The morning star and Catholic messenger. [volume], January 31, 1875, Morning, Page 3, Image 3

About The morning star and Catholic messenger. [volume] (New Orleans [La.]) 1868-1881

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bythe Ath
levataing
n the seal't
pote vesemees,-aad the firs to
wesry weeru s, as their feet
a-ieeled the..e-rt;" raising their
tlrhe,.da bfrm ar sund iree-roota, mud
nes asemblemsof
n atae bth Inathe o ad Ne ila
'ament as well sa in er edary lore,
an the rose, the lily, 16 ole, and the
To each of thse ha ben given a siguif
eanee, from the -earliesttt mme, that has
msade them hoberished with our households
aud associated with our faith. Although
the rose wasn perverted by the heathen into
a type of seneaal love sad luxury, et,
through the marvellous beauty and variet
of its creation, it was reelaimed by the
Christian poets, to Je the attendant of the
pure and holy, wherever an ornament was
needed to paint a moral victory, or glorify
That this flower was largely cultivated
by the Jews, and used in their religious
; festivals as an ornament, is made clear by
. frequent use we And of it, as a simile in
Bible. Solomon, In his song, compares
church to the "rose of Sharon and lily of
valley." Again, in the book of Wisdom,
we see their appreciation in the admosli
esn, "Letu n crown ourselves with rose
buds ere they be whithered." Also, In
Eeelesiastious, occurs this metaphor, "I
was exalted like a palm-tree in Engeddi,
d as a rose-plants in Jericho." Again,
oen to me, ye holy children, and
as roses growing by the brook."
a belief among the Jews, accord
iSg to Zoroaster, says Howett, "that every
flower is appropriated to a particular angel,
and that the hundred leaf rose is conse
urated to an archangel of the highest
order." The same author relates,that that the
Persian fire-worshipperabelieve that Abra
Sham was thrown into a furnace by Nimrod,
sad the flames forthwith turned into a bed
of rosnees.
In eoltradistinction to this in sentiment
is the belief of the Turk who holds that
this lovely flower springs from the perspir
ation of robimmed,' and, in accordance
with this reed, they never tread upon it
-or euler one to lie upon the ground.
I think it was Solon who held the theory
'dpat th e rose and the woman were creted
athe same time, and in consequence there
of, te sprang up a contest among the
eo.ds, to which should be award the
lam of rupeerior beauty. Certainly there
may yet' be traced a close resemblance
between these native queens, not only
in the matter of beauty but also in. the
variety and fragility for which the rose,
above all others, ie distinguished. Every
where habs God planted this exquisite work
of his hand. In the black polar regions,
where the days of sunshine are so short,
Smand so few, there is seen among the first
breathings of the summer zephyrs the
"Rosa rapa," its elender stem covered with
pale double flowers, lifting its head to greet
those ice-bound prisoners as they isneIt
from the stifling air of their winter huts.
Degraded as are that people4n their tastes,
the magic, of these silent messengers from
God is so forcible, that they greet them
with a poet's joy and deck their heads and
rough sealskin clothing with their tender
blossoms. Even to the broken-hearted
Siberian exile, there come a few short days
in his life when these frail comforters rise
from the froade earth to greet him, like
mesengers from his lost home and friends.
