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The copper country evening news. [volume] (Calumet, Mich.) 18??-1907, May 02, 1896, Part Two, Image 6

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Persistent link: https://chroniclingamerica.loc.gov/lccn/sn86086632/1896-05-02/ed-1/seq-6/

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reop riatea with rtrlotl Desltos
Biro StUffsl and Ills Glass Works at
SUahoktu, l"a. Tha llankar Mil Moan
. . awot suidAHher Patterns.
(Special Letter.)
ANY of us can re
inember the curi
ous little glass cup
plates of our grand
mothers, on which
tho partly emptied
teacups were placed
to avoid soiling th
table-cloth while
the tea was cooling
In tho saucers: for
In olden times It
traa. .considered quit proper to drink
from tho Baucera. and the custom pre
vailed In all classes of society. Then,
at a later day. when the good housewife
began to look upon Baucer-drlnking as
bad form In table etiquette, we can re
call these same diminutive teacup
plates, both In glass and china, doing
duty as receptacles for preserves, but
ter and pickles. Fifty or Blxty years
ago rery well-stocked china closet or
glass cupboard could boast of a supply
of these utensils In a variety of designs
and colors. Pome were made of plain,
transparent glass, and others were
opalescent or milky, ribbed in concen
tric circles and ornamented on the rims
with floral designs, scroll work and
etars. " About the year 1840 the glass
manufacturers introduced a new stylo
of decoration, which met with much
favor, consisting of devices of a patriot
ic or historical character, and such pat
terns are now in great demand among
collectors and curiosity hunters.
During tho Clay and Harrison cam
paigns glass cup plates with log cabin
designs and alleged portrait busts of
the presidential candidates were ex
ceedingly popular, and even now they
are occasionally met with at country
poles or in second-hand china shops.
To meet the increasing demand for
such wares the range of decorative sub
jects was extended to include historical
monuments, noted steamships and pub
lic buildings. The majority of these
designs camc doubtless, from Engand,
but It is probable, Judging from the in
timate knowledge of political and his
torical events which they indicate, that
some of them originated in this coun
try. Yet it is not an easy matter posi
tively to assign any of them to n par
ticular factory, since they seem to bear
no marks by which they can U. Iden
tified. I know that certain forms of
glassware with American devices were
made at the old Kensington Glass
works in Philadelphia, as I have seen
a pint flask or bottle with a relief head
of Washington, accompanied by the
names of Adams and Jefferson, and
bearing on the opposite side a design
of the American eagle, the name of the
Philadelphia manufactory, and the date
of the adoption of the declaration of
independence (net the date of produc
tion), July 4, A. D. 177G. Other exam
ples, bearing a head of Gn. Taylor and
patriotic emblems, which are quite
common, may be seen, nnd probably
were produced at the same place.
The first successful glass works of
any consequence in the United States
Mere established at Manheim, Lancas
ter county, Pa., by Daron Henry Wil
liam Stlegel, about the year 1771, and
several excellent examples of his work,
consisting of richly colored bowls and
goblets, possessing the clear, resonant
ring of the finest glassware of Bohemia,
are now owned by a well-known col
lector of that town.
Baron Stlegel came from Marhelm,
Germany, in 1750. and twelve years
later he laid out the Pennsylvania vll
liage which bears the same name. He
was also a prominent ironmaster, and
quaint little stoves of his manufacture
are still in existence. In 1772, at the
height of his prosperity, he deeded a
plot of ground to the Lutheran con
gregation, in consideration of the an
nual payment thereafter of one red
rose. It was demanded but twice dur
ing the Baron's lifetime, but recently
the custom has been revived by some of
his descendants. The celebration of
the Feast of Hoses in the month of
June is an event of great interest which
attracts widespread attention and
draws crowds of people from the sur
rounding country and neighboring
towns. In his palmiest days the Baron
lived in considerable pomp and rplcn-
dor. He erected a fine, large mansion
In the mld3t of extensive grounds, and
aa he rode home at sunset, after spend
ing the day la superintending his va
rious enterprises, he was accustomed
n f.A Into, 1 o Ma . 1
.v bu.uvu " 'o hair, uj a uiscuargc
of cannon. In 1771 he failed In busi
ness, and It Is eald that he was soon
afterward cast Into prison for debt.
