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SECTION TWO. 4, + * + 4 ESTABLISHED 1869. TMIS « — sprimt 6 iailoeed" WEA°B A Smart Tailored Suit Always Good Economy—The Knack of Cutting a Smart Skirt—New Coats Do Not Define the Figure—Back Comes the Polonaise. All the summer plans have now been laid. Buyers have returned from abroad with brains teeming with new ideas and packing boxes heaped with fresh, spring-like Paris wearables and fabrics. Tailors here are prepared to furnish next summer's costumes along the prescribed lines and already van guards of the coming styles are to be seen, displayed in high class shops. The woman who must study econ omy in dress always does wisely to provide herself early in the season with a smartly made coat and skirt suit. This costume renders her fresh ly spic and span with the coming of the tirst spring-like days and may be worn all through the fall and when summery togs have become passe and it is not yet time for heavier rai ninnt. Such a suit also proves a reliable standby for little out-of-town trips during the summer; for no wo man in this changeable climate ven tures fir from home without the pro tection <>f an always neat suit, made of something more substantial than washable stuff. Good Lines of First Importance. 1 he ( lit. or as the tailor deftly ex presses it, "the line," of the coat and f-k; rt suit is a far more vital matter than the kind of material used. The tailored suit of good meaterial will of course wear through two seasons, but what profit is the second season'® wear if the style is hopelessly out of date or the shape of the garment un becoming? it is, equally of course, wisdom to put money into fine ma terial when one can, but in these changeable times when styles vary with bewildering rapidity, it is a ques tion whether material that will wear like iron is the chief desideratum. After all the appearance of the coat through one season is what matters roost, and unless the lines are hy a master hand i broadcloth at $3 a yard will scarcely be more satis factory than humblej cheviot at a third of that price. Therefore, if economy must be ac complished somewhere, let it not be 5n the tailor's price. If he is true to SUNDAY UNION-STATESMAN his ideals —and values his reputation— he will cut his garment, not according to his cloth, but rather in spite of his cloth; and the desirable lines and smart touches of his finished effort wll attest his skill. Making the Skirt at Home. Some women compromise cleverly on the tailored-suit problem by hav ing the smartly built by an ex pensive tailor and fashioning the skirt themselves, or with the aid of the home dressmaker. It takes a clever knack, however, to cut and hang a skirt just right—especially in these days, when the allowance of material is so scanty that every line is, so to speak, in the limelight for criti cism. Moreover, the short, trotter skirt, the accepted style for all tailored suits except very ceremonious calling costumes, is much more difficult to manage than the trailing skirt whose breadths of fabric hide discrepancies of "hang" by their kindly amplitude. If the skirt is to be made up at home it will be wisest to avoid the eccentrically cut models offered by French fashion magazines and choose instead a simple gored pattern with good lines. The crafty home dress maker knows a trick or two about skirt patterns. She purchases a pat tern two inches too small for her actual waist measurement and then cuts the back breadths that much wider along the seams. This gives the skirt a smooth, snug fit across the figure in front while allowing suf ficient fullness at the back to avoid a scanty or drawn appearance. High class tailors achieve this effect and their skirts always hang gracefully without too much fulness, while the average "ready-made" or cut-from-a paper pattern skirt is apt to bulge out below the waist line in front. Another tailor trick which the home skirtmaker makes the most of is the hot pressing iron. A very heavy iron should be kept in the sewing room for this purpose, and every inch of the skirt should be gone over a thin, damp cloth between the material and the pressing iron. Only by thus SUNDAY UNION-STATESMAN, WALLA WALLA, WASHINGTON, SUNDAY, MARCH 28,1909. steaming and pressing the material will a wool skirt be made to take on crisp, tailored lines. Another point that should not be overlooked in making up such a skirt is to have the same shade of sewing silk used on both skirt and coat. Many a cleverly-made skirt, worn be neath the faultless tailored coat, has betrayed the secret of its home con struction by the shade of stitching outlning its seams. Co-operation with one's tailor upon this point should be Insisted upon. Spring Materials Are Satiny. Fabrics with a