ONE who signs himself "Arion” writes that he cannot agree with the
view 1 take of song. He says:
"Speaking qf the clearness of John McCormack's enunciation you
esv that it is a great pleasure to Be able to obtain from a singer himself
tbs meaning of the words of a song instead of having to guess at their
meaning from the emotions which the notes arouse. I And it just the other
way. I can get more enjoyment out of music when there are no words at
ail. and I know others who regard it the same way as I. 1 was disappolnt
f ftt the stand you take, bocauie I have always agreed with everything
e. you have advanced in your interesting articles, and I hope you will
couio around to my way of thinking in regard to music, too."
First, I desire to thank “Arion” for his flattering general agreement with
what I have been saying in this column. Next, 1 hope he will not be
offended if I tell him that the view which he criticises is not at al! at vari
ance with his own opinion. Perhaps, though, there was some awkward
ness in the manner in which I had expressed myself. What was intended
was that WHEN words accompany a'song it is a pleasure to be able to
get their meaning from the lips of the singer himself instead of having
to flounder about in a Sea of guesses as to wliat the meaning of the words
really is. The source of this pleasure is not so much that the hearer com
prehends the words, as that his attention is not diverted from the music
by the effort involved in guessing.
* » «
LET us pursue this subject ft little fwthor. As far back as mythologic
times there are most extravagant praises bestowed upon music. Us
power to tamo ravages, subjugate brutes apd even attract stones and fas
cinate trees is described in the story of the groat singer whose name ray
critic lias adopted—Arion. Mythology also narrates that unotlicr musician,
/niphion, charmed stones by the magic of his lyre, so that they ranged
themselves together until they formed the mighty wall of the city Thebes.
How Orpheus even silenced the decrees of ftte with his harp ftnd obtained
permission from Pluto himself, the grisly g^d of the nether world, to bring
back to earth his beloved wife Eufidice, is still the theme of great com
posers and you cpn hear the opera commemorating that prehistoric event,
nung frequently at the Metropolitan Opera House.
In nonq of the instances just referred to is there any record of the music
having been accompanied with words. Music alone was the power (hat
wrought all these fabied wonders!
And neither in mythology nor in history is anything so stupendous credit
ed lo the power of human eloquence. For, "Let there be light,” was spoken
by God, and "In the beginning was the Word,” antedates, by a whole etern
t Ity, the ilrst advent of man.
So, my friend "Arion.'1 you see I am fully in accord with you, and
here's thal wo may never again have even the semblance of a falling out!
My beverage is ntilk: wliat's yours. Let's clink glasses!
YV 1I AT i3 the secret of the power of music? We know that nearly every*
' ' body has loved it and been powerfully stirred by it ever since that
pray dawn in which, dimly outlined, stands the cradle of the human race.
Man is primarily a sentient being and only secondarily n thinking one.
Words may pass unnoticed; hut who that is not paralyzed can ignore the
twinge of an aching tooth? That which feels the pain is n6t the Mind, as
is commonly believed, but the Will. The Mind is merely a servant of the
Will; its lantern, as it were, to show it the things that affect the Will. Thus,
If I experience a sudden pain it is the duty of my mind to Ir^orm me whence
th» pain and why, so that I may rid myself of It, and. accordingly my mind
makes me aware of the fact that, for instance, Someone Is standing on my
toe. So, too, if I am agreeably affected, the Mind Is merely the Instrument
that reports to the Will the source of thiB agreeable sensation. JTor, with
out the Mir.d the Will would experience only an indefinable sensation of
pleasure or pain without ever Knowing the catise.
The air vibrations caused by music affect the Will pleasantly or dis
agreeably according to the melodic or unmelodie succession of sounds. The
influence of these sounds is immediate. The sounds require no interpre
tation. Though the Mind, which Is the interpreter, remain silent, the sounds
• produce the result intended by the performer. This is accomplished by the
harmonious commingling of more or less rapid vibrations.