The old Stlegel house, built of red and
black bricks, 13 still standing In tho
heart of the town, and some of the
hand-painted Dutch tiles from one of
the fireplace may be seen in the
rooma of the Pennsylvania Historical
society, Philadelphia.
Tha Whitney Qlasa workt of Glass
boro. N. J., were established In 1775.
and while we have no knowledge that
articles were made there with patrlotio
American designs, other than what
were known as Jenny Lind bottles, It
Is quite probable that such were among
the products of that factory.
As previously stated, glass cup plates
seem to have been most In favor about
1S40, some appearing earlier and others
a few years later, and therefore the
dates which are occasionally found on
them do not have reference to the
time of their production, but relate to
the subjects which they are Intended
to illustrate. One of these commemor
ates "Bunker Hill battlo, fought June
17 1775." in which engagement the
gallant Gen. Warren fell. The central
design Is an obelisk-shape J structure,
purely conventional, supposed to rep
resent the celebrated monument, which
Mas erected on the site of the battle
Just sixty-eight years afterward, the
corner stone having been laid on the
fiftieth anniversary of the event, eigh
teen years before, by Gen. Lafayette,
who, In 1S23, was making a tour of the
United States. At tho laying of the
corner Btoue in that year and at the
unveiling of the monument in IS 13,
Daniel Webster was the orator of the
The Harrison campaign of 1S40 was
responsible for at least two similar
dtslgns In glass, one representing the
log cabin and hard cid?r device, the
other a portrait of Gen. William Henry
Harrison himself in uniform, and
among other conceits of the glass
makers was an ink bottle, or stand,
made in the form of a frontier dwell
ing, the birthplace of "Tippecanoe."
During or shortly after the political
campaign of 1S44 a Henry Clay sou
venir appeared in glass, bearing an al
leged portrait bust of tho American
statesman which, with greater proba
bility, might have served aa a likeness
of Julius Caesar: yet the name which
surrounded the profile was sufficient to
enable it to pass among the people as
a satisfactory representation of their
popular leader.
There was also a series of steamboat
designs, inscribed with tho names of
illustrious Americans. One of the rar
est of these shows a sldewhecl vessel,
flying the American colors, on the pad
dlebox of which appears a large F,
while from one of the masts floats a
flag carrying the initials B. F., nnd
above the design occurs the name
"Benjamin Franklin." in large letters.
The border of this plate has an effect
ive frosted appearance, produced by a
close setting cf tiny dots, raised on the
under side, forming a ground on which
are distributed patriotic emblems
stars, anchors, and the American eagle.
Belonging to the same set Is a "Chan
cellor Livingston" design with a simi
lar lace effect border wnich Is relieved
with decorative details, such aa scroll
work, hearts, stars, and the national
shield. In the center, in capital let
ters, the title is inscribed. Robert R.
Livingston was Chancellor of the State
of New York from 1777 .o 1801, and he
it was who administered the oath of
office to Gen. Washington when he was
inaugurated president in 17S3. Mr.
Livingston was one of the committee
of five which drafted tho declaration of
independence, and he was afterward
associated with Robert Fulton in hi
steamboat enterprises. Similar series
of designs were produced by English
potters In dark blue color, bearing tho
words "Tory Line," "Union Line," etc.
Thus it seems that not only In china,
but also in glass, va3 perpetuated tho
memory of many of the prominent
events of history. The producers of
pottery and glassware of half a century
and more ago introduced in their dec
orative treatment an instructive feat
ure which might be revived with profit
by the manufacturers of the present
The illustrations for this paper have
been made from original examples in
the collection of the Rev. F. E. Snow
of Guilford, Conn.
Tha Story That Ammrd Emerson.
Ralph Waldo Emerson was once
greatly amused with the following an
ecdote: A lady, deeply veiled and
dressed in mourning, was riding in a
stage coach in Vermont, opposite to
whom sat a small, sharp-featured,
black-eyed woman, who began catechis
ing her thus: "Have you lost friends?"
"Yes, I have. "Was they near
friends?" "Yes, they was." "How
near?" "A husband and a brother."
"Where did they die?" "Down to Mo
bile." "What did they die with?"
"Yellow fever." "Was they long sick?"
