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NEW BIG PACKAGE 1 24 £19 PIT*!/ OF Dfliril i i| |r III If T MA 111 till I Ul UULLlfl/tll II AO 1/1121 IE! HAI/rn l|il\ V Kill N MAlirK llilll I lULIli HinilL.lt FARMER LAD WITH NO TRAIN-' ING TURNS ARTISAN AND MAKES INSTRUMENTS Perfect Tone and Master of Them All, Makes Up His Mind He Can Bozeman "Jack of All Trades 'lake V iolin Instrument of and Turns Out Beautiful Tone. It will probably come as a distinct surprise to a vast majority of the people of Bozeman ami Galatin coun ty to learn that there is in the coun-1 ty seat a young man who, having been horn and reared on a farm and not possessing technical training of any kind, is that have been pronounced by instruc tors on the violin to be perfect instru ments, both in tone and in artistic turning out finished violins The young man is Claude C. Gilles pie, who is engaged in the Morton shoe repair and auto top repair busi workmanship. ness on South Willson avenue near Main street. Three of his instruments are in daily use by violin instructors, m as follows: Miss Fay Ridding, Spokane, Wash.; Ed. Hammer, of Ne vada, Mo., and Ray Ashley, of Mila, Mo. A fourth instrument was com pleted by Mr. Gillespie several weeks ago. It will be allowed to season and dry out before being either stain ed, varnished and hand rubbed, worked out in the natural finish. The back and side walls of this violin of seasoned biich, the top is of fine grained native spruce; the neck is old maple, while the fret board, keys and tail piece are of genuine ebony purchased from the supply depart ment of the Orton Brothers' music house in this city. Wants Public to View Work A similar instrument is now in pro cess of construction by Mr. Gillespie, the hollowing out of the birch back piece having been started Monday While his time is pretty morning. thoroughly taken up with his auto | top repair work, his spare moments being given over to violin making, he always seems to find time to explain in his simple, direct woy to those who are at all interested, the details ot violin manufacture by hand, without special tools or machinery of any kind. You can say for me,'' said Mr. Gillespie to The Courier man, "that I will be glad to show my work to any one who is interested in handicraft in *4 wood, especially in violin making, and will be glad to e plain my methods and answer any questions <m the sub M ject within my knowledge. Mr. Gillespie, having recently heard of a small quantity of very old juni-jall per wood being found on npner Mill creek in Park county, and which is being used by the William S" d • & Son cabinet shop in Livingston in the manufacture by them of ps. and floor lamps, decorative candle sticks ,trays, and the like, has written to the Livingston firm with a view of securing enough of the beautiful and precious "Claret and Rhine wine" colored wood, some of which is known to he approximately 400 years ol 1, to make what he is confident will be the first violin in the history of music;in to be constructed entirely of that ina terial. Explains His Methods For the benefit of the re; The Bozeman Courier, who î" u y Le interested in the subject, and i r the benefit of those who did not know there was a violin maker in the en tire northwestern country between K'nneapolis and Seattle, Mr. Gilles pie has prepared a short article, de ;scrihinç in detail^ the methods he uses i:u making Cf à violin, and which he believes can be followed with con -S r who, siderable success by anyone whether he is musically inclined or How not, is at all handy with small tools and possessed of just a trifle more than the usual allotment of human patience. Mr. Gillespie's article, is published in full I details of preparation of the wood and the various processes of manufacture, ! keeping in mind the fact that the j smoothness and perfection of the fin ished product determines the smooth ■ ness or harshness of the instrument. ? I am quite sure that by following these few simple directions, a per son of average ability will be able to construct a violin that will be a sur j prise to the maker in both artistic ( ! appearance and beauty and softness ( 1 of tone. >9 Biuld a Violin, as follows: At first thought, the building of a violin might appear to the unin itiated as a most difficult task, It is, however, comparatively simple, pro vided one takes the time to study the 44 ■ Only Few Tools Needed For the benefit of the boys and — girls who will read this in The Courier, I shall give a few' of the secrets I have discovered in manufacturing j violins of good appearance and fine tone - The t0( d s needed are very few; a pau £ e > or snift N Chisel; a plane, and a stro u saw are th e really neces t* sary ones. Before beginning work, be sure (that your tools are in perfect shape and sharp, otherwise you will not be able