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,fPf"1-*'f1wf 8 I-. Catholics accept the inspiration of the Old Testament on the authority of the Church. The Church has that authority from God Who preserves her from error in using it to teach doc trines of Faith and Morals. To show that the Catholic Church has that au thority all we need to do is to show that it is the true Church of Christ. In answer to another question you will see a brief outline of only one of the many arguments that prove the divin ity of the Catholic Church. Thus hav ing established the Church, when she tells us that the Old Testament is in spired we have all the argument we need. Another line of argument would be as follows: Our Divine Lord and His Apostles under His guidance and with His approval accepted and en forced the official teaching of the Jew ish Church of His time about the in spiration of the Old Testament. This can be shown from many passages of the New Testament. Now what Christ accepted and authorized must be true. 2. You ought to have indicated jyhere exactly the cruelty came in in the irns s^ge you quote. It contains merely one of the ceremonial laws of the Mosaic ritual about unclean food. The mere fact that God Himself imposed these laws is an all-sufficient reason for accepting them with silence and submission. Still you can see that God Himself deigns even in the very verse you quote to give one reason for this particular law, namely, thou are the holy people of the Lord thy God." Almighty God assigned certain laws, customs, manners, etc., as dis tinguishing marks of His chosen peo ple this tended to remind them of the divine favor shown them, of His divine blessings showered upon them, and the destiny assigned them among the nations, and thus to keep them faithful. The law in question was not cruel but kind to the Jews at all events. Perhaps you see cruelty to the strangers in the prescription that they were to get or to buy "whatsoever is dead of itself." You ought not to assume at once that the law referred to animals that died of virulent dis ease that must be necessarily fatal, or seriously dangerous to human health, and so were unfit for human consumption. Keep to the words of the text and you will see they do not necessarily contain this meaning. 3. The Books of Samuel are in the Cath olic Bible and in the official Latin Vulgate you will find them called by that name, as well as by the name of the First and the Second Books of Kings. The latter name is pre ferred in the English translation of •the official Latin, just as it was pre ferred by the Greek translators and by many of the Fathers of the Church. Our First and Second Kings there fore are the same books (with minor differences) as the Protestant and Hebrew First and Second Samuel, while our Third and Fourth Kings are what they call First and Second Kings. Samuel is the principal figure in the First Book where his history is given he had a great deal to do with .the transition of the Jewish people from theocracy to mere human monarchy and he anointed Saul and David as Kihgs of Israel. The history of Saul and of David occupies most of the rest of the books in question, from which you will sefe a reason for call ing them the first two Books of Kings instead of the First and Second of Samuel. The names or titles of the books of the Old Testament are mostly a matter of human custom and tradition and not of divine inspiration. We hold to the custom artd tradition of the Catholic Church, from which Luther and his followers departed in favor of tlife discarded Jewish usage merely out of hatred for the Church. In this department, questions of general interest in regard to religion wilt tSl answered each week in the order in which they are received. All commons* cations$must be signed, though the 'name will not be published. Address: "Question and Answer", car* The Catholic Bulletin, 315 Newton Bldg., St. Paml. 1. What proof is there of the inspir ation of the Old Testament? 2. Do you think that an all-just and an all loving God could command such cruel ties as are described in Deut. 14:21, where it says: "But whatsover is dead of itself, eat not thereof. Give it to the stranger that is within thy gates or sell it to him: because thou are the holy people of the Lord thy God." 3. Why are the Books of Samu4femitted from the Catholic Bible? 