"Not very." "Was they sea-farin
men?" "Yes, they was." "Did you
get their chlsts?" "Yes, t did." "Was
they hopefully pious?" "I hope and
trust they was." "Well, if you got
their chlsts, and ttey was hopefully
pious, you have great reason to te
The stress laid on the "chlsts," and
the placing of their rescue before the
piety of the lost husband and brother
as reasons for thankfulness struck
Emerson as exceedingly characteristic
of a certain class of Yankees, and In
finitely mlrth-provoklng. The Golden
Eangtrr'a Chain of Diamond.
All London Is talking about Mrs.
Lanstry's new play, or rather about the
chain of diamonds which she wears la
It, which is more than ten yards long,
and after going three times around her
waist, twice over the shoulder and an
Indefinite number cf times around her
threat, like Dick's traditional hatband,
refuses to tie after all, and is gathered
up Into a snowy mass of looping oa me
side of the bodice.
torn Currant Koto of tha Modaa A
rroper Cwlim for tha Meycle Show
Tha Bauiiner tilrl on 1 1 anil Again
Household Hint and Fashion Not.
r V? , ij bloomers versus
VTw 'f' I skirts we have
uUi frbockers. Our
English cousins
v and t0 our shores
they come, in per
fected shape and
material. Firstly,
the Jersey, with
tight-fitting band over tho hips, falling
with little fullness and fastened with
a band about the knee. Suitable espe
cially for cycling and skating on the
colder clays.
Secondly, tailor-made tweed or cash
mere knickerbockers fitted over tho
hips and closed oa each side with but
tons. Falling full over knee and fns
tened under band. For riding or golf.
Thirdly, the black satin or silk and
the shot taffeta knickerbockers. These
are mado to match the skirt lining and
are very handsome affairs. The ma
terial used is soft, that the appearance
of the figure may not be marred. Under
lice and ribbon they fasten about the
knee. Such knickerbockers arc worn
by my lady when walking to facilitate
easy movement.
Fourthly, and lastly, the aecordeor.
plalted knlckerbocker, or divided rklrt.
for this is the connecting link between
kn'.ckers and skirts. A tight-fitting
yoke 13 about eight Inches In depth.
Then the knickerbockers are fulled, or.
rather, plaited on. They nro much
longer than others and are made to
almost resemble a dancing skirt, so fine
is the Bilk used and so voluminous.
Notes nf tho Mole
White satin and bilk are made into
collars, collarettes and cuffs to wear
with thin dresses.
Collarettes and fronts of green taf
feta are much admired, and will be
worn with dresses of almost all sum
mer materials.
Heliotrope nnd orange Is a new com
bination. It is Just tolerable if the
proper shades are placed together. If
not, it is atrocious.
Skirts of lawn and dimity and organ
die are made up with ruflles, trimmed
with narrow Valenciennes laco, with
a scalloped edge.
A girl's hat has a wide brim, peaked
over the front and faced with velvet.
Tho Tarn O'Shanter crown Is of velvet,
and there are loop3 and quill feathers
at the side.
The sleeves of the moat stylish dress
es droop from the shoulders and have
more fullness at the edbows than at
over It? Aa to colors, it matters not
A delicate ground color it neiua,
for the blossoms, let them have colora
galore. Trim your gown with Dresden
ribbon, which goes so well with Dolly
Varden effects. Make your sleeves
tight-fitting and drape over them and
the shoulders flimsy mull of some solid
color. Then you may be prepared to
hear: . .
"Welcome, girl of '00. To thy sisters
has bem given much, but unto you
shall be the greatest glory. To thera
has the power to Bteal hearts only been
given, but unto you has been granted
the right to demand." The Latest, In
Chicago News.
(inwm of I-llno Cloth.
It is only fair, after so long a period
of swan-walsted creatures, with belts
pulled half way down over the natural
line of the hips, that "things should
take a turn." and the fetching little
round-walsted yes, Bliort-walsted
woman should have a show. Under
this new regime even the rlpplel
basques do not dismay her. They only
add emphasis to the shortness of the
waist and give a dash and chic to the
figure. And now that the Blceves am
less enormous, another item in her
favor, she looks anything but "dumpy."
