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IN “The Prince,” that four-hundred-year-old, much-debated volume, which some have construed to be the devil’s own manual for tyrants, while others have considered It a masked satire in the sacred cause of lib erty, Machiavelli says: “There are three grades of intelligence, one which Understands by itself, a second which understands what Is shown It by orners, and a third which understands neither by itself nor on the showing of others. The first Is most excellent; the second, good; but the third, worthless." Huerta evidently is In the third predicament. His Mexican opponent, whose name sounds like a Spanish curse, Carranza, may be possessed of the second sort of Intelligence. I sincerely believe President Wilson's Is of the first grade. Huerta’s guiding principle, the one god he bows to, appears to be AM BITION-an ambition not unlike that of Macbeth. Somehow I could not hut think of Huerta last night, when, at the Shubert Theatre, I heard Rob ert B. Mantell In "Macbeth” speak these words: • * * • “For mine own good All causes shall give way; I am in blood Stopped In so far, that, should I wade no more Returning were as tedious as go o’er. * • • We are yet but young In deed.” And even more than Macbeth did- his hireling murderer remind me of Huerta when, planning the death of Banquo, he said that he was "So weary with disasters, tugged with fortune, That I would set my life on any chance. To mend it or be rid of It.” • « • OH, Mexico, Mexico, pitiable, indeed. Is thy plight If Carranza’s under standing prove like Huerta's, rif the third grade, described by Machla velll! Let us hope, though, that the Federalist chleftiln has wit of at least the second grade and is capable of realizing how futile Is the fight, with a country like the United States, which produces men, who (us Flag Lieu tenant McCandless, of Admiral Badger’s fleet, is reported to have done) are able, In a tiny launch and almost single-handed to compel the sur render of the Mexican gunboat guarded by a hundred and twenty-five sol diers and bristling with guns! I abhor war. It is brutal, cruel, unnecessary. However, I believe with Polonius: * * * * “Beware Of entrance to a quarrel, but being In, Bear ’t, that the opposer may beware of thee." So, h6W, “being in,” let us all who love peace hope that the blows will fall fast and heavy so that the Huertas, and, If need be, the Carranzas and Villas and Zapatas—and, pshaw, bring on the whole caboodle—may be quick ly winded and tire of the drubbing. The chances are that when this fight Is over there will never be another ■war. A powerful, brave country like ours which Is just, and has at stake so much of its own that can attain a ripening only through the creative arts of peace, will certainly And a way to make the rest of the world see what folly it is to cultivate the destructive art of war. 'THAT the ambition of one man, a worthless cut-throat like Huerta, should ■ be sufficient to embroil two great countries in a war, is an ironical commentary upon the Vaunted civilization of our age. It were a Joke were It not so serious! A dramatic production, no matter how good, can live only as long as the Institutions which It presupposes continue to exist. "Hamlet," “Othel lo," “The Merchant of Venice,” "Romeo and Juliet,” "King Lear" and many other Shakespearean plays will live as long as the human breast harbors revenge, jealousy, bigotry, love, Ingratitude, etc.—in other words, forever; | but when ambition, which waxes fat on wars, shall have lost what it ! feeds on; when there are no more wars, and courts of arbitration shall have 1 taken the place of cannon, “Macbeth" will cease to Interest theatregoers I nnd will remain only to be read as a stupendous monument of ilterature. ‘‘The Maid’s Tragedy," by Beaumont and Fletcher, one of the greatest of the plays of the Elizabethan era, ceased to interest audiences when the j principle upon which it was based and the existence of which seemed so j Imperishable at the time, was swept into oblivion. That principle was ‘‘the ! divine right of kings." The whole fabric of "The Maid's Tragedy” hinges . upon the circumstance that a man who is wronged by a king feels abso- I Jutely unable to avenge the wrong, owing to his sense of allegiance. At the critical moment, when Amlntor, the wronged man, has the king at his mercy, he says; "But there is Divinity about you, that strikes dead , My rising passions. As you are my king, I fall before you, and present my sword To cut mine own flesh, if it be your will." Imagine how the loyal subjects of "Merrie Old England” must have ap plauded these lines! JuBt as we of today applaud the cannonading which i makes a shulfleboard of the stage and sweeps an army into nothingness. A modern audience, even In London, probably would be tempted to re ward Amlntor’s loyalty with a well-aimed brick-bat, or, at least, an an tique egg. When the principle of the arbitrament of war joins the principle of the divine right of kings in the realm of the ridiculous “has-beens,” the curtain will cease to rise on dramas which have battlefields for their topic. jj NEWARK THEATRES THE NEWARK—“Along Came Rutli." BHITBERT—Robert B. Mantell In "Richelieu” and Shakespearean plays. Cur tain rises promptly at 2 and H p. m. ORPHEUM—“Madam X," (matinee dally.) PROCTOR’S—Vaudeville and moving pictures. Continuous from 1 to 11 p. in. KEENEY'S—Vaudeville and moving pictures. Continuous from 1 to 11 p. m. 1.'. RIC—Moving pictures. Continuous from 10:30 n. m. to 11 n. tn. WASHINGTON—Vaudeville anil moving pictures. Continuous from 1 to 11 p. m. Country Store Monday and Thursday nights. MINER'S—Harry Hnstlng’s “Big Show” with Hawaiian barefoot tuugo dnneerg. Matinees dally. Country store. Tuesday; amateurs, Thursday. i NEW YORK THEATRES 1 ACADEMY — "Strongheart,” (matinee daily). ASTOR—Raymond Hitchcock In "The Beauty Shop." (Musical play.) 8ELASCO—"The Secret." BOOTH—“Pantliea.” BRONX OPERA HOUSE—"Madame X." CASINO—"High .links." (Musical com edy.) COHAN—"Potash and Perlmntter.” COLUMBIA—"The Big Jubilee." COMEDY—".Kitty Maekay.” (Comedy.) CORT -"I r o' My Heart.” (Comedy.) EDEN I'SEE—New waxworks. KLTINoE — “The Yellow Ticket." (Drama.) EMPIRE—Maude Adams In “legend of Leonora,” (Comedy.) and Monday, Tuesday. Thursday and Friday mati nees, “Peter Pan.” FORTY-EIGHTH STREET — "Today.” (Drama.) FORTY-FOURTH STREET THEATRE —“The Midnight Girl.” (Musical com edy.) FULTON—"The Misleading Lady." GAIETY—"Seven Keys to Baldpatc,” (Mystery farce.) GARRICK-"The Governor's Ross." I GUANO OPERA HOUSE—"Young WIs doni." GI ORE—"The Queen of the Movies." (Musical show.) HAMMBRSTEIN'S VICTORIA - Prim rose and Dockstader. (Minstrels.) HARRIS—"Rule of Three." (Comedy.) HIPPODROME—Gilbert and Sullivan's “Pinafore,” with a “real ship In real water." HUDSON—“The Dummy.” (Detective I comedy.) IRVING PLACE—German stock in rep ertoire KNICKERBOCKER - Julian Eltlngc, "The Crinoline Girl." KEENEY'S THIRD AVENUE—Vaude ville. LIBERTY—Margaret Anglin In "Ludy Windermere's Fun." (Comedy.) LITTLE—Grace George and Zelda Sears in "Truth." LONG ACRE—“A Pair of SlieB.” •LYCEUM— Hlllla Burke In “Jerry.” (Comedy.) LYRIC—"The Red Canary." (Musical play.) MANHATTAN OPERA HOUSE-Pav lowa. Russian Dancer. MAXINE ELLIOTT—“Help Wanted.” (Comedy.) cren consistency of ! tSil pure cane-sugar syrup make it the ideal spread for pancakes, waffles and the child ren’s bread, 15c TweSlies 25c J THE AMERICAN SUGAR REFINING CO. Address! New York City CURTAIN CALLS The twelfth annual spring season of the Aborn English Grand opera Com panies will open on Monday, May 4, when two of these organizations will begin long engagements at the Teek Theatre, Buffalo, and the Alvin Theatre, in Pittsburgh. Another ml the Aborn organizations will inaugu rate its spring season the following Monday, May 11. at Ford’s Opera House, in Baltimore, and two more will open at the Brooklyn Academy of Music and the New National Theatre in Washington on Monday, May 18. There will be five of these organiza tions running at the same time in the opera houses mentioned, each one numbering about 100 persons in its cast, ofchestra, chorus and staff. As usual, only the leading artists will travel from one city to another over the circuit, while the chorus, orches tra and staff of each company will remain located in one city, as long as the season lasts. This institution, which employs 500 or more singers and musicians during the spring of each year, has been de veloped by Milton and Sargent Aborn through many successful seasons, and has become so firmly established in many of the larger Eastern cities, that music-lovers in those cities look for an Aborn series of grand opera in English as one of the Inevitable signs of spring. Their repertoire this season will in clude "Madam Butterfly,” "11 Trova tore,” "Faust,” "I.ucta di Lammer moor,” "Martha," “La Bohemc,” "Rigoletto,” “Cavalleria Rusticana,” "I Pagllacci,” "Hansel and Gretel,” "Secret of Suzanne,” "Thais,” "Mig non,” "Carmen,” "The Tales of Hoff man,” "Romeo and Juliet," “Ea Tosca,” “I.a Glaconda,” and "The Bohemian Girl." The New York H'ppodroma revival of "H. M. S. Pinafore" has proven such an unqualified