It is not to be wondered, then, with all the
asrsociations of Eden ever clinging about
these eloquent voices, that the early Chris
tians transferred their ornamental and
suggestive beauties from the asturnallan
rites of heathendom to the honor of God
and his saints. Hence it is, that, in so many
of the beautiful legends that have come
down to us, we find these frail memorials
so often associated as types of some noble
deed accomplished, or the given reward of
some heavy human sacrifice. To those who
look uo these legends as myths, or
imply religions fairy tales, we can only
say, with Mrs. Jameson, that we most sin
rely pity all such aceptics from our heart ;
i- for, i w rthey ontstrip the bounds of even
mraculous probablity, there may yet be
found in their pages both enterta anment
mud instroction. And after all, why ashold
not religion have her fairyland, as well m
--tersi nlife ? Why should not the asl I
y the privilege of an oecsional tras- e
l Into at world of poetical visions, as m
os the r eaginastion, which finds in the
Srydreams of childhood only a dim vista I
of annal bloomps, upon whiob the breath
et heaven can never blow I Wears with"
the turmoil of life, with the noles and
whirl of the shiftineg seenes that open con
uuselay upon a visa of palin, mad sor
w, and unrealised hopes, sah legeads n
Ilto the saoul aureral gleams of ehild
hobd'e purity and transport her into fields
hai n are redolent with the bowers of ethat
deteaal laud wherearihly wos enan never
eeme. In this Dodons grove, the soul hal- a
lows the heart; the impoesible.weoees the _
real; and as all the aspirations for the I
higher life posess it, the skle seem e I
opee, we cath a flutter of the a igela'
rebes, the perfume of the flowers e _a
dios, and a glimmer even o thelda
shoo'm tei sadlantiy seacem thi
thnnre mdb ee; mu we eesl, fSnr-mtNes
t ti a `'
that ahris t
of metalo fd e
o elevating kind r s wit n
p blo htad been edet
hath.. combats, ad% uether
ver em bone ,on enrdr oheallw
the pn to pursue his staub' tbee.
oriesnit sadq tahe wh.eeleri govmat
rera, extYvane, se wo'e
to ran LanOth l on. A abae eum -r
oeI ineotee ol-dro . ....
thmeniks. se olfesm phem adUUsome
an te diert. fTey began to hae aease
need of MW.Usviete-s` it wsal t
that ai nd the wesun, swi to aetien to4
haoger of the esaeye ia fithle T .aIted
and tboa te hYme psh osogl iob orheo
alom wheren too hd em. lrs sdampeW
asdiolirs mpbýnlea o e eT n t Mseolen
and exotero-to give thother tme bteyond
tont of thhe soul's immodata xequsommests
to thof treau t Hence itha rth, feom
libations to the true God whoa beauty sad
innoeesm, ranmk ad lowthnesu wealth oad
poverty, found common centre erinse
toresy and other-hene it was, that the
telioutrpoetic heart of the people deal
al nd beatifiesd these deeds of oerson
sanctityo and the church, rhile striving to
repress extravagance, tet weilreome and
fostered a taste whi rshe aw, Is her
elevating thought eI emulativsi example.
"And It ic a mistake," says eh. JTamern,
"to sappoe that these legends had their
sole ora in in the brains of dreaoming
monks. The wiheldest o tohem had ome
basis of tranuth to rest on, and the forms
which they gradually ushmed were but
expression of theat ner life whih reol
ted again the desolation nd emptiness of
aloud for rest, oand refuge and solace, and
could nowhere find theme" Mrs. Jameson
gewds save In their poetic and artistic as
pect. But as religion is the root from
whence all have their source, so it is Insen
sibly transmuted thbroughout the hole
work. And aow could she do otherwise,
Protebtant though she rwast For the
great trunk, the massive column, around
which all there denicate fibres. of poesy
cling, is religion. Without manch, anprt
they wouald fll and be trailed in the dust
and long, long ore this, their ephemeral
life rwoulshd have been crshed out, as were
the oracular voices of the morble gods.