The waist must always bo trimly
built and encircled with a well nttlnfj
belt, one that will ten! to lessen the
appearance of the natural size. Instead
of, as so many unfortunate belts do
it b
make it look much larger than it real
ly is. It is neither safe nor good taste
to wear too light-colored a belt upon a
dark gown. A black belt is always the
more kind friend, to far as
compass goes. Light ones, however,
are comparatively safe when wora with
a light-colored gown. Then the coa
trast will not be so noticeable. The girl
with the wasp waist may wear the
white or gilt belt to her heart's satis
faction, but who would exchange with
her, for 6he has grown awfully passe?
A charming gown of lilac cloth, with
a rough surface, has trimmings of fine
round black cord, set oa la rows. The
tklrt Is severely plain, though full of
whirls and godets and smartly stiff
ened to set out about tho feet. The
v te&fc&WI&r
any point above. To It U3 down very
gradually, however, from the shoulder
fullness there are full ruffles like the
eaves of a house that project out over
the tops of the collapsed eleeves.
A dressy afternoon costume is made
of white Irish poplin. It has the us
ual full-gored Bklrt and a waist fitted
at the sides and back, and with entire
front and very full Bleeves of crepon.
The collar, shoulder-seams, front and
division between the puffs of the
Bleeves are trimmed with gold galloon.
Bright green la to te one of the pop
ular colors cf the season. It Is spec
ially liked with the new linens and dim
ities, which are among the most de
sirable fcr the coming warm-weather
06 Summer Girl, Hall!
What are the fair dames buying?
Linens, a great deal. The coming sea
son will find at least one grass linen
or linen batiste gowa In each ward
robe. Linen may be. dull, but one
must not get the Idea that these gowns
will lack any of tbe gorgcouscess so
ripple Jacket opens la pointed fashion
across the front to show a vest of white
satla overlaid with closely Bet
rowo of black cord. The lower arm of
the sleeve is also decorated with rows
of the cord.
rampant now. Imagine a thla linen.
Beneath It gleams yellow satin. Lace
edges the gown and yellow ribbons
adorn it. On tbe combining color may
be blue, or green, or pink, and the lin
en may be varied with a tiny colored
stripe. Think you such a gown Is
For the sake of argument we admit
It is dull. Then, why not have ao or
gandie, with Immense flowers hunched
Cycling Dreia,
Daisy Deaa asks what Is tbe most
appropriate cycling dress, and of what
should It be made. Answer: Tho most
sensible and becoming cycling costumo
is a moderately short skirt, shirt waist,
blazer or Jacket and well-fitting high
shoes, or, If low shoes are worn, a pair
of trim overgalters. A corset waist
should be worn, as, of course, the reg
ular corset Is not approved by any good
authority. One sensible wheel woman
wears opera-length hose of black, a
ehort petticoat of black 6atin, moder
ately full and buttoned together In tin
middle so as to give the effect of full
trunks. Tbe Bklrt and Jacket are of
rough-surfaced Priestley cravenette.
There Is a vest of black tatln provided
to wear with It, also shirt waists and
blouses, when desired. A sailor hat
and thick gloves complete what is vot
ed as one of the most practical outfits
of the season. One advantage of the
material is that it is strictly rain
proof. Household Hints.
If there be dust, sand or an eyelash
la tho eye it should be removed ten
derly by means of a fine cambric hand
kerchief. Hold down the lower lid with
the forefinger of the left hand and turn
up the upper lid with tbe first finger.
t-scaiiopea potatoes. Slice the raw
potatoes very thin; let them remain in
cold water eight hours, changing the
water once or twice. Put them in a
baking dish, cover with milk, add salt,
pepper, butter and celery salt. Place
la a slow oven, end, as the top browns,
stir them. Repeat this until the po
tatoes are perfectly Boft and tender.
Pretty and useful photograph frames
are made of circles of cardboard cov
ered with crape paper. These are
Joined, having a epaee to slip the pho
tograph throu.h. The paper may be
tainted la flortl design or paper flow
ers made and attached In vine pattern
around the margin. An exceedingly
dainty one Is made square, tnd from the
middle drawn back to either side are
tiny garlands of flowers and vines.
Mist ! Talma About Her Mtthoda of
Work aha Ilaan Her M osteal Career
oa a riddle Mrfc.HeUun Uracil's Ac
count of Herself.