success that the air is full of wild rumors concerning similar operatic works to follow. Nearly every standard light opera, from "The Chimes of Normandy” to "The Queen's Lace Handkerchief," has been mentioned as a possible candidate for presentation on the huge Hippodrome stage. Asa matter of fact, the liberal pub lic patronage that greeted "Plnaforo" has not and will not lure the Hippo drome management into a definite, permanent change of policy. The vast playhouse will remain the house of spectacular sensationalism, ex pressed In one annual creation from the mental storehouse of \ r'lnr Voegtiin, although it Is entirely with in the range of possibilities that en annual spring season of Ilgnt opera may become a fixed feature at the Hippodrome. Fritz Leiber, who is one of the most prominent actors in Robert B. Man teli’s company, which is playing at the Shuhert Theatre here, recited Shakespeare’s ‘‘Seven Ages of Man" during the three hundred and fiftieth birthday anniversary celebration in honor of the great dramatist in Cen tral Park, New York. He was greatly applauded. Mayor Mitchel, who pre sided, said that the reading of Shakespeare's works has made it pos sible for him to be a better mayor than he could have been without that training. Oround hue been broken for a pew theatre for Frank A. Keeney in Lons Island City. As is the ease with nl the Keeney theatres, the new house will he known ns “Keeney’s." and will be modeled after the Keeney Theatre in this city. It will he built of brick and terra cotta, with main floor and one bal cony only. It will cost in the neigh borhood of *175,000 and will be locat ed on Jackson avenue, within a block of the Queensboro bridge plaza. The new house will be ready to open early In September. | MUSIC NOTES j| Before an audience that comfort ably filled Wallace Hall last night the Orpheus Club gave Its second private concert for this season. The club was assisted by Miss Mary Jor dan as soloist. Miss Jordan’s voice is a mczo so prano of very wide range, and last night she made use of It with con summate art, especially In rendering Wagner’s "Traeume” and "My Thoughts of Thee,” by Meyer Hel mund. Each of her songs was warmly received by the audience and she was compelled to render several encores. The club, under the leadership of Arthur Mces, presented a program of eleven songs, the last half being made up of favorites. They were compelled to repeat three of th >m. The seventy or more members suffered some slight discomfort because of the smallness of the stage, further crowded by a piano. While somewhal : -ged In phrasing the more difficult passages, the choir showed plainly the results of the dili gent training they had been subjected to by Mr. Mees. Especially was this apparent In the singing of "The Broken Melody,” of Jean Sibelius, sung for the first t'me h’y the club, and Dudley Buck's beautiful arrange ment. of “Annie Daurie,” Tn singing a Neth'rland prayer of thanksgiving by E. Kromser the club Invested the hymn with great beauty and rever ence. The choir Is finely balanced and produces a tone of splendid vol ume and beauty. "Hi Week in Opera !! MONDAY—8:16 p. m„ Metropolitan Oprea House, “La Boheme"; east. Farrar. Al ten. Martin. Amato, I>e Segnrola. Plnl <’orsl ami Ananian; conductor, Polaeco. TUESDAY—-2 p. m., Metropolitan Opera House, special matinee, “Hnensel und Oretel” ami “Pngllaeel": east 1, Alten. Mattfeld, Cox. llraslau, Robeson. Reiss and Leonhardt; eonduetor, Morgen stern: cast 2, Tlorl, Caruso. Ollly. Hesehlgllan and Rada; conductor Hagemann. WEDNESDAY—8:15 p. m„ Metropolitan Opera, “Tosea"; cast. Farrar, Bras ]au, Caruso, Seotti, Stossl, Plnl-Corsl, Bada, Begue and Ananian; eonduetor, Polaeco. THURSDAY—7:45 p. m„ Metropolitan Oprea House, “Lohengrin”; east. Frem stad, Homer. Berger. Oorttsi, Wltlier spoon and Sehlegel; eonduetor, Herts. FRIDAY—8 p. m.. Metropolitan Opera House "Alda"; cast. Pestlnn, Obor. Spnrkes. Martin, Ollly, Hothter, Rossi and Bada; conductor. Polaeco. SATURDAY—2 p. III.. Metropolitan Oprea House, “Travluta": cast. Ileinpel, Mmt bourg, Mnttfcld, Crlatalll. Oorlts. Anan ian, Reschigllan, Ilnda and Begue; con doctor, Polaeco. 7:30 p. in., Metropoli tan Opera House, "Tristan und Isolde"; cast, Gadski, Homer, Berger, Amato, Witherspoon; conductor, Toscanini. TUESDAY—Booth Theatre, lecture re cital. Mrs. Roger Watts and Trio de Lutece. 3 p. m., Aeolian Hall. Joint re cital, iOstella Neuliaua, planlat, and 3. H. Clifford, reciter. 