This literandture, thee, "becamere oine in
which peace was represented as better than
war, and sufflerance more dignified than
resistancs which exhibited poverty and
toil as honorable and harity as the filt o
virtues; which oheld up to Imitation and
emulation ielf-sacriofce In the cause of
good, and contempt of deth for conscience'
sake-a literature in which the tenderness
the chabrstity, the heroism of oman, playe
a conespicuous part; which distinctl pro
eated against slavery, against violence,
ainst impurity In word and deed
whic refreed the fevered and dairened
spirit with imagese of moral beauty
and truth, revealed brght glimjses of
a better land, where the ro ei esel
from troubling, anod brought down thes
angels of God with shining wings, and
bearing crwns of lory, to do battle with
the demons of darkness, to atch the fleet
ing soul of the triumphant martyr, and
arry It at once Into a iarad of eternal
blessedness and peace. (Mrs. taseso'a
sgernd eiy Art]. r
der the influenc le, then, of these new
inspirations, art likewise revived, and
the brush and the chloel lent the aid of
their Immortal touch to give forc and per
petuity to thes acreations; and birds, rnd
flowhers, and the elements were ntroduced
as types or alleories of the subjects thus
Interpreted. Each one possessed asignifi
caon e and symbolism that united the toul
to the eternel sorurce of thee gift, andh
kept alive In the common hear those prin
ciples which the people could admire it
not emulate. The rapidity which artists
multiplied at this period belongs to the
marvelous. God needed artisans for his
awork. aend thly the old mostersr seemed,
Judging from their deeds ald spirit, to
have risen, like Adam, from the cla
moulding of the almighty hand. Po fs
by a sense of the lofty nature of their
calling, they not only strove for perfection
in detail, but alsro for a religious spirit,
whblh deshould so inspir the workd as to
move every heart to piety, and embody for
instruction the full for of the of lemn
truths therein portrayed. They emerged
froa the Impure influences of the old re
ligon and literatre, lke the chrysalisr, to
the golden-hued glory that one Irn the
lives of ancient patriarchs and pro
phets; in the auroral beams that hung like
sea-foam ove the angels as they walked or
talked as God's messengers on earth, until,
bathed in a glory brro ed from theal very
smile of the Cresr; thae sew the divie
on desmenod lke themernitg star, and dwell
upon earth among men.
In all their rwork ar ofesion of faith
-a embodied; end feeling themseles
and seeing in the enthusism of their fer
the brus ote magic - troks of ths chisel.
Thi es mystica spiri s levated and e-u
nobled the ounl-work of thses grad old
anod anabronisomsin detlsae even to
'e has left s nt me vr,
tirM ý1-d Ro the F witoh thei
as a raiyi eteS" saute. a
S.ith mddle ; sa not
no : Beath o t.,mmlutful flow
sso v th ei aie- ailestalieood
md se by ouris and thme ;
Israel tunaord. is r len tai tsu food
.to ol uoon th powes to their d-rtoo
slat en ot sasther rne. C .abter,
I i o etion of the oed es ta e d the ls
Slaot od its perfesoet we a mbams atyu s
I suleeor a the oppt ed, n the a r tl the an
to e siro ditlto all me-osnat- wars
I u ohf itilry o n the middle ages.I
I eArt Meite by 7ere h
a Apart frohem the palm and olive, we Sad
b no mention in the New Testament of flow
Ste, save that exqnalite simile of the llie,
a made by oar Saviour himself; sad there
an be fouad no other instaneo wherein smuh
I an illuostration isrendered with morebeaut
r fls pathos and forme. That he bp'areciated
t these fwsil-emlems Is not olytO made ape
s parent in this, but is frther proved by
, choice of the calm repose and soothingmin
r faeae of these silent sympathisers on
g Gethiemane's night of woe. No human
a companionship, no human eye or rolee,
a could aid him then, in that fearfuhl contest
t of humanity over divinity, as did nature's
Svoieless comforters-the flower that were
a bent down by the weight of their tears,
- the great abifting sky above, with the elo
I quent calm of its silver stars, through
d which loated clear and luminous the agel
I comforters. Our Saviour proved in all the
y suffering episodes of his life that lovely
n roves, and dim funereal forests speak more
foroibry to a heart in pain than do the
wilder and grander convulsions of nature.
S"It is in quiet sa subdued passages of in
obtrusive majesty the de be the ialm, and the
n rpetuapl; that hich mus eought ore it can
Ssee, and loved e is is nderstood thing
e weh the ans work out fbr as deily, and
l yet vry eternally which are never wanting
these that her lesson of devotion is chiefly
taught' and the blessing of beauty given.
[ Bskiss fModers Painters.]