If the vibrations are Inharmonious and stridently jangling they cause a.
positive pain against which the Will revolts; but when the pain is of the
sympathetic sort which springs from slow, harmonious vibrations, produc
ing melody, the Will is agreeably affected despite the mournful nature of
This, then, is the secret of music. It moves our Will pleasantly, with a
directness like that with which, for instance, candy affects a matinee girl
or whiskey a toper. Hence there liFno more need for words to interprot the
lively, gay or majestically slow or softly sweet sounds which stir the heart
to pleasure or sadness, than there is for words to render candy more sweet
or whiskey more soductive.
But there is this difference botween the pleasure derived from music and
that given by candy or liquor; that as the essence of music consists in its
harmony, the Will which it affects, gradually Is rendered more and more
harmonious with itself and the world and becomes more and more ennobled
* • U
H*13XCK we may judge of the good which such singers as McCormack
accomplish. It is not alone the two hours’ tioklihg of the sense of hear
ing which mokes his singing such a .source of pleasure. It Is the heart and
soul elevating influence which this pleasure brings us that gives McCor
mack’s singing its almost incalculably high value.
THE. NEWARK—"Das Mlttcrnachtttnedel” ("The Midnight Girl.”!
SHt’BERT—Tickets now on sale for Robert Mantel] in ‘‘Richelieu" and Shakes
pearean roles next week.
ORPHECM—"The Wall Street Girl.” (Matinee daily.!
ODEON—.). Eenbric Hill and Darktewu Pollies In “My friend from Kentucky. ‘
PROCTOR'S— Vaudeville and moving pictures. Continuous from 1 to 11 p. m.
KEENEY'S—Vaudeville and moving pictures. Continuous from 1 to 11 p. m
IA RIC—Moving pictures. Continuous from 10:SO a. m. to 11 p. in.
IVABlIINGTON—Vaudeville aud moving pictures. Continuous from 1 to 11 p. m
Country Store Monday and Thursday nights.
MINER’S—Bert Baker and “Bou Tou Girls." Burlesque. Matinees daily. Ama- |
♦our night. Thursday.
2.-, . - ■ ■ . ■■i=ai-.'U ’■ I . -Tr.-r- ;■■■■; . ■ . ■■ j
NEW YORK THEATRES
ACADEMY — "The Fight” (matinee
ASTOR—Raymond Hitchcock In "The
Beauty Shop." (Musical play.)
BRONX 'OBEltA HOl’8E-”Alo»g Cam*
Butb." (Romantic comedy.)
CASINO—"High .links," (Musical com
COHAN—•‘PotiHh and Perlmutter.’*
COIRMI" Billy W. Watson and
••Otii- iuiu Happyland." (Burlesque.)
COMRD "Witty Mackay." (Comedy.)
COPT—o' My Heart." (Comedy.)
BD. JMlItrSEE—New waxworks.
t'JLTlNGE — "The Yellow Ticket.”
EMPIRE—Maude Adams in "Legend of
Leonora,” (Comedy.) and Monday,
Tuesday, Thursday and Friday muti
neer, "Peter Pun."
FORTY-EIGHTH STREET — ""Toduy."
FORTY-FOURTH STREET THEATRE
—"•The Midnight Girl." Musical com
FULTON—"The Misleading Lady.”
GAIETY—"Seven Keys to Ualdpate. ’
GARIOK—"The Governor's Boss”
GRAND OPERA HOUSE—"The Little
UI.OBE—"The Queen of the Movies."
HAMMERSTEINS VICTORIA — Prim
rose and Doekstader. (Minstrels.)
HARRIS—"Rule of Three.” (Comedy.)
HIPODROME—Gilbert and Sullivan's
“Pinafore," wltb a "real ship in real
HUDSON—"The Dummy." (Detective
IRVING PLACE—German stock In rep
KNICKERBOCKER - Julian Eltlhge.
"The Crinoline Girl.”
KEENEY'S THIRD A VENUE-Vaude
LIBERTY—Margaret Agile In "Lady i
Wlndmere’s ran." (Comedy.)
LITTLE—Grace George and Zelds Sears ]
In "The Truth." (Beginning Tuesday '
LONUACRl?—“A Pair of Sixes.”
LYCEUM—Btlllo Burke in Jerry.”