8:15 p. in.. Aeolian Hall, Joint recital, Ethel Login aka, planlat, and Marie Caelova, violinist. THURSDAY—8:15 p. m., Aeolian Hall, song recital, Helene Koelllng, soprano. SATURDAY—8:15 p. m., Carnegie Hall, George Schumunn'a “Ruth," Oratorio Society. Photoplay Shown Privately Stirs to Wild Enthusiasm “Jack o' Diamonds” Shown by Company of Which W. A. McManus Is Treasurer. Frederick Bryton and Clay Green's drama, "Forgiven, or Jack o’ Dia monds," a six-part photoplay, exhi bited privately yesterday at the Goodwin Theatre on Broad street, in terested me chiefly because it furnish ed one more key to the wonderful success of William A. McManus, a self-made man, of whom Newark Justly may feel proud. Mr. McManus's father, Andrew J. McManus, was a captain of police for years and a de tective of world-wide reputation. Mr. McManus Is secretary and treasurer of the Bteller Photoplay Company, producers of the stirring film drama. Of his oareer, which Is an lnspirxt’on to young folk, I can give but the briefest outline here, as tne primary purpose of this article Is to descrioe the photoplay. Not so many years ago, a bright eyed, sunny-dlspositioned lad ob tained a position as helper on an express wagon. He performed his work to the satisfaction not alone of his employer, but to the delight of his employer's patrons. Among the latter was Henry Lang, a rich New ark leather merchant, and at one time mayor of the city. Often Mr. Lang would watch the boy lend his help to pack up bundles and carry them out to the express wagon. Most other boys would have sat at their ease on the wagon, for neither the packing nor carrying was part of this particular boy's duty. Mr. Lang one day asked him his name. «v mmui JV. .nuiiianuO) plied. “Well, William, would you like to work for me?" "Indeed, I would," was the prompt reply. In his new position the boy showed tho same industry, patience, prompt ness, obliging disposition and atten tion to duty as before. Result: He quickly rose from rung to rung un til, In an almost Incredibly short time, he became chief of all the em ployes. One day he advised his employers to deal In a certain kind of leather which, until then, they had sedulously steered clear of. McManus's reason ing overcame their scruples; and the leather In question wua purchased. Tho young superintendent's judgment proved to be sound. Tho venture netted a fortune and to testify their appreciation the firm took in the young man as a partner. At a time of life when most men are still engaged In clearing the path preparatory to the uphill struggle In business, Mr. McManus had amassed, it is said, neurly a quarter of a million dollars and was enabled to retire and look around for something In which to spend the remainder of his life just as profitably, yet more congen ially. As a venturo In this direction he has embarked In the photoplay film production. And the first fruit of this enterprise is "Forgiven, or The Jack o’ Diamonds." The leading character in this play Is John Diamond, known as “Jack o' Diamonds." Ho received the sobri quet on account of a lucky turn which that card once brought him In a game of faro. Tho role is play ed by Edwin Forsberg, a prominent New York actor, who first gained distinction some time ago ns tho principal male character In Henry \V Savage’s production of "Madame X." “Jack o’ Diamonds" wMr the love of Annie Dennison. She becomes his wife upon his promise to give up gambling. Her former suitor, Willard KEENEY’S Those perennial favorites, Charles ,T. Ross and Mabel Kenton, bead a good bill at Keeney’s Theatre for the last half of the present week. Ross and Kenton have brought their al ways fupnv burlesque on "Antony and Cleopatra" up to date, and the old vehicle is worth more laughs than it ever was before. The stage set tings for the act are t'he most elabo rate yet seen on the Keeney stage. The Rose troupe of acrobats do some splendid work, the wind-up of the act being a scream, with three of the troupe of six mounted on stilts that put the heads of the performers well up in the curtain flies of the stage. Charles Deland and company, two men and a pretty girl, have an act that brings a lot of laughs from the audience. The act depicts th" troubles of a man trying to save his sweetheart from a hotel that Is on (Ire, the fire starting .lust after the man has sent all hls clothes out to be pressed. Eli Dawson, In a negro sketch, makes good with some brand new songs that he sings in ft style nil hls own. So well does Dawson imitate • he negro dialect that It is not untt' he pulls off hls gloves and reveals his white hands that the audience really believes he is a white man. Hastings and Boyle, two pretty girls, sing a number of songs in a manner