Nowhere have these beautiful accesories
n in life's pilgrimage been more glowlingly
a and succeasfuly used, not only as an ab
n street religions emblem, but as a divine
d allegorical poem, than in the represents
,f tions of the life and attributes of the
d blessed Virgin. To this type of all that
f was pore and noble in woman;- to the hn
m' anity which was a link in the chain o
divinity, a partaker of all human woes,
and yet the chosen of the Godhead-to her
were specially dedicated these early la
bore in revived art, and of which she was
the inspiration. Herein, as elsewhere, we
Sind the historical, mystical, and devotional
f treated with every conceivable adjunet
if that can typify a being so elevated and be
e nign. The beuty and variety of the rose,
e the purity and fragrance of te lily, were
8 devoted to her spesoial honor, wherever
I her name was venerated and loved. Even
before it was safe for the early Christians
d to make an open profession of faith, they
I expressed their devotion to the mother
conjointly with the Son, in the darkness
and solitude of the eatacombs. Therein it
r was, that the first Christian artiet dared
d give life to bis heart'. belief; and therein it
f it was, that her image with that of her
divine Son and the apostles were impressed
I upon the walls and sarcophagi of that
I great eubteranean temple.
s As the Annunciation was the door
through which all future blessings flowed,
I so it became a most fruitful theme to .the
I faith and imesgination of those great relig
ions artists whose work was a labor of
C love; and we find it treated from the fifth
s to the sixthteenth century by Byzantine,
a Italian, Spanish, and German art with a
Svariety, beauty, and significance that only
an enshrined saint could inspire. In the
earliest represenations of this subject, the
angel appeared holding a sceptre, baut thia
I mark of authority gradually gave way to
r the more symbolic lily. This was intro
Sduosed universally, either bheld in the hand
of the angel as he salutes her, or seen
growing in a pot placed in some part of
r the room. Others again, representsd an
Senclosed garden, upon which the Blessed
SVirgin is looking from a window. In all,
from the erudest to the most finished some
floral adjunct gives beauty aud-signalesaoe
to the subject. The Assumption-that it
ting climacterio of a life whence sprung
the Eternal Wood-was likewise a theme
of devotional and esublimated- art-worship,
which gathered pathos and beauty from
the belief that her body was worthy the
care of the serapbhim and cherubim, who
transported it with aegelio harmonies
into the home of her glorified Son. Here,
too, we find, according to the legend, her
floral emblems springing up in the tomb
from whenace her incorruptible body had
just been raised.
In ao Annibele Carraeoi, the apostles are
seen below one of whom is lifting, with
a stonibed air, a handful of roses out
of the sepulohre. In mother, by Bhorbe,
one of the women exhibits the miraeulous
lowers bhold up nla the folds of bar dress.
Deominie di Bartolo, who painted in 1430,
(aseordin to Mrs. Jameso,. omits the
open tome, but elothee the Hol Mother.lis
a white robe embroidered w ith golde
Bowers
From the time of the Neetorisa bhresy
when the title of Dot gsuMb was denime
the Blmesd Virgis, her votaries became
even more seslous to eacrebate he r'ight
to the tite sOd pri-vilege .ofm ofter1 the'
man-God ;sod under eilodnomee 0 this
tUes of davotosand fat bh sp those
multitudious repsontless the we
mae glesiAe, as the emermed Madonna.
From these the desmoet ws esatrai od
adud to h ose rsteites ILek d.e
t ar si, - )-- t h e asI r
, irs l mre Sihe it
she beld a or semeiees a
Is a hoiy familr ti heb samry
-mies, -b yBo lis, -"T ,rgli tI
in glory with b inflant Se her
and hemicadt 11ebesbm. Oem
M aou malp rce wlth i bleaket
°wer o.. bde , and abs I ia the set
taking thee ftowerst aU  satterlg t
the esnte who stand heloo.'
* Areadlan as peastera lfei, with
many of the Itsoan eaitee
the mother s d ehill, isa l .botl,
poetical and -mral. . M Jameo givee
y stanees of this treatmeu ; among.
