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Tie World At a Gl ance BY LESLIE E1CBEL {Central Press Stafl Writer) Price* What in reality ha* occurred through the collapse of the NRA has been the collapse of the pegged price theory The social measures con nected with the NRA have been ' merely incidental, and will be achieved In a more permanent man ner later. But the idea that a na tion of private business can so reg ulate itself as to maintain prices In dependently of supply and demand ' will be entirely evaporated within a few months. P" 11 nation in which every busi ness is a state business, as in Soviet Russia, cannot maintain prices through creating an artificial scar city. It Is true that if every citl sen were permitted to share in the fruits of his labor, there would be ▼aster demand, but the larger the demand, the more likely the price is to decline. Objects produced in large quanti ties. due to demand, are manufactur ed at less and less cost per unit as demand rises. The sanctification by state of pri vate monopoly, to manipulate manu facture and prices, against the nat ural laws could result only in dis aster. And now the supreme court even says that the government cannot regulate those monopolies, if they are split into intrastate groups. Economists here fear that the real danger lies in the fact that agricul tural groups and industrial mono polies will continue to try to peg prices, and that the nation Is likely to feel the pinch very strongly. In that event, nothing could stop infla tion, as a final "shot In the arm.’’ •‘How Moch?’* The American Federation of Labor is eager that the schedule of salaries for executives cf the United States Steel corporation be made public. In filing its schedule with the fed eral securities and exchange com mission U. S. Steel said it did so (although required ny law) “on con dition that it be kept confidential.” It believed that to disclose the pay of executives “wculd prove detri mental to the best interests of the corporation and its shareholders.” To V. S. For Protection? There is a rumor now that Can ada was net so much offended aftei all by the probable placing of a large air base below the Canadian border, There is talk in the air that Can ada is looking to the United States for military protection, rather than to far-away England. But the question remains: "Pro tection against what—or whem?” This much is certain: Canada and COOLING O PAH'O ^RPC-RAMS WEDNESDAY, JULY S (Central and Eastern Standard Time) Note: All program* to key and basic chain* or groups thereof unless spec* fed; coast to coast (e to e) designation Includes all available stations. Progrsms subject to change. P. M. (Daylight time on# hour later) NBC-WEAF NETWORK BASIC — East! weal wlw weel wtlc wjar wtag wesh kyw whlo wfbr wre wgy when wcne wtam w wl w»&i; mid: ksil wmaq well who wow wdaf wkbf NORTHWEST A CANADIAN — wtmj wlba watp webc wday klyr crct clef SOUTH — wrva wptf wwno wii wjax wfla*wsun wiod w»m wmc wsb wa.pl w jdx wimb kvoo wky wfaa wbap kpre woai ktba ktha waoc wave wtar MOUNTAIN—koa kdyl kgir kghl PACIFIC — k«o kfi k*w koino khu kfsd ktar kgu kpo kex kga kyr kya Cant. East. 3:30— 4:30—James Wilkinson, Bari. 3:45— 4:45—Sam and Dick in Woods 4 03— 5:03—Harry Kogen's Orchsstra 4:30— 5:30—Press-Radio News Period 4:35— 5:35—Kathleen Wells, Blues 4:45— 6:45— Billy A Betty—weal only 3:00— 3:00—Maurice Spitalny Orch. 3:15— 3:15— Black Chamber, Drama 5:30— 3:30—Jackie Heller. Tenor 6 45— 3:45—Uncle Eire Radio Station 3:00— 7:00—One Man's Family—to c 6 30— 7:30—Ted Fiorito Orchestra 7:00— 8:00— Fred Allen and Amateurs g'OO— 8:00—Guy Lombardo’s Orchest. 