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AT THE BOISE THEATERS u FIGHTING BLOOD; A FOX FILM FEATURES FARNUM AT MAJESTIC William Farnum, the highest salaried star that has ever appeared in moving pictures, is to be seen at the Majestic theater tomorrow and Tuesday in the latest William Fox production, "Fight ing Blood." A lot of heart interest has been worked into this romance lighting parson. William Farnum has a role In this that is eminently to his abilities. His struggle to turn the other cheek when his enemies taunt him wins sympathy und his prowess In hand-to-hand combat arouses admira tion. There are several of these tight scenes, but the most striking takes place in a saloon, where Mr. Farnum, in the character ot Lem Hardy^JInds that he must whip the camp bully be fore he will he allowed to preach. The fight is excellently staged, working up the interest of the spectator in a fash ion thal never has been excelled in the long history of fistic battles upon the screen. Mr. Farnum as Lem Hardy has created a character that stands alone in its class. Miss Dorothy Ber nard. who appears as Kvle, with whom Hardy Is in love, interprets her part in an unusually sympathetic and appeal ing manner. The balance of the cast render splendid support. The picture was made in California. Locations be ing used in widely remote parts of the state. The lumber camp scenes were made in the San Bernardino mountains at Skyland. the loft. est point in the en tire range. The mining scenes were ; made In the Mojave desert, miles from civilization and the street scenes in Redlands, one of the wealthiest, resi dential centers of the world. The vaudeville attractions for these dales are "Kre.ver," a xylophonist of exceptional ability who presents sev eral up-to-date numbers on this popu lar instrument, and "The Bonnie Duo," who present a thrilling, sensational ladder act. of a D'ARTAGNAN" AT STRAND TWO DAYS < < There arc few who will not revel in "D'Artagnan," the Thomas H. Ince production in which Orrin Johnson comes to the Strand tomorrow. Read ers of Alexandre Dumas' "Three Mus !&( Uc I Pin ne y Theatre MONDAY A"! I Last Week—Commencing MAR / / Make It 1 Big Week ITIrtll f ! MR. THEODORE LORCH AND A NEW YORK CAST IN 3 BIG— PRODUCTIONS Monday and Tuesday Nights Only. Written and produced only by Mr. Theodore Lorch. "The Man Who Does Things" Will be the talk of Boies. n r -' r m iw. Wednesday Matinee and Night and Thursday night. "Wife in Name Only" The ladies will enjoy this— Gentlemen also. I Friday Night—Only On« Per formance—Last Season's Melo-dramatic success "The Struggle for Life' Thrill« Comedy — Sensation Nights—Curtain riaee promptly at8:30—Doors open at 7:30. nee—Wednesday only; curtain 2:30; doors open at 2 p. m. All out and over in time to catch all intsrurban oars. Mati grrJp.Trii.-hr-ir.-rii.'gii.-ij TRIANGLE KAY BEE ORRIN JOHNSON D'ARTAGNAN Adapted From "The Three Musketeers"^ By Alexander Duihas. A Thrilling Adventure Story—5-Act KEYSTONE COMEDY Charles Murry—in—"Fido's Fate" Strand 'W Theatre MONDAY—TUESDAY keteers" will see it as a pictured Inter pretation of one of the favorite epi sodes of the popular classic, while those who have never heard of Dumas or the Musketeers will undoubtedly ap preciate it on account of its delightful air of adventure and ro.nance. The reasons for this are many. To begin with it is laid in France in the time of Louis XIII, a place and ft period that was crowded with adventure. And D'Artagnan, the dauntless Mus keteer In the queen's sefvice, is a character molded along lines that look unusually well on the screen. Quick with his sword and his train his ap pearance is a constant cause for ex citement and thrills. Going to Paris, D'Artagnnn becomes a memb r of the famous King's Musketeers. He Is sent by the queen on a dangerous mission to England. His three companions are either captured or put out of com mis sion in the course of tights on foot and horseback. D'Artagnan reaches Lon don and recovers from the Duke of Buckingham a pnir of studs given him as tokens of egard by the queen. On the ship on which he returns the hero is captured by his deadly enemy, De Rochfort. Jumping over the side, he clings to the chains of the vessel till It reaches port in* France. He restores the studs to the queen, and she has them put back into the necklace where they belong. Card'naJ Richelieu has induced the king to command the queen to appear wearing the necklace at a great court ball. When he sees the complete necklace, his plan to em barrass the queen falls through. In addition to obtaining the favor of the queen, D'Artagnan is rejoiced over the safe return of his comrades and his! reward frorn his sweetheart for his bravery. Charles Murray will be seen in the comedy of the bill, "Fido's Fate." BLANCHE SWEET AT ISIS IN LASKY FILM Blanche Sweet returns to the Isis, the first three days of this week in "The Blacklist," a Lasky film. The story is laid In the mining fields (evi dently connected with the Colorado troubles) and is one of gripping Inter est. The miners, all living on the company's property, are oppressed by the mine guards. Moreover, they suf fer from the