LYRIC—“The Red Canary.” (Musical
MADISON SQUARE GARDEN—Harnum
and Bailey’s Circus.
MANHATTAN OPERA HOUSE—PaT
lowa, Russian Dancer.
MAXINE ELLIOTT—"Help Wanted.”
NEW AMSTERDAM—“Sari" (Operetta.)
PARK—"Change." (Welsh drama.)
PHILIPS—"Alma, Wo Wohnst D11."
PLAYHOUSE—“Things That Count."
PRINCESS—"Marrying Money.” (Com
ROY A—"Way Down East."
SHUREUT—"The Belle of Bond Street.”
THIRTY-NINTH STUEET-”Too Many
VITAGRAPII—“Mr. Barnes of New York”
and other photoplays.
WALLACE'S—Cyril Maude In "Grumpy.”
WEST END—Guy Bates Post In "Omar,
WINTER GARDEN - "Whirl of the
World.” .(Musical comedy.)
Tilpphom 3639 Markat
583 BROAD STREET
NEWARK, N, J.
I CURTAIN |
Si CALLS j
Next week Kobert B. Mantell, the
eminent tragedian, will appear at the
Shubert Theatre. Monday night he
will give “Richelieu.” The rest of the
week will be devoted to his Shake
spearean repertory, as follows: Tues
day night, "King John;’’ Wednesday
matinee, "Merchant of Venice;”
Wednesday night, "Hamlet;” Thurs
day night,' "Macbeth;" Friday night,
"King John;” Saturday matinee,
"Hamlet;” Saturday night, “Merchant
The Whitehead & Hong Co. an
nounce that Monday will be Union
Club night, the theatre having been
secured for that night by the club.
"Along Came Ruth,” a comedy
which scored a great hit in a long
run at the Gaiety in New York, will
be presented at the Newark Theatre
next week by lwenry W. Savage. It is
a play packed full of wholesome hu
mor and pleasing sentiment.
A wide range of talents is to be
seen and heard in the vaudeville bill
which is being presented at the
Washington Theatre the latter half
of the present week. Much comedy
Is found in the original farce entitled
“Easy Money," which is by far the
best headline act on the bill. The piece
is offered by two men and ono
An endless amount of laughter is
excited by B. Kelly Forrest, the
tramp comedian, who tells many new
jokes and funny yarns In an ex
tremely humorous way. A singing
act, introducing several good selec
tions on the piano, is staged by Doll
man and Neville, a very entertaining
Other able comedians on the bill
are Anthony and Koss, who Imper
sonate Italian characters. They are
very entertaining, to say the least.
A novel act is given by Harry Tauda.
a Japanese equilibrist. The Beau
Brummcll Trio is heard to advantage
in a high-grade musical act. Good
moving pictures complete the bill. |
A testimonial benefit performance
will be given at the Orpheum Theatre
Sunday evening in behalf of the com
pany’s manager, Charles Vion; Treas
urer Fred \V. Gregory and Assistant
Treasurer Barney Franks. An un
usually line twelve-act vaudeville bill
will be presented. Members of tlie
Brownell-Work company will supple
ment the star acts culled from the
bills of New York’s best vaudeville
Among those to appear will be Miss
Anna Chandler, the international
singing commedienno, who will ren
der several now ond up-to-date.
songK: Otis Edward* will present his
big kid act, Introducing comedy, songs
and dances: Arthur Sullivan and
company will be seen in a sensational
dramatic playlet, entitled "Straight.”
Edward Van Sloan and Charlotte
Wade Daniels, members of the
Brownell-Stork company, will present
the expulsion scene from the second
act of "Hip Van Winkle." The bal
ance of the program will measure up
to the usual high standard of the
benefit performances given each sea
son’s end at the Orpheum Theatre.
Box office open all day tomorrow and
A neat little booklet ip being sent
out bv William A. Brady's 'Playhouse,
New York. It contains expressions of
appreciation for "Tlie Things That
Count," from educators, critics, cler
gymen, dramatists, actors and promi
nent persons generally.