to do good work. The material 1 needed is a piece of spruce, 8 by 15 4« I I inches, and five-eighths of an inch j in thickness for the top, and a piece j of birch or maple, of the same di- ! mensions, for the back of the violin. , Native spruce, well seasoned, makes j a top piece that is beautiful in ap pearance and soft and mellow' in musi tcal tone and timbre. ! j j a piece of birch or maple, one and one-quarter inch wide, and one-six • teenth in thickness. First, you get your pattern from another violin, put -1 Side Walls Explained For the side walls, you will need j 4* ; ting the drawing over your wood to , trace its outline, and then sawing out the form with a scroll saw' to the shape of the instrument, leaving one sixteenth of an inch all around for final finish, including sandpapering. J Then true up your piece of material; I then, with a pair of dividers, or a P enc ^ gauge, draw a line around it, ! one-quarter-inch from the edge; then, with your chisel and plane, work off with an awl to line, getting a perfect shape for top and back. "After this is done you are ready to work out the inside. Be sure to i y° ur work, so as not to mar your wood. Now', draw a line on the other use a piece of cloth or felt under ■ side, one-half-inch from the edge,! or i leaving it heavier of thicker at each | em I an( ^ corners, is j are ready to work, or hollow, out the inside. Use your chisel and gauge to of Now you rough it out, then smooth with sand ; The thickness should be one paper. sixteenth of an inch all around, from j your line out to about one inch, then one-eighth inch thick through j the center. Now, you are ready to cut your 'F' holes. Be sure you get them in the right position. Now, as I don't 4 . use any liner-strips on the inside of 1 my side walls, you draw another line j just one-quarter-ineh from the edge ; then cut a square shoulder, one-six-, teenth of an inch deep around your, work. This gives your side walls a good support, and also gives a double surface for your glue. After you have both top and back worked out,, you are ready to cut your end and corner blocks. For the large end a block 2 1-2 inches long and 1-2 inch is worked to an oval, and for the op- 1 posite end 2-inch and 1-2 inch in thickness, worked to an oval to fit j the shape of the side wals. \ our corner blocks need not be very large i in your block where the nee*, fits into cut 1-4 inch in, groove dove tail like for your neck to fit into. Be »sure your end and corner blocks are of the same length. How to Glue Bass Bar bass has three-eighths of an inch thick the center and tapering to very You are now ready to glue in your »4 ior.thin ends and is about nine inches , long. This bn • Mould be glued firmly just inside t! F' hole, and directly under the bar* .ing. You are now. ready to glue yovr corner blocks. First glue them to the back piece, clamping , firmly and allowing ample time for the 1 ! glue to dry, using a good grade of .lue. Then place your top piece on correct position and glue likewise, 1 Allow to dry thoroughly, then scratch j off all surplus glue. "You are now ready for your side i walls. Find the exact length of your ; material, allowing one-sixteenth of an inch to extend over the two center corner blocks, cutting your ends per fectly square. To bend to right shape ; take a piece of hollow pipe, heated with an alcohol lamp or torch. Wet your material in hot water, then take a piece of sheet lead and little wider *uân terial 1 . the sidewalls. Bend your ma over your binding iron, 1 bending lead bar at sftivie time, until \ the desired shape is secured. After you have all the pieces shap ed you are ? *ay to insert them in their proper / is. First glue in the two small pieces, then the large end, etc. Now you are ready for your 44 neck. You can buy your neck piece, finger board and keys at the local music store. Work the neck until it tight in the dovetail grove and glue firmly, then scratch off all sur plus glue and sandpaper to a fin ished surface. Then glue on your finger board and sandpaper smooth, and you are ready for the stain and varnish, using a good grade of finish ing liquids. "If you will carefully follow these few instructions you will no doubt have a good musical instrument, which will be neat in appearance, good in tone quality, and which should con stantly improve with age and proper care. WOOL MARKET IS GAINING STRENGTH HEAR HOUSES TRYING HARD TO HOLD DOWN RISING PRICES IN FACE OF SHORTAGE Boston, Mass., Feb. 23.