that got them several en cores. The Va'ena troupe, three men, were pleasing in a number o' high-class selections, the work of one of the men on a plnno-accordton be ing splendid, especially hls rendition of "The Rosary." Mae Clinton used a well-trained voice to good advan tage In singing some new songs while George Edwards, a corned v luggler. who onened the bill, pulled some new stunts that were well liked by the audience. The WISS Store Foremost j| in Cutlery i| gjTRETCHING back over a span of many years is < J our unequaled reputation •, as makers and sellers of high class cutlery. < Jj We adhered steadfastly to j, the highest standards of quality ^ < to gain the coveted reputation, ; I | We are today more jealously <1 i guarding that reputation than < \ > ever. J > | Only the best of cutlery is < ‘ i permitted to bear the Wiss <, 1 name. It must equal or sur- J > | pass the finest produced by any < J I other maker. j, It must be absolutely de- <; pendable in every way. J > | It Is a product of which , > Newark may well be proud. < [ There is no question that the J > Wiss store is the store of stores < > for cutlery. < [ Carving Sets. ; Knives, Forks. !; Scissors, Pocket Knives. ;. J.WISS & SONS! stLVCTsnntts and jtwtlers < ! 665 - t67 Brt»d afrerf_j > Graham, frequently visits the Dia mond home and makes every effort to win Annie's love. Falling in this, he succeeds in instilling into Jack’s mind a suspicion that Annie is dis loyal; and, after a "scene,” the wife vanishes with the baby daughter Leonie. Ten years later Jack, who has be come a wealthy ranchman, by chance meets his wife again, at the very same time when Graham, who has been seeking for her, also discovers her whereabouts. There are many tense, thrilling moments for the sjiectator after this. Among these is a duel interrupted by two homi cides which are freely condoned by the audience, as one of them takes off Graham, the other nips a cut throat just as he Is about to stab Jack o’ Diamonds. Before dying, Graham confesses his duplicity and exonerates Annie, who at the eml of the play Is clasped to Jack's heart with Leonie between them. Annie was played by Caroline French; Graham by Frederick Bur ton; Leonie, as a eute little girl, by Lois Alexander and. later, ns a big ger girl, by Fritxl Rruenette. I. R. B. He Wouldn't Try It. 'Will you try some of my angel cake?” asked the young housekeeper Of her husband. " made it with my own hands.” "No, thank you,” was the reply. "Are you afraid it Isn’t goon enough,” she plaintively asked. "No: T’m afraid I'm not good enough.” "Good enough for what, dear?” "Good enough to become an angel.” —Exchange. THEATRICALS BY BIBLE CLASS A HIT _ • • "Tommy’s Wife,” a three-act farce, presented last night by the Young Ladles’ Bible Class of St. Luke s M. IS, Church, Clinton avenue and Murray street, was enthusiastically received by an audience which filled the hall. The young women were assisted by several young men who are members of the church. The play will be presented again tonight. The cast was as follows: Thomas Pitman Carothers, a promis ing young portrait painter, as yet uu known to fame; Rose Carothers, his sister, Miss Hazel Lyon; Dick Oran nis, Carothers's chum, in love with Rose, Richard Downing: Patty Camp bell, a student at the Broadway Dra matic School, Miss Muy Korb; Mrs De Yorburgh-Smith, u‘ wealthy so ciety woman, Miss Helen Palmatler; Sylvia, her daughter, "young and im pressionable, Miss Ethel King; Pierre De Bouton, a French fencing master, Franklin McLean; Edith Bronson a fr(end of Rose, Interested In charities, Miss Reha Nettletoh. Synopsis: Act T.—In Carothers’s studio. Afternoon. Act II.—Same scene. Morning, two weeks later. Act III.—Library at Edith’s home. Evening of same dav. Place—New York. Time—Spring, 1914 Music last night by Miss Grace Rutan, pianist; tonight by Miss Alice Conk, pianist, and Miss Elsie Kent gart, soprano. Ballots and Babies. "Next time,’’ say the Chicago suf- i fragists, "we’ll have a place at the polls where mothers can cheek babies.’’ Their English sisters' plan would he to have the men stay home and mind ’em.—Pittsburg Gazette. i Go Direct to Your Customers —By Telephone THE shortest, quickest route to your customers, and the most convenient way for your customers to reach you, is BY TELEPHONE. The TELEPHONE will help you to increase your sales, build up your list of customers and promote the growth of your business. Why not arrange for a telephone in your place ot business and provide a direct route to telephone customers at all times? 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