With the change, of program for
the last three days of the week at
Proctor’s a novel and Interesting
magic act is brought forward by the
headliner. The name given to the
novelty Is "The Mysterious Evelyn
and the EnChaVited Candlestick.’’ The
feature stunt in the act Is the dis
. ppearance of a woman from the
centre of the stage in n very mys
terious manner. A number of other
clever feats In magic are also per
formed by the magician and his aide.
Another novelty is presented by
"The Vynos" In their musical farm
yard. They produce music from
everything about the farmyard, the
pump, the fence, the grindstone and
a number of other things. A good
singing and dancing burlesque la put
forth by Wallie Brooks and his
Sunshine Girls. A little comedy is
sprinkled throughout the skit.
"The T,oscr." u dramatic sketch,
played by Caroline Grtcnd, May
Grevllle and company, is well re
ceived. Keefe and Both, singers,
mAke a big hit. 'Jones and .Johnson,
"two black dots,” are the real goods,
and have the best fun of ,tlie whole
program. Dynes, a tramp comedian,
is mediocre. De Vnro and Zerneter,
performers on the bars, are all right
In their tine. The motion pictures
Week in Opera |j
MONDAY—8 p. ra., Metropolitan Opera
House. “Hnensel nnd Orotcl” and “Pag
lined.M Cast 1 • Mattfold, Alton, Ilomer,
Cox, Rraslau, Gorltz: conductor, Hertz.
o«st 2: Borl, Caruso, Amato, Reschtg
lian, Rada: conductor, Polacco. 8 d. m..
Century Opera House. Vidor Herbert’s
“Nutomn"—opening of >Mt week of
TUESDAY—8 p. »n.. Metropolitan Opera
House, gala performance. “Traviata."
a<*t 1. Cast: Henip°i. Cristnlll: eon
ductor. Pofacco. “Madam* Butterfly."
net 2. Cast: Fnrrar, Vornln. Scottl:
"omluctor, Toscanini. “Lohengrin,” act
l. Cast: tjad.sk! Hnnier. Joern. Well.
Witherspoon. Soiling*!: conductor.
Hertz. "La Boheme.” act 1. Cast:
Alda. Caruso, Oill.v. T)e Seaurola, IMni
Corsi, Ananlai): conductor. Polncco. 8
p. m„ century opera Hons*, “Natoma." |
WEDNESDAY—2 p. rn.. Century Opera
House. “Natoma.” 8 p. in.. Metropoli
tan Opera House. “Tnnnliueuser.” cnst:
Godskl. Frontatad, Spnrkes. Berger,
Weil. Althouse. Witherspoon, Huvsdael;
conductor. Hertz. 8 p. tn„ Century
Opera House, “Natoma."
THURSDAY—8 p. m., Metropolitan Opera
House, “Alda." Cast: Destinn, Ober,
Kparkes, Caruso, Oilly, liotliier, Rosai,
Rada: conductor. Toscanini. 8 p. m..
Century Opera House. “Natoma.”
FRIDAY—8 p. in.. Metropolitan Opera J
IIon«e. “I/Ainore Medico” and “II 8e
greto dl Susanna.” Cast 1 : Borl. Alten,
Cristalll. Pinl-Coral, Rotbler, De He
gnrola, Rada, Leonhardt. Ananinn: con
dnctor, Toscanini. Cast 2: Alda. Scotti,
Badu: conductor, Polacco. 8 n. m„ cen
tury Opera House, “Natoma.”
SATURDAY-2 p. in.. Metropolitan Opera
House, “Koemgakindcr.” Cast: Far
rar, Fornia, Mattfeld, Robeson, .Toeru,
Gorltz, Reiss, Ituysdael, Leonhardt;
conductor, Hertz. 2 p. m.. Century
Opera House. “Natoma. 8 p, in., Met
polltan Opera House, “Die Zauber
floete.” Cast: Destinn. Hem pel. Alien,
Berger, Reiss, Leonhardt. Witherspoon,
Hclilegel: conductor, Morgenstern. x p.
m„ Century Opera House, “Natoma”—
last performance of opera In English
N. Y. Concerts j
TUESDAY—3 p. ra„ Aeolian Hall, song
recital, Marie Altona, soprano. 8:15 p.
m. , Aeolian Hull, Mendelssohn Glee
WEDNESDAY—8:15 p. m., Carnegie HalL
University Chorus, first perform, nee of
H.mllton Harty's cantata, “The Mys
tic Trumpeter.” 4:15 p. m., Aeolian
Hall, Singer.' Club.