(Boston Letter.)
1SS LANG, I want
you to tell me
something of how
composers work.
Do they, generally
speaking work
much at the piano,
depending upon im
provising, for In
stance, to Btumble
upon Borne grand
"I suppose the methods of com
posers vary as much as those of other
artists. I can only speak with certainty
of my own. Little songs and smaller
compositions generally take definite
and permancut shape in my mind be
fore I touch my pencil. In greater
works I often find it necensary to de
viate somewhat from my original Idea
when I come to the actual scoring.'
"I think very few composers work
at the piano, and ofton tho idea is
aa spontaneous as a smile or a sigh.. I
remember onco when McDowell was'
staying with us, he sullenly learned
that it was the anniversary of my
mother's wedding day. He immediate
ly turned to me and said: 'Let us play
them a triumphal march at dinner,'
and, seating himself at the desk, he
wrote out in about ten minutes a march
that had all the tire, color, balance nnd
poise of a work of art. We played It
at dinner to the great delight of th9
"Do compositions BUfjest themselves
a rule, work quite independently of the
piano," said Mrs. Peach. "Of course,
In writing mutlc strictly for the piano,
one may try the effect of what one has
produced as he goes along. But la com
posing for orchestra, I never touch the
Instrument, as the result would only be
misleading, giving one, indeed, quite
a faleo Idea of values."
"I suppose, Mrs. Beach, before com
mitting your composition to paper, you
hear It as clearly and definitely with the
mind's car, as the artist sees his pic
ture before painting It."
"Absolutely every note of it. One
must have a skilled memory for the
values of the different instruments.
You know Wagner wrote the whole of
'Lohengrin without ever hearing a
note of It with his outer ear. It was
during his exile to a little Swiss vil
lage; and you can Imagine the heart
hunger of that great soul upon re
ceiving Liszt's enthusiastic letters of
Its productloa la Weimar. Every effort
was made to persuade the government
to allow Wagner to go to Weimar for
a single night, that he might hear his
work Just once, and then retura to
exile but all la vain. I get almost as
much pleasure from reading the or
chestral score of a great work as from
hearing It played. You doubtless
would prefer seeing Booth's 'Hamlet
to reading the play, but would vastly
prefer reading the play to peeing it
badly put on the stsgt. It is exactly
po with me la music. I would get the
came comparative pleasure from read
ing an orchestral score as you would
get from reading 'Hamlet."
"When you hear one of your works
played for the first time, does It offer
you any FurprlRes?"
as simple melodlej for you to fill In
the harmonies according to your knowl
edge of counterpoint and the rules of
harmony, and do they make their ap
pearance a phrase at a time?"
"Emphatically to. A melody, a
6lmple tune, never comes without Its
accompanying harmonies, nnd always
In more complete fcrm than by single
phrases. You know I was really very
old. compared with many, when 1 began
to compose. I must have been 11 or
12. I had never given much attention
to music except to playing tho violin.
I began to fiddle with some other girls,
and the idea came to mo to compose
some concerted music for our sppcl.il
use. I had never studied harmony at
all, so I turned my composition over to
my father, who walkel over the in
correct scoring with his blue pencil,
and It was decided that If I were going
to compose I must immediately begin
the study of harmony, counterpoint,
and, finally, of orchestration. It seems
to me that only a very mathematical
mind can enjoy studying harmony for
its own sake. It is very difficult, and
is interesting only as a means to an
end, as an aid to composition."
"In writing songs, 13 your aim to find
words for some melody you have in
mind, or do you compose the music to
voice some favorite poem?"
"Always the latter. Nevln told me
some years ago 1 do not know wheth
er hla methods may have changed
that it was his custom to commit a
poem to memory and carry it about in
his mind for days and weeks; that it
went with him everywhere, upon the
streets and Into the shops until it
was literally in his blood, then the
music came."
"Do you find it necessary to modify
or alter your works after hearing an
orchestra play their, for the first time?"
"I sometimes find that certain ef
fects overbalance the particular effect
for which I have striven; but I have an
absurd prejudice against worklug a
composition over which I have once
considered finished. 1 vastly prefer
writing something quite new, trying to
avoid the faults into which I may have
previously fallen. After the Boston
orchestra rehearsed my symphony for
the first time, the conductor requested
mo to make a considerable cut in one
of the movements. Very much against
my wishes I did sc. and after tho con
cert one of the first violins came to
me and eald: 'Oh, Miss Lang, why did
you make that cut? If you had a child
with one leg longer than the other,
Daring leat of a Wealthy and Artsto-
ratio rnrlslemio.