Isb, one by Philippino Uppli whieb i. a
alh ful Ides. iBnk so be says, -the
e garden is formed of a baustrade
Swich o seen a bedge, all in blueb
l roses. The vIrgn Lmelstn the midst
S dores her infat ; an amel seatters
lea ves over him, while te little St.
tao kneel, and feur angels, Ln asl
-.devodee,- omplete-the group."
, a more prot esaiple, outlanes tee
thor, "Is the adona of Francla
la the unleh ller, -bore the divine
ain s lies on the flwer turf, Sad the
mother standing befor him, sod looking
dowa on him, seems on th point of sink
tng. her knees f a transport of tender
ne ssad devotio.. With all the simplt
city if the treatment, it is strictly devo
tional. The mother and -her bhild are
'placed within the mystical gardea enclosed
is a treillage of roses, alone with eaeh
other, and apart from all earthly associa
lions, all earthly communlone."
Those who are familliar wit thebTipiasel
series of Msdonnas will recall, in this con
nection, his exquisite pastoral La Jardi
ntere. There is one also similarly entitled
by a French artist, though differently
treated. The virgip is enthroned on clouds,
and holds the infant, whose feet rest bn a
globe. Both mother and child are crown
ed with roees ; and on each side, as if ris
log from the clouds, are vases filled with
roses and lilies. Titlan has also left many
beautiful sand some exaggerated works of
the Areadilu school. There is an old Cop
tic tradition which is very beautiful, and
bears somewhat'on this sulect of nature's
aid in glorifying these two lives. Near the
site of the ancient Heliopolis, there still
standema ry pretty garden, in which (rons
the tradllody thes holy family rested in
their flight into Egypt. Feeling oppressed
with th i-iTmtllng of fresh water1 gphed
at their bet, and on being pursued into
their retreat by robbers, a syeamore-tree
opened, and hid them from sight. "The
spring still existp," says a recent traveler,
"and the tree yet stands, and bears such
unmistakable marks of antiquity as to
make this tradition and faith of the preseat
generation of Coptice at least plausible."
But these floral emblematical tributes Are
as inexhaustible as are the sentiments,
of love, hemage, and tender pity that fill
the heart from the contemplation of the
Mater Dei Genitri down to the appealiag
anguish of the Dolorosa. "Thus in highest
heaven, yet not out of sight of earth
in beasitude past utterance; In blessed
fruition of all that faith creates and love
desires; amid angel hymns and starry
glorries," we will leave enthroned the
"bleesd samongst women," sad turn to
other legends, wherein the salnts who
followed her stand crowned with flower
eelestlal, awaiting a share of our praise and
veneration.
-oed*4 asset wea l
Douglas Jerrold say., in his "Hedgehbog
Letters, tha "respectability s all very well
for folks who san have it for redy money; but
to be obliged to run in debt for it, it's enough
to break the heart of an angel."
One of the most beautiful epitaphs in the
English language :
. Rest en shade sad walt thy Mckee's will
Tena xs., unobanegd, cad beas angel s ill."
The heart of a Christian should be a tomb
for the ftiats of his friends.
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J. T. GIDNONS a
GRAIN, CORNMEAL .AND
67,60,61,1. ..N.wZ~.vSasSa.L.J.5,R
newly auras 114bs
J. McOAFIRE,
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HAY, GRAIN, CORNMEtAL,
Western Prodaso Ooamtautlj on 34.1.
98 and 30.:.. Poydrasflhie~t........SalhP A
Corne ii PahhaO~~r iv
Ceram ad Talus,
a.d 4 1_y 33WN 651
JOHN NNNDZRUON._
WHOLESALE LIQUOR DEALER,
85 andI 87.... .Tboupltoslau Utesal... .65 Mg
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Ntaab~etu.tr o PALACE 310,731110 sad~
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JAMES M. DOWUINO,
(auccuoac Os 1 a. IJ@sw..)
WHOLESALR GROCER,
OOMWION M3UCNANT. AND nmtzin U
No. 25 Decatur Street (Tat. Old Lov.s),
SOw.., Coaahh.aa Wieai,
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