3 30— 8:30—Ray Noble and Orchestra 8:00—10:00—John B. Kennedy’s Talk 8:15—10:15—Dance Orchestra Music 8:45—10:45—The Hooflnghams, Sketch 10:00—11:00— Ben Pollack Orchestra 10:30—11:30—"Lights Out,” Melodrama CBS-WABC NETWORK BASIC—East: wabc wade woko wcao waab wnac war wkbw wkrc whk cklw wdre wcau wjas wean wfbl wspd wjsv wbns; Midwest: wbbm wfbm kmbe kmox wowo whas kfab EAST—whp whec wlh* wlea wore wlcc efrb ckac wibx wmaa DIXIE—WffSl wsia wore wijiui k!r» wrec wlac wdsu wtoc krld wrr ktrh ktsa «ico koma wdbo wbt wdae whig vrdbj wwva wmbg wsjs wtnbr wala ktul kgko wooa wdne wnox kwkh MIDWEST — wrI wmt wmM ttin wibw kfh womk wkbn wcco wsbt kacj MOUNTAIN—kvor klx koh ksl COAST — khj kotn kfre kol kfpy kvl kfbk km] kwf kern kdb kgmb kgb Cent. Eaet. 1:3<y— 4:30—Jack Armstrong — east: Joke Book—Dixie: Vocal—west 3:45— 4:45—Dick Tracy—baalc; Cart ton A Shaw—Dixie; Tex Owena, Ranger—west; Miniaturea—midw 4:00— 6:00— Buck Rogere—eaat: Mau rice Sherman Orch.—west A Dixie 4:15— 1:15— B obby Beneon-eaat; World Traveler, midw., Dtx A nw. 4:30— 5:30—Muaie Box—wabc: Poetic Stringa—east; Cadet Quart.—weat: Jack Armstrong—midwest rpt 4:45— 5:4%—Poetic Stringa—basic cent. tan. 4:55— 5:55—Press*Radio News Period 5:00— 5:00—Just Entertainment — ea; Betty Barthel—Dixie; Organ—w 5:15— 4:15—Nina Tarasova, Singer 5:30— 5:30—Buck Rogers—midw rpt; Knicknacks. w; Dailey Or., N. Eng. 5:45— 4:45—Boake Carter's Comment 4:00— 7:00—Johnnie Foursome—east; Harmonets—w; Old Timer—Dixie 4:15— 7:15—Edwin C. Hill Comment 4:30— 7:30—Broadway Varieties—ba sic; Sunset Serenade—nw 4 «; la Porte Orchestra—Dixie 7:00— 4:00—Romance and David Rosa 7:30— 4:30—Mark Warnow Presents 6:00— 9:00—Burns and Allen Comedy 6:30— 9:30— Howard Barlow Symph. 9:00—10:00—Claude Hopkins’ Orehest. 9:15—10:15—Claude Hopkins’ Or.—ba sic: Fio-Rito Or.—miilw 9:30-10:30—Frank Masters' Orch. 10:00—11:00—Joe Haymes Orchestra 10:30—11:30—Jan Garber’s Orchestra 11:00—12:00— Dance Music—west only NBC-WJZ NETWORK BASIC — East: wjs wbs-wbsa wbal wham krtka agar wjr wlw wsyr wmal wfil; Mid: wcky wenr wls kwk kwcr koil wren wmaq kso wkbf NORTHWEST 4. CANADIAN — wtmj wiba kstp webc wday kfyr crct cfcf SOUTH — wrva wptf wwno wls wjax wfla-wsun wiod w*m wmc wsb wap! wjdx wsinb kvoo wky wfaa wbap kprc woai ktbs kths wsoc wave MOUNTAIN—koa kdyl kgir kghl PACIFIC—Wgo kfi kgw komo khq kfsd ktar kpo kex kg a kgr kya Cant. East. i 3:30— 4:30—The Singing Lady—east 3:45— 4:45—Orphan Annn—eust only 4:00— 9:00—Education from ths News 4:15— 5:15—Capt. Tim Healy, Stamps 4:30— 5:30— Press-Radio News—basic; The Singing Lady—midw rpt 4:35— 5:35—Oale Wimbrow, Songs 4:45— 5:45—Lowell Thomas — east! Orphan Annie—repeat to midwest 5:00— 5:00—Amos ’n’ Andy—east only 5:15— 6:15—Tony & Gus, Serial Skit 5:30— 6:30—Lum ’n’ Abner, Comedy 5:45— 6:45— Dangerous Paradise. Skit 6:oo— 7:00—Hal Kemp and Orchestra 6:30— 7:30— House of Glass. Serial Act 7:00— 8:00—Our Home on the Range 7:45— 8:45—World Peace Foundation 8:00— 9:00—The Hits and Bits Revue 8:30— 9:30—NBC Symphony Orch. 9:00—10:00—Howard Lally Orchestra} • east—Amos 'n' Andy—west repeat 9:15—10:15—Tony A. Gus—west repeat; Lum ’n* Abner—midw rpt. 9:22—10:22— Ink Spots. Negro Qusrtet 9:30—10:30—Gene Fogarty Orchestra east; House of Glass—west repeat 9:45—10:45—Ramon Ramos Orchestra 10:00—11:00—Shandor and His Violin 10:08—11:08—Reggie Childs’ Orchestra 10:30—11:30—Bob Chester’s Orchestra the United States are getting into the same sort of economic Jam on agricultural exports. Their Interests are becoming identical. Canada looks more to the United States than to England fcr a solution. OUR BOARDING HOUSE —By AHERN C MON ,PAY ME TH DOLLAR-v-YOURE BEAT, AN' YOU KNOW IT -^VOU dUST HAVE TWO MOVES,AN WHICHEVER WAY YOU MOVE.I TAKE YOUR KINGS t-cYOU CAN SEE THAT ITS AS PLAIN AS TH‘ NOSE [ ( ON YOUR PACE—THAT AN GIBRALTAR CANT t W( "BE MISSED / ^ Wt QUIET./ OUlET/, STOP YOUR * TDRATT&O e\BBER\SH. SO I CAN THINK [ f TH\S OUT ) i/ /AY /AIM'D* ) FUNCTIONS IN y H\6HER BRACKETS ^ * OF MATHEMATICS THAN THAT CLUE ROT { OF YOURS /--EGAD ILI_ THINK OF A F WELL,KID, 1 WHEN VOU l T\N\SH TRYtNO TO THINK YOUR WAV OUT OT THAT HOLE:, YOUR HEAD WONT BE 600D TOR, ANYTHING BUT STRETCHING . ‘ijVlfe MAJORnj * IS ONE OFV1 THOSE STUBBORN GIVER-INNEPS* OUT OUR WAT —By WILLIAMS WAT'S Hi<3W ENOUGH/ IT— that is — nr MAkES ME WELL TMATS HIGH \ ENOUGH f BQgKJ THigry VEAgS TOO SOOkl. THE GUMPS — The Tamtaf «* thf Shrew G« r —Bf RIDNtT ««WfTB r TVtfPLL BE ENOUON FROM, "tOO ABOUT MY TAWN6 MV ©WN NNIFC OUT AT KMOMT / HO. TAKE HfcROUT WM*V ANO \MHER6 AND MOW t PLEASE- AND lU. BROOK NO INTERFERENCE FROM .YOU' HAt? I'LL POT HER V^MERE SHE BELONGS • BOOTS AND HER BUDDIES — Monkey Business -By MARTIN mfceiutt'.v certimmix___ * QtST.^COO’.WJOQVCro WtNTW WARD.TVOT tv*sc store. OOffcQ * My M»<b OEF TO VOH VCAM ns VBWtJ Iki iM t.f* H H ' Aiwim ■UUMO.NC. I.KIU»1MI. THE NEWF ANGLES (Mom'll Pop) — Emmy Winds Up —By COWAN »QCN IN FULL BLAST, ANO MACWIME BUN BULLETS AOUCING TWOOUGM THE RECEPTION BOOM DOOQ,T*0-GON LOUIE IS ABOUT TO USE VrNiOV AS A HUMAN SHIELD. IN Ml* OET-AV4AV. ALLEY OOP — The First Project Get* Under Way HAMLD9 WHY SHOULD WE COME WtTH YOU? WHO^— ACE YOU, TBE r WHY (HVIN US A 0Y OCOECOF THE MOOVIAKJ PEOECAL GOUECKJMENJTriM minister _ . SHOULD WE __ JOB? A TAKE OCDERS\ LA BOB FCOM YOU? OH-THAS different: WHY’NCHA SAY SO, IN 7H FIRST kPIACE? THERE'S THE JOS .'CHANGE VOtAL* TO TEDEBALS.,'^ AND V1NG GUZZLE* L ^ TO -FOOZY' k xWfllWL ?f^LACE m of Whoo |Kw6 J6UZ2UE Prop. L I WELL, IT APPEARS THAT rVE COME UP IN THE WORLD/ I GIVE ORDERS AND THEY ARE OBEYED - I UKE THAT/ \r -Jly ( RAN* WASH TUBBS — He Never Forget# rSONgf them blasted swabs MUST HA' SMELLED A MOUSE. Kl i j, Ki 'i irpri®n?rj!r WELL, THEY AIN'T FINISHED Wl'CLl ■- - bull DAWSON. BY TMUMD6R/ X TLL sfcIILt IrtfclK HPbtl! ME DICTT 600D*KJ PIE MTV, AW' I _ AJWT FCO& or. C Hfibm (Mtr'f LANb * FRECKLES AND HIS FRIENDS — The Lust Straw WHAT DO'tfeO SUPPOSE mr.wilsom vmmtted wnw "THAT mm) wo.' i <s*/e rr to *7WE SDOOR OF "TVS SWATV5IDE PAPER— HE'S GOtWS ID PUD* LJ3W IT, TO SHOW WHAT WHO OF WORK is be ims dome err OUR PUPILS ff CHIP COLLINS’ ADVENTURES JACK WILHELM f* supposed to nmert CONVOM <ANO HE fit _ t MOPE MOBOOV Saw *VK SNBAtt OUT OF CASTAF. HERE WE fcce PoviefcSk WO THAT BARBARA GAC COWVE BACK. AU. ^\QWT^ MTl' 55 Surct. MO 3* fAAKUK* oi-rTEfty, AS S0O SMCX_ Gooo! vm've GOT SOME A^OQt $ft>oKS po«. vou to Pu*/ witk-usTem cujse GOLW &AC9A&A.,) STILL Kl CAMTT fclTUER., C|«p! AMD I CAMT FIGURE OOT HO** J^HA^E A FtEU'fMG MOPE »S vJOO COUED STAV CUMOESL V*ATC«. FOP.TUIEMTV FOUC. HOOCT BRICK BRADFORD - Ob the Ides Beyond the lee .By WILLIAM RITT sod CLARENCI ORAY THE BEAST 15 LIFELESS-AND SO, PERHAPS, 6 THIS BRAVE, FOOLHARDY BOY/ SO—STILL UFF, HUH? THEN HELP ME SKIN THIS YOUR NEW COAX SEE? WE SHALL USE THE BEASTS SINEWS FOR TWINE/ tr THANK GOODNESS HE WAS A BKs DEAR 1