. ON MAIN STREET/ TELL ME ALL 1 WOPWING ON THAT ABOUT IT-r SMUGGLING CASE WHERE WAS A LOT OE ALIENS JONES WHEN HAVE BEEN SMUGGLED HE WAS ) WTO THIS COUNTRY SHOT LATELY/ HE'f> THE ONLV \v4 DNE WHO WOULD \ KHOW/-LET*3 •SEE IP HE'S / OOME TO_/ *et. y r M SURE Or B4AT-AND THEY DIDN'T 61VE HIM A CHANCE/ - HE'5 a serious MOW IS CASE--SHOOTING OPERATIVE HE’S IN THE JONES ? OPERATING ROOM m NOW-UNCONSCIOUS.* BOOTS AND HER BUDDIES — Hattie Gets an Eyefn! —By MARTI* HATTVE,V'v«VJOW 1 TOVO NA VJt VOERt GONN* MEET GA. . »TE8 OM *-£WL rVir—ii~ WEU.,Uft\ — V.OOW M\ct V'MEfcT TM * I KWOW v-C VAWkWT«» Vlk TO — 'r»06E V\t 6AWt Mt 6»OHt 0006M T fcl'Jfc V*k -«>££ ? V'M2£ ». KiOWi.V'CAKi fetT A «*0£U- UfcW) CBS**,, NkV ^MOt<b ,/*Y Ik .Ntf ,_ tVJtQXTVWNXS, xv I -rcrrsr OOKiTCH* THVW Tywcb BE K **OE\_V \OEK ? O.VC. — \E THK^ A>\KfV ENOOfrH MOOEV HEX'. =ss*»'jK i AJa) ,££«. — MU - -f-r--n— THE NEWFANGLES < Mom n Pop) — Hot Tips and Hot Dogs —By COW All it you DOAft ukA / blue moon'' tsm'tsh5 REVENUER N TU* ]/ v&VL MlGUT AS WELL CttCE UOWfieOUT If DUB \AM3UN CREAM ON ONE OF THESE / l DM NAGS BCtZAW AS OTHERS? UCRE S / \ TOUT MONEY ON US • blue MOOtfy' \^__nose *, it takes near uay-ivoost wuat about SUONG TC1DCIE DE T«aC* CCCN UCKEB' * DAT MS JOCKEY DONE 1 TUOuGNT YOU CAQQCS A UUNCU BfiGKET SAID UE ONSi OSAM US AW* f VOWSMJ' WE GOT DE BOCAKS AT DE DCOBv OKAV BUT ut COULDN'T GET C*D OB utS PLOW AN DE ODDS O 90 UGW VO'D UWE TUANDCUFF VO SELF TO DE BOOKiE BIMl t$u ' Ts*.» • UE GOrN/ I GoW® MUOQ PO A JOCKEY | <Mt"P 3E SuCKE'tJS W SflU. / SETTER TIN PO PE 3uiP J STICK TO rcofv\E inyvupsNucr iCTp. ——— V _/ -1 ' THE GIMPS — Mammy Doesn't L>e Here Any More -By SIDNEY SMITH t " ” ’ ' 1 I1'1—1 11 .. .. .... ■■■■IMMIIMII.il. ■■■ —! .■■■■■■■ . .. ■ - -... . — - — POOR MAMA-\ » MUST PINO SOME WAT TO ) BRING ME R NOME WITH ME- , I KNEW BIM J WOULt> NEVER ) MISTREAT MEN i SO- IT WAS AMCTGUMP VMO; WAS AT THE /A BOTTOM OF /J ^TNIS--^/ /aE ■■■nJ I__ /\.1LJK- / \ /ewe picked op xnc V f WHAT . \ / CLEARED OUT- aj^D ) / VOl> MEAN) J ^A(i<aA6E« SHOPPED (r^ ( AAV AAOrWER / AJ\NA>V PROW HERE OW»W6r) IENT UV»N6r / AAE 4S- «'AA NOT / V MERE \ \ TEUJN6 TOO A.THINO > \ j ^TMAMKS-TMAT SQUARES^ f M¥ POOR 10 EVERTING- NOW \ RECKON ( ,,7uaSa-1 TOU’U. FIND HE* SOME PLACE . 1 across the tracks- 1 turned out o«l she coolonty have gone , \ the streets- I PAR BECAUSE SHE VWA& ) S \ MUST Pi NO fl CARRYING A LOT S HER OP Baggag# y I MUST ~jAm ALLEY OOP — The Outcast Crawls Bark to Moo • • • I.jjy HAMLOf CHiER TWAJ GUV GOT ClEAKj , AWAY/ I Bl/T. I AINT % TmROuGm • Er' 1 IVi JUS gotta c\jt this i Ovep»■ Mi, I_jfl , IM GONNA waul Opp \ an csscue a._^ \\^KING TUN* ' J ' ^———. / V 1 N pa®, sol GOOD// i ■ m$mHA umnc* wcr 1 «tc u a.Vst.aw J WASH TIBBS — What Pals -By < R\SM /-\ , IbNY POMCNI ENRAGED! omce lost LIFE SAVlMGS t? SVWUOLERS. LCARVJS THAT SWIUDLERS are HOME OTHER THAM THE HOST AMO HIS 003TH6R, AMDS. //■ m JJ fT THESE MU5S6MME " I^A BUM—Al-W^VS ^ C (<3UES6 IlL PRACTICE SHOOTV AT CASE A (5uu& V^BBC BKIA^ATTOJ. J-"""l.' *|[f|f FRECKLES AND HIS FRIENDS — Cold Turkey LISTEN TO ME,CRASH? TOURE RIDING FDR A FALL! >0U THINK NtXTRE TOO HIGH AND MIGHTY? tOltre just a fathead? HAYBE I DO A AM WEAP GLASSES j SKEIN 1 BUT I CAM y/VUNDK , RUN .AND < 'AXJPET THtrs Wpocrr- ) eow, is ANT ON A " (MFcerw FOOTBALL RELD? } TOO f yeah wcu_. maybe | Z CAM WCRK UP SOME Socnr OP GADGET, so I CAM ««AR MY Glasses v*mem i play* them,watch my I Mi* WOT BE SO 0*3, but i oorr mw stop TWVlWG ? *0 TOURS <50** f*o our tkutt FUU OF «PfT" GABBY By WILLIAM RITT and JOE GO ON, MOM, GABRIEL. HAVE DESSERT- NOW, DON T HAVE TWO BEWWSTEN L DESSERTS! YOUR, s tm. I'M GOING TO ^ f THEN, THEN SCHOOL, GABBy VOUfeE HOT THIS FALL - TO COMEN HOME nocthwestecnj TOOfcCLEVILLE v--1/—7 WITH US? I ... ' THAT'S RIGHT- GABRIEL, I BEEN NOW VOU TELL THINKEN THAT HIM VOUR PLAN, WITH THIS MONEY MRS GIBBS - VOU MADE PLAYEN ■■ --/ BALL YOU, TOO. f OUGHT TO 0UY l AN EDUCATION s——>/--=r " A COURSE , l OUGMTA! - AND I WILL ! I'LL GO TO UOCTMVYESTEia TOO - IF MACV ANN DOESN’T