Paris Letter.
Among the latest sensations in sensation-loving
Paris 13 the darlngballoon
trip recently made by Mme. Dn Cast, an
aristocratic member of the grando
monde worth millions in her own right.
Madam has long been a liberal contrib
utor to charitable funds of various
kinds. Therefore It is not cause for
surprise that the aerial Journey referred
to had for its principal object the benefit
of Parisian poor. The famous Capazza
parachute was some time ago given its
first trial in Tarls and was found to
work admirably. Then another ascen
sion was made with it in Brussels, with
equally satisfactory results. Mme. Du
Cast read of these events nnd was
struck with tho idea that if she wpre to
make an ascension with the aeronaut in
the French capital the public might be
induced to pay well for the privilege of
seeing ber start on the perilous Jour
ney. Signor Capazza, of course. Jumped
at the suggestion, and at tho snme time
assuring madam that there was abso
lutely no danger. Accordingly, public
announcement was made that on a cer
tain day Mme. Du Gast, tho society
leader, would accompany the aeronaut
on ote of his trips, the entire gate re
ceipts to go to the benevolent institu
tions of the French colony. At the
hour appointed at least 2J.000 people
had assembled. Madam took her place
i in the basket, Cspazza stepped In next
and in a few moments tho balloon, re
leased from its mtioiings, uhot up amid
the frantic plaudlt3 of delighted thou
saiula. A height of 4,000 feet was
reached. Then the aeronaut allowed
the gna to escape. Tho parachute
opened at the same time, and the vojag
ers tiov.iy descended, experiencing
hardly a Jar on reaching the eartb
v r
ppain Capazza Is enthusiastic over the
molness displayed by his fair passen
C?r, who has expressed herself as being
ready to make any number of ascen
sions with tbe same object In view.
r - im--. a v. r i
you would not try to remedy the de
fect by cutting off the foot. The part
cut may have been inadequate, your
balance may not have ben good, but it
was the best you had, and by the cut
you 6lmply deprived the movement of
any tense of balance wnatever. It was
exactly like taking off the child's foot
to make the legs of equal length. I
knew how true this was, and if I had
been a little stronger end perhaps a
little older, I should bave refused to
submit to the cutt'nc process, even If
it meant the withdrawing of the sym
phony." A few hours later found me at the
beautiful home of Mrs. H. A. Beach, of
Commonwealth avenue.
"I am quite sure that composer, as
To Save tha Hayseed.
A device for permitting the hayseed
guest to blow out the gas in his bed
room at the city hotel without Incon
venience to himself or anybody els has
been patented by a West Haven, Conn.,
man. The burner Is made of a metal
having great expansive and contractive
properties. The gas Is turned on la the
regular way and a small screw Is
turned hlch admits a small flow of
gas through the burner. Tbe gas Is
lighted, and the heat expands the metal
and automatically opens a valve per
mitting a full flow of gas. The gas can
be turned off in the ordinary way, but
if the gas is blown out tho metal con
tracts, closing tbe valve, and all the
gas that escapes Is the very small quan
tity admitted by the screw valve.
f hlnesa Qaall lu Maryland.
Frank T. Redwood is interested in
the increase of wild fowl in this coun
try and has an idea that Chinese quail
may be successfully introduced. A
friend brought him six of these birds
a year ago. They were liberated In
Talbot county and flew off in the woodj
as naturally as though a China. But
that was the last ever seen of them.
They have disappeared entirely, so far
as Mr. Redwood or his friends have
been able to discover. Mr. Redwood is
still firm ia his faith that thl3 rpeclos
of bird will flourish in America, and to
this end has arranged to have twenty
pairs brought over from China and lt
, loose in the woods of Maryland. BalU
! more American.
Tha C om-f ed Mil!ophr.
! "Why," asked the youngest of the
j neophytes, "why Ehould truth always
, rlso again when crushed to earth?"
. "Because cf Hi elasticity, of course,"
answered tho corn-fed philosopher.