—The wool market seems to be strong in all lines and a very fair volume of business bt - / f ! W« Wg . jpice ^ e fa' If I I ; " :->v- . s t / r; t / w. >ple t i ' e Hi / 3olui \ xm s J t ten / wein Î it wi * / 1 l ' I r a MM f I will sell at public auction on the oid Brooks Martin ranch two and one-half miles west of power house on Huffine lane, the following described property, on ✓ / > / » / / z z 'ark > / Z t «on, / Park ; > of • rune f Z g •4 Z < ✓ / < 9 e i - / t / ✓ 13 Head of Horses 5 / / / / / ✓ / / 1 TEAM BAY MARES, 9 years old; Wt. 3000 TEAM GREYS, 5 years old; Wt. 3000 ROAN GELDING, 4 years old; Wt. 1500 BUCKSKIN GELDING, 4 years old; Wt. 1500 BAY MARE. 4 years old; Wt. 1400 ROAN MARE, smooth mouth; Wt. 1500 BLACK GELDINGS, 3 years old FILLEYS, 2 years old ROAN COLT, 1 year old / / / 4* 1 / / / 1 / / 1 / / / 1 / 1 / / 2 / 2 I iS / 1 / / / / / / 17 Head of Cattle / i / / t S GOOD MILK COWS, from 3 to 8 years old. Some fresh, others coming fresh 3 ROAN SHORTHORN BULLS, Grades / 2 COMING TWO-YEAR-OLD HEIFERS 4 COMING YEARLING CALVES / / soon. / / / / i Farm Machinery and Miscellaneous Articles 1 6-FT. DEER1NG BINDER, with truck 2 5-FT. DEERING MOWERS 1 DEERING 10-FT. SULKY RAKE 1 OSBORN DISC HARROW, 16-16 1 3-SEC. STEEL HARROW, with cart 1 P. & 0. DIAMOND GANG PLOW. 12-IN. / / / / / 1 16-HOLE KENTUCKY GRAIN DRILL 1 INTERNATIONAL SWING STACKER 2 INTERNATIONAL 4-WHEEL BUCK RAKES 2 NO. 3 COMMON SENSE BOB SLEDS ^ 3 f 4 WEBER WAGON, with oak flaring bo\ A lot of small articles; some household good . <-!<*• / / / / / / f / I 1 / / / / t ft Free Lunch Served _S®!® Start, Immediately After Lunch TERMS 1 at 11:£0 Z / / > / I / / ✓ / $ / / > t * • I / ALL SUMS OF $25.00 AND UNDER CASH sitmg nvm» WILL BE GIVEN ON APPROVED NOTE BEARING hpJIMT' A CREDIT w « MONTHS CENT DISCOUNT FOR CASH ON ALL »25 ^ M INTEREST - THREE PFR This is all First Class Stuff. ✓ / / / / / / / / You'll miss it if / you miss it. / I JESS MULL1CA, Owner / ! I / COL. A. L. GIDEON / g / Security Bank & Trust Co CLERK J* I I ! AUCTIONEER t ! * ; N\\\W\VA\ l . . .. »_ . has been transacted during the week. Medium wools, especially % and « slightly firmer. the j_ blood combing, are Sales of % blood combing in grease, similar to Ohio and Pennsyl vania, have been consumated at 56c. houses are holding However, many firm for 57c. Staple wools are demand and held at very firm Vt blood territory wools have In some prices. advanced slightly, some houses hold for 1c to 3c scoured, above the j figure quoted last week. Substitutes 1 j are showing a good volume of busi- j ness at slightly firmer prices. The opening of the heavyweights in the goods market during the past week to have created a favorable im ing sems among several industry. Some pression thus far branches of the members of the trade believe that the ultimate effect of the opening of the market will be very beneficial. Otner houses state that it will be impossible for the manufacturer to maintain the any length _ of | Foreign wools are showing a opening prices for time. slight upward tendency in both the Montevideo and Buenos Aires stocks. Fleeces have show'n a fair business during the week, grades are in % combing fleeces similar to Ohio and Pennsylvania have moved at 56c The \ and Va blood considerable demand. .. „„ aep v> u t most houses are the grease but holding firm for ,, ^ territory wools continue to be j_ , rood demand. Prices arc very firm, especially on the medium a„J lower grades. % blood staple which recently for $1-32 per pound being held firm at around $1.35 per pound by several houses, The volume of sales among the staple although not large, has been the various lines sold quite scoured is wools, we jj distributed in j ur jng the week, growing some activity, twelve months being quoted at $1.33 ^ |i.35; eight months at $1-30 to jj/ 25; fall $1.05 to $1.10 per so uie i pound. The wool sale at Brisbane opened animated market Texas wools are fine staple this week with an Japan reported buying freely. Prices slightly firmer than last week. For thousand bales are being ov t y -five fered during the three days of the Some lots of Australian wool the local market early are said to have changed hands sightly costs. A good sale. bought on below replacement volume of business during the week Zeland, Australian The local market for on spot New' cross-breeds. South American wools has been quite Prices are active during the week, slightly firmer in several lines. Con siderable inquirv j cent) f , , 1 h " : stocks of th, stocks of tn,. grad, - on the market. Th, bets are firm I _ j jf t •*S. - TWi ■*4 !>■ I *ah ; ar. ? dency. Ah! Backache Rub Lumbago; to i ? Rub Pain from triai bottle back wi{. ^ of a|| "St. Jacobi Oil.« Ah ! Pain r Quickly?— lief from <<, and pain {< .,vv> a with "St. Ja- Ojj - 6 ■ ■' >th ing, p . unful v ! '• Almost I 5t iW3 ov i c > • It* > the are Hub thi ng .it on your magic, relkf is a harm!-: sciatica "St. T; ■ nackache, In. •y t which t ~ -1 t burn ft. Straiten np! Oak Stop those 1 moment you had a weak - -k because H » or Tie stiff or .me Don't'-; a small tr: , botle nf' "Ft. TacoT uovr and get th nil point« and A for r '** trroris "stit - ium are toreet ft ■om y lasting