rich, yet soft luster have the palm for this spring; chiffon broadcloths, satin cloths, the luster finished serges over which Paris is enthusiastic, prunelles, cheviots and the heavy pongee silks will all be used for servicable coat and skirt suits. Perhaps the most desirable fagric of all for the warm-weather tailored suit is one of the lightweight silky mohairs which come now in all the smart shades. There is a new mohair i and wool mixture which, while it has all the advantages of a wool fabric, has not its weight. The mohair threads on the surface give a lustrous finish which is very much like silk. This fabric like mohair, is ideal for trav eling and motoring, as it sheds the dust easily and is very light and com fortable for warm weather wear. A Three-Piece Suit on Practical Lines. Mohair in a cool navy blue color was used for a smart little traveling suit which is shown among today's illustrations. The suit comprises a three-quarter length coat and a prin cess frock, the latter cut very simp ly and trimmed only with braiding, satin-covered butons and a graceful little girdle. To match this neat cos tume in which on warm days, one might fare forth presentably without a wrap, there is a loose coat, also built on simple lines and trimmed with braid and buttons. The coat has plenty of roomy pockets—and every traveling coat should have—and as a means of still further dressing up this, little suit for special occasions there is a natty waistcoat of blue and mauve flowered silk with fastening of small gilt buttons. A Khaki Suit of Sergo From Paris. Khaki nowadays to everybody ex cept the military man means a color rather than a fabric. Khaki is a pe culiar shade of sunny brown resemb ling the soldierman's fatigue uniform, but much richer in tone when develop ed in silks, wools and other stuffs of this character. Earth brown is an other new brown shade. Indian is still another and this latter color is supposed to be the hue of the Indian maid's cheek—a rich bronze brown mixed with red. These three shades blend together artistically and all will be favorites for spring and summer wear. A three-piece suit of khaki serge by Bernard shows the straight, undefining lines which most tailors are favoring now. This smart litle costume is trimmed on both coat and princess frock with very wide golden brown silk braid, matching the khaki color of the serge/ and across the front of the bodice so that it shows under the open lapels of the coat, goes a ".trip of Pharoah embroidery in ger anium reds and brown tones picked out with black. This suit is matched by one of the new Paris flower toques in bowl shape. The crown of this hat is entirely cov ered with bronze green foilage and against the hair is a line of vivid pink and red roses which repeat the color emphasis of the embroidery on the breast. Being on the Safe Side. The woman who is planning to make m her spring tailored suit do duty for two seasons will do well to have it cut on rather roomy, straight lines. While the high Directoire waistline will be in vogue through the coming summer, its doom has been sounded within the inner fastnesses of the Parisian style citadel, and within six months we shall doubtless see a return to the normal waistline, and indeed very likely to a waistline exagger atedly long. Therefore the woman who has a penchant for the short waisted litle empire coat would best purchase one of the models which ir.ay be picked up at sacrifice prices from far-sighted dealers; and not have handsome material cut up into these hard-to-alter proportions. The Femme de Tube Must Be Slender. These long "sac" garments do not define the figure at bust or hip, but they make the wearer look very slender indeed when rightly cut. The extreme of this style, originated by Redfern, has given to the wearer of such a gown the name "Femme de Tube." The tube tailored coat or frock hangs exactly as might a straight pillow case from bust to feet and curves in even at the back but a trifle. A certain skilful cut, how ever, prevents the garment from look ing in the least baggy or shapeless and with every movement the outlines of the wearer show beneath the fabric. A coat of white serge, shown among today's photographs, is cut on these tube lines, and as will be seen, the lines are exceedingly graceful. Lengthwise trimmings of braid and lines of buttons accentuate the long, tube-like effect. White serge promises to be a favor ite material for dressy summer suits, and either white serge or white mo hair will give very practical service for mountain or seashore wear, where the touch of additional warmth is often most acceptable. An Old-Fashioned Polonaise Revived. From Cheruit, famous for his mas- | terly treatment of simple effects, | comes an interesting frock in "sac" effect. This tailored costume of dull sage green satin cloth buttons from neck to hem with big covered silk butons and the lines are extremely beautiful and distinguished. The folds from hip to foot are particularly graceful and this frock, while not ac centuating any part of the figure, gives it a most graceful, natural out line by the cut of the fabric. The famous "Cheruit back" is noticeable — the habit back breadth rounding up over a fitted panel on the bodice. Around the lower edge, and trim ming the sleeves and turned-down collar, is an old-fashioned garniture which our grandmothers would rec ognize in a minute as»the "rose made of pleated silk with edges fring ed out to imitate fur. Naturally, the rose ruche is a capa ble dust and microbe collector —es- pecially when it is used —as in this case, on a street suit; but this style of trimming is considered just now very chic in Paris and will no doubt soon be seen on this side of the At- lantic. "Sac" frocks will be seen later in tha summer developed in linen and this simple one-piece style is particularly well suited to linen fabric?. From Cheruit, also, comes a fascinating little sac frock of rose colored linen, cut with a childish pinafore front, whose belt straps cross demurely i j .t the back of the waist over a straight panel which extends from neck to hem. Cheruit also sends a dainty tw niece suit of light gray striped mohj'r most simply cut in the masterly style of this tailor-wizzard. There is a straight, gored skirt and over thi.-j goes a three-quarter length coat on almost straight lines. This coat is lined with soft gray chiffon and the effect is indescribably light, cool and summer}'. There is no coat collar, but around the neck and in panel ef fect down the back is a trimming of old-fashioned crewel embroidery done by hand with worsted the same shade a sthe pale gray mohair. Such a suit, developed In a darker .shade of mohair, might be worn all summer for traveling and general wear, yet the whole suit would be so light that it could almost be drawn through a bracelet. More Libel. "Why does .a woman always want another woman to go shopping with her?' "She gets the other woman to makt the selections, and then takes some thing else." EIGHT PAGES FASHION NOTES. Embroider a Tablier for the New Gown. Swinging stoles, or tabliers, richly j embroidered or encrusted with beads and weighted with fringe, are a fea ture of new Paris frocks for cere monious wear. One handsome cos tume shows five of these tabliers hanging over a satin gown and laced together to give the effect of a tunic. Over a black lace or net evening frock a gold-embroidered tablier is very stunning, and any woman could make this dress accessory at home. The tablier should hang straight from the bust or high girdle and should be at least four inches wide at its narrowest part. The lower edge, near the foot, is rounded off in broad tab fashion and is weighted by fringe. The tab lier is embroidered with soutache braid or coarse silks and the Pharoah, or Egyptian patterns are most pop ular. A New Way to Fast Dress Shields. Every woman knows what a bother It is to pin in fresh shields each time a blouse cornea from the laundress, and if stitches are used the trouble is tenfold increased. An ingenius wo man hit upon the device of hooking her shields in. Tiny eyes were sewed to the armholes of the blouse and hooks to the shields. Care should be taken, of course, to procure the non rustable hooks and eyes which are to be had in reliable makes. How One Buys a Paris Petticoat. French women dress daintly on much less than their American sisters spend. One way the Parisienne saves pennies is on her petticoat, which she may procure half made—or, at least, all ready to finish. In the French shops one picks up for 15 or 18 francs —about $3 in our money—"la Jupe en plisse," a pleated petticoat flounce at tached to a deep yoke and finished about the foot with a full ruche. This garment is all ready to fit to the fig ure by a seam down the back of the yoke and pleating. A belt and hook and eye will complete a dainty satin petticoat suitable for wear under any frock. For the same garment In America one might pay a fabulous sum of course, for the "bought in Paris" halo. As for American shopkeepers, they have never yet thought of offering anything so alto gether practical and desirable as the "jupe en plisse." Information Wanted. Lady Clara Vere de Vere, Help us guess. When the spring time doth appear, What of dress. Will the waist line be this year At the knees? Lady Clara Vere de Vere, Tell us, please. Or wiU belts beneath the arms Be the thing To enhance a damsel's charms In the spring? Lady Clara Vere de Vere, Help us guess. When the gentle spring is here. What of dress? SECTION TWO. ♦ ♦ +