blacklist, which is used to subdue those who protest at the op pression.' One miner who attacks a guard for insulting the pretty, little school teadher, Vera, is killed, and the superintendent offers no redress. Then the miners are roused to or ganize. The owner visits the mines, has a talk with Vera and. while in dined to make the condltlois easier, refuses to concede the miners' de mands. So a strike Is called, The su perintendent has his may and the striking miners are evloTed from com pany property and take refuge in the hills. The owner, who has fallen in love with Vera, tells her the eviction order does not apply to her, but she goes with her people. One ot the guards is killed, and the strike-breakers surround the camp of the evicted miners and attack it with rifles and a machine gun, in violation of the owner's order. Men, women and children are 'shot down, previously lots hmi been drawn by the strikers to decide who should kill the man re sponsible for the outrage, and the lot fell to Vera. She makes her way to the owner's office and shoots him; then she attempts to shoot herself, but is prevented. The owner recovers, mar ries Vera, and the two work out a plan for more human treatment of the miners. BURLESQUE QUEEN IN KAISER FILM May Howard, queen of burlesque for a score of years ana recognized gen erally as the greatest feminine player of the more flippant stage, has made her debut in pictures and is a hit. In "Vultures of Spelety," Essanay's live reel feature, the top-notcher ot rapid fire fun has undertaken a serious char acter p£rt and accomplished it so well she has added to her fame. I "Diamond Kate," in "Vultures of Society," Is the fence for society thieves, an astute protectress to whom they alt flee when the police are close. That May Howard would make an ideal type for the piece struck Di rector E. H. Calvert when he met her the street In Chicago. He asked her to appear and she agreed, al though she 1ms repeatedly turned down such offers. Lillian Drew, Murguerlte Clayton, E. .. Be Graceful Says Mile. Pavlpwa and She Tells How to Do So -Y ! o fg! I i X; s** X X: mm. % ; ' mmi * L "5 -, **+■■# , Ml * ' ■-/if wm Sgi;; ■ U - >■ , ■' t V. f * v ; I ■L /WlOito** A % V Mile, Anna Pavlowa, greatest living premiere danseuse and admitted to be of greater bodily grace than any other woman, agreed recently to say a few words—pearls of priceless wisdom—to American women concerning the most cherished attribute a woman can have. A fine skin, beautiful features and a well formed physique are all desirable. but more so than all these together, declared one of Europe's reigning beauties, le" grace of movement. Such grace comes , natural to many; to others it does not. Mile. Pavlowa tells how one with grace may cultivate" it, and how the woman who hasn't that! quality may develop it. "My first aim In the development of grace of bodily carriage and move ment," says Mile. Pavlowa. who is to appear here shortly at the head of her Ballet Russe, and in conjunction* with the Boston Grand Opera company. ''I« to acquire a control of the muscle«, There are ether essentials, which 1 will consider In other brief articles, but be foçe all else we should begin by know ing what to do with the physical means of bodily control—the muscles. "Therefore, we , should commence wlth their control aa applied to the body In repose. I advocate strict at* tention to the securing of erectness of the torso. Never, either when seated or standing, permit the back, shoulders or head to fag. Blouchiness is bad fur two reasons: first, because tt is un sightly, and second for the important reason that it is unhealthful. "Remember invariably to sit an upright, though not rigid position. A droop, even if advocated temporarily ith H. Calve/t ami Ernest Maupln are tea- , tu red in the piece which deals with an Interesting phase of metropolitan life today. "Vulture» of Society" will be the opening attraction at the old Kaiser on Thursday, March 30. The name con test will continue until April 1. A PLACE TO MAKE LOVE? LOOK IT UP IN CARD INDEX "Where do they find such .lovely places?" Frequently the question has teen asked by per one who are watching a motion picture. They wonder where the photoplay producers find the scen ery. Out at the studios of the Jesse L. : Lasky Feature Flay Co., at Holly-I wood, Cal., there is one man who i doesNpothing but ride around In his big automobile and "discover" places hat. are ldçal for backgrounds to be used in motion picture plays. He goes to the sea-shore, to the fields, to the mountains, and everything he seen he carefully reports on little cards made for the purpose. He finds Ideal places for love-making—lots of them—amf he discovers excellent localities for battles, dark "crimes" and "accidents." At the studio he has a big card In dex system by which he keeps account of all these places. It saves a lot of time. When the director of a produc tion wants a nice, quiet place for a love-scene or a nice, noisy place for an exciting chase, alt. he has to do Is to look It up In the card index. Then an entry Is made on the card stating that the scene has been used, because the same scene is never used twice in ft Lasky production. Persons who see photoplays remember scenes. One of the chief features of the card-index system of "locations" is that a photograph of every plac* is made and attached to the card with exact direction how to reach the 1 >ca tlon. There also is n lint of beauliful homes and estates where the players nre welcome any time to make setenes for production. | fixations In the card index, none ik so But in all the oljasi by Dame Fashion's decree, Is hamful. So guard against slackness in thii re spect. By keeping in mind the need for holding the upper part of the body in a firm attitude it will gradually become a fixed habit. readers, an excellent habit. ........ "Try in taking a seat, or rising from j _ ] It is, I can assufr my { °ne, t0 move freely. Do not drop « lessly into your chair or upon a ec proceed with a well ordered inter und move deliberately never h When you wish to stand lean slii forward from the hips, keeping torBO in proper alignment, and the feet near together elevate ypu uch: I con scies con been ition, urry. ïhtly the with rsolf. "It is not necessary to have the cles tense. In point of should always be a suppleness v comes from a mixture of partial r. atlon—In these frequent uses to v the muscles are dally put. I ry to ttvate deliberation, and smoothness of movement in maintaining a posture, or in taking a seat or rising, will by degrees be acquired, "Such seemingly unimportant ters as standing, sitting and rising are really vital to the woman who would he graceful. They form the fmnda Hon for ease of body and consequent ease of mind, iis graceful, for It distinctly is nus faet there hlch ;!ax hicTi cul sitting mat healthfully, as well "To walk gracefully, there should be a semi seious control of the principal mu employed. I say 'acmi-eonscious' trol because after the mind has directed on these muscles for a ee length of time, control of them bee almost .automatic, . "Do not imagine that a mincing rtain omes step not. William Farnum ' IN " » , Fighting Blood 99 U A Virile Story of the Kentucky Mountains "THE BONNIE DUO" In a Thrilling Sensational "Ladder Act 99 "KREYER 99 - Xylaphone Soloist T MAJESTIC THEATER TOMORROW AND TUESDAY Bargain Matinee», 5 c and 10c Evenings, 10c and 20c big nor frequently added to as the listj? of places suitable for love scenes guar anteed to please. Experienced piano movers. Comp ton Transfer Co. Phone 48.—Adv. tf Contrarily, avoid striding too vigor ously; that is equally undesirable and masculine. walking. It should never be forgotten that repose can be made as perfect ith the A free stride. body held erect, shoulders back, abdo-! men slightly held in, and the heud not rigid is the ideal carriage. the arms hile "Avoid swinging while one is in motion as during thej moments when one is making no move ment at all. "Control of the muscles so that standing, sitting, rising and walking! can all be made equally graceful must be cultivated by the woman who wishes to appear to advantage. A lit tie time devoted to this important! matter every day will yield results. "Five minutes of simple practices every morning will start anyone in the right direction. After breathing deep ly at the window of fresh air, and the bath, the thoughtful woman will pro eeed to execute these exercises. "First, she should stand erect, heels together, the weight of the body even-1 ly distributed on both legs. The chest should be held up, the abdomen slight-j ly held in, shoulders and head well poised and arms and han«1s hanging atj the sides. Hold this position for ten seconds, endeavoring to avoid all rig aajidness; for it is the basis of repose, which is so Imperative when one wishes to stand at ease in the presence of many people, "While maintaining the same attt tude, raisi- both arms in front to n point on a level with the shoulders, ami (then lower to the «irlglnal positions, the in executing these muscles should not be flexed." movements Idaho's Greatest Musical Event an Assured Success EVERY RESERVED SEAT HAS BEEN SOLD THROUGH THE MAIL FOR THIS MAGNIFICENT ATTRACTION < BOSTON GRAND OPERA COMPANY AND PAVLOWA IMPERIAL BALLET RUSSE! FINNEY THEATER, SATURDAY NIGHT APRIL 1 CURTAIN AT 8 O'CLOCK SHARP. Be on time. Don't mar the pleasure of this wonderful evening for your self and others by coming in late. If you are not seated by 8 o'clock you will be compelled to wait until the end of the first scene. I^et Bois«' show her appreciation of this event by a ready audience and a rousing recep tion when thq curtain rises. DOLLAR SEATS TO BE SOLD AT BOX OFFICE MONDAY MORNING, MARCH 27, at 9 O'CLOCK. These seats are not reserved. 216 seata to be eold at a-dollar cash. No one person allowed to purchase more than ten seats. These are the only seats left to sell. Theater $20.00 in Gold FOR A NAME Formerly Kaiser s-March 30-31 Presents "Vultures of Society IN FIVE BIG ACTS 99 A Powerful Story of Adventure, Love and Daring in the Homes of the Rich. f BLANCH SWEET • "The Paramount Favorite ?? : in The Blacklist » The Spectacular Answer to the Problem of Capital and Labor Revealed in This thrill ing Photoplay of the Mines. ISIS ! Theatre MONDAY TUESDAY WEDNESDAY r