! "Don't you lm how tay It is to
Btretch tho truth?"
j New York has about 3.0'J physicians,
j only COO of whom are aatlve Ameri
. cans.
Seventeen per cent of all the doctors
In Brltala live ia Londoa.
Hard Tlma. ,n Corkt Th t?t
tha Mother of !...,
Jetsam Frou. tha T,,, 0,,
;tfv N,w Jn J
i Sometime, tli ,J
rainize .
Cut 'tis or.ly la her eyes,
Oh tho coquetry of her eye3 '
Shocking eyc-3, '.
Mocking eyes!
Mocking when your her.rt wvh.
To her low nnd tender u-v,
Fornr times sad. yet ever wiV
Why shculd man fo highly or'?
Two fuch sinful, living lies
Etrtrani A. Marburgh, iaTrntl
Merely a M:ibniirt.
An Irishwoman sent U t h,
m- in s;rcat haste. She
ed hlrn to meet hor i '
and he hastened thither slth all 8jt
The woman's son was about to i
inui ior inirgl;uy. v;bfa,v
lawyer entered tho court theollwosj
uaueii p iu mci, ana la aa tx-
voice said:
"Tr T1 m . ...
..... wi aui e To git a contlu.
nni.) iur i;:p d y, JlmniiO.
"Very well, madam." rcnlM tv.i..
yer. "I will do so if I p. w J,
be necessary to present to the coarl
ouiur fc.oumia ior a remand. Why
shall I Bay?"
"Shure, ye can list tell tho
01 want a continuance till OlcanjltJ
ui-iuer lawyer lo Fpake for the b'y."
The lawyer drorned the ms .v,.
nnd there, and we are not lnfonsMcr
me oiu iaoy'a next move.-Scottu;
rs ignis.
Xot In Ills I.ln
"The palmists tell us about tie lb
of life, the line of fate and all oti:
lines," observed Mrs. Morcoab. tb
was Interested in the science, "but ti
palmist who wrote thla book-"
"Have you been buying a book c
palmistry?" asked Morcoaib.
"Why, yes."
"Had your hand looked at, too,Inj.'
"I have." t
"What did It cost?"
"Only to."
"Only $ j. H'm! what dll the rate
Bay about your line of economy?"
"He didn't say anything. Tien
Isn't any Biich line, Is there?"
"If there is," snorted Morconb, "ft
palmist never sees It iu the hand c
anybody who visits htm." Chijip
A Hint for tho Orrhrntrt.
A newspaper correpondrEt tcT
how, on a vinit some months ago to
Email town near r-'anch'ster, he e;
across a portable theater, outslda c!
which was the announcement that t
play of "Hamlet" would that eveala:
be performed. Evening came and &
performance commenced. The cur'a:
descended at the conclusion of tie first
To tho surprise of tho audience :i
amid much laughter, Hamlet pej;1
his head in front of the curtain. i:i
addressing the orchestra, which cm
eisted of a solitary violin player,
claimed, in tragic and rejroa.
"I told you a flourish of trumpets. -
Weekly Telegraph.
"Onlf (Inn r.lrl In tha World for V
"If mv wife comes la here tell It,
n nralf fnr mp Tllease." Said J0C
rushing Into the big dry goods stcre c!
Smith R- Cn.
"Yes, but how am I to know fio
your wife is?" asked tho iutjm6
Ah Tin enrp" trflS the WT
"Well,' then, don't say anything to s
. t ,i,,in ir till I returu
and he rushed out, while the c!r
looked longingly at a pile driver
the street. St. Taul Dispaica.
Terrain Evldsnra. ,
"Do you know my wKc?"
t vnt-n nnt that nleasure.
..ni Vnw I know that J08
don't know her." Judge.
Tba Effect of Hard Tim
mi ii r. i
The Tall One-And where jr
long fine whiskers ye naa i &
The Short One-Whi.t! t
wife's new Frinch coat reeded
mlns. Do you see thim? -W
Xrctalty tha Mother of !".
II i
1 I l'
"Hello, there!
"Hello. rigfJr
"H that you. MUsli CM
maker, would yer 'n' :t t t
acrost the way to nT v tJ
a Mary of Midlclne co.i
thrlped ralst."-1rutn.

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