FRIDAY—3 p. m., Carnegie Hall. Joint
recital; Josef Hofmann, pianist; Mlacha
SATURDAY'—8:16 p. m . Carnegie Hall,
concert fur bencilt of German Sailors’
Southern Beauty Is One
of Leading Film Actresses
!Miss Gertrude McCoy Delin
eates Roles With Graceful
ly Natural Realism.
“A Real Helpmate”
I Guy Maxwell . Harry O'Moore I
Marlon . Gertrude McCoy!
!! Their child .. Anna Clifford'
I The new assistant .... Allan Croltua
Gilbert Keade . Charles Sutton I
Guy Maxwell was the brain of Gil
I bert Heade’s architectural establish
ment, but he received exceedingly
small compensation for his work. Nor
did tho fact that his employer was Ilia
wife's uncle have any effect oil his i
pay check. Marlon was a woman of
force and initiative, and when she saw
how her husband's talents were being
taken udvuntugo of by her uncle she
concluded that Ills future ehanoe lay
in another direction. So one day when
he came home, discouraged with his
prospects, she advised ‘‘Give this place
up, Guy. It is foolish for you to sluve
there any longer. You can make a
start for yourself and succeed."
Stimulated by Marion's insistence
and wise advice. Guy acted on her
suggestion and left Mr. Iteadc's estab
lishment. He went into business in
dependently and mado good.
Some three years after Ills inde
pendent beginning he was working
feverishly on planN for the new court
house In order to get them finished
within tho set. time. Marion watched
his work interestedly and was careful
that no home disturbances interfered
with him. Guy's former employer,
Iteadc, was also Interested in winning
the courthouse contract, but he found
his chancos considerably lessened, due
to tho fact that his assistant did not
show the brilliancy or originality of
Guy Maxwell. He was further dis
turbed by the idea that Guy was in
terested In the competition and he
j feared for his own plan In contrast
with that of his clever young rival's.
Five days before the time limit ex
pired, Guy, in investigating some
problems of building, fell down an1
opening in a scaffold and was sert- ]
ously Injured. At home after he was I
bandaged und put to bed his unfln* !
ished plan was the common anxiety
of Marlon and himself.
•Marion wits nor easily aauniea,
however, and as soon ns opportunity
offered she slipped away to the little
suite of offices and set to work malt
ing the final copy of the plan which
was to be submitted In the contest.
When Heade heard of the accident
he resolved on a desperate bit of de
ception. Taking his kodak he went
to the Maxwell home. He announced
that he would wait until Marion re
turned, when told she was out, and
fell Into conversation with the small
daughter, who Was perched on the
piano bench. Soou he asked the child
to show him the little room where
papa worked and she led him to the
studio, where the final draft of the
plan was spread out on the drawing
hoard. He hade the child hold the
sheet up In front of her and he took
a picture of the plan. Then he decid
ed he would not wait for Marlon and
hurried off to his office.
The cloeing day of the contest the
judges met to consider the submit
ted plans. The third one looked at
was Heade's and so exactly suited •
them that they did not bother to ex
amine any of the others.
Marion and Guy eagerly looked for ;
the newspaper account of tho court I
! house decision, where they found Gil
bert Heade announced ns the winner,
' with the picture of the winning plan
an exact duplicate of theirs. Still
Marlon was not crushed. She went
Immediately to Heade’e oflloo, where
she found the assistant alone, and by
feminine cajolery succeeded In secur
ing from him a print of the picture
that had been taken of the plan.
