Search America's historic newspaper pages from 1777-1963 or use the U.S. Newspaper Directory to find information about American newspapers published between 1690-present. Chronicling America is sponsored jointly by the
National Endowment for the Humanities and the Library of Congress. external link Learn more
Image provided by: Central Michigan University, Clark Historical Library
Newspaper Page Text
v mmifflww #9&ilF> ,s** ♦ Jj£*^^pHg^^^K°K2E3Rsa^ • ?WCr3gBB!MPWr 4 *>& ■ j. .fTw wsSEß^‘ : r ■l. ***^^ ■■'■»&£&&*■ '■%■' ' % * jS|®L.. ’ ■ t? '53ET..- , *.« ■ ’ '' j| v*\ St. ' <wjHL j^^B - fc m\ l VI k . v bl. v 'BI ' : $ ; ; .;i-2 >;:U‘':''^ r V*.„' ?.•:*»■.*?',&' *ViV/t:: V'>>: -) t % '*&■*; --%S v. **, j, , y I 111' V:| 111'' il 1 fll^^^B 1 k\ Hr a ■ V -"%B WB : w' v 'i. /. ;iSßiiuft^‘ ’ JjfiM^^K;- , J*k v' L< ' ; i * ]^£^t : __ JBBBBPb.. ’ > #/. / _ _ B»k. ID W/&JW as"wW //// Br v ° i - ir B^^Bli BY LOUELLA 0. PARSONS THE INFLUENCE Of Andre de Toth, the director, has been very important in the life of Veronica Lake. She is no longer the little girl who doesn’t care. She cares very much now what people think of her and she is eager to win the respect of her fellow workers and to explain why she has done some of the things in the past that have brought criticism on her—not really serious things, but impulsive, foolish little exhibitions of temperament. Veronica very much resents the implication that she is irresponsible and unreliable. Those are two fighting words where she is concerned and she explained to me why she feels they are unjust I had dinner with her and her direc* tor- fiance and it is no longer a secret that when her divorce is final, she will marry him. “Nobody took the trouble when I was only 17,” she said, “to sit down and talk with me and give me good advice. Somebody started a. story that was wickedly untrue. I had no way of combating the gossip, which I knew, and the man about whom it was told, knew, was an absolute He. “I was only a youngster and I had to fight all by myself. That would have been a beau tiful chance for someone to have helped me combat the cruel fabrication, hut, no, they Just let me suffer by myself and I certainly suffered. “I had just been married a short time and was In love with my husband. On Christmas Day I had his family and my family for din- ner. We turned on the radio and we heard it announced that I was at the head of the table at that certain man’s house. My Christmas was spoiled and I made up my mind then that I was going to fight with every ounce of strength. That’s why I have been what people have called a 'd\lficulV girl.” Veronica is only 21 now, which is very young, and she feels she’s lived a lifetime of actual tragedy —first with the trouble with her husband, Major -John Dotlie, and then with the death of her little boy, and finally, with the inabil ity of people, some of them in her studio, to understand her problems. “I think now,” she said, “I have worked out everything and Paramount knows I am no longer an unreliable, harum scarum girl. Seventeen is only a child,” Veronica went on. “A girl that age needs sympathy and understanding, not cen sure, scolding and bitter crit icism.” Veromyh feels now that she has gone past those first un formed impetuous years. At the ripe old age of 21 she wants, more than anything else, to achieve dignity and to have her studio understand her problems. She has discarded all the foolish things of life, even the peek-a boo hairdo, which brought her into almost unprecedented fame.