1. Can anybody- but' att Italian be come Pope? Was there ever a Pope that was not an Italian? 2. May the Sacred College choose a layman for the office of Pope, or are they limited in their choice to those that are Car dinals or Bishops? 1. The first of the Popes, St Pfeter, was not an Italian and there is no law or rule limiting the choice of "the Sacred College to Italians. But the Pope is Bishop of Rome and as such successor of St. Peter and it is fitting that he be quite at home there, able to direct the permanent officials of the Holy See with native understanding, and familiar with the atmosphere of the Capital of Christendom. Of the Popes, 104 were Romans, 104 natives of other parts of Italy, 44 were French man. 9 Greeks, 7 Germans, 5 Asiatics, 3 Africans, 3 Spaniards and 2 Dalma tians. while Palestine, Thrace, Holland, Portugal and England have each given one Pope to the Church. In the ex cellent little work, "Catholic Belief," by Very Reverend Joseph Faa di Bruno, D. D., on page 175, you will find a complete list of the Popes down to Leo XIII, with place of birth of each assigned. 2. According to certain an cient canons only Cardinals should be chosen Pope. However, Pope Alexan der III (1159-1181) dwreed tftat he, without exception, is to be acknowl edged as Pontiff of. the Universal Church who has been elected by two thirds of the Cardinals. Urban VI, though not a Cardinal, was chosen in 1378. Celestine V was elected in 1294, though a layman. Even the election 6f. a married man would pot be in fSlMj Of course e&ttfon ot a ••V 4# K A "i* "\J *. s' A k te. ANSWER heretic, schismatic otf female would be null and void. (Continued from Page 1.) ST. ANTHONY SCHOOL. added to the parish equipfnent the brick school at the corner of Second Street and Eighth Avenue. This and the adjoining stone building still serve to house the grades and the high school. But St. Anthony's parish, although the oldest in Minneapolis, is still growing with the vigor of its early youth, and the present schools have become inadequate for the increasing number of children. Reverend Patrick Kenny, the present pastor, took charge of the parish four years ago, and under his leadership the new school project has developed. The New School. According to the plans drawn by Architect E. J. Donohue of St. Paul, the new school of St. Anthony of Padua is 143 feet long, 99 feet wide, with full basement and two stories. It is of reinforced concrete construc tion and fireproof throughout, with modern ventilating, heating and light ing plants. No expense will be spared in' providing the best equipment that science and experience can dictate. The building itself will cost about $75,000 and the contract for its erec tion has been awarded to the P. M. Hennessy Construction Co. of St. Paul. A flight of broad stone stepB leads up to the main entrance on Ninth Avenue. Above the double doors is the name-stone, an oblong panel, and at the summit of the center pediment stands out prominently a stone cross. A wide and well lighted vesti bule leads up to the corridor which extends the full length of the building, opening upon the five class rooms of the first floor and having two entrances to the parish hall. There are ten class rooms in the school, uniform in size and arrangement five on each floor. The light for each comes from five large windows at the left of the pupils and the lighting space is proportioned with scientific accuracy to the size of the room. The wardrobe in each room has two entrances so arranged as to enable all the children to enter 6r leave the room promptly without interfering with one another. There is a locker in the wardrobe for the convenience of the teacher. The air of the room is heated by specially arranged heating coils in the wall and the ventilation provides for an abundance of fresh air for every child. Auditorium. The parish hall is one of- the most attractive features of the building and one of the best equipped auditoriums in the Twin Cities. The seating capa city is 1,000. The entrance is from Second Street from which a large cov ered porch is reached by a flight of steps. The hall itself extends to the top of the building: A wide gallery at the rear is reached from the second floor. There is a large stage flanked by dressing rooms and provided with footlights. This with the box office at the back of the hall, with toilets, check rooms, and ladies' dressing room provides every facility for the theatri cal entertainments which have long been a feature in the social and edu cational life of St. Anthony's parish. Nor was the pastor unmindful of the safety of the large crowds which will often gather in the big hall, for ther£ are-exits on every side. Gymnasium. The auditorium, however, is not the only provision made in the build ing for gatherings of the parishioners. The basement which is high and well lighted has a number of attractive features, not the least of which is the gymnasium-, equal in flbor space to the parish hall and situated directly be neath it. Provision is made for bowl ing alleys and other athletic facilities. At the north end where the boys' entrance is, there is a vestibule, toilet room and office. At the opposite end which is entered from the girls' cor ridor there are shower baths, toilets and lockers. Beyond these are a large parish kitchen and the boiler-room. The forward portion of the basement is occupied by two club rooms ar ranged for the holding of lodge and society meeting*' Altogether the frsw school of St. Anthony promises to be one of the finest parochial, buildings in the Northwest. With class-rooms in which every device of modern science is brought to the aid of teachers and pupils, with a well equipped audi torium, gymnasium, club rooms and kitchen, the new building promises to become a general center for the many sided activity of parish life. By means of the social life which will rally round the school the priests will be able to keep in constant touch with the youthful members in their flock after they have left the class rooms, with the young men and women who will seek opportunities for innocent and wholesome recrea tion, and with the parents who will meet there in their organized efforts to support every good work of thp parish. E I (Written for The Catholic Bulletin.) I love to stroll, On the wreck-strewn shore?/ dn the shore of the awful set Where the breakers roll •\fi£ith a shuddering roar, ^44*# .rurajj&ftefr.-'.., P1ELIIDEP- A VOLUME OP POEMS FAOM THE PEN OF A RELIGIOUS. This llttfe book of poems by Sister Mary Clara, B. V. M„ of Mount St. Joseph College, Dubuque, presents varied illustrations of the lines choBen as foreword: "Love sings on earth in plaintive minor keys Faint preludes of Life's fuller har monies." The themes are mostly occasional— some personal experience, a passing incident, a trait of Nature or aspect of the seasons, some mood of joy or sorrow, a failure or fulfilment—all touched with spiritual significance. The poems are brief swallow-flights of song: all recall her song of swallows homing at eventide, for the goal of her poems, however wide an earthly circuit they may fetch, is ever the home of the Father in Heaven. Her muse is cloistral in its mys ticism, the world of sense being to her a symbol of the spiritual world. The author has a sensitive feeling for nature which she voices in some lilting sohg of spring and summer, or autumn threnody, in some land- or sea-scape delicately realized. "On the Lake,'' "Indian Summer," "Expres sion," "An April Song," are examples of sights and sounds of Nature musically rendered. Yet all earth's voices are to her only preludes of some spirit-song which transcends their glad earth-cry in jubilation. The re-birth of spring best expresses it self in terms of the Resurrection and the virginal charm of May in thoughts of Our Lady. While the appeal of the human is also expressed, yet through all earthly experience sounds "the still, small voice" calling one to forsake all and seek the things that are above. This thought is finely ex nressed in the poem "Vocation." Everywhere the complex of human life, with its joy and pain, is envisaged from the viewpoint of the Divine pur pose which orders and disposes all things sweetly toward their appointed end. Thus, "Soul to Soul" pierces be hind the Veil and penetrates to the spiritual import of the things seen here "as in a glass darkly." All the poems attest a vision which discerns in human loss a Divine recompense —in trial and sorrow a gracious chastening, in suffering a vicarious efficacy. Of poems purely devotional "First Friday," "Magnes Animarum," and "O Queen of May," might fitly be called prayer in verse. Among the longer poems are two dramatic monologues of outstanding merit. "Columbus at Valladolid" is a splendid imaginative presentation of the last moments of the world mariner, and rises worthily to the height of its great theme. It is quite convincing in its vivid reality this retrospect, broken by delirium, whispered by the dying Columbus to his Confessor. The inception of his high enterprise is expressed in the large utterance of greatness: "I know not how or when my dream began. Perhaps the sphere the1 Christ-Child held empalmed, Or far Atlantis, Plato's fancied isle, The Tuscan's vision, or the Stagirite Awoke that irresistible desire Ordained by God to work fifs pur poses." Nor can we refrain from quoting the splendid close which describes the quiet consummation of his life, his final crossing the bar: "One more, O Father, say 'Absolvo te la manus tuafc,' Domine,—at last My keel has cut into the Silent Sea No surging billows roar, but all is still Calm as the waters near San Sal vador.— Does morning break with all itis olden charm, Ascension morn?—Yon dayspring seems W light that shine£ ftora aft-eternal shore!" The other, "A Philosopher," is in the manner of Browning, and the sub ject, though the treatment is quite original, recalls that of Bishop Blou gram's Apology. The poems are written in a variety of forms—lyric, sonnet, blank-verse, and show a mastery of technique. The measure trips lightly to thoughts of simple joy, or lihgers gravely in medi tation. Some of the quatrains, notaDly "The Winepress," recall the concision of Father Tabb. The tenor of the little volume is admirably lightened by the sprightliness of "The Fugue," which is delightful in ita reverent playfulness. THE FUGim "AMnen!" sang soprano "Amen!" growled the "Amen!" moaned the alto With tenor in place A moment of silence Most restful, and ttefr With vigor renewed-- They attacked theamen. "Amen! A-A men!! A-A-Ainen!!! A-A-A-Amen!!!! Amen! j" Rambling and scrambling,: And tumbling and fumbling And wavering and cfuavering, £nd singing and ringing, And quailing and wailing,iw Notes high and low blendijpfc.t Till all vigor failing, The grand fugue was ehde4r Down near the dikor Of the church, in tbft onmd, Ait old woman knelt In reverence bowedfel* Bt&t she ttirhed to her neighbor And whispered: "Ah, them, Why couldn't they decide YSTio would have the amokf Sure, to scramble like tha£r/ Anil to fight for the wor|^ It lsn't becomirt' •In the house o' the Lord." The book is tastefully brought out by the publishmgAaa al M. ^Bardie, THE CATHOLIC BULLETIN, SEPT. 29, 1914: THE LIST IHISS (Written for The Catholic tiiltatln by P*W.C. Last Mdss in .the dear old Cathedral! Where thousands of Masses were said,— The nuptial Masr for the plighted, The lagt solemn rites for the dead. Last Mass in the dim old Cathedral! Where thousands h^ve knelt in the gloom, While many have gone to a far land, Or rest in the dark of the tomb. Last ivrass in the grey old Cathedral! Where thousands, relieved of their pain, Have passfcd from its portals, up lifted, To take up the burden agafti. Last Mass in the dear old Cathedral! Where Cretin and Grace and Ravoux Have said their last Mass and. de parted. To abide with the blessed and the true. Last Mass in the loved old Cathedral! We pause at its threshold in tears, Let's breathe a farewell for the last time, 'Tis gone With the ghosts of the years. Last Mass in the grey old Cathedral! The faithful, long dead, kneel in prayer, Th6' the church be filled with the liv ing,— We know the departed are there. And we see many faces of dear otoes, Each back in his place as of yore, The last Mass in the. dear old CMhe dral! They're gone—to return now, nio more. FAITHFUL CHILDREN OF THE CHURCH—FOLLOWED LEAD OF ST. MARON IN FIFTH CENTURY —INHABIT MOUNTAINS OF LEB ANON. The IVfaronites afe the only branch of the Syrian race who have held to the orthodoxy of the Catholic doctrine from the time of St. Peter. They, with the Jacobites and Nestorians. were known simply as Syrians until the outbreak of Nestorianism in the fifth century. At that time they fol lowed the guidance of the monks of the Abbot St. Maron, and ever since they have been called Maronites. The Maronites chiefly inhabit the mountain chain of Lebanon between Tyre and the lake of Gennesaret Their chief seat is the district of Kes rawan. Their early history is envel oped in much obscurity. It is certain, however, that when the Byzantine troops were withdrawn, in 685, from the Syrian fortresses, the Christian? held the entire range of mountains from Antioch to Jerusalem, and there, continued to ,dwell repelling the at tacks of the Sarq^ens and affording refuge to the persecuted Christians of the surrounding provinces. A force of Maronites, in 877, helped defend Syracuse against the Saraftens, and during the Crusades they gave valuable aid to the Armies of the Cross. tn 1874 the Maronites numbered about 140,000. They are an agricul tural people, and generally poor. They hold property to be sacred, are strictly honest and very hospitable. In re: ligious matters they are. governed by a Patriarch, residing at Kanobin, as sisted by Bishops. The Patriarch if elected by the people, subject to the approval of the Pope. CORK'S MIS :t POETRY IT IS TO BE COLLECTED AND PRINTED IN THE IVERNIAN JOURNAL. Arrangements have been made for the collection and publication in the Iverpian Journal of the native bardic poetry of County Cork, Ireland, that is the poetry produced by Cork poets during the seventeenth, eighteenth and nineteenth centurieB. The work has been entrusted to Mr. Tadhg O'Donoghue, professor of Irish in St. Patrick's College, Drumcondra, Dublin. Mr. O'Donoghue is a native of the county. He is the poet laureate of Irish Ireland, and though still a young man, he has devoted practically a quarter of a century to the study of the native bardic literature. No Irish poet of modern times sings as true $o native bardic conventions, and al ready he has produced much poetic literature. Cork County has the distinction of being one of the few districts in which Irish literary traditions flourished practically down to our own day. There exists an enormous quantity Of unpublished poetry in Irish written ^by Cork poets of the seventeenth, eighteenth and nineteenth centuries. Much of this is among the manuscripts •Jn the Royal Irish Academy, in the Jviurphy Manuscript Library, St. Pat rick's College, Maynooth, and scat tered throughout the country in pri vate libraries. The works of some of the Cork poets have already been pub lished, but those of some two hundred •poets still remains to be collected and "fedited. The Ivernian Journal is a. quarterly teagaztne, issued only to members of the Ivernian Society. All persons are Eligible for membership on payment of a nominal subscription of five shill ings annually, to cover expense of publications in connection with the .Society, whose honorary secretary is iRev. C. M. O'Brien, C. C., 70 St. Pat Jttek Street, Cork. Do not belittle the part others take 1n the work of human advancement. He is-wifte wto tAke»,hei4 9k Gad's strength. *!vj «""f af5 f, NIB ST CITHLIC HUMS Iff tin St. Paul PuhHe Library (N. B. Keep this list for reference and present it at the Public Library.—-Ed,) FINE ARTS. History. Beli, N. R. E. M.—Elementary His tory of Art 709fi435e D'Agincourt, Sevoux.—History of Art by its Monuments 3 v, fr70f)D126h Gautieft Th4ophil«*—The Louvre.. 7 0 8 4 2 7 7 Goodyear, W. H.—History of A 709GC59h Goodyear, W. H*—Renaissance and Modern Art....... 709G659r Goodyear, W. H— Roman and Me diaeval Art 709G659ro Konody, p. Q„ Brockwell, M. W., and Lippmann^/F. ,W.—National Gal lery .V........... qr708.2K82n v 7 0 8 2 K 8 2 n Liibke, W.—Outlines of the History of Art .709L'931o Liibke, W.—Outlines of the History o A e v y S u i s 7 0 9 9 3 s Vallancei A*—Art in England during the Elizabethan and Stuart Peri ods .... ....... q709.42V182 Vasari, G.—Vasarl on Technique.. ...... .................. 700V328v Wickhoff, F.—Roman Art. fr709.37W636r Wolfflin, H.