That afternoon Marlon took her
small daughter and made a call on
the court house building committee,
on which Heade was now serving
also. The gentlemen of the commit
tee manifested a skeptical spirit 1
toward her description of her bus- l
band’s plan and her claims on the one ,
accepted. But when she presented
her clinching argument, the picture of 1
the drawing sheet with a child’s
fingers at each corner and a rlbon
bow peeping up at the top, and then
took a sheet lying near and put. In the
child’s hands, duplicating the attl- i
tudo, the opinion of the gentlemen
was altered. Maxwell’s plan was
hunted out and Mr. Hoade hastened
to disappear from eight.
McCormack to Sing from
Deck of Ship “Pinafore”
The management of the New York
HipiKKlromo Is making a special ad
dition to the good ship "Pinafore,"
which Is at present anchored in the
great tank of the big theatre. The .
addition will be In the shape of an ;
extra deck, on which John MoTor- ;
mack will stand next Sunday evening,
when he gives his fifth concert In ;
Greater New York. In a period of five
weeks, an achievement, which, bv the
way, Is without a parallel In the his
tory of concert-giving. Taking into
consideration the concerts given in
Jersey City and Newark, which might j
properly be considered as coming '
within the metropolitan area, and j
three private recitals given in New j
Y'ork wtthln this same period, we can |
form some idea of the extraordinary
popularity of this splendid artist.
Mr. McCormack’s program for next !
Sunday will be one of the best lie has
ever given in New York. The open
ing number will be "Ah! Moon of
Mv Delight,” from “In a Persian
Garden," This Is considered by a
great many people as the most beau
tiful item In Mr. McCormack’s reper
toire. He will also sing tho charming
Poet song from "Da ISoheme,” Schu
bert’s "Ave Murla." "ICleanore," "Has ;
Sorrow Thy Young Days Shaded,”
"She Is Far from the Dand,” "The
Foggy Dew," and for encores he will
sing one or two of Moore's best
known melodies, and, needless to say,
he will, or must, sing such popular |
favorites as "Mother Machree,” "I i
Hear You Calling Me,” "The Next l
Market Day” and "Molly Brannlgun.’
Frank and Roger Hurst and George j
Watts, three Newark boys, are on the
bill at Keeney’s for the last half of
the week, and got a splendid recep- I
t4on from the audience that crowded
that theatre yesterday. The three
Newarkers do a clever song and dance
act, and intersperse the act with a
lot of chatter that Is new and witty.
The McGowan trio, two youths and
a girl, do some fine dancing, tnclud- I
Ing a burlesque on a cabaret enter
tainment. The real bit of the act,
though, is a bedroom scene, where
good dancing is mixed with clean i
comedy and funny antics.
Walter case and company, three i
people, have a unique playlet, which ,
verges on the tragic until it is j
broken up by one of the company sud
denly appearing on the stage as the
“house manager" and ordering the
Another clever act. In which three
people take part, is that Of John i
Woods and company, in which the |
plight of an old minstrel man about 1
to go to the poorhouse Is portrayed.
Sampson and Douglas, a song and \
dance team, made good, as-did Grace j
Doyle In a number of songs. One of 1
the real features of the bill is the j
work of the “Under the Water Mer
maids," two good looking girls, who i
eat and sew while under the wat , as |
well as do all sorts of fancy im- ,
mlng and diving stunts, Calloufte in
a slack wire act, opens the b .. eilhj
some artistic work
\ mss v w ^ «
Mlit (•crtruile McCo.l.
Miss Gertrude McCoy Is one ot the
motion picture stage's Southern
beauties, for she was born in Home,
(la. Her beauty is of the delicate
ftminine type that appeals by its
gentleness and dignity. Her man
ner in delineating iter various roles
Is essentially graceful and realistic—
there is never anything at all theat
rical in her work. Ail of her work
for moving pictures has been dom
for the Kdison company, with whom
she has worked for several years.
The Amateur Musical Club of the
Oranges, assisted by the Pleiades
Quartet, will give a muslcale at 8:15
next Tuesday evening at 32 Beech
street, East Orange. Proceeds are for
the Orange Valley Social Settlement.
John McCormack, the great Irish 1
tenor, who scored such a grertt sue- !
cess here last Tuesday night, will give j
a song recital at the New York Hit - ,
podrome Sunday night. He will ren
der a popular program of great va- !
Miss Natalie Neuhaua’s second I
pianoforte recital at the Aeolian j
Hall, New York, will be given i
next Tuesday afternoon at 3 j
o’clock. Miss Netthaus, who is I
Hungarian-German, crowded the :
large hall with music lovers on the ;
occasion of her first recital on March j
31 last. Her audience was enthusias
tic over her clever interpretation of '
the masters and her recital next I
Tuesday will undoubtedly prove '
Because of an appeal to her for |
an appearance in Brooklyn arrange
ments have been made for two re- i
dials at the Brooklyn Academy of I
Music on the mornings of May 5 and j
12 next at 10:30 o’clock, for the bene
fit of the Urookl\n Nursery and In
fants’ Hospital of that borough.
Just the Man He Wanted.
“I understand you got into jail,"
said the warden, ‘‘on account of n
glowing mining prospectus." "T was
quite optimistic," admitted the gentle- i
manly prisoner. “Well, the Governor i
wants a report on conditions in my
Jail. I want you to write it."—Pitts
Pleasant for the Caller.
Caller- Is your mistress: in?
Maid—IJid you see her at the win
dow as you came up the walk,
< tailor -No.
Maid- Well, she said if you hadn’t I
seen her to say that she was out.—
-rf Don’t Move
That Old Piano
Let the Pease Piano Co. Do It
and save you the expense.
We will take your old instrument, either GRAND,
SQUARE, UPRIGHT or ORGAN, at its full value, as
part payment for one of our NEW
Pease or Wilbvr Pianos
Grand, Player or Upright
We will take the o'd instrument and deliver the
new one to your new' address without any charge.
If not ready for the new piano we will give you a
credit bill, good for three years.
So economize. Save storage and carting. Do not
forget that the PEASE PIANOS have the highest pos
sible record for durability, and our 86,000 satisfied pur
chasers prove this.
Every piano marked at the net cash price. Pease
easy payment plan makes it a pleasure to buy a piano.
Write or call for 1011 catalogue and estimate for
exchanging old instrument.
Pease Piano Co.
10 New St„ Newark, N. J.
Market St. Market St.
Newark, N. J. Newark, N. J.
1 for This Record-Breaking Sale of |
Burton Wilton Velvet Rugs |
We have a supply left for one good day’s |
1 selling and then the greatest rug sale we have ^
Sever held will be over. Remember, every j
I rug is guaranteed to be perfect, and can be ^
Shad in the following sizes:— H
I $12.50 Burton Wilton
$21.75 Burton Wilton
Velvet Ru£S •
$25 Burton Wilton
I Reg. 912.50 at I
Or if. 910.7ft at
Vt*»MC. $7.1*8 fit
Made of Solid Oak, Well Insulated. Every One An Ice Saver
Full 2-Quart Size
made of best 18-gauge
aluminum; regular $2.25
value, special at
I M None
| Extension Table
p Beautiful flaked oak.
K highly polished; top
K 44 inch; Colonial base,
S* 9-inch diameter: reg
| ular price $24,
I i 7.98
Like cut. Golden oak,
large size, well finished;
strongly made; will not
tip; very special at
3-Piece Parlor Suite
A/ ■ 'TA -\
If finrly f|„
s|fl Iskod ma
tH l» o h a n y
^1 fra men,
I c u r v e <1
K panel backs.
[/ loose cuhIi
|i U Ions, silk
w with hair;
T full spring
I con Htruc
sj $K, special
Beau tiful quartered
oak, highly polished; all
hand carvings; full swell
front; regular price
Like cut. Empire or
shellac finish. Sells
regularly for $2.98, spe
Full swell front, French
legs, beautifully polished;
large beveled mirrors; in
3 woods, tuna mahogany,
mahogany or bird’s-eye
maple; reg. price $19.75,
White Enamel Bed
Inch hexagon posts, topped
with gothic de
' signed capitals,
heavily filled, all
soils regularly for
Full swell front, French
legs, beautifully polished,
large beveled mirror; in
3 woods, tuna mahogany,
mahogany or bird’s-eye
maple; reg. price $20.98,
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