—Art of the Italian Ren aissance 709.45KW8-"»8 Architecture—Decorations. Bond, F. B., and Camm, B.—Rood screens and Roodlofts..qr729.96B710 "alvert, A. F.—-Moorish Remains in Spain :... .. .... r723.3Clo4i Sasquet, F. A.—Greater Abbeys of England 726.7G251g 2authier, J. C.—Minnesota Capitol 725.11G275m 3oodyear, W. H.—Greek Refinement. ..7.. q722.8G659gr Liibke, W.—Ecclesiastical Art in Germany during the Middle Ages ,726L931e Meynell, Alice.—Sundials, (in Hy att, A. H. A book of Gardens.) 716H992b Miltoun, Francis.—Cathedrals and Churches of the Rhine. .726.5M662c Miltoun, Francis.—Cathedrals of Northern France 726.6M662 Miltoun, Francis.—Cathedrals of Southern France 72l6.6M662c Ongania, F., Pub.—Basilica of S. Mark in Venice, qr726.5S147ob Pugin, A., and Britton, J.—Speci mens of the Architecture of Nor mandy qr723,44F'979s °ugin, A.—Gothic Ornament... fr729.5P979g Pu»fn, A., and Pugin, A. W. N.—Ex amples of Gothic Architecture 7 2 3 5 2 9 7 9 e Pugln, A. W» N.—Contrasts 7 2 3 5 9 8 0 Pugin, A.. W. N.—FlOriated Orna ment .fr745P980f Scott, George Gilbert.—Lecture on the Rise and Development of Me diaeval Architecture 723S425L Vallance, Aymer.—The Old Colleges of Oxford /.fr727.3V1820 Van Rensselaer, Mi G.—English Cathedrals 726.6V274e Van Rensselaer, M. G.—Henry Hob son ftichardson and His Works.. fr724.8R552v Sculpture—Drawing and Carving. Bode, W.—Florentine Sculptors of the Renaissance, 735B6(Hf Buonarroti, Michael Angelo.—Mas? terpieces of Michelangelo Sixty Reproductions of Photographs from Original Paintings. ,735B944mp Calvert, A. F.—Sculpture in Spain.. T30.9C167ss Cellini, B.—Treatises on Goldsmith ing and Silversmithing. .qr739C393t Holbein, H.—Dance of Death Ex hibited in Elegant Engraving on Wood 761H722d Holbein, H.—Facsimiles of Original Drawings for the Portraits of Il lustrious Persons of the Court of Henry VIII......... fr757H7?2f Holbein, H. —I cones Veteris Testa* menti Illustrations of the Old Testament Engraved on Wood.. 7 5 5 7 2 2 i Liibke, W:—History of Sculpture.. k .......... r730.9L931h Maskefl, W.—Ivories, Ancient and Mediaeval. .. 736M397I Goodyear, W.. Hi.—Grammar of the Lotus, ... fr745G659g May, P.—Phil May's Sketch-book.. fr741M46ep Van de Put, A.—Hispano-Moresque Ware of the XV Century. .738V227h Van Rensselaer, M. G.—Art Out-of doors. ...... ........... 710V274 Viardot, Ll—Wonders of Sculpture 730V617w West lake, N. H. J.—History of De sign in Painted Glass. .fr748W530h Painting—History and Legend. Bell, N. R. E. M.—Lives and Leg ends of the English Bishops and Kings, Mediaeval Monks and Other Later Saints 755B435Lb Bell, N. R. E. M.—Lives and Leg ends of the Evangelists, Apos tles, and Other Early Saints 755B435Le Bell, N. R. E. M.—Lives and Leg ends of the Great Hermits and Fathers of the Church, with Other Contemporary Saints.... 755B435Lb Cartwright, Julia.—Christ and His Mother in Italian Art fr755C329c Emery* M. S.—HOw to Enjoy Pic tures 750Eoa Michel, E.—Great Masters of Land. scape Painting 758M621g Muther, R.—History of Painting 750.9M991hp Muther, R.—History of Modern Painting 750.9M991hm Rio, A. F.—Poetry of Christian Art ?.!j5R584p Starr, Eliza A—Christian- Art in Our Own Age. ...7553795c Vinci, Leonardo da.—Treatise on Painting .750V777 Westlake, N. H. J.—Outlines of the History of Design in Mural Paint ing fr750.9W530 Woltmann, A., and Woermann, K.— History of Ancient, Early Chris tian, -awl Mediaeval- Faiating. 2 vols. .750.9W86WI "DoYoorCltrl "!t|a $ 1 Good Advice—but, "begin early to save your money '"lor Christmas Shopping" is also Good Advice. amnio hiplius SIX PRIESTS WHO SERVED THEIR COUNTRY ON THE FIELD OF BATTLE HAVE LEFT THE/SERV Besides the sixteen Catholic Chap lains on the active list of the United States army, there are six former chaplains on the retired list, two of whom were retired by operation of law, having reached the age of sixty four years, and the others on account of physical disability incurred in the line of duty. The dean, or oldest of these retired Chaplains is Rev. E. W. J. Lindsmith, how in his eighty-seventh year. He was ordained in 1855, appointed an army Chaplain in 1880 and served to 1891. He lives at St. Ann's Infant Asylum (of which he is Chaplain) in Cleve land, Ohio. Rev. E. J. Vattmann, who was re tired on reaching the age limit, re sides at Wilmette, 111. He is a native of Prussia, where lie was born in 1840. He was appointed post Chaplain in 1890 and retired in 1904 with the rank of Major. The four Chaplains retired for dis ability incurred in the service of their country are Rev. Patrick J. Hart, pas tor of St. Mary's Church, White Bear Lake, Minn., whose services in the army terminated in 1908, when he was retired with the rank of Major Rev. Edward H. Fitzgerald, now living at Avalon, Cal., was retired with the rank of Major, in 1909, after a service of twelve years Rev. Patrick P. Carey was retired after six years service in 1908, with the rank of Captain now resides at Walden, N. Albert J. Bader left the sei cause of disability in 1912, afi ing eleven years in the regula He resides at St. Joseph s Sani MIL Clemens, Mich. I WONDERFUL CU SIF. PETERSBURG TIME PI* HAS 95 FACES AND TEKLL TIME AT 30 PLACES. What is said to be the most wond fill clock in the world is in St. Petei burg.' It has ninety-five faces, and dicates simultaneously the time of dl at thirty points on the earth's surfeit besides the movement of the eai*t% around the sun, the phases of tbe moon, the signs of the zodiac, the passage over the meridian of more than fifty stars of the northern hemisphere and the date according to the Gregorian, Greek, Mussulman and Hebrew calendars. Two years were retjuir©J-ta.p«t the worfce together. The number of people who are starting savings ac counts with this bank is increasing every day. Are you saving your money for Christmas shopping/of-for some other definite purpose The Savings Department of the Peoples Bank of St. Paul offers you the facilities and the opportunity for starting a savings account* OLD CATHEDRAL PHOTOS |j Panoramic View of Last Congregation... $1.00 each Exterior Views..............v...r.. 50c to $1.00 each Interior Views 50c to $1.00 each Sanctuary (Very Beautiful)......,. 50c to $1.00 each The Above Prices will be Increased 50% after Oct. I O E N O W From J. L. O'BRIEN CIGAR CO., 28 West Sixth St«Mt MANSUR DRUG CO., Seventh and Robert AND THE MAKER *1 RANDOLPH STUDIO, Fine Photographs, 9 W. Ninth Street, St. Paul 6% First Mortgage Notes 6% We offer for sale, either as a whole, or in items of $500 or multiples, a first mortgage of $15,000, upon school, church and parsonage property, valued at $30,000, in a growing city with a parish of 150 families. Loan approved by the Bishop, and has in addition to the security, per sonal pledges signed for $10,000. All dates Sept. 1, 1914. A U I I E S $1,000 SEPTEMBER 1, 1915 $1,000 SEPTEMBER $1,000 IngEarly" ii 1, 1916 SEPTEMBER 1, 1917 $2,000 SEPTEMBER 1, 1918 $10,000 SEPTEMBER 1, 1919 Interest 6%, payable March 1st and September 1st. Price par and accrued interest* y: Collections of both principal and interest, and remit tances made to purchasers anywhere, without charge. ENDERLIN STATE BANK ENDERDIN, NORTH DAKOTA LOOSE AND RATTLING WINDOWS MADE TIGHT BY OUR WEATHER STRIP Window Frames Made tight by Our Elastic Calking Csmeit Write for Particulars and Estimates AIR TIGHT METAL WEATHER STRIP CO. 409 Palace Building MINNEAPOLIS ICE ON ACCOUNT OF AGE OR PHYSICAL DISABILITY. V 5» The Hoy Detective Agency (Licensed un) landed under the State Law of Minnesota) O N O Y i n i a (B'ormerly Inspector of Police) SPECIAL AND EXPERT DETECTIVE SERVICE 20 years continued experience in Minneapolis 414-415 PHOENIX BUILDING i Office Phone Tri-State Center 188 Office Phone N. W. Main 44 IRght aud Sunday 0*11 Highland 10tt Badge & Novelty C& John A. Lethert, Prop* MuufkCtar«rt if: SWUM .JOM 4 MTMRI' Badges, lanners, inftons* Flafis, Pennants* S O U V E N I S E 20 East Sixth Street, Second FlMT ST. PAUL, MINN. "Hate You W'wd "The Naming Of ties?" It is a story yoo will love md treasure. Ser|d five-cent itamp. further co ,t. We will mail it to you w:t The Catholic Chprch Society McComv ck Bldg. ftili a§Pi PIANO MANUFACTURER'S FAIR EXHIBIT" Al.fi SAIE Baby Grand $475 Art Style 265 Hamptoi 175 Eliswortl). 87 i. *•, ii".' USED BARGAINS MARSHALL cfA e & WEN DLLE 9IU3 Vose & Sen Kilgotar 65 34 V FALK CO. STORY PIANO STORE *h Street, St Paul IGHT BROS. H.E DRUGGISTS loth Phore« 'eet and Grand Afftiiia uth St. Paul